Note: Although this is a two-part series, each module stands on its own. Students are welcome to join in for any module of the series. •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Surely life at the world's end will unhinge your imagination! See by yourself by exploring the extraordinary, diverse science fiction and fantasy (SFF) of Chile, a remote land barely hanging at the edge of our planet. Boasting a grand literary tradition, and literally zero interest in hard science, Chilean SFF is different, opening unusual vistas into the imaginative landscape.

In the second part of this two-module series, we will explore how, under dictatorship, Chilean SFF creation mainly moved abroad, together with its exiled creators, such as Isabel Allende, and her The House of Spirits.

Since the return to democracy in 1990, Chilean SFF has been shaped by profound, historically unresolved social conflicts, such as colonial and patriarchal legacies, an ambiguous relationship with technology, persisting ‘classism’ and socio-economic inequalities, and the lingering traumas of the military regime.

Post-humanist SF, Cyber- and Steam-Punk, have taken strong roots in Chile by addressing those old conflicts in impactful literary works, such as Alicia Fenieux’s Clone’s Love or Muñoz Valenzuela’s Flowers for a Cyborg. A decade of massive foreign immigration, of over 10% of the national population, compounded social tensions. And the optimism that followed redemocratization and lightning-fast economic growth ended abruptly in 2019 with a dramatic ‘social explosion’, where millions of people took to the streets after a minor rise in the cost of public transportation. Remarkably, SFF is thriving under these unsettling social conditions, as Chilean SFF authors alchemically transform the new anxieties into extraordinary imaginative creations.

A true Chilean Golden Age of SFF is being born as zombies and other dreadful creatures run rampant. Inspired, though dystopian social visions combine with technological nightmares to create some of the best imaginative literature ever created in the country.

Lastly, we will look at the Cyber-Shamanism of Jorge Baradit—Magic Realism 2.0?—an inspired, neo-techno-Gothic expression of the ‘new pessimism’, mixing Cyber-Punk and indigenous spirituality to express the new fears arising from the expansion of organized crime, violence and corruption, threatening social dissolution not only in Chile but in the Americas as a whole.

The module will follow an 8-session structure as follows:

• Lecture 1: Magic Realism & Real Dictatorship: Isabel Allende’s 'The House of Spirits' and other potent exiled imaginations.
• Discussion 1: Class discussion on Lecture 1 material.


• Lecture 2: Posthumanism's alive and well in the South Pacific: From cyborg social justice revenge to clones’ love betrayals.
• Discussion 2: Class discussion on Lecture 2 material.


• Lecture 3: Chilean zombie attacks, vampires on the lose, and other easily preventable catastrophes: Pop goes the future!
• Discussion 3: Class discussion on Lecture 3 material.


• Lecture 4: A pessimist Golden Age and Magic Realism 2.0? Cyber-Punk, Cyber-Shamanism & Jorge Baradit's “Magical Conquest of America”.
• Discussion 4: Class discussion on Lecture 4 material.