Dark Academia Portal

Shirley Jackson is rightly celebrated as a master of Gothic storytelling thanks to her most well-known novels such as The Haunting of Hill House (1959) and We Have Always Lived in the Castle (1962). In recent years, however, her earlier novel Hangsaman (1951) has received new attention and critical appreciation from fans and scholars alike.

Far ahead of its time when it was published, Jackson’s deeply personal Hangsaman is many things: a psychological study of a young woman’s coming of age; a haunting Gothic mystery; a pointed critique of gender roles, family dynamics, and higher education; a meditation on trauma and mental illness; and an ancestor of today’s dark academia storytelling. Shirley Jackson drew inspiration from a variety of sources to craft this remarkable campus novel, from folk ballads and the Tarot, myth and ritual, to a real college campus and an unsolved New England cold case of a missing sophomore student.

In this module, we will unpack this gem of a Gothic story, following freshman Natalie Waite as she searches for her “essential self” and discussing why Hangsaman feels freshly relevant and important to many readers today.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Shirley Jackson and the Gothic
	Discussion 1: Part 1 of Hangsaman
Week 2	Lecture 2: Dark Academia and the Missing Student
	Discussion 2: Part 2 of Hangsaman
Week 3	Lecture 3: Transformation and the "Essential Self"
	Discussion 3: Part 3 of Hangsaman
Week 4	Lecture 4: The Influence and Legacy of Hangsaman
	Discussion 4: Themes and Takeaways

Last Seen Wearing (1952) by Hillary Waugh is hailed by genre scholars as the first acclaimed “police procedural” novel, a pioneering work of crime fiction that shifted the focus from the lone single detective to investigative team members and their process. Paving the way for modern police procedural novels – not to mention television phenomena such as Law and Order, CSI, Criminal Minds, and other series – is distinction enough, but Last Seen Wearing is also of literary interest for other reasons. The novel uses a real-life true crime case as a springboard for its fictional investigation, and, in its exploration of a missing student at an elite women’s college, it also builds on the tradition of the campus mystery, employs ingredients of the New England Gothic, and anticipates the rise of dark academia.

In this module we will consider how Last Seen Wearing serves as both a pioneering novel and a window into its moment in time. What does Last Seen Wearing tell us about the intersection of fiction and true crime? Gender and the Gothic? What has “aged well” in the story and what hasn’t, and what does this tell us about the evolution of mystery-related storytelling? And what can we learn about the blending and blurring of genres from this fictional solution to a real-life cold case?

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Crime Fiction and Its Evolution
	Discussion 1: Part 1 of Last Seen Wearing
Week 2	Lecture 2: True Crime, Campus Mystery, and the Imagination
	Discussion 2: Part 2 of Last Seen Wearing
Week 3	Lecture 3: The Police and the Process
	Discussion 3: Part 3 of Last Seen Wearing
Week 4	Lecture 4: The Meaning and Legacy of Last Seen Wearing
	Discussion 4: Themes and Takeaways