The Inklings Portal

What is love? This is the question C.S. Lewis explored in his classic book, The Four Loves. Over four weeks, we will read and discuss The Four Loves as a class, exploring his four classifications and their philosophical underpinnings. Comparing and contrasting Lewis with short excerpts from Plato's Symposium and Aristotle's Nicomachean Ethics, we will explore the themes of affection, friendship, eros and charity.

Do you imagine other tales set in Tolkien's beautiful Middle-earth? First person? FRP campaign design? Screen plays? Other minds and hands will come together to create and discuss "what if" for our own fanfiction. We will use a little peer-reading and a lot of focused discussion to move each writer deeper into the story they love. Expect to end the month with a folder full of story seeds or big progress on one big project.

C.S. Lewis is one of the most prolific and influential writers of the 20th century. And yet, in his early career as an Oxford don, he viewed himself as a failed poet. Moreover, his most canonical and transformational writing happened during the most stress-filled periods of his life. This short course allows students to peek into the writing life of C.S. Lewis. Our goal is to see through the lines of printed text by visiting the letters and archival remains of Lewis in a virtual setting. Most of C.S. Lewis' papers remain undigitized and unpublished, available only locally at archives in North America and England.

As Professor Brenton Dickieson has visited these archives, he is able to invite students to appreciate C.S. Lewis' writing life by looking at the way that he consciously and unconsciously built his literary career. This course is for writers who are developing their own habits and literary life-prints, as well as folks who are curious about C.S. Lewis's life beyond the biographies and bestselling books.

How do you pick up the threads of an old life?

Come and take a deep dive, attempting to do just that, as we look into the life of the maker of Middle-earth! This series will take a leisurely (but thorough) adventure through the life of Tolkien over the course of a year through the lens of the newly revised and expanded Letters of J.R.R. Tolkien. As the module follows the narrative presented in Tolkien's own words in his letters, preceptor sessions will allow for discussions of Tolkien's thoughts and problems as he raises them --- as well as the chance to read and discuss selections of his creative works along the way. Weekly lectures will also supplement the course, taking a thorough and methodical look at the life of Tolkien in tandem with the letters and filling out a more complete picture of the man and his life through his work, his personal life, and his creative endeavors. Names, places, and stages of history can all too easily become abstractions on a page, but in this course we will see the way in which Tolkien's personal environment was intimately connected to his works, and shaped the life of the man behind the legendarium.

Whether you have read them before, dipped in from time to time, or have never read them at all, Tolkien's letters provide a font of fascinating material fleshing out the development of his literary work and the complexities of his personal life. The approximately 150 new letters in the new edition will also provide an enthralling and more incisive look into the man behind the myths that readers have never seen before. Join for the whole series, or just dip in for a deeper look into your favorite era of his life and work!

January: 1892 -1938: The War, The Early Silmarillion, and The Hobbit (Letters 1-33)
February: 1938 -1944: WWII and The Lord of the Rings (Letters 34-64)
March: 1944 - 1945: The End of the War and the End of the Tale (Letters 65-97)
April: 1945 - 1950: Creative Work and Publishing Problems (Letters 98-130)
May: 1950 - 1954: Milton Waldman and The Silmarillion (Letters 131-144)
June: 1954 - 1955: Publishing, Auden, and the Creative Process (Letters 145-163)
July: 1955 - 1956: Allegory and Interpretation (Letters 164-182)
August: 1956 - 1958: The Idea of Film Adaptation (Letters 183-210)
September: 1958 - 1961: Popularity and Fandom (Letters 211-234)
October: 1961 - 1964: Creativity and Family (Letters 234-257)
November: 1964 - 1967: Interviews and Popularity Problems (Letters 258-294)
December: 1967 - 1973: Poetry, Language, and Reminiscence (Letters 295-354)

With the publication of The Fall of Númenor (November 2022) we finally have much of Tolkien’s writing on this period in the history Middle-earth drawn together in one place. This offers a unique opportunity, at a moment when the island of Númenor has come to greater public awareness via Amazon’s show ‘The Rings of Power’, to fully examine this aspect of Tolkien’s secondary world. In this course, we will explore the history of Númenor, with particular focus on important events, significant people, the geography of the island, and the evolving culture of the Númenóreans.

Special Note: We are excited to announce that Brian Sibley, noted for his BBC Radio adaptations of both The Hobbit and The Lord of the Rings, as well as for his many books on Tolkien, will be joining us in one of the sessions (Date tbc). He is going to talk to us about his work on the new book The Fall of Númenor, and will be available to answer any questions you might have.

The imagination and dreams are essential parts of J.R.R. Tolkien's world building which he explored across many stories from 'The Lord of the Rings' and 'On Fairy-stories' to 'The Notion Club Papers'. The same can be said of the Romantics who saw an important connection between the two. In works such as Samuel Taylor Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan', Lord Byron's 'The Dream' and 'Darkness', and Mary Shelley's 'Frankenstein', the imaginary and dream-like meet with awe-inspiring, melancholy or blood-chilling results.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Children of Hurin. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Children of Hurin will be necessary, and you may find having a copy of The Silmarillion very useful.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Fall of Gondolin. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Fall of Gondolin will be necessary, and you may find having a copy of The Silmarillion very useful.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Tale of Beren and Lúthien. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Tale of Beren and Lúthien will be necessary, and you may find having a copy of The Silmarillion very useful.