Mystery Fiction Portal (List View)

So you think you'd like to write a mystery, but it seems overwhelming? Join us to examine the essential elements of a murder mystery: a setting, a sleuth, a murder victim, the murder method, a cast of suspects, the cast who assist the sleuth in investigating and solving the murder, as well as lists of actual clues and red herrings to plant in the story. We'll also discuss how the genre conventions affect your development of general fiction elements (e.g., plot, character, pacing). Brainstorm, refine rough ideas into workable ones, and get help starting on your story-specific research. Leave class with a semi-plan: not an outline, but a collection of notes you can use to write a complete first draft in whatever writing style you prefer. [show less]

Shirley Jackson is rightly celebrated as a master of Gothic storytelling thanks to her most well-known novels such as The Haunting of Hill House (1959) and We Have Always Lived in the Castle (1962). In recent years, however, her earlier novel Hangsaman (1951) has received new attention and critical appreciation from fans and scholars alike. Far ahead of its time when it was published, Jackson’s deeply personal Hangsaman is many things: a psychological study of a young woman’s coming of age; a haunting Gothic mystery; a pointed critique of gender roles, family dynamics, and higher education; a meditation on trauma and mental illness; and an ancestor of today’s dark academia storytelling. Shirley Jackson drew inspiration from a variety of sources to craft this remarkable campus novel, from folk ballads and the Tarot, myth and ritual, to a real college campus and an unsolved New England cold case of a missing sophomore student. In this module, we will unpack this gem of a Gothic story, following freshman Natalie Waite as she searches for her “essential self” and discussing why Hangsaman feels freshly relevant and important to many readers today. [show less]

Last Seen Wearing (1952) by Hillary Waugh is hailed by genre scholars as the first acclaimed “police procedural” novel, a pioneering work of crime fiction that shifted the focus from the lone single detective to investigative team members and their process. Paving the way for modern police procedural novels – not to mention television phenomena such as Law and Order, CSI, Criminal Minds, and other series – is distinction enough, but Last Seen Wearing is also of literary interest for other reasons. The novel uses a real-life true crime case as a springboard for its fictional investigation, and, in its exploration of a missing student at an elite women’s college, it also builds on the tradition of the campus mystery, employs ingredients of the New England Gothic, and anticipates the rise of dark academia. In this module we will consider how Last Seen Wearing serves as both a pioneering novel and a window into its moment in time. What does Last Seen Wearing tell us about the intersection of fiction and true crime? Gender and the Gothic? What has “aged well” in the story and what hasn’t, and what does this tell us about the evolution of mystery-related storytelling? And what can we learn about the blending and blurring of genres from this fictional solution to a real-life cold case? [show less]

The Secret History, the 1992 debut novel of Pulitzer Prize-winning author Donna Tartt, has its own secret history, including an origin story at an actual college campus and inspiration from a real-life missing person case. The celebrated novel opens with the murder of a Classics student by his eccentric and close-knit group of college friends. The tale then unfolds as an inverted mystery, a “whydunit” rather than a “whodunit,” a narrative that interrogates the nature of obsession, beauty, and education. Featuring ingredients of the campus novel, the coming-of-age story, and the New England Gothic, The Secret History has long been hailed as a modern classic, and now it’s been rediscovered by a new generation of readers who consider it a foundational text of Dark Academia storytelling. Why does this mystery have such staying power? How does it serve as a turning point in genre history? And how do its haunting themes relate to us and our search for knowledge today? In this module we will explore the fictional Hampden College and peel back the literary layers of The Secret History. Week 1 Lecture: The Secret History as Memory Discussion: Part 1 of The Secret History Week 2 Lecture: The Secret History as Mystery Discussion: Part 2 of The Secret History Week 3 Lecture: The Secret History as Tragedy Discussion: Part 3 of The Secret History Week 4 Lecture: The Secret History as Influence Discussion: Themes and Takeaways [show less]