Christopher Bartlett

In this craft-focused module, you will dissect the structure of the most fundamental building block of a story. By analyzing scenes from classic books, films, and TV shows, you will discover the key questions to enhance your scenes and narrative conflict on the scene level. In a supportive, kindness-first workshop, you will have the opportunity to share and develop individual scenes.This module will help you craft scenes with intentionality and precision.

Novel in a Year Note: Anyone is welcome to join our Novel in a Year modules at any time (the only exception is Tree Workshop (Novel in a Year 11) which, while open to all who have a mature writing project ready for close scrutiny, is designed specifically for students who have completed at least 4 previous modules in the Novel in a Year sequence). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here.

In this craft-focused module, you will discover techniques of characterization and voice, two of the biggest things readers are looking for. You will see how a character’s verbal and non-verbal communication reveals who they are, while also developing your own individual narrative voice. In class, you will analyze film clips and excerpts from published authors to unpack their techniques, before applying them in short writing exercises. In workshops, you will have the opportunity to share your novel-in-progress and receive feedback in a kindness-first, supportive environment. In your journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. The module aims to hone your skills in creating organic dialogue, and boost your confidence in your own voice.

Novel in a Year Note: Anyone is welcome to join our Novel in a Year modules at any time (the only exception is Tree Workshop (Novel in a Year 11) which, while open to all who have a mature writing project ready for close scrutiny, is designed specifically for students who have completed at least 4 previous modules in the Novel in a Year sequence). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here.

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll create, practice, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback to focus both on the construction of your story and on its performance. You will end the month having written an original tale, fiction or memoir or drawn from myth and legend, which has been written specifically to be shared aloud. You will also carry forward a toolkit for exploring this art.
Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft.

In this course, we will look at examples from literature of how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing.

We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés that make the lives of people like your preceptor materially harder.



Novel in a Year Note: Anyone is welcome to join our Novel in a Year modules at any time (the only exception is Tree Workshop (Novel in a Year 11) which, while open to all who have a mature writing project ready for close scrutiny, is designed specifically for students who have completed at least 4 previous modules in the Novel in a Year sequence). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here.

What are the songs that stick in your memory? Are they catchy earworms that have you humming their melodies all day? Are they complicated jazz numbers, where lyrics give place to musical elaboration? Are they ballads, where the story is the thing?

The answer varies from listener to listener, but the great songs of whatever sort have some things in common. We're going to look for these things together, considering the conventions of different genres, poetic styles and their interaction with musical choices, a bit of music theory (that won't hurt a bit, I promise) and arrangement.

Each class session, we will listen to and talk about two or three songs. we'll discuss the choices the song writer(s) made, and how they affect your experience as a listener. We'll also look at how a single song might be interpreted differently by different artists, because performance is an inseparable element of how a song lands.

Students need have no grounding in music theory, or be musicians. All that is required is a love of music, and the desire to learn a little about the song writer's craft, whether that's in aid of becoming a more discerning listener, or because there's a song buried in your soul that you've not yet written.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Note: Though this module is open to all who have a mature writing project ready for close scrutiny, we strongly recommend that students participating in this module will have completed at least 4 previous modules in the Novel in a Year sequence.

You’ll spend this month building on all the skills you’ve learned through the Creative Writing: Workshop modules by reading each other’s nearly completed novels. Now you’ve built a community of encouragement and good communication and have a deep familiarity with each other’s projects & styles: so, whether you’re copy editing or madly layering in a gamma plot, lean into the group for collaborative feedback to bring this novel to fruition.

Collaborative Feedback: A method of supportive feedback which lifts up excellence and encourages your own story in your own voice. You will read and comment kindly on others’ work as well as having the option to share your own writing (which we very much hope you will do). For more information, check out our video here.

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.

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A seat has been reserved in this module for any writer (especially a beginner) of marginalized identity to support them finding their voice. Please simply write to [email protected] to identify yourself if you wish to join the class.

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Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. You are encouraged — but never required — to submit new pieces in any state of draftiness or readiness for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks you to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that you want to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.

Novel in a Year Note: Anyone is welcome to join our Novel in a Year modules at any time (the only exception is Tree Workshop (Novel in a Year 11) which, while open to all who have a mature writing project ready for close scrutiny, is designed specifically for students who have completed at least 4 previous modules in the Novel in a Year sequence). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here.

Are you ready for an adventure in writing? Over the course of twelve months, you and your story will go from the beginnings of planning, through the stages of creating your first draft, and revising that draft, all the way to emerging with a novel that is finished and ready to submit for publication or personal accomplishment or family enjoyment. Each class in the series will draw upon lessons from the previous classes. In addition, we will build a community of writers who go through the experience together, encouraging each other and being sounding boards for each other.

Note: Anyone is welcome to join our Novel in a Year modules at any time (the only exception is Novel in a Year 11: Tree Workshop, which is designed specifically for the cohort). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here.

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft.

In this course, we will look at examples from literature of how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing.

We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés that make the lives of people like your preceptor materially harder.

Note: Texts will be provided by the preceptor.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.