March 2026 Modules

For this month’s module we will explore the Old English poem Andreas. The author is anonymous, and the poem survives in the Vercelli Book manuscript.

Andreas tells the legendary adventure of the apostle St. Andrew as he rescues St. Matthew from the cannibalistic Mermedonians. At over 1,700 lines, it blends heroic action with Christian themes, offering a fascinating glimpse into early medieval English storytelling.

In this module, we’ll work with the Old English text, explore its story and style, and discover how courage, faith, and adventure come together in one of Old English literature’s most exciting narratives.

From TV shows to computer games, the Vikings still manage to capture our imagination and ensnare us in an odd mix of fact and fiction. But who were they really? This new series aims to take a deep dive and provide challenging perspectives about the real Norse characters that shaped medieval Europe.

In this module we will walk (or sail!) in the footsteps of the Norse to discover how they changed and were changed by the worlds they encountered. In Britain, the great army conquered three kingdoms, intermingled with the local populace and forced the development of Wessex which would ultimately coalesce English unity. The assault on Ireland left monasteries devastated, but the Vikings also founded vital trade centres like Dublin and got involved in local wars. The raids in the Carolingian empire distrupted trade routes and eroded imperial power, ultimately leading to coopting the Norse into what would become the duchy of Normandy. To the East, the Rus reached the Byzantine empire where they formed elite guards, the Russian steppes beginning the process of state formation, as well as the far Muslim world they supplied with slaves. To the West, the troubled seas led them to settle the proto-democracy of Iceland, explore Greenland and even the coast of Canada. Through their travels, the course of medieval history was fundamentally altered by the Viking diaspora.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Norse kings in Britain and Ireland
	Discussion 1: Discussion about Lecture 1 material
Week 2	Lecture 2: Assault on the Frankish Empire
	Discussion 2: Discussion about Lecture 2 material
Week 3	Lecture 3: From Varangians to Russians
	Discussion 3: Discussion about Lecture 3 material
Week 4	Lecture 4: The Atlantic Way: Iceland, Greenland, Vinland
	Discussion 4: Discussion about Lecture 3 material

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

Step into the wardrobe and journey through Narnia with scholar and storyteller Brenton Dickieson, author of the acclaimed A Pilgrim in Narnia blog. In this relaxed, discussion-rich module, we’ll read and reflect on The Chronicles of Narnia together—exploring their literary depth, spiritual resonance, and lasting cultural impact. In this first course in the Narnia series, we'll follow Lucy through the wardrobe by reading The Lion, the Witch and the Wardrobe. Whether this is your first visit to Narnia or your fiftieth, join Brenton as we walk with wonder, ask thoughtful questions, and rediscover why these beloved stories still speak so powerfully today.

This series of modules would be for students who want to learn how to read Biblical Hebrew. The course would include some speaking, listening, and writing skills as well. But people who learn Biblical Hebrew do so in order to read it, so reading and comprehension skills would take primary focus.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

This class will discuss the evolution, history, biology, behavior, and mysteries of buzzing insects with a focus on the honey bee. I will give a brief overview of beekeeping (this is not a how-to-keep-bees course) and honey bee products. We will learn the difference between bees and their wasp and hornet counterparts. We will explore the challenges facing bees and native pollinators, and you will discover how you can support bees and beekeepers. We’ll discuss some big names in the bee world and the amazing research they’re doing. There will be myriad stories about cool things and experiences.

Note: This is NOT a Beekeeping class, however, it may give you an idea of what beekeeping entails and the amount, kind, and frequency of care involved. Also, I can certainly refer you to resources relevant to your geography (America only).

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Last Seen Wearing (1952) by Hillary Waugh is hailed by genre scholars as the first acclaimed “police procedural” novel, a pioneering work of crime fiction that shifted the focus from the lone single detective to investigative team members and their process. Paving the way for modern police procedural novels – not to mention television phenomena such as Law and Order, CSI, Criminal Minds, and other series – is distinction enough, but Last Seen Wearing is also of literary interest for other reasons. The novel uses a real-life true crime case as a springboard for its fictional investigation, and, in its exploration of a missing student at an elite women’s college, it also builds on the tradition of the campus mystery, employs ingredients of the New England Gothic, and anticipates the rise of dark academia.

In this module we will consider how Last Seen Wearing serves as both a pioneering novel and a window into its moment in time. What does Last Seen Wearing tell us about the intersection of fiction and true crime? Gender and the Gothic? What has “aged well” in the story and what hasn’t, and what does this tell us about the evolution of mystery-related storytelling? And what can we learn about the blending and blurring of genres from this fictional solution to a real-life cold case?

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Crime Fiction and Its Evolution
	Discussion 1: Part 1 of Last Seen Wearing
Week 2	Lecture 2: True Crime, Campus Mystery, and the Imagination
	Discussion 2: Part 2 of Last Seen Wearing
Week 3	Lecture 3: The Police and the Process
	Discussion 3: Part 3 of Last Seen Wearing
Week 4	Lecture 4: The Meaning and Legacy of Last Seen Wearing
	Discussion 4: Themes and Takeaways

This is a reading-only module series for students of Japanese language who would like to improve their kanji recognition, vocabulary, and general reading skills in the language. The class is designed so new students may join at any point.

We will select a reading and take turns reading it together, word-by-word, sentence by sentence. Short stories, poetry, essays, manga, newspaper articles, blog entries and so on are all sources for material that we can draw upon, always keeping in mind that our selections should be suitable for Japanese language learners of intermediate level (approximately JLPT N4-to early N3 level, or having completed the first two Genki textbooks).

Recorded Series: All sessions of this series are recorded and provided afterwards to enrolled students in order to support the learning of the group.

This course is for those who have an interest in Japanese culture and wish to continue our study of Japanese. We will continue using Hiragana, Katakana, and Kanji, and covering grammatical structures. Through use of conversational Japanese, we will continue to explore how the language is used in anime, manga, and music.

Japanese is a language of great nuance and depth. This module will open the door to that world and build a foundation for greater insight into Japan's culture and its people.

In this series we’ll study Japanese using different tools such as videos, games, and different exercises. We’ll explore different aspects of Japanese culture and work on more complex vocabulary, grammar, and sentence patterns. We’ll also watch lots of videos, play games, and read graded readers among other things.

Note: Japanese Through Culture is for students who already have a basic level of Japanese.

In the tenth month of Latin in a Year, students will continue to learn applications for the subjunctive mood, practice spotting and translating deponent verbs, and study the paradigms for some of the most common irregular Latin verbs. Students will continue to translate short sentences and longer passages throughout the month. This module will cover chapters 34-37 in Wheelock’s Latin.

This module covers chapters 34-37 of Wheelock’s Latin:
- 34: Deponent Verbs; Ablative with Special Deponents
- 35: Dative with Adjectives; Dative with Special Verbs; Dative with Compounds
- 36: Jussive Noun Clauses; Fio
- 37: Conjugation of Eo; Constructions of Place and Time

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

This series of modules will help students explore the breadth and depth of Egyptian Hieroglyphs texts available for study. Each month, the preceptor surveys the group to see which texts students are most interested in exploring next.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

(Note: This module is a continuation from Middle High German 2)

Middle High German (MHG) is the umbrella term for the German dialects used in the Holy Roman Empire from about 1050 to 1350. Its written form was the language of the court, and most MHG poetry embraces chivalric intellectual interests—adventure, romances, and courtly love! Come join us this month to continue learning Middle High German, and you’ll learn how to read some of the greatest monuments of medieval literature—The Nibelungenlied, Gottfried von Strassburg’s Tristan und Isolde, Wolfram von Eschenbach’s Parzival, the poems of the Minnesänger (courtly poets)—in the original language!

Generally speaking, it takes about three months to read Middle High German competently, but after completing the sequence, students should be able to participate in SPACE’s Readings in Middle High German series. Middle High German offers tons of adventure, including Heroic Epic (Das Nibelungenlied, Kudrun), Crusader Epic (König Rother, Willehalm), Arthurian Romance (Parzival), and the Tristan story (Tristan und Isolde). Completing this sequence will prepare students for their journey into a new and large world of medieval literature.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times.

"Listen to them, the children of the night. What music they make!"

Let’s sink our teeth into Bram Stoker’s Dracula, the novel that defined vampire literature. In misty Transylvania, Jonathan Harker is lured into the shadow-haunted castle of Count Dracula. Hungry for dominion over the living, the undead Dracula will stop at nothing to feed his craving for blood. As Dracula’s dark influence spreads to London, a desperate band of heroes must rally their courage and unravel ancient secrets to stand against the corruption that stalks the night.

Narrated through letters, diaries, and telegrams, Dracula combines modern storytelling with ancient folklore, immersing the reader into a world of baleful desire and ageless bloodthirst.

Our sessions will be shaped primarily as guided, text-centered discussions, inviting participants to explore the novel together while engaging critically with its themes, contexts, and enduring influence.

In King of Shadows, Susan Cooper weaves together time travel, theatre, and history to create a powerful story about loss, belonging, and the transformative power of art. When young American actor Nat Field joins a troupe performing "A Midsummer Night’s Dream" at the newly rebuilt Globe Theatre, he is mysteriously transported to Elizabethan London, where he finds himself acting alongside none other than William Shakespeare. As Nat navigates the dangers and wonders of sixteenth-century England, he begins to discover what connects him—across time and grief—to the playwright and to the play itself.

Over the course of this month-long, eight-session class, we will read and discuss Cooper’s novel in depth, exploring its key themes of identity, friendship, healing, and the endurance of creativity. We will also consider the historical and theatrical context of Elizabethan London, Shakespeare’s world and works, and the way Cooper blends fantasy and realism to bridge centuries. Through guided discussions and close reading, we’ll reflect on how King of Shadows speaks to both the past and the present, and why the story continues to resonate with readers today.

Called iyashikei - 癒し系 literature, this Japanese literary genre actually (and catually – there’re plenty of cats) means ‘healing’. These lighthearted, warm short novels are designed to soothe the heart and mind and to help us find refuge in stories that make readers reflect on what is important in their lives.

In this series, we will read a complete novel per module. We will explore the themes, the characters' arcs, and personal takeaways as well as the Japanese cultural aspects.

Each module stands on its own and you can join any month you’d like. If you’re looking for a relaxing escape into soothing worlds and discussions come join us!

One of the earliest stories of J.R.R. Tolkien’s legendarium committed to writing was the tragic tale of Túrin Turambar. As Tolkien himself acknowledged, in creating Túrin’s tale, he drew on elements of real-world legends, particularly those of Sigurd the Volsung, Oedipus, and the Finnish Kullervo. In this module, we’ll look at the interplay between these legends (in the forms that young Tolkien had likely encountered them) and Tolkien’s own creation of the tale of Túrin. The module’s objective is twofold: a semi-biographical examination of young Tolkien’s early creative processes, and familiarization with the historical sources for these legends that proved so inspirational for him.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
	Discussion 1: Comments on and questions about Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
Week 2	Lecture 2: Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
	Discussion 2: Comments on and questions about Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
Week 3	Lecture 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
	Discussion 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
Week 4	Lecture 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; excerpts from Tolkien, “The Story of Kullervo”).
	Discussion 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; Tolkien, “The Story of Kullervo”).