Germanic Studies Portal

Dr. Peter Baker, then of the University of Virginia, translated Lewis Carroll's Alice in Wonderland into Old English. This module will work with and translate back into Modern English this fun and delightful text, Æðelgyðe Ellendæda on Wundorlande: Alice's Adventures in Wonderland in Old English.

These selections will help introduce students to the breadth and depth of Old English texts available for advanced study. Each month, Dr. Larry Swain and/or Dr. Isaac Schendel surveys the group to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Advanced Old English Readings: Beowulf I
• Advanced Old English Readings: Beowulf II
• Advanced Old English Readings: Riddles
• Advanced Old English Readings in Prose: The Old English Boethius
• Advanced Old English Readings: Genesis A 1
• Advanced Old English Readings: Genesis A 2
• Advanced Old English Readings in Poetry: Judith and Exodus
• Advanced Old English Readings: Heroic Elegies
• Advanced Old English Readings: Cynewulf's Juliana
• Advanced Old English Readings: Cynewulf's Christ II
• Advanced Old English Readings: Apollonius of Tyre
• Advanced Old English Readings: Ælfric's Lives of the Saints
• Advanced Old English Readings: Ælfric's Letter to Sigeweard
• Advanced Old English Readings: The Blickling Homilies
• Advanced Old English Readings: Selections in Prose
• Advanced Old English: Alice in Wonderland
• Advanced Old English: Tolkien's Old English Poetry

Including these texts taught by Dr. Isaac Schendel:
• Readings in Old English: The Battle of Maldon & Group Reading
• Intermediate Old English: The Homilies of Wulfstan
• The Old Saxon for Old English Readers (The Old Saxon Hêliand I)

Note: Please refer to the Required Texts section on a month's iteration page to see which texts the group has decided upon for a given month.

Cynewulf is one of the few poets whose name we know from the Old English period. He composed 4 narrative poems casting saints' lives into Old English poetry. "Christ II" is so named because it is one of three poems dealing with key moments in Christ's life: the "Advent" and Incarnation, the Ascension, and the Harrowing of Hell. This middle poem is the one we know as certainly as we can that it was composed by Cynewulf and has a number of very interesting features.

Welcome to the Readings in Poetry page for the Advanced Old English Series in which students explore, in alternating months, a work of prose and then a work of poetry to introduce students to the breadth and depth of Old English texts available for study. Each month Dr. Swain surveys the group to see what they want to tackle next from month to month.

In this series of Advanced Old English Readings we explore, in alternating months, a work of prose and then a work of poetry to introduce students to the breadth and depth of Old English texts available for study. Each month Dr. Swain surveys the group to see what they want to tackle next from month to month.

Welcome to the Readings in Prose page for the Advanced Old English Series in which students explore, in alternating months, a work of prose and then a work of poetry to introduce students to the breadth and depth of Old English texts available for study. Each month Dr. Swain surveys the group to see what they want to tackle next from month to month.

Most people know that J. R. R. Tolkien was a scholar as well as a writer of speculative fiction. His scholarship was extensive and one of his primary areas was Old English language and literature. But fewer fans know that he also composed poetry in Old English, especially in the early stages of his career. This module will attempt to gather and translate Tolkien's Old English poetry from the various sources in HoME and other sources where they are printed.

(Note: This module can be joined in any month.)

Vǫlsunga saga (“The Saga of the Vǫlsungs”) is a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. In this module, we will continue to translate the Vǫlsunga saga and discuss both the language and how the saga’s version of the legends relate to other versions known from the medieval world.

In an interactive language course, we will explore the grammar, culture, and vocabulary of the largest Scandinavian language spoken today. From Vikings to Volvos to IKEA, Sweden is internationally recognized as a leader of cultural thought and political neutrality. The Swedish language is from the branch of North Germanic languages, meaning a lot of built in cognates exist for speakers of other Germanic languages (including English).

Kom och tala svenska med mig!

In an interactive language course, we will explore the grammar, culture, and vocabulary of the largest Scandinavian language spoken today. From Vikings to Volvos to IKEA, Sweden is internationally recognized as a leader of cultural thought and political neutrality. The Swedish language is from the branch of North Germanic languages, meaning a lot of built in cognates exist for speakers of other Germanic languages (including English).

Kom och tala svenska med mig!

In an interactive language course, we will explore the grammar, culture, and vocabulary of the largest Scandinavian language spoken today. From Vikings to Volvos to IKEA, Sweden is internationally recognized as a leader of cultural thought and political neutrality. The Swedish language is from the branch of North Germanic languages, meaning a lot of built in cognates exist for speakers of other Germanic languages (including English).

Kom och tala svenska med mig!

Always wanted to study Beowulf? Here's your opportunity. In our 8 hours together, we will delve into the worlds of the poem, examine the major critical elements, and seek to understand the poem better.

This is the landing page for Dr. Isaac Schendel's Conversational German Series. For more information check out the module links below.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Conversation German Series when we offer it next.

This 8-session introduction to German is intended to give the students a basic acquaintanceship with the German language and enough information for further study. This first module covers the alphabet, basic verb conjugation, important verbs like Haben and Sein, pronouns, grammatical gender, nominative vs. accusative cases, forming questions, and giving dates and times. Some specific vocabulary content is given in the session breakdown, but the individual entries are not meant to be either restrictive or exhaustive.

Session Breakdown:

1. The alphabet and sounds; the present tense of regular verbs; colors and numbers

2. Haben und Sein; nominative pronouns; noun gender; Was studieren Sie (what do you study?) and Wo wohnen Sie (where do you live?);

3. Fragewörter (question words) and forming questions; yes/no questions; “Interview” game

4. Coordinating conjunctions; describing your field of study; the verb mögen (to like)

5. Die Wochentage (days of the week); Die Uhrzeiten (time); Der Wochenplan (weekly schedule)

6. Planning a meeting with a friend (combination of Der Wochenplan and the “Questions” from Session 3); negation (Nicht and Kein)

7. The accusative case; description of rooms (Ich habe/Es gibt); accusative pronouns

8. Accusative prepositions; general review

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This course continues along the track established by the first Conversational German Series module. This month, the topics are a bit more “fun,” focusing a great deal on “free time” activities and the students’ subjects of interests. Grammar is a bit more limited, but the biggest grammatical subject – modal verbs – are complicated enough to merit intense study. A final grammatical case, the dative, is introduced in the final two sessions. Because this module builds on the previous one, there is slightly more repetition in the sessions listed below.

Session Breakdown:

1. Introduction and review; nominative and accusative case; conjugation of regular conjugations

2. Der Alltag (the normal day); Irregular and Stem-changing verbs in the present; the German breakfast;

3. More practice with “irregular” verbs; Einkaufen gehen (going shopping); repetition of modal verbs; gern; Obst und Gemüse

4. Freizeit; modal verbs; review of Wochenplan vocabulary (date and time); repetition of coordinating conjunctions

5. Kleider (clothing); Musik hören (listening to music);

6. Sport treiben (exercise); evaluating hobbies (adjectives like entspannend “relaxing” or interessant “interesting”); Restaurant vocabulary

7. General review of cases; indirect objects and the dative case for nouns.

8. The dative case for pronouns; dative prepositions.

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This module continues along the track established by Conversational German 1 and 2.

The cohort of the current iteration of Conversational German has asked to focus on speaking practice, so specific topics of instruction will be determined on an ad hoc basis. Any topics listed in the Conversational German 1 and 2 modules that have not yet been covered will be discussed, but the instructor will also introduce new subject matter. Possible subjects, time permitting, include:

Session Breakdown:

1. Imperatives and Requests

2. Separable Prefixes

3. The Conversational Past tense (The Present Perfect)

4. Irregular and Strong Verbs

5. Meals and Evening Activities

6. Travel Vocabulary

7. Vacation

8. Holidays and Festivals

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This module continues along the track established by Conversational German modules 1-3.

The current iteration of Conversational German 4 continues to focus on speaking practice, which means that (as with Conversational German 3) the instructor determines specific topics on an ad hoc basis. If we have not yet covered topics listed in previous modules, we will cover them in this session while the instructor concomitantly introduces new subject matter. Possible subjects include:

Session Breakdown:

1. The Comparative and Superlative

2. Careers and Dream Jobs

3. Possessive Adjectives

4. Family Vocabulary

5. Months and Seasons

6. A Review: The Conversational Past

7. Separable Prefixes

8. Gesundheit

Note: This list is not meant to be exhaustive and can change depending on student wishes.

The literature containing Norse mythology remains one of the most fascinating bodies of medieval storytelling anywhere. Participants will make sense of Norse myths by examining the structures of the tales and investigating the background in which they were written down in manuscripts. Explore Norse mythology with Old Norse expert Dr. Paul Peterson!

This series of modules introduces the vocabulary and grammar of the Gothic language, the oldest attested body of literature in a Germanic language (4th century AD), not just by talking about grammar, but by doing real translations of real Gothic texts. While no prior language study experience is necessary or expected, it is certainly a benefit to understand basic grammatical terms in English (or equivalent) or have knowledge of learning to read another language.

This series of modules introduces the vocabulary and grammar of the Gothic language, the oldest attested body of literature in a Germanic language (4th century AD), not just by talking about grammar, but by doing real translations of real Gothic texts. While no prior language study experience is necessary or expected, it is certainly a benefit to understand basic grammatical terms in English (or equivalent) or have knowledge of learning to read another language.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Overview and introduction to the Gothic language, alphabet, grammar, and translation tools and resources.
	Session 2: First easy translation exercises. Continued overview of basic grammatical system.
Week 2	Session 3: First short translation using new tools. Grammatical tips for increasing translation speed.
	Session 4: First paragraph length translation.
Week 3	Session 5: Second paragraph length translation.
	Session 6: Two paragraphs of translation.
Week 4	Session 7: Two paragraphs of translation.
	Session 8: Two and a half paragraphs of translation.

This is the second module in our Gothic language series introducing the vocabulary and grammar of the Gothic language, the oldest attested body of literature in a Germanic language (4th century AD), not just by talking about grammar, but by doing real translations of real Gothic texts.

This is the third module in our Gothic language series introducing the vocabulary and grammar of the Gothic language, the oldest attested body of literature in a Germanic language (4th century AD), not just by talking about grammar, but by doing real translations of real Gothic texts.

Love, power, betrayal, death; the occasional dragon and cursed ring. All these are to be found in the legends of the Vǫlsungs and Niflungs, amongst the most popular and abiding legends of the medieval Germanic-speaking and Norse worlds. J.R.R. Tolkien reworked these into two poems in Modern English patterned after the alliterative style of Old Norse poems. In this module, we read Tolkien’s poems and their accompanying commentary to see how Tolkien wrought his own retelling of these ancient tales, and we’ll trace the connections across from the original medieval legends through Tolkien’s retelling to his original works of fantasy set in Middle-earth.

Middle High German (MHG) is the umbrella term for the German dialects used in the Holy Roman Empire from about 1050 to 1350. Its written form was the language of the court, and most MHG poetry embraces chivalric intellectual interests—adventure, romances, and courtly love! Come join us this month to begin learning Middle High German, and you’ll learn how to read some of the greatest monuments of medieval literature—The Nibelungenlied, Gottfried von Strassburg’s Tristan und Isolde, Wolfram von Eschenbach’s Parzival, the poems of the Minnesänger (courtly poets)—in the original language!

This module requires absolutely no modern German, but you may find that the course awakens that bit of “school German” you remember from high school. We will begin with the first text in our textbook, An Introduction to Middle High German: an excerpt of Berthold von Regensburg’s sermon Von den siben planêten (“On the seven planets”). After that, we will continue through the textbook, reading as many texts as the student interest demands.

We will begin with a short presentation on the grammatical features of Middle High German and what separates German from other Germanic languages (the so-called High German Consonant Shift). After a general introduction and an example of “how to read MHG like a philologist”—slowly, word-by-word, and relaxed—we will begin reading!

I do not anticipate that we will complete all reading texts in the textbook before the end of the month, but we will read as much as we are able. Generally speaking, it takes about three months to read Middle High German competently, but after completing the sequence, students should be able to participate in SPACE’s Readings in Middle High German series. Middle High German offers tons of adventure, including Heroic Epic (Das Nibelungenlied, Kudrun), Crusader Epic (König Rother, Willehalm), Arthurian Romance (Parzival), and the Tristan story (Tristan und Isolde). Completing this sequence will prepare students for their journey into a new and large world of medieval literature.

(Note: This module is a continuation from Middle High German 1)

Middle High German (MHG) is the umbrella term for the German dialects used in the Holy Roman Empire from about 1050 to 1350. Its written form was the language of the court, and most MHG poetry embraces chivalric intellectual interests—adventure, romances, and courtly love! Come join us this month to continue learning Middle High German, and you’ll learn how to read some of the greatest monuments of medieval literature—The Nibelungenlied, Gottfried von Strassburg’s Tristan und Isolde, Wolfram von Eschenbach’s Parzival, the poems of the Minnesänger (courtly poets)—in the original language!

Generally speaking, it takes about three months to read Middle High German competently, but after completing the sequence, students should be able to participate in SPACE’s Readings in Middle High German series. Middle High German offers tons of adventure, including Heroic Epic (Das Nibelungenlied, Kudrun), Crusader Epic (König Rother, Willehalm), Arthurian Romance (Parzival), and the Tristan story (Tristan und Isolde). Completing this sequence will prepare students for their journey into a new and large world of medieval literature.

(Note: This module is a continuation from Middle High German 2)

Middle High German (MHG) is the umbrella term for the German dialects used in the Holy Roman Empire from about 1050 to 1350. Its written form was the language of the court, and most MHG poetry embraces chivalric intellectual interests—adventure, romances, and courtly love! Come join us this month to continue learning Middle High German, and you’ll learn how to read some of the greatest monuments of medieval literature—The Nibelungenlied, Gottfried von Strassburg’s Tristan und Isolde, Wolfram von Eschenbach’s Parzival, the poems of the Minnesänger (courtly poets)—in the original language!

Generally speaking, it takes about three months to read Middle High German competently, but after completing the sequence, students should be able to participate in SPACE’s Readings in Middle High German series. Middle High German offers tons of adventure, including Heroic Epic (Das Nibelungenlied, Kudrun), Crusader Epic (König Rother, Willehalm), Arthurian Romance (Parzival), and the Tristan story (Tristan und Isolde). Completing this sequence will prepare students for their journey into a new and large world of medieval literature.

This is the landing page for Dr. Isaac Schendel's Middle High German series. For more information, check out the module links on this page.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Middle High German series when we offer it next.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This is the last module in a 7-part series which introduces students to the vocabulary and structure of the earliest recorded form of the English language. Read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will be able to communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

Situated on the margins of the medieval world, Iceland was remarkable for developing the largest secular literature in Europe – and Njál’s Saga is the longest, as well as probably the most famous and most artistically acclaimed, of the medieval Sagas of Icelanders. Probably written originally in the later 13th century, Njál’s Saga looks back to feuds of the later Viking Age, in the 10th and 11th centuries and presents much that is characteristic of the Sagas of Icelanders generally: a multitude of clearly drawn and memorable figures (both male and female); clever dialogue, full of dark humor and memorable phrases; great fighters and great fights; bad guys who nevertheless show us some redeeming traits, (however slight); and good guys with their own flaws and shortcomings (often fatal).

Note: We wanted students to be aware that this module may contain violent, graphic, and/or other potentially disturbing material.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to “Njál’s Saga” and its medieval Icelandic context; overview of “Hrut’s Saga” (chapters 1-18 of “Njál’s Saga”)
	Discussion 1: Comments on and questions about the medieval Icelandic context of “Njál’s Saga” and the content of Hrut’s Saga” (chapters 1-18 of “Njál’s Saga”)
Week 2	Lecture 2: Overview of “Gunnar’s Saga” (chapters 19-81 of “Njál’s Saga”)
	Discussion 2: Comments on and questions about “Gunnar’s Saga” (chapters 19-81 of “Njál’s Saga”)
Week 3	Lecture 3: Overview of “Njál’s Saga ‘proper’” (chapters 82-132 of “Njál’s Saga”)
	Discussion 3: Comments on and questions about “Njál’s Saga ‘proper’” (chapters 82-132 of “Njál’s Saga”)
Week 4	Lecture 4: Overview of “Flosi’s and Kari’s Saga” (chapters 133-159 of “Njál’s Saga”)
	Discussion 4: Comments on and questions about “Flosi’s and Kari’s Saga” (chapters 133-159 of “Njál’s Saga”)

(Note: This module explores these texts in English, so no experience in Old Norse is necessary.)

Somewhere between the historical and the fantastic are the traditions of heroic legend, telling of extraordinary men and women whose triumphs and tragedies are writ larger than those of everyday life. In medieval Scandinavia, sagas of heroic legend such as The Saga of the Volsungs, The Saga of Ragnar Lothbrok, The Saga of King Hrolf Kraki, and The Saga of Hervor and King Heidrek retold already ancient stories in the new prose styles of the Middle Ages. Bravery and knavery; loyalty and treachery; magic and the mundane, horror and hope; these tales’ themes have enthralled audiences for more than a thousand years and played an outsized role in the birth of modern fantasy literature.

Explore the fascinating spiritual landscape of the ancient Germanic-speaking world (Anglo-Saxon, Continental Germanic, Scandinavian), where gods, myths, and nature were deeply woven into the cultural fabric. This crash course will dive into the rich traditions of paganism in Northern and Central Europe, from the Bronze Age era to its lasting influence in medieval sagas.

We will engage with a variety of sources ranging from written texts such as Latin histories, heroic or skaldic poetry, Germanic law codes, to archaeological findings such as wooden idols, golden bracteates or bog bodies. Study cases will be analysed in their respective historical context, such as the cult of mother-goddesses from the Rhineland or remnants of pagan beliefs in healing charms.

Through discussions of cosmology, rituals, and the role of myth, we will examine how these early belief systems shaped the cultural and socio-political life in pre-Christian Central and Northern Europe, discover potential continuities, but above all else, uncover a great temporal and geographic diversity with plenty of unanswered questions.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Religions in the Bronze Age – stone pictures, megalithic cultures
	Discussion 1: Class discussion on Lecture 1 material.
Week 2	Lecture 2: Ritual and sacrifice – Iron and Viking Age public and private sacrifices
	Discussion 2: Class discussion on Lecture 2 material.
Week 3	Lecture 3: Pantheons, cosmogonies, eschatologies – Pre-Norse and Norse deities, fate, death
	Discussion 3: Class discussion on Lecture 3 material.
Week 4	Lecture 4: Conversion stories – phases, peoples, syncretism
	Discussion 4: Class discussion on Lecture 4 material.

Nota bene: The course serves as an overview of sources for pre-Christian practices and the evolution of religious ideas in Northern Europe over a timespan of 1000 years – there was never a homogenous, continuous and unchanged strain of “Germanic” paganism. The term remains controversial in scholarship due to its political misuse.

This series will help introduce students to the breadth and depth of texts available for study in Middle High German. Each month, Dr. Isaac Schendel surveys the group to see which text students are most interested in exploring next.

This module, which builds on the skills taught in the previous Middle High German Modules, looks at another representative of the Medieval German so-called Spielmannsdichtung (pseudo-minstrel tales). It tells the story of the Duke Ernest, who after unsuccessfully waging an assassination attempt and civil war against his misled step-father (and Holy Roman Emperor) flees to the Far East as a crusader, encountering mythical creatures and far-off places reminiscent to anyone who has read the Old English Wonders of the East.

We will follow the methods used in other Middle High German modules and look at the Herzog Ernst poem both as literature and as a chance for interested students to continue perfecting their Middle High German reading skills. We will read selections of the text in the original language and translate them into English. Since it’s not entirely feasible to assume that everyone has access to a modern English translation, we will primarily discuss the translated sections, although a summary of the poem in general will be given.

Questions discussed in the module will include questions of genre (as always) and the connection between the frame story and the second narrative, monsters and the bridal-quest, the medieval political philosophy and the HRE (Holy Roman Empire), crusade poetry, and more.

The language of Herzog Ernst is roughly equivalent to the language of the Nibelungenlied, so completion of the Middle High German 1 and 2 modules are strongly encouraged. If you have any questions or need help, please feel free to contact Dr. Schendel.

In 2024, Oxford University Press published An Introduction to Middle High German, which promises to become the new standard textbook for learning Middle High German. It has a selection of readings, both prose and poetry, all of which are edited for readability and annotated for instruction.

Due to popular demand, we at Signum University’s SPACE program are offering a month of just perusing the Introduction textbook and reading the prose as a group. We will begin with the introductory text “Von den siben planêten” by Berthold von Regensburg before moving on to the religious literature at the end of the book. Time permitting, we will also look at legal texts in the larger Oxford Guide to Middle High German, which will be supplied as scans according to the Fair Use doctrine. These readings will offer a chance to focus on the language’s syntax when it is not as heavily constrained by the demands of meter and rhyme.

This course is open to both veterans and newcomers to SPACE’s small, but growing Middle High German program.

In 2024, Oxford University Press published An Introduction to Middle High German, which promises to become the new standard textbook for learning Middle High German. It has a selection of readings, both prose and poetry, all of which are edited for readability and annotated for instruction.

Due to popular demand, we at Signum University’s SPACE program are offering a month of just perusing the Introduction textbook and reading the prose as a group. We will begin with the introductory text “Von den siben planêten” by Berthold von Regensburg before moving on to the religious literature at the end of the book. Time permitting, we will also look at legal texts in the larger Oxford Guide to Middle High German, which will be supplied as scans according to the Fair Use doctrine. These readings will offer a chance to focus on the language’s syntax when it is not as heavily constrained by the demands of meter and rhyme.

This course is open to both veterans and newcomers to SPACE’s small, but growing Middle High German program.

The Dominican Johannes Tauler (ca. 1300-1361) counts as one of the most important representatives of Medieval German mysticism—so important, in fact, that some scholars consider him a predecessor to Martin Luther. That might be an oversimplification, but he stands among the giants of Middle High German literature and continues a literary tradition established by Mechthild von Regensburg and Meister Eckhart. His homilies, which begin with a Bible reading following the liturgical calendar, boast a powerful imagery. His calls to moral reform and self-reflection challenge the reader both spiritually and linguistically. With Dr. Schendel’s guidance, you can overcome your resignatio ad grammaticam and be better equipped to appreciate Tauler’s invocation of the resignatio ad infernum.

As Tauler’s repertoire is huge, and we believe in Roman Jakobson’s definition of philology as “the art of reading slowly,” every iteration of this module focuses on a different selection of homilies, which the preceptor and the class choose together based on interest and language levels.

This course is open to all veterans of SPACE’s growing Middle High German program. At least one module of previous MHG is highly recommended.

(Note: This module can be joined in any month.)

This series will help introduce students to the breadth and depth of Old Norse texts available for study. Each month, Dr. Anderson surveys the group using the Old Norse survey form to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Vǫlsunga Saga (“The Saga of the Vǫlsungs”)
• The excerpted short texts in Jesse Byock’s Viking Language 2 (which can both be ordered from Amazon, etc.)
• The other short but complete texts in Byock’s saga series: The Tale of Thorstein Staff-struck and/or Saga of the People of Weapon’s Fjord (which can both be ordered from Amazon, etc.)
• Njáls saga. (There is a modernized Icelandic text online.)
• Laxdœla saga. (There is a modernized Icelandic text online.)
• Egil’s saga. (A free PDF of a good edition is available from the Viking Society.)
• The Prose Edda, or portions thereof (Free PDFs are available from the Viking Society.)
• Something from the legendary sagas (besides Vǫlsunga saga), e.g.:
--- Hrólfs saga kraka. (There is a modernized Icelandic text online.)
--- Hervarar saga ok Heiðreks (A free PDF of C. Tolkien’s edition/translation is available from the Viking Society.)
--- Ragnars saga loðbrókar (Olsen’s 1908 edition is available as a PDF online.)
• Something form the chivalric and/or Arthurian sagas (various texts online or in print).
• Eddic poetry (various texts are available online).
• Faroese ballads of the Vǫlsungs (not technically “Old Norse”, but the 19th-century editions are available online).

But there are many other possibilities!

In an interactive language course, we will explore the grammar, culture, and vocabulary of the largest Scandinavian language spoken today. From Vikings to Volvos to IKEA, Sweden is internationally recognized as a leader of cultural thought and political neutrality. The Swedish language is from the branch of North Germanic languages, meaning a lot of built in cognates exist for speakers of other Germanic languages (including English).

Kom och tala svenska med mig!

Old Saxon, the continental cousin to Old English, was the language spoken in Northern Germany from the ninth to the twelfth century. It is closely related to and mutually intelligible with Anglo-Saxon, so Old English students will easily be able to read and understand it. The language boasts a number of smaller texts, but the Hêliand, an epic poem of nearly 6,000 lines, remains its most prestigious literary monument. It tells the story of Jesus Christ (the “Hêliand,” meaning “Savior”) reimagined as a Saxon lord with a retinue of twelve thanes, and it is comparable to the Old English Beowulf. In this module, we will read and discuss selections of this poem. Some familiarity with Old English is required.

Explore Tolkien’s Anglo-Saxon poetic inspiration. We will enjoy an introduction to a few Anglo-Saxon poems and then compare Tolkien’s adaptations to their Anglo-Saxon counterparts. Discussions of poetic style and technique will be with us along the way! Texts discussed include Beowulf, The Fall of Arthur, and other poems.

One of the earliest stories of J.R.R. Tolkien’s legendarium committed to writing was the tragic tale of Túrin Turambar. As Tolkien himself acknowledged, in creating Túrin’s tale, he drew on elements of real-world legends, particularly those of Sigurd the Volsung, Oedipus, and the Finnish Kullervo. In this module, we’ll look at the interplay between these legends (in the forms that young Tolkien had likely encountered them) and Tolkien’s own creation of the tale of Túrin. The module’s objective is twofold: a semi-biographical examination of young Tolkien’s early creative processes, and familiarization with the historical sources for these legends that proved so inspirational for him.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
	Discussion 1: Comments on and questions about Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
Week 2	Lecture 2: Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
	Discussion 2: Comments on and questions about Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
Week 3	Lecture 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
	Discussion 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
Week 4	Lecture 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; excerpts from Tolkien, “The Story of Kullervo”).
	Discussion 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; Tolkien, “The Story of Kullervo”).

Paganism was most likely never a unified system of belief, and may have been much more complex and diverse than our current sources can let us know. Beyond semi-structured beliefs, we also encounter more practical forms actively trying to influence the environment – sorcery, most often referred to as seidr, a collective term to designate soothsaying, divination, healing, controlling weather, battle magic and much more.

In this module we will be critically exploring the sources for such powerful practices, the vocabulary of sorcery, as well as attempting to enter the Viking soul in search of its logic and manifestations through everyday witchcraft, while confronting the great hindrances in the study of an elusive phenomenon.

Why is Odin a god of sorcery? Who performed magic in Viking times? Was it gendered? Was sexuality involved? What did magic reveal, and how was it perceived? Put your name into the goblet of mead and let‘s get started.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Old Norse religion and magic - definitions, sources and challenges
	Discussion 1: Discussion about lecture 1 and extra material topics
Week 2	Lecture 2: The performers - types of magic and magicians, social status and gender issues
	Discussion 2: Discussion about lecture 2 and extra material topics
Week 3	Lecture 3: The performance - ritual places, toolkit, magic staffs
	Discussion 3: Discussion about lecture 3 and extra material topics
Week 4	Lecture 4: Spells and amulets - actual runic spells and their potential meanings
	Discussion 4: Discussion about lecture 4 and extra material topics

After having discussed the complex phenomenon of seidr magic in module 1, we are going to have a closer look at its most violent practices. Beyond domestic practices, sorcerous aggression manifested e.g. through driving the enemy insane, sending spirits to attack, causing misfortune and on a much broader scale on the battlefield.

A clear projection of supernatural intervention is offered by Odin‘s servants the valkyrjur, but also shapeshifting berserkers caught by ritual frenzy, with powers stemming from Odin himself, “The Terrible” in his sorcerous role. Battle spells also seem to have been preserved as literary remnants with a chance at authenticity derived from ideas in older poems, like ideas about war-fettering, invulnerability or disguise.

These elements of sorcery buried deep in the often problematic sources might help us better understand the potential mindset of pre-Christian Northern peoples and illuminated the often too tightly defined warrior identity.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: The Norse gods of war
	Discussion 1: Discussion about Lecture 1 material
Week 2	Lecture 2: Valkyries, berserkers and wolf-skins
	Discussion 2: Discussion about Lecture 2 material
Week 3	Lecture 3: Battle sorcery in Norse literature
	Discussion 3: Discussion about Lecture 3 material
Week 4	Lecture 4: Valhalla and the afterlife
	Discussion 4: Discussion about Lecture 3 material

In this module we will attempt to integrate the evidence from literary and archaeological sources into a broader context of shamanistic northern religions.

In the Icelandic sagas in particular, there are indications about the operative magical practices of the Sámi - one famous queen, Gunnhild (the wife of Eric Bloodaxe) is even said to have travelled to the Finns to get sorcerous instruction. In Norse myth, cosmology dwells on the world pillar, the ash tree Yggdrassil, while Odin's horse Sleipnir has the power to cross between worlds.

Shamanism as a means of accessing supernatural forces through ecstasy may have enhanced the Viking mind with challenging ideas about gender, shapeshifting, or violence that are well worth our attention.

This is the Landing Page for Prof. Irina Manea's Viking Hogwarts series exploring The World of Old Norse Sorcery.

In the first module, A Guide to Old Norse Magic, we will be critically exploring the sources for such powerful practices, the vocabulary of sorcery, as well as attempting to enter the Viking soul in search of its logic and manifestations through everyday witchcraft, while confronting the great hindrances in the study of an elusive phenomenon.

Next, in the Battle Magic and Mythology module, we will take a closer look at the most violent practices in Old Norse Sorcery. Beyond domestic practices, sorcerous aggression manifested e.g. through driving the enemy insane, sending spirits to attack, causing misfortune and on a much broader scale on the battlefield. The elements of sorcery buried deep in the often problematic sources might help us better understand the potential mindset of pre-Christian Northern peoples and illuminated the often too tightly defined warrior identity.

Finally, in the Shamanistic World Views in Norse Magic module, we will attempt to integrate the evidence from literary and archaeological sources into a broader context of shamanistic northern religions.