Film Studies Portal (List View)

The Dark Crystal, a film directed and created by Jim Henson and Frank Oz, was released at Christmastime in 1982. An attempt at a more mature and decidedly darker direction for Henson, it performed modestly in the box office to mixed reviews. Despite its poor initial beginnings, over the next 42 years, The Dark Crystal became a cult classic. Why the appeal all these years later? In this class we will explore this multifaceted dark fantasy as a stand of world building from the better appreciated “Muppet” canon. Over the course of eight sessions we will discuss the world of Thra through the film itself, seen afresh with the new lenses of various forms of modern criticism. Please join us for a combination of short lectures and lively discussion of this visual and technical masterpiece whether you’re a long-time fan or neophyte. [show less]

What is fan fiction? Where did it come from? Why do people read and write it? This module will explore fan fiction as a platform, independent of any particular universe (although we will touch on several, based on student input), including its origins, conventions and techniques, purposes, and the opinions of a variety of different stake holders: authors, show creators, and legal experts among them. Students will complete this course with a high-level understanding of fan fiction as genre, community, and as a transformative response to the source material. [show less]

Can Sir Gawain keep his honor without losing his head? This short classic of Middle English chivalric romance follows Gawain on a quest testing his heroism, social etiquette, sexual virtue, and existential sense of self. This course explores: first, the extraordinary history of the single, unique manuscript which preserves this poem (as it “slept” on a library shelf for 400 years, escaped destruction by fire, and was eventually rediscovered in the 19th century); second, the translations which brought this poem to a twentieth century readership – focusing in particular on J.R.R. Tolkien’s; and finally, the 2021 film by David Lowery. [show less]

This module seeks to provide students with a deeper look into aspects of Korean culture which can provide a lens through which to view and appreciate them on a deeper level. Through a series of 8 classes, we will cover topics of Food, Social Structure, History, North-South relations, some aspects of language, and the global impact of K-dramas. [show less]

The Muppet Lord of the Rings adaptation developed at Sunshine Moot 2025 was a runaway success, generating millions at the box office and garnering accolades from critics and fans alike. Big Name Studios was so impressed by Signum Studio’s creativity and short production schedule, that they’ve asked us to do it again! There’s a catch though- the Signum Studios Creative Team must generate a new adaptation as soon as possible in order to build on the success of the first movie. “We’re so excited about the possibility of even more opportunities to explore Muppet and LoTR mashups!” Addison Bigbucks, president of Big Name Studios said in a recent interview. “We can’t wait to see what the Signum Studios Creative Team will come up with next!” In this SPACE course, the Creative Team will lead interactive discussions and breakout sessions to discuss human and Muppet casting choices, art direction, and narrative themes. Knowledge of the following Jim Henson productions will be useful but not required: The Muppet Show (1976-1981), : The Muppet Christmas Carol (1992), : Muppet Treasure Island (1996), and the : Muppet Movie (2011). No homework outside of class is required, but ongoing discussions on Signum’s Discord channel will be enthusiastically encouraged. Can the Creative Team at Signum Studios achieve the same success as their Sunshine Moot predecessors? What decisions will appeal to both the die-hard Tolkien fans, Muppet aficionados, and the casual movie-going public? Don’t worry, the Creative Team will have help including a guest lecture from Maggie Parke, Director of Signum Studios, two producers who will keep us on budget and on time, and several Bigwig Studio Executives who will offer advice on creating the next blockbuster hit. [show less]

This module provides a broad survey of Oz's remarkable longevity as a franchise over the 20th and 21st centuries. We will discuss how Oz operates as a quintessentially American fairy tale that, like all fairy tales, is ripe for reinterpretation by each new generation. Session 1: Introduction to L. Frank Baum and the Oz franchise/The Wizard of Oz by L. Frank Baum (1900) Session 2: Bringing Oz to the big screen — The Wizard of Oz (dir. Victor Fleming, 1939) Section 3: Ozas 1970s Musical Extravaganza -- The Wiz (dir. Sidney Lumet, 1978) Section 4: Ozas 1980s Dark Fantasy -- iReturn to Oz (dir. Walter Murch, 1985) Session 5: Ozas Literary Fiction -- Wicked: The Life and Times of the Wicked Witch of the West, by Gregory Maguire Session 6: OzReinterpreted for the 21st Century: Wicked — Part One (dir. John Chu, 2024) Session 7: OzReinterpreted for the 21st Century, continued: Wicked — For Good (dir. John Chu, 2025) Session 8: Ozas American mythology — screening clips of other Ozadaptations not previously covered, as we discuss the question "What makes Oz so pervasive in American culture?" [show less]

Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times. This SPACE series consists of three hybrid modules:

1. Module 1 covers the series Andor, Season 1
2. Module 2 covers the series Andor, Season 2
3. Module 3 covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope

[show less]

Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times. This SPACE series consists of three hybrid modules:

1. Module 1 covers the series Andor, Season 1
2. Module 2 covers the series Andor, Season 2
3. Module 3 covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope

[show less]

Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times. This SPACE series consists of three hybrid modules:

1. Module 1 covers the series Andor, Season 1
2. Module 2 covers the series Andor, Season 2
3. Module 3 covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope

[show less]

Over nearly half a century of storytelling, Star Wars has challenged audiences to find their own agency and power in the face of injustice and tyranny. The Star Wars works Andor (2022, 2025), Rogue One (2016), and A New Hope (1977) fit together to provide a story of resistance, resilience, and rebellion built on a deep engagement with history, philosophy, and political thought. Join Dr. Amy H. Sturgis as we consider how Star Wars wrestles with big ideas, invites conversation and action, and inspires hope in unprecedented times. This SPACE series consists of three hybrid modules:

1. Module 1 covers the series Andor, Season 1
2. Module 2 covers the series Andor, Season 2
3. Module 3 covers the films Rogue One: A Star Wars Story and Star Wars: Episode IV – A New Hope

[show less]

Shinkai Makoto is an anime director whose films are known for the hyperrealistic beauty of their background art, but also for their star-crossed lovers and the way they play with time. Shinkai's films are often considered "sekai-kei"; that is, the world may be in crisis, but we see this crisis from the point of view of individual lives. In this module, we will watch several films, based on availability, as per the proposed outline below. Session 1: Biography, influences, context, short films, and Voices of a Distant Star Session 2: The Place Promised in Our Early Days Session 3: 5 Centimeters per Second Session 4 :Your Name Session 5: Your Name, continued Session 6: Weathering With You Session 7: Weathering with You, continued Session 8: Suzume [show less]

HBO’s new “The Last of Us” TV show (2023) is widely hailed as the best adaptation of a video game. “The Last of Us” video game (2013) tells the story of a cynical older man befriending a young girl during a zombie apocalypse. The game received praise for its subtle storytelling and strong characterizations. The lead creator of the game is also a showrunner and insisted that HBO remain faithful to the game. However, the show uses the freedom of TV to expand upon the backstories of characters. In this course, we will watch the TV show and play the video game simultaneously. We will then discuss how the genre/medium of each affects adaptation choices. Note: Students do not need to have watched the show or played the game beforehand, but will need to have access to both. Students can also watch a walkthrough of "The Last of Us" in lieu of playing the game. [show less]

When one thinks of ancient, pre-classical civilisations, one thinks of Sumerians, Egyptians, Hittites, and, not least, Minoans. The Minoan civilisation, discovered around 1900 by English archaeologist Sir Arthur Evans, has often been styled as the first major European civilisation, equally proficient in technology and the arts, with a sea empire spanning across the Eastern Aegean. But how much of what we imagine about the Minoans is truthful and how much is modern mythmaking? In this module, we will examine the immense impact which the discovery of Minoan Crete and its integration with the classical myths of the Minotaur and the Labyrinth has had on literature, movies, the arts, and even computer games. We will examine the works of Sir Arthur Evans, Pablo Picasso, Nikos Kazantzakis, Robert Graves, Mary Renault, Poul Anderson, and Stephen King, among others. In so doing, we will explore such key 'Minoan' concepts and phenomena as: the sublime, utopianism, feminism, irrationality and the unconscious, mythmaking, and European identity. [show less]