October 2023 Modules

Welcome to the Readings in Poetry page for the Advanced Old English Series in which students explore, in alternating months, a work of prose and then a work of poetry to introduce students to the breadth and depth of Old English texts available for study. Each month Dr. Swain surveys the group to see what they want to tackle next from month to month.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of the first book in The Later Silmarillion, Morgoth's Ring (Volume Ten of The History of the Middle-earth), as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of the first book in The Later Silmarillion, Morgoth's Ring (Volume Ten of The History of the Middle-earth), as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of the first book in The Later Silmarillion, Morgoth's Ring (Volume Ten of The History of the Middle-earth), as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

The Goldberg Variations is a keyboard work by J. S. Bach considered by many to be one of the greatest musical compositions of all time. In this module, we will listen, analyze and discuss our way through the piece. We will begin with the background to the composition, and study the initial aria and the ground bass that underlies the entire piece. We will then work our way through each of the thirty variations, listening to a couple of performances of each and studying the score. Along the way we will discuss the basics of harmony and counterpoint. Our goal is that you come away with a deeper understanding of this remarkable piece of music and a greater appreciation of the genius of Bach.

Note: Ability to read music is not required for this module!

Kull Wahad, let’s read Frank Herbert’s Dune! Join us for the final module of our series in which we closely read Frank Herbert’s masterwork. We will explore themes like heroism, mythology, history, ecology, politics and religion while following the dynastic struggles between the Atreides family and the ruthless Harkonnens. Every week, you will get to connect with fellow book lovers and share your insights. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for a cozy book club. Let the spice flow!

Module 1: Book I: Dune
Module 2: Book II: Muad’dib
Module 3: Book III: The Prophet

Note: If you did not participate in an earlier module of this series, please consider joining still! You would be most welcome to jump in mid-stream with us.

Write Our Hearts

Come for gentle writing. Introspection. Self expression in a circle of caring and community. Come gather virtually in the Cottage in the Woods with Sparrow: she literally wants us to prep food ahead and get away from the family and the dishes for forty eight hours to write our stories. It's so hard to find time for ourselves, so let's intentionally make that time. From Friday evening through Sunday afternoon there will be writing to prompts, conversation, ideas, blocks of free writing time. Does your heart ache to express a private grief on the page? Is your subconscious telling you to rewrite a story? Do you need to rewrite your story?

This iteration of Writing Retreat uses the Rose prompts; we hope this helps you decide on signing up based on whether you would like to repeat those prompts.

Here's the plan:
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Friday from 6:00 PM to 9:00 PM Eastern
6p - First session: establishing community
7p - WriterSpace: time for Evening Pages
8p - Group session: what seedlings do we have?
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Saturday from 9:00 AM to 1:00 PM Eastern
9a - Morning session: affirmations and choices
10a - WriterSpace & Bandersnatch (that's "quiet space and talking space")
11a - WriterSpace & Bandersnatch
12noon - Noon session: Shedding Light & Writing Metaphors
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Saturday from 1:00 PM to 3:00 PM Eastern:
Nap time.
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Saturday from 3:00 PM to 9:00 PM Eastern:
3p - Group session: The Shape of our Saplings
4p - WriterSpace & Bandersnatch
5p - WriterSpace & Bandersnatch
6p - Group session: Encouragement and Deeper Dives
7p - WriterSpace & Bandersnatch
8p - Group session: Leaning In to the Circle of Our Community
9p - Sweet dreams until tomorrow
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Sunday from 1:00 PM to 4:00 PM Eastern
1p - Group session: Our Story, Our Song
2p - WriterSpace & Bandersnatch (envisioning our stories' growth)
3p - Group session & wrap up at 4p.
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Our goal is to write our hearts. Is that memoir? Is that a new story just for yourself? Is that a long, long prayer in the form of a poem? Writers might write between sessions as well as during.

You are going to end this amazing experience with something that is uniquely yours. Whether this turns out to be a narrative, creative nonfiction, or a huge list of Be-Happy-Attitudes, this deserves to be on your page, just for you.


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Two classics of Gothic literature wrestle with the problem of good and evil: Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr. Hyde (1886) and Oscar Wilde’s The Picture of Dorian Gray (1890). The former, a work of early science fiction, and the latter, a Faustian fantasy, both imagine a human psyche divided in two. In Stevenson’s tale, Dr. Jekyll attempts to isolate and contain the evil side of his nature, but creates a monster he cannot control. In Wilde’s “poisonous book,” Dorian enjoys seemingly eternal youth while his portrait suffers the physical and moral consequences of his wickedness —learning too late that, sooner or later (as the saying goes), we all get the face we deserve.

In examining this sinister pair of pairs, this course looks first at the text of each novel. Next, we survey the shock and alarm these books inspired among the Victorian public, as captured by a range of early reader responses. In their contrasting approaches to the same theme, both works reveal insights into the fragility of human identity, the limits of scientific understanding, and the dark power of artistic creation.

Sir Philip Pullman’s His Dark Materials trilogy is widely regarded as a modern classic, has been described by The New Statesman as “the most ambitious work since The Lord of the Rings,” and has been adapted onto stage, radio, and screen. The series is also deep and complex, drawing from a rich array of literary, philosophical, and theological ideas.

In this three-module series we will read, successively, the three novels in Philip Pullman’s His Dark Materials trilogy, juxtaposing each with selected materials that will allow us to read Pullman’s work both on its own and in conversation with other works. Students can join one, two, or all three modules. There are no prerequisites.

This course offers an in-depth look at the first complete “historical” narrative of the reign of King Arthur, Geoffrey’s Historia Regum Britanniae – as well as the centuries-long controversy this book generated. Comprising almost a quarter of Geoffrey’s History (Books 4 – 11), this crucial first account of the king includes the arrival of the Saxons in England, a battle of dragons, the boy Merlin’s prophetic visions, Arthur’s magically-contrived conception, his conquest of Rome, and his overthrown and death at the hands of his nephew Mordred. This course will also look at the battle of books that ensued following the appearance of Geoffrey’s work, with some contemporary chroniclers alleging that Geoffrey had simply made the whole thing up, and others rallying to Geoffrey’s (and Arthur’s) defense.

This course is for those who have an interest in Japanese culture and wish to continue our study of Japanese. We will continue using Hiragana and Katakana and will cover basic grammatical structures. Through use of conversational Japanese, we will continue to explore how the language is used in anime, manga, and music.

Japanese is a language of great nuance and depth. This module will open the door to that world and build a foundation for greater insight into Japan's culture and its people.

Building on a general knowledge of all major noun and verb forms, students will be ready, in the ninth month of Latin in a Year, to explore some grammatical constructions that build upon subjunctive verb forms and to apply techniques from comparative adjectives to more complex adverb formations. Students will work through three chapters of Wheelock’s Latin and continue developing translation techniques by working through textbook sentences and short Latin passages.



This module covers chapters 31-33 of Wheelock’s Latin::
- 31: Cum Clauses; Fero
- 32: Formation and Comparison of Adverbs; Volo, Malo, Nolo; Proviso Clauses
- 33: Conditions

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

What are the tools of the writer’s craft, and how can we sharpen them? In this module, we will learn about the writer’s toolkit through guided writing exercises and group discussion. We will use exercises from Ursula K Le Guin’s book Steering the Craft: A 21st-Century Guide to Sailing the Sea of Story to explore tools like pacing, narration, point of view, syntax, and diction. Practice your writing technique, hone your craft, and embark on a journey with us through the “Sea of Story.”


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

In this module we will examine the origins and development of Zen Buddhism from its roots in Mahayana and Daoist thought through its formative years in China and its spread to Korea and Japan. Among other topics, we should have time to cover the Patriarchs of Zen, the Five Houses of Zen, and major figures within the tradition. We will also gesture towards Zen's impact on East Asian arts and culture more generally.