Monsters Portal

Spend the time reading and translating in a relaxed manner with friends! This beautiful, moving, narrative poem is a joy to work with and I hope you will join me for a month of study.

Let's continue reading and translating Beowulf in a relaxed manner with friends! This beautiful, moving, narrative poem is a joy to work with and I hope you will join me for another month of study.

Always wanted to study Beowulf? Here's your opportunity. In our 8 hours together, we will delve into the worlds of the poem, examine the major critical elements, and seek to understand the poem better.

Dive into the world of Welsh mythology with Lloyd Alexander's classic children’s fantasy series, Chronicles of Prydain. Over three modules, we'll explore the five novels and Disney’s animated adaptation. We will unpack themes like bravery, friendship and identity while following the epic journey of Taran, an assistant pig-keeper who dreams of adventure. Every week, you will get to connect with fellow book lovers and share your insights. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for the warmth of a cozy book club. Enroll now and join the battle against Arawn and the Horned King!

Module 1: The Book of Three / The Black Cauldron
Module 2: The Castle of Llyr / Taran Wanderer
Module 3: The High King / Disney’s The Black Cauldron

Considered the first sci-fi novel, Frankenstein is much more than the famous monster who has entered pop culture. From philosophy to science, this novel deals with many issues, confuses the reader, and makes us wonder who the real hero is. We will discuss the themes, imagery, character development, and the many different allusions to other texts mentioned in the book in a relaxed and interactive way.

Gulping gargoyles, let's read the next Harry Potter book!

By popular demand, here is the long-awaited Harry Potter book club! We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over one month, we will follow twelve-year-old Harry's adventures as he uncovers the dark secrets lurking beneath Hogwarts School of Witchcraft and Wizardry. Whispers and plots abound within the castle, as Harry must confront the evil legacy of Voldemort.

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Merlin's beard, let's read the first Harry Potter book!

By popular demand, here is the long-awaited Harry Potter book club! We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

First, we will go back to where it all began, Harry Potter and the Sorcerer's Stone. Over one month, we will follow eleven-year-old Harry's adventures as he commences his study at Hogwarts School of Witchcraft and Wizardry. Together, we will explore themes like friendship, courage, and the power of love.

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Epistolary fiction may have you thinking of Frankenstein and Dracula, but they were just the beginning. This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone builds on the epistolary tradition while creating a whole new experience with their epistolary science fiction/time travel/lgbtqia+ romance novella. We will explore the framing, narrative, metaphor, character, and linguistic choices of the authors in depth as we take our time dissecting this novella with fellow book lovers.

Japanese ghost stories are famous for their many chilling, sometimes funny, and creepy ghosts and yokai. Lafcadio Hearn, a Greek-later-Japanese writer popularized these stories in his book Kwaidan. In this module, we will discuss the stories, the settings, and their cultural and religious background.

One of the most beloved of all classical Chinese novels, Journey to the West features Monkey, Pig, Sand-demon, White Horse, and the monk Tripitaka as they make a pilgrimage from Tang-dynasty Chang’an to India to bring back Buddhist scriptures, having outrageous adventures all along the way. Full of humor and wit, this is a major work of East Asian fantastic literature. Come along with Monkey and the gang for a tour through this foundational text!

We will watch and discuss Mushi Shi, paying special attention to aspects of Japanese religion and culture which are woven into the fabric of the story. The class will be discussion-oriented, framed by preceptor commentary. This is a beautifully designed series that rewards slow and relaxed contemplation.

Natsume’s Book of Friends is a contemplative and heartfelt anime/manga series about a boy who inherited a book from his grandmother, allowing him to control youkai. Instead, he chooses to free them. This series sits at the intersection of fantasy and slice of life, and it touches on many aspects of Japanese folklore and culture, at the same time telling a story about connection and compassion. In this module, we will watch and discuss the first two seasons of the anime, paying particular attention to themes including: the iyashikei (healing) genre of anime, the portrayal of youkai in popular culture, and the use of concepts and imagery from Japanese literature and folklore in the series.

This module is primarily discussion based, with some contextual information provided by the preceptor. There will be a Google Doc for class discussion and your preceptor will use slides, but sparingly.

The third and fourth seasons of Natsume’s Book of Friends continue the story of a boy who can see youkai, and who usually frees them or helps them rather than control or exorcize them. These two seasons continue to explore the themes of loneliness, connection, and the conflict between humans and others, but also introduces the Matoba clan, a group of exorcists. As with the first module, we will look at the role of youkai and the way that both characters and the audience are healed.

The fifth and sixth seasons of Natsume’s Book of Friends continue the story of a boy who can see youkai, and who usually frees them or helps them rather than control or exorcize them. These two seasons continue to explore the themes of loneliness, connection, and the conflict between humans and others, but also provide further insight into the secondary characters that surround Natsume. As with the first two modules, we will look at the role of youkai and the way that both characters and the audience are healed.

Can Sir Gawain keep his honor without losing his head? This short classic of Middle English chivalric romance follows Gawain on a quest testing his heroism, social etiquette, sexual virtue, and existential sense of self. This course explores: first, the extraordinary history of the single, unique manuscript which preserves this poem (as it “slept” on a library shelf for 400 years, escaped destruction by fire, and was eventually rediscovered in the 19th century); second, the translations which brought this poem to a twentieth century readership – focusing in particular on J.R.R. Tolkien’s; and finally, the 2021 film by David Lowery.

The journey awaits! In this standalone module, we will read Apollonius of Rhodes' epic Argonautica from start to finish. Guided by a twisted prophecy, our hero Jason embarks on a journey across the roaring waves. His goal: the golden fleece. Jason cannot do it alone, and must assemble the greatest team the Greek world has ever seen-- the fighter Hercules, the seer Idmon, the bard Orpheus, and many more. Their quest will lead them to ancient tombs, magical intrigues and battle with the ravening harpies. Each week, we will read one book of the Argonautica, following our heroes' adventures in a world of gods and magic. Packed with fascinating detail, this module is a perfect introduction to classical myth and epic!

When one thinks of ancient, pre-classical civilisations, one thinks of Sumerians, Egyptians, Hittites, and, not least, Minoans. The Minoan civilisation, discovered around 1900 by English archaeologist Sir Arthur Evans, has often been styled as the first major European civilisation, equally proficient in technology and the arts, with a sea empire spanning across the Eastern Aegean. But how much of what we imagine about the Minoans is truthful and how much is modern mythmaking?

In this module, we will examine the immense impact which the discovery of Minoan Crete and its integration with the classical myths of the Minotaur and the Labyrinth has had on literature, movies, the arts, and even computer games. We will examine the works of Sir Arthur Evans, Pablo Picasso, Nikos Kazantzakis, Robert Graves, Mary Renault, Poul Anderson, and Stephen King, among others. In so doing, we will explore such key 'Minoan' concepts and phenomena as: the sublime, utopianism, feminism, irrationality and the unconscious, mythmaking, and European identity.

Troy has fallen, but the journey has just begun... This 3-module series will work steadily through the 12 books of Virgil's epic Aeneid, whose influence in the medieval period eclipsed even Homer. Each week we will read one book of the Aeneid in translation, focusing on Virgil's approach to characterisation, plot structure and themes. With two hours to spend on each book, students can enjoy a relaxed reading pace and friendly class discussion.

Yes, there are indeed women in Beowulf. Vital and potent women in fact. From the valkyrie-esque figures to the weeping peace-weavers, a broad spectrum of women characters exists as both historical representation and imaginative mythology. Grendel's Mother is ferocious and masculine. Hildeburh laments the death of her brother and son before being carried off. Modthryth behaves like a sadistic queen. Wealhtheow is mindful of so much in her husband's hall. Freawaru seems destined for tragedy. And could the dragon be a female too? Maria Headley seems to think so. This module will explore this topic using dual-language editions of texts so we can see the original language alongside translations by J.R.R. Tolkien, Roy Liuzza, and Maria Headley.

The Gothic genre has inspired many creative minds to explore the darker realms of human psychology and the wider world, sparking fear, terror, horror and repulsion in its audience. J.R.R. Tolkien's Middle-earth is as much a ruined Gothic wasteland as it is an idyllic utopia. From Shelob's cave and the hypnotic Mirkwood to the Paths of the Dead and the Barrow-Downs, this module will examine Tolkien's use of Dark Romantic and Gothic techniques that were used by writers such as Horace Walpole, Mary Shelley, Edgar Allan Poe, Bram Stoker, and E.T.A. Hoffman to strike terror in the heart of their readers.

The module is structured as follows:
• Class 1: The Funk of Forty Thousand Years: A Literary History of the Gothic (60m)
• Class 2: Nevermore… Echoes of the Supernatural (60m)
• Class 3: Curdling the Milk: Repulsion and Horror (60m)
• Class 4: Conjuring Creepy Creatures (60m)
• Class 5: The Dark Side of the Mind (90m)
• Class 6: History’s Horrific Ruins (60m)
• Class 7: Wild and Deadly Landscapes (90m)

J.R.R. Tolkien famously 'found' his legendarium, translating and editing The Red Book of Westmarch for his twentieth century readers. This is not the first time an author has 'forged' a 'lost' literary history as James Macpherson's 'Ossian' documents from the 1760s started a craze for forgeries. Thomas Chatterton's Rowley and Turgot manuscripts similarly fed off the Ossian controversy while questioning what it really meant to 'forge' a document.

The module is structured as follows:
• Class 1: ‘Reclaiming’ ‘Lost’ and ‘Found’ British Myths and History (60m)
• Class 2: The Growth of Romantic Nationalism (60m)
• Class 3: The Book of Lost Tales: A ‘Mythology for England?’ (90m)
• Class 4: Oral Tradition: Immortality and the Elves (60m)
• Class 5: Oral Tradition: Youthful Cultures (60m)
• Class 6: Textual Traditions: Mortal Anxiety (60m)
• Class 7: Textual Traditions: Tangible History (90m)

Inviting students to share their delight in, and deepen their appreciation of, video games, we will discuss examples of the art, music, gameplay, and story from a range of influential titles. We will introduce and experiment with some of the theoretical frameworks that have been applied to video games as media objects and cultural artifacts. But mostly, we will enjoy learning more about the medium and the games we already love. Aside from links and selections shared throughout the module, Gabrielle Zevin's novel Tomorrow, and Tomorrow, and Tomorrow will be the only required reading.

Eleanor West's Home for Wayward Children has three rules: No Solicitations, No Visitors, and No Quests. Pity that most worlds give no care for rules not their own.

Boarding schools have become a staple in fantasy, but Eleanor West's Home for Wayward Children specializes in children that have stumbled into and then out of portals and haven't quite managed to adjust to being back from their adventures. There are three rules at Eleanor West's: No Solicitations, No Visitors, and No Quests.

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft.

In this course, we will look at examples from literature of how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing.

We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés that make the lives of people like your preceptor materially harder.

Note: Texts will be provided by the preceptor.




Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.