Epic Fantasy Portal (List View)

Based on the preceptor's edited volume, Tolkien and the Classical World, this module takes students on a tour of the classical influences and ideas on the life, writings, and thought of English fantasy writer J.R.R. Tolkien, while also introducing seminal Greco-Roman texts to those without any classical background. [show less]

The Gothic genre has inspired many creative minds to explore the darker realms of human psychology and the wider world, sparking fear, terror, horror and repulsion in its audience. J.R.R. Tolkien's Middle-earth is as much a ruined Gothic wasteland as it is an idyllic utopia. From Shelob's cave and the hypnotic Mirkwood to the Paths of the Dead and the Barrow-Downs, this module will examine Tolkien's use of Dark Romantic and Gothic techniques that were used by writers such as Horace Walpole, Mary Shelley, Edgar Allan Poe, Bram Stoker, and E.T.A. Hoffman to strike terror in the heart of their readers. The module will follow an 8-lesson structure as follows: • Lecture 1: The Funk of Forty Thousand Years: A Literary History of the Gothic • Workshop 1: Chilly Echoes in Tolkien's Middle-earth • Lecture 2: Bottomless Supernatural: Terror, Horror, Abject • Workshop 2: Conjuring Creepy Creatures • Lecture 3: The Weird, the Eerie, and the Dark Side of the Mind • Workshop 3: Defamiliarising Middle-earth • Lecture 4: Ruined Landscapes • Workshop 4: What is left? Can the Gothic recover Middle-earth? Note: The hybrid 8-lesson structure above is the new format for this module moving forward. [show less]

J.R.R. Tolkien famously 'found' his legendarium, translating and editing The Red Book of Westmarch for his twentieth century readers. This is not the first time an author has 'forged' a 'lost' literary history as James Macpherson's 'Ossian' documents from the 1760s started a craze for forgeries. Thomas Chatterton's Rowley and Turgot manuscripts similarly fed off the Ossian controversy while questioning what it really meant to 'forge' a document. The module will follow an 8-lesson structure as follows: • Lecture 1: The 1760s, the Age of Forgery • Workshop 1: Which Red Book are we reading? • Lecture 2: The Growth of Romantic Nationalism • Workshop 2: The Book of Lost Tales: a mythology for which England? • Lecture 3: Oral Traditions: Immortality and Youth • Workshop 3: Vocalising Myth and History • Lecture 4: Textual Traditions: Mortal Anxiety and Tangible History • Workshop 4: Writing myth and history Note: The hybrid 8-lesson structure above is the new format for this module moving forward. [show less]

The imagination and dreams are essential parts of J.R.R. Tolkien's world building which he explored across many stories from 'The Lord of the Rings' and 'On Fairy-stories' to 'The Notion Club Papers'. The same can be said of the Romantics who saw an important connection between the two. In works such as Samuel Taylor Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan', Lord Byron's 'The Dream' and 'Darkness', and Mary Shelley's 'Frankenstein', the imaginary and dream-like meet with awe-inspiring, melancholy or blood-chilling results. The module sessions are structured as follows: • Class 1: The Realms of (Childhood) Faery (60m) • Class 2: Faery’s Enchantment (60m) • Class 3: The Terror of the Night (60m) • Class 4: The Past is an Imagined Dreamworld (90m) • Class 5: Visions of the Apocalypse (60m) • Class 6: Senses and Sensation (60m) • Class 7: Glimpses, mere Fragments (90m) [show less]

J.R.R. Tolkien's revolutionary depictions of nature have inspired many to respect and cherish the environment. However, if we journeyed back two hundred years, we would discover that radical British Romantic authors were also challenging how readers perceived their surroundings! In this module, we will use ecology to explore the many parallels and contrasts between Tolkien's Arda and the Romantic's portrayals of nature big and small: mountains and meadows, woods and wildernesses, daffodils and dead marshes. This will include examining how characters react to the environment, nature's existence as separate from our own, and the broader concern of the Industrial Revolution's destructive potential. The module will follow an 8-lesson structure as follows: • Lecture 1: Visions of Nature • Workshop 1: What do your Elf-eyes see? • Lecture 2: All things Sublime and Beautiful • Workshop 2: Sublime, Beautiful, or both at once?! • Lecture 3: I want to see mountains! • Workshop 3: One with our environment • Lecture 4: Ecology without Humanity • Workshop 4: What is actually out there beyond the Human sphere? Note: The hybrid 8-lesson structure above is the new format for this module moving forward. [show less]

This course examines how J.R.R. Tolkien constructed his secondary world with the deliberate craft of a mythmaker and the precision of a master architect. Designed for participants already familiar with Tolkien's major works, the course delves into the rich philosophical, linguistic, and cultural foundations of Middle-earth. Each discussion session analyses the building blocks of Tolkien's mythological framework: his theory of subcreation, cosmological blueprints, linguistic foundations, character archetypes, moral frameworks, environmental design, and how these elements combine to create an enduring fictional universe. Participants will engage with primary texts alongside Tolkien's essays, letters, and posthumously published materials to gain deeper appreciation of how his scholarly background in philology and medieval literature informed his creative vision—illuminating how Tolkien constructed one of literature's most enduring secondary worlds. Session 1: The Mythmaker’s Vision Learning Objectives: • Understand Tolkien’s theory of subcreation and its theological underpinnings • Examine how Tolkien’s academic background influenced his creative work • Introduce key concepts that will frame the entire course Session 2: Creation Myths and Cosmology Learning Objectives: • Analyze Tolkien’s creation myth and its structural significance • Compare Tolkien’s cosmology with other world mythologies • Understand how Tolkien’s cosmological foundation shapes his entire legendarium Session 3: Languages as Cultural Foundation Learning Objectives: • Examine how Tolkien’s invented languages shape his fictional cultures • Analyse the relationship between language evolution and historical events in Middle-earth • Experience the aesthetic qualities of Tolkien’s linguistic creations Session 4: The Hero’s Journey Through Ages Learning Objectives: • Trace the evolution of heroic archetypes Session 5: Power and Corruption Learning Objectives: • Analyse the Ring as a symbol of power and its corrupting influence • Compare various characters’ responses to power and temptation • Explore Tolkien’s views on power, authority, and moral choice Session 6: Death, Immortality and Time Learning Objectives: • Understand Tolkien’s treatment of mortality as a gift rather than a curse • Explore the philosophical and theological dimensions of immortality in Middle-earth • Analyse Tolkien’s personal reflections on death through his fiction Session 7: Nature, Technology and Modernity Learning Objectives: • Examine Tolkien’s environmental themes and their contemporary relevance • Analyse the contrast between natural harmony and industrialization in Middle-earth • Connect Tolkien’s environmental concerns to his personal experiences Session 8: Legacy and Influence Learning Objectives: • Evaluate Tolkien’s impact on fantasy literature and modern mythology • Explore posthumously published works and their contribution to understanding Tolkien • Reflect on the course themes and their integration in Tolkien’s work Reading List by Session Session 1: The Mythmaker's Vision - "On Fairy Stories" (essay) - Focus on concepts of "subcreation," "recovery," "escape," and "consolation" - "Mythopoeia" (poem) - Complete - Letter #131 to Milton Waldman - Selected paragraphs on Tolkien's passion for myth and fairy-story Session 2: Creation Myths and Cosmology - "Ainulindalë" and "Valaquenta" from The Silmarillion - Complete - "The Music of the Ainur" from The Book of Lost Tales, Part One - Focusing on differences from the published Silmarillion version - Selected passages from Morgoth's Ring - "Myths Transformed" essays I and II Session 3: Languages as Cultural Foundation - Appendix F from The Lord of the Rings: "The Languages and Peoples of the Third Age" - "The Lhammas" from The Lost Road and Other Writings - Introduction and sections on Elvish languages - Elvish poems with translations: "Namárië" and "A Elbereth Gilthoniel" - Complete texts with pronunciation guides Session 4: The Hero's Journey Through Ages - "Of Túrin Turambar" from The Silmarillion - Sections describing Túrin's character and major confrontations - From The Hobbit: "Riddles in the Dark" and "The Last Stage" - Complete chapters - From The Lord of the Rings: "The Shadow of the Past" and "The Bridge of Khazad-dûm" - Complete chapters Session 5: Power and Corruption - "Of the Rings of Power and the Third Age" from The Silmarillion - "The Council of Elrond" from The Fellowship of the Ring - Discussions of the Ring's history and power - "The Mirror of Galadriel" and "The Breaking of the Fellowship" from The Fellowship of the Ring Session 6: Death, Immortality and Time - "Akallabêth" from The Silmarillion - Sections about the Númenóreans' growing fear of death - "Leaf by Niggle" - "Athrabeth Finrod ah Andreth" from Morgoth's Ring - Dialogue about mortality - Letter #153 - Sections discussing the "doom and gift" of mortality Session 7: Nature, Technology and Modernity - "Treebeard" and "The Voice of Saruman" from The Two Towers - "The Scouring of the Shire" from The Return of the King - Tolkien's foreword to the second edition of The Lord of the Rings - Letter #178 - Sections discussing industrialization Session 8: Legacy and Influence - "The Quest of Erebor" from Unfinished Tales - "The Notion Club Papers" from Sauron Defeated - Frame narrative and discussions of time and memory - "Epilogue" from The History of Middle-earth, Vol. XII: The Peoples of Middle-earth - Selections from The Road to Middle-earth by Tom Shippey - Chapter 1 "Lit. and Lang." 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One of the earliest stories of J.R.R. Tolkien’s legendarium committed to writing was the tragic tale of Túrin Turambar. As Tolkien himself acknowledged, in creating Túrin’s tale, he drew on elements of real-world legends, particularly those of Sigurd the Volsung, Oedipus, and the Finnish Kullervo. In this module, we’ll look at the interplay between these legends (in the forms that young Tolkien had likely encountered them) and Tolkien’s own creation of the tale of Túrin. The module’s objective is twofold: a semi-biographical examination of young Tolkien’s early creative processes, and familiarization with the historical sources for these legends that proved so inspirational for him. [show less]