Workshops Portal (List View)

This Writer's Workshop will be for practicing the art of writing flash fiction, works that are of 500 or fewer words in length. This is a marvelous place for a new writer to begin as the size is not overwhelming. It is also a marvelous place for a seasoned writer to practice the craft of scene creation and characterization under severe creative restriction. We will read examples of flash fiction, and provide feedback for one another on original pieces that we shall write over the length of the course. For this we will use the Collaborative Feedback Method that we use in all Space creative writing courses, a method which emphasizes kindness and curiosity while still providing rigorous and useful feedback to the writer. [show less]

Have you wanted to write a story but didn't know how to get words onto a blank page? Once the words were there, did you wonder how to find out if those words affected your reader the way you meant them to? In this SPACE module, we will look at where ideas for stories come from. We will take our ideas from our thoughts to the page. Then we will learn, in a supportive community using the Collaborative Feedback method, how to ask for and receive the feedback our stories need to thrive. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Learn the fundamentals of dialogue, action, and dramatic structure in this introduction to writing for performance. Working within the limits of one set, three actors, and ten minutes, participants in this class will learn the basic building blocks of script-writing by crafting short, stand-alone narratives for the stage. Though we will be looking at a few contemporary short plays as examples, the bulk of this class will focus on writing and workshopping your own original scripts. [show less]

It turns out that writing dialogue can be tricky. A writer has to accomplish a lot through the way in which a character speaks, and how that speech is described. How do people talk to one another? Do they orate? Do they exchange fast and witty quips? Do they lecture one another to impart tons of needed exposition material? Does what they say and how they say it tell us anything about who they are? In this class we will experiment with different ways to write dialogue and incorporate it into a story. We'll explore how details of character diction can change how a reader understands the text of what a character says. We'll do exercises designed to practice achieving particular goals Finally, students will apply what we're working on to their own writing and will receive feedback using our Collaborative Feedback method. We're going to do a fair bit of writing, some in class, more outside of class as (optional) homework. By the end of the class a student should expect to be able to decide how a character should sound and then write dialogue that meets that goal. [show less]

Well-prepared writers enjoy more completion success! We will build worlds, plan character arcs, and try to define the bones of our stories during a month of glorious sub-creation! When you declare your intentions to the group, that act of bravery alone adds momentum to your writing efforts after the month is over. (This Module is great preparation before National Novel Writing Month) Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

When you think about your favorite stories, chances are you conjure the memory of a scene: the charge of the Rohirrim at the coming of the new dawn, Luke turning off his targeting computer as he flies down the trench, or when Ged finally acknowledges the identity of the shadow being that has followed him literally to the land of the dead. Stories are built out of scenes, and scenes like the ones above make stories memorable. In this class, we'll look at how to build scenes that accomplish specific things, according to the needs of the author and the story. We'll practice achieving specific goals, advancing the plot, expanding a characterization, even providing an opportunity for exposition. We'll do this through assigned exercises, and by looking at how to apply these skills to the students' own stories. We'll read each other's scenes and use our Collaborative Feedback method to help one another to sharpen our work. We'll be writers together helping each other's stories thrive. [show less]

We will walk through a complete project from pre-writing through writing, revising, editing, (revising, revising, revising), proofreading, and talking about publication options. Are you interested in finally getting down that memoir of your childhood? making a storybook for your grands? turning that daydream into a novelette? This adventure is for you! Whether your story is a draft, an outline, or a daydream, your project is welcome here in a place where we are aiming to finish it! Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll create, practice, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback to focus both on the construction of your story and on its performance. You will end the month having written an original tale, fiction or memoir or drawn from myth and legend, which has been written specifically to be shared aloud. You will also carry forward a toolkit for exploring this art. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

In this module, you will discover how to make your story's setting a vivid and fully-realized character in its own right! Through fun and engaging writing exercises, you will learn techniques to create immersive environments that grow and change along with your characters. Find out how to use sensory details to create a feeling of place in your story. Using Signum’s collaborative feedback method, you will have the opportunity to develop your settings in a supportive workshop. Perfect for beginning authors or those looking to enhance their craft, this module will help you craft settings that live and breathe. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

We will meet to discuss strategies for revising a piece of writing, including finding your own vision for your story, big-picture developmental editing, and crafting scenes. Writers are encouraged to apply revision strategies between sessions and discuss their work during class if they want to share. Writers will also have the opportunity to explore different editing strategies to help them shape their story into their own vision. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

How can we rise through suffering to become heroic? This hybrid module takes a deep dive into the stages of the hero’s journey structure and its applicability to your story. Considering different approaches to the Joseph Campbell’s monomyth, you will have the opportunity to share and reflect upon your character’s journey in supportive workshops. Whether your hero is slaying a dragon or exploring the dark depths of their psyche, this module will help you craft an epic journey. The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction to the Monomyth • Workshop 1: Call to Adventure • Lecture 2: Archetypes • Workshop 2: Challenges and Temptations • Lecture 3: The Heroine’s Journey • Workshop 3: Death and Rebirth • Lecture 4: Challenging the Monomyth • Workshop 4: Transformation, Atonement, Return [show less]

A Feast of Writing! In one weekend, we're going to celebrate creativity by attempting a complete short story, novelette, or novella! Our format will include SPACE class sessions, WriterSpace focused writing time in excellent company, Bandersnatch Breakout room for talking about our craft and peer feedback, and an enthusiastic celebration of Story. So sharpen your quills, line up the inkpots, make a BIG casserole to last the weekend. Here's the plan: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Friday from 8:00 PM to 10:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 10:00 AM to 1:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 3:00 PM to 9:00 PM Eastern: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Sunday from 1:00 PM to 4:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Our goal is to create a completed first draft in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during. You are going to end this amazing experience with a complete first draft of your story! Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Write Our Hearts Come for gentle writing. Introspection. Self expression in a circle of caring and community. Come gather virtually in the Cottage in the Woods with Sparrow: she literally wants us to prep food ahead and get away from the family and the dishes for forty eight hours to write our stories. It's so hard to find time for ourselves, so let's intentionally make that time. From Friday evening through Sunday afternoon there will be writing to prompts, conversation, ideas, blocks of free writing time. Does your heart ache to express a private grief on the page? Is your subconscious telling you to rewrite a story? Do you need to rewrite your story? Here's the plan: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Friday from 8:00 PM to 10:00 PM Eastern Escape session with community building and prompted writing time ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 10:00 AM to 1:00 PM Eastern Recovery session with prompted writing, free writing, and discussion ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 1:00 PM to 3:00 PM Eastern: Nap time. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 3:00 PM to 9:00 PM Eastern: Recovery session continues with optional sharing, prompted writing, and free writing 6p - supper time discussion More Recovery session sharing and writing 9p - Sweet dreams until tomorrow ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Sunday from 1:00 PM to 4:00 PM Eastern Consolation session discussion, prompted writing, and free writing Wrap up at 4p. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Our goal is to write our hearts. Is that memoir? Is that a new story just for yourself? Is that a long, long prayer in the form of a poem? Writers might write between sessions as well as during. You are going to end this amazing experience with something that is uniquely yours. Whether this turns out to be a narrative, creative nonfiction, or a huge list of Be-Happy-Attitudes, this deserves to be on your page, just for you. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Please choose this module if you're excited to be part of our Creative Writing mini-modules in the near future! If you add this module to your wish list (or short-list it), we will include you in our communications about upcoming mini modules and let you know what's available. Note: Our mini modules are special month-long group experiences designed for a small and intimate group of 2 to 4 students for the cost of 1 Token. As soon as we get enough interested students that reserve their seat, we'll schedule this class with the group and fly! [show less]

What makes a good children’s story? We’re going to address chapter books, cultural stories, and learning tales all through a lens of moral, cultural, and spiritual human development. Trying our hands at these forms should lead us to a nice folder full of works-in-progress at the end of the month. The December iteration of this module is designed to complete one treasured story gift for the holidays. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

We need good tales of good people making heroic choices. Whether we write memoir, pure fiction, or a what-if-it-had-ended-well personal speculations, this module is about creating the characters whom we can admire, trust, emulate, and become. Writing these short scenes during difficult times balances our minds and hearts, and can be part of a personal path to hope. This module specifically allows us to write our inner heroes within a place of safety. When believing in heroes is hard, we need to write them anyway. Explore your own traumas, toils, and fears even if your bad situation is right now, and write your own next chapter, your terrified heroic first step. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

When a speaker feels grounded in their body, alive in their voice, and truly attentive to listeners, the whole room leans in. This participatory module helps you build those qualities through physical and embodied practice. Each session blends discussion, guided instruction, and hands-on exercises in movement, breath, and vocal exploration, so you learn how to inhabit what you want to say with greater ease and authenticity. You’ll cultivate comfort, dynamics, and empathy for audience-centered speaking, discovering how breath, posture, rhythm, and voice can make your ideas resonate. From the spine of this module—purpose, passion, perspective—you’ll come to anchor yourself in what matters and sustain your listeners’ attention without strain. This module is for anyone who speaks to groups online or in person—teachers, lecturers, scholars, writers, actors, facilitators, students, or community presenters. All you need is a familiar excerpt of your content, curiosity to investigate your presence, and a commitment to practice. By month’s end, you’ll leave with a reliable and grounding process you can use for any presentation, reading, or speaking engagement. [show less]

Come explore Fairy Tales from the inside! In the first meeting each week Pilar Barrera will lift up a Fairy Tale technique, character archetype, or trope. We'll discuss the story at hand and how that story technique makes meaning. Then, students try their own hands at that technique! What do we learn when we push these ideas to their logical extremes? In the second meeting, Sparrow Alden will facilitate a workshop-style discussion of our original tale-telling work; we'll encourage one another as writers and appreciate one another as readers! Our goal is to complete the month with a deeper appreciation for the tales we all love and a folder with one to four good drafts of original tales. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Do you love the physical object of a book just as much as the information it contains? Do you smell your books when you get home from the library or the bookstore? Do you like working with your hands to make things? Then this module is for you! This class is an introduction to the materials, tools, and methods of making books by hand. Whether you're looking to make "junk journals" on a tight budget or want to rebind your favorite tome in leather, you'll find the information you need in this module! • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Course Outline: • Class 1: Brief History of Book Binding and Tools Overview • Class 2: Materials and Terms - The Anatomy of a Book • Class 3: Text Block Assembly 1 - Glued Binding Options - Perfect Binding and Double Fan Binding • Class 4: Text Block Assembly 2 - Sewn Binding Options - Kettle Stitch, Coptic Binding, and Japanese Stab Binding • Class 5: Cover Assembly 1 - How To Make a Softcover - Paperback and Wrap Covers • Class 6: Cover Assembly 2 - How To Make a Hardback - Classic/English Binding and Hollow Back Case Binding • Class 7: Cover Decoration and Finishing - Traditional and Modern Methods • Class 8: Overflow, Resources for Further Research, and Final Q & A • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • [show less]

Do you love to look at paintings, but aren’t sure how to make them yourself? Do you want to paint, but you don’t have room to store flammable, smelly chemicals like turpentine? Do oil/acrylic canvases and easels take up too much room for you to work in a small space? If you’ve painted watercolor before, have you wondered why they looked washed out or why you get certain unexpected textures in your color mixes? Then this module is for you! This class is an introduction to the materials, tools, and methods of watercolor painting. Whether you're brand new to making art, a seasoned painter who wants to connect with other makers, or you just want to find out how Tolkien created many of his Middle-earth illustrations, you’ll find a place in this module! Course Outline: • Class 1: Defining Watercolor – What makes Watercolor different from other art media? • Class 2: Materials and Terms – What you need and where to get it • Class 3: Prep – What to do before you start painting • Class 4: Composition – Tips for visually interesting paintings and how to save your whites • Class 5: Values – How to get good tone, range, and contrast • Class 6: Color Mixing – Sediments vs. stains and how to make harmonious paintings • Class 7: Texture – Tips for interesting textures and brushwork • Class 8: Overflow, Resources for Further Research, and Final Q & A [show less]

Do you have a general idea or old class paper that you’d like to refresh for an academic conference? This module is for individuals who are interested in turning a past or current research project into an abstract (proposal) and script or outline for a 20-minute conference paper. Bring some past writing (or a bunch of notes) to our first meeting, and we will brainstorm possible venues; wrangle past writing into conference-accessible outlines; draft and peer review abstracts; and write or outline some paragraphs or sections for oral delivery. Everyone is welcome, but this class is specifically designed for novice conference presenters who have a specific topic (or past paper) in mind and would like directed guidance and weekly accountability during the revision and preparation process. [show less]

The Muppet Lord of the Rings adaptation developed at Sunshine Moot 2025 was a runaway success, generating millions at the box office and garnering accolades from critics and fans alike. Big Name Studios was so impressed by Signum Studio’s creativity and short production schedule, that they’ve asked us to do it again! There’s a catch though- the Signum Studios Creative Team must generate a new adaptation as soon as possible in order to build on the success of the first movie. “We’re so excited about the possibility of even more opportunities to explore Muppet and LoTR mashups!” Addison Bigbucks, president of Big Name Studios said in a recent interview. “We can’t wait to see what the Signum Studios Creative Team will come up with next!” In this SPACE course, the Creative Team will lead interactive discussions and breakout sessions to discuss human and Muppet casting choices, art direction, and narrative themes. Knowledge of the following Jim Henson productions will be useful but not required: The Muppet Show (1976-1981), : The Muppet Christmas Carol (1992), : Muppet Treasure Island (1996), and the : Muppet Movie (2011). No homework outside of class is required, but ongoing discussions on Signum’s Discord channel will be enthusiastically encouraged. Can the Creative Team at Signum Studios achieve the same success as their Sunshine Moot predecessors? What decisions will appeal to both the die-hard Tolkien fans, Muppet aficionados, and the casual movie-going public? Don’t worry, the Creative Team will have help including a guest lecture from Maggie Parke, Director of Signum Studios, two producers who will keep us on budget and on time, and several Bigwig Studio Executives who will offer advice on creating the next blockbuster hit. [show less]

In this module we'll work together to create individual goals, projects, and action plans for the year to come and establish a journaling system to keep you accountable. We'll also cover techniques that I've found helpful and figure out how they best apply to you individually. Each session will begin with a 15–20-minute mini-lecture on the session’s topic followed by examples from my own life. We will then take however long is needed for Q&A and discussion on the topic. The rest of the session will be a workshop format where we will share with one another the results from your own work on the previous session’s topic and “assignment”. To get the most out of this class, expect to spend 1-2 hours outside of each class session and be prepared to share your personal goals and projects in class so that we can help each other refine and reach our goals. As this is a SPACE module, there are no requirements. But I do encourage you to take 1-2 hours or so between sessions to work through your implementation of what we talked about in the previous session. Class Outline A very rough outline is as follows. I want this class to be focused on what you need to succeed in the year ahead so I am open to changing this as we go to best serve you all. Part 1: Introspection • Class 1: Establishing Your Foundation (alt. Finding Your Why): Pillars + Roles • Class 2: Pursuing Excellence: Arete • Class 3: Guiding Principle(s): Your Annual Theme & Journaling Part 2: Planning • Class 4: Habits + Goals • Class 5: Projects + Tasks • Class 6: Reviews + Plans: Annual, Quarterly, and Monthly Part 3: Action • Class 7: Taking Action: Weekly and Daily • Class 8: Following Through: Tools, Tips, and Techniques [show less]

What makes a poem sing, or whisper, or chant, or curse—that is, make memorable speech? How do you craft that echo when one sound calls another to the surface—stress to stress, line to line? Sometimes the smallest beat, breath, or break can turn a poem’s ordinary sense into what Seamus Heaney called “the music of what happens.” Through the pulse of stress, or the line that ends at rest or breaks in tension, poetry, as James Longenbach writes in The Art of the Poetic Line, “is the sound of language organized in lines.” The poetic line and its sonics are inextricably linked—to each other and to the other elements of the poem with which they are bound up. In this workshop, we’ll tune our ears to poetry’s music through a weekly craft focus, generative prompts, and a supportive workshop. We’ll read short excerpts from Robert Pinsky (The Sound of Poetry), James Longenbach (The Art of the Poetic Line), and Denise Levertov (“On the Function of the Line”). Together we’ll explore sonic patterns that stir and surprise; we’ll write poems that make sense through the senses. This course is for poets at all stages who want to deepen their craft in community. You’ll leave with new drafts, sharper ears, and a keener attention to the key quality that singles poetry out from prose: its complex of lines. [show less]

The Art of Healthy Living”is an interactive wellness module designed to help participants create sustainable habits that support physical, mental, and emotional well-being. Through a holistic approach, the course explores nutrition, movement, rest, stress management, relationships, and healthy habit formation. This course is ideal for those who are looking for practical and sustainable tools to improve their lifestyle, build healthier routines, and develop a more mindful and balanced approach to everyday living. [show less]

This month-long module would teach students the art of juggling, from the absolute basics to some of the more advanced flourishes and tricks. Juggling is actually much easier than most people think, and as long as students put in the practice and repetitions necessary to learn, most people can start successfully doing a 3-ball fountain by the end of the first session. Class 1: Basics, Concepts, Philosophy, 1/2/3-ball patterns Class 2: Review of 3-ball fountain, advanced 2-ball patterns Class 3: Overhand and Underhand Patterns Class 4: Knees and Bounces Class 5: Pillars, The Crane Class 6: Spins, Flourishes, and Back Patterns Class 7: Mill's Mess and the Weave Class 8: Synchronizing and The Kick [show less]

One of the most crucial elements of education for millennia was teaching the ability to harness the potential of the memory. From the time of Homer until the 19th century, bards and bureaucrats both would have used established methods to organize and categorize their thoughts and remember crucial pieces of information. The legendary memories of men from Homer to Cicero to Shakespeare had less to do with their unique genius and more to do with their application of ancient methods of memorization, that can still be learned today. In this module, students will learn the ancient memorization techniques that allowed bards to recite thousands of lines of poetry and Shakespeare's actors to perform dozens of complicated monologues, and discover its applications to life in the 21st century. [show less]