Creative Writing

Unlock profound imagery and meaning in just a few words. This module explores the timeless art of haiku, blending theory with live practice. Each week, dive into the essence of the shortest form of poetry, from its core principles and spiritual roots with a special guest scholar, to its classic and modern masters. Then, immediately apply your insights in a collaborative workshop where your own haiku will come to life. Theory one day, transformation the next. Craft your visions, one word at a time. The module will follow an 8-session structure as shown below: Week 1: Introduction to haiku Week 2: Cultural/Religious connections to Haiku with guest speaker Dr. Robert Steed Week 3: Haiku Classic masters: Matsuo Bashō, Yosa Buson, Kobayashi Issa, Masaoka Shiki Week 4: Modern Haiku [show less]

This two-module series introduces friends who are ready to try writing to some tools of the craft. Nearly a century ago, Dorothea Brande wrote Becoming a Writer — a guide to discovering writing that really hasn’t been outdone since! We use Brande’s guidance, journaling, writing experiments, and writing prompts to discover the individual student’s optimal writing conditions and strengths as well as to develop their repertoire of skills and techniques. The cohort will build trust in each other and the always-supportive Collaborative Feedback Method as they optionally share their pieces and read encouragingly for each other. Module 1 Week 1: Ourselves and Our Dreams; the Writing Journal Week 2: I want your story to THRIVE Week 3: I like, I notice, I wonder Week 4: Conditions of Excellence Module 2 Week 5: Story Development Week 6: Story 2 Week 7: Make it your own! Week 8: Story 3 [show less]

This Writer's Workshop will be for practicing the art of writing flash fiction, works that are of 500 or fewer words in length. This is a marvelous place for a new writer to begin as the size is not overwhelming. It is also a marvelous place for a seasoned writer to practice the craft of scene creation and characterization under severe creative restriction. We will read examples of flash fiction, and provide feedback for one another on original pieces that we shall write over the length of the course. For this we will use the Collaborative Feedback Method that we use in all Space creative writing courses, a method which emphasizes kindness and curiosity while still providing rigorous and useful feedback to the writer. [show less]

In this hybrid module, we will explore Scarlett Thomas' book on writing advice, Monkeys with Typewriters. Starting with a brief introduction to literary theory and how it pertains to writers, the module will explore the philosophy and practice of storytelling. Through a combination of lectures and in-class exercises, you will discover tools to tell dynamic stories based upon your own life experiences, learn about the eight basic plots, unlock techniques of characterization and improve your work on the sentence level. The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction • Workshop 1: What do I bring to the story? • Lecture 2: Plot Structures • Workshop 2: How to Have Ideas • Lecture 3: Narration and Characterization • Workshop 3: Telling Your Tale • Lecture 4: Starting the Novel • Workshop 4: Sentence by Sentence [show less]

Have you finished (or nearly finished) a whole story draft? In this module, you will learn how to craft an ending that makes your entire story shine. You will also learn techniques for ensuring readers are immersed in your story and experiencing the emotional journey you intended. We will use collaborative feedback and discussion during class to help you refine your skills as a storyteller. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

It turns out that writing dialogue can be tricky. A writer has to accomplish a lot through the way in which a character speaks, and how that speech is described. How do people talk to one another? Do they orate? Do they exchange fast and witty quips? Do they lecture one another to impart tons of needed exposition material? Does what they say and how they say it tell us anything about who they are? In this class we will experiment with different ways to write dialogue and incorporate it into a story. We'll explore how details of character diction can change how a reader understands the text of what a character says. We'll do exercises designed to practice achieving particular goals Finally, students will apply what we're working on to their own writing and will receive feedback using our Collaborative Feedback method. We're going to do a fair bit of writing, some in class, more outside of class as (optional) homework. By the end of the class a student should expect to be able to decide how a character should sound and then write dialogue that meets that goal. [show less]

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll create, practice, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback to focus both on the construction of your story and on its performance. You will end the month having written an original tale, fiction or memoir or drawn from myth and legend, which has been written specifically to be shared aloud. You will also carry forward a toolkit for exploring this art. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

In this module, you will discover how to make your story's setting a vivid and fully-realized character in its own right! Through fun and engaging writing exercises, you will learn techniques to create immersive environments that grow and change along with your characters. Find out how to use sensory details to create a feeling of place in your story. Using Signum’s collaborative feedback method, you will have the opportunity to develop your settings in a supportive workshop. Perfect for beginning authors or those looking to enhance their craft, this module will help you craft settings that live and breathe. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

This Collaborative Feedback-based peer workshop experience extends over two months, allowing the luxury of more time to read and comment on one another’s work. The cost is one token, the eight hours of class time are simply spread out. We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. [show less]

So you think you'd like to write a mystery, but it seems overwhelming? Join us to examine the essential elements of a murder mystery: a setting, a sleuth, a murder victim, the murder method, a cast of suspects, the cast who assist the sleuth in investigating and solving the murder, as well as lists of actual clues and red herrings to plant in the story. We'll also discuss how the genre conventions affect your development of general fiction elements (e.g., plot, character, pacing). Brainstorm, refine rough ideas into workable ones, and get help starting on your story-specific research. Leave class with a semi-plan: not an outline, but a collection of notes you can use to write a complete first draft in whatever writing style you prefer. [show less]

We will meet to discuss strategies for revising a piece of writing, including finding your own vision for your story, big-picture developmental editing, and crafting scenes. Writers are encouraged to apply revision strategies between sessions and discuss their work during class if they want to share. Writers will also have the opportunity to explore different editing strategies to help them shape their story into their own vision. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft. In this course, we will discuss how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing. We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés. Class time will be devoted to discussion and to writing story seeds which arise from that discussion: micro scenes within the world of your novel which can become part of the narrative or the background. There is also one day of longer-work feedback (now that we have longer work!) and one outside-of-class small group activity. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

How can we rise through suffering to become heroic? This hybrid module takes a deep dive into the stages of the hero’s journey structure and its applicability to your story. Considering different approaches to the Joseph Campbell’s monomyth, you will have the opportunity to share and reflect upon your character’s journey in supportive workshops. Whether your hero is slaying a dragon or exploring the dark depths of their psyche, this module will help you craft an epic journey. The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction to the Monomyth • Workshop 1: Call to Adventure • Lecture 2: Archetypes • Workshop 2: Challenges and Temptations • Lecture 3: The Heroine’s Journey • Workshop 3: Death and Rebirth • Lecture 4: Challenging the Monomyth • Workshop 4: Transformation, Atonement, Return [show less]

Note: Though this module is open to all who have a mature writing project ready for close scrutiny, we strongly recommend that students participating in this module will have completed at least 4 previous modules in the Year of the Novel sequence. You’ll spend this month building on all the skills you’ve learned through the Creative Writing: Workshop modules by reading each other’s nearly completed novels. Now you’ve built a community of encouragement and good communication and have a deep familiarity with each other’s projects & styles: so, whether you’re copy editing or madly layering in a gamma plot, lean into the group for collaborative feedback to bring this novel to fruition. Collaborative Feedback: A method of supportive feedback which lifts up excellence and encourages your own story in your own voice. You will read and comment kindly on others’ work as well as having the option to share your own writing (which we very much hope you will do). For more information, check out our video here. [show less]

Using a kindness-first approach, we will read, appreciate, and comment on each other’s work as we deepen our understanding of writing craft. You will be encouraged to submit new works in progress at any level of development for peer reading and feedback. Our Collaborative Feedback method guides you to comment at the author's comfort level through a structured reader response. This workshop will foster a positive and encouraging environment to support our growth both as individuals and as a writing community. We gather to encourage the story that you want to tell. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. You are encouraged — but never required — to submit new pieces in any state of draftiness or readiness for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks you to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that you want to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

What makes a good children’s story? We’re going to address chapter books, cultural stories, and learning tales all through a lens of moral, cultural, and spiritual human development. Trying our hands at these forms should lead us to a nice folder full of works-in-progress at the end of the month. The December iteration of this module is designed to complete one treasured story gift for the holidays. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

We need good tales of good people making heroic choices. Whether we write memoir, pure fiction, or a what-if-it-had-ended-well personal speculations, this module is about creating the characters whom we can admire, trust, emulate, and become. Writing these short scenes during difficult times balances our minds and hearts, and can be part of a personal path to hope. This module specifically allows us to write our inner heroes within a place of safety. When believing in heroes is hard, we need to write them anyway. Explore your own traumas, toils, and fears even if your bad situation is right now, and write your own next chapter, your terrified heroic first step. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

The Midst podcast (which can be found at http://www.midst.co) is a strange and compelling space western horror science fantasy. . . hmmm. Let me start again. Midst is a planetoid revolving in a cosmos very unlike our own, one that contains strange creatures bred from The Fold, a supernatural phenomenon that. . . no that's not it either. This module will be a discussion guide to one of the most compellingly weird podcasts I've run across ever. I'm talking Welcome to Nightvale weird. The story is told by three anonymous and quite probably unreliable narrators, does not stick to usual story structures, veers off on tangents, and lands everything in a series of climactic episodes that are simply stunning. What we will be doing is experiencing season 1 of this podcast together and looking at how they are using various tools to tell this story, and whether they really are abandoning a lot of conventional storytelling wisdom. (Spoiler alert, I don't think they are.) You will listen to all nineteen episodes over the course of the class. In class, we will discuss the episodes you've heard, using the frame of questions I will give you ahead of time. Our goal will be to tease out the various storytelling tools the writers used in the creation of their remarkable story. Some of these will be familiar literary tools, others will involve how they use sound and effects to heighten their narration. As each episode is on the order of half an hour long, you will have heard nine to ten hours of audio by the time the class ends. I love this story and the way the writers have chosen to tell it. I would love to share that with you. [show less]

In this module we’re going to discuss some screenwriting techniques such as creating an outline, three-act structure, story structure, characters, and setting. Since this is a discussion-based module, the idea is to share feedback using the Collaborative Feedback Method. We will be using two sessions to share our work for feedback. During the other sessions, the preceptor will share ahead of time a google document with notes in an outline type format with relevant information about the contents of the module. Week 1- Intro to the basics of screenwriting and screenwriting tips (such as outlining using the Hero's Journey technique) Week 2- Screenwriting exercises, overview of other screenwriting techniques, and feedback day Week 3- Differences between the different types of scripts (tv, movie) Week 4-Feedback day, and module wrap-up [show less]

The Muppet Lord of the Rings adaptation developed at Sunshine Moot 2025 was a runaway success, generating millions at the box office and garnering accolades from critics and fans alike. Big Name Studios was so impressed by Signum Studio’s creativity and short production schedule, that they’ve asked us to do it again! There’s a catch though- the Signum Studios Creative Team must generate a new adaptation as soon as possible in order to build on the success of the first movie. “We’re so excited about the possibility of even more opportunities to explore Muppet and LoTR mashups!” Addison Bigbucks, president of Big Name Studios said in a recent interview. “We can’t wait to see what the Signum Studios Creative Team will come up with next!” In this SPACE course, the Creative Team will lead interactive discussions and breakout sessions to discuss human and Muppet casting choices, art direction, and narrative themes. Knowledge of the following Jim Henson productions will be useful but not required: The Muppet Show (1976-1981), : The Muppet Christmas Carol (1992), : Muppet Treasure Island (1996), and the : Muppet Movie (2011). No homework outside of class is required, but ongoing discussions on Signum’s Discord channel will be enthusiastically encouraged. Can the Creative Team at Signum Studios achieve the same success as their Sunshine Moot predecessors? What decisions will appeal to both the die-hard Tolkien fans, Muppet aficionados, and the casual movie-going public? Don’t worry, the Creative Team will have help including a guest lecture from Maggie Parke, Director of Signum Studios, two producers who will keep us on budget and on time, and several Bigwig Studio Executives who will offer advice on creating the next blockbuster hit. [show less]

What makes a poem sing, or whisper, or chant, or curse—that is, make memorable speech? How do you craft that echo when one sound calls another to the surface—stress to stress, line to line? Sometimes the smallest beat, breath, or break can turn a poem’s ordinary sense into what Seamus Heaney called “the music of what happens.” Through the pulse of stress, or the line that ends at rest or breaks in tension, poetry, as James Longenbach writes in The Art of the Poetic Line, “is the sound of language organized in lines.” The poetic line and its sonics are inextricably linked—to each other and to the other elements of the poem with which they are bound up. In this workshop, we’ll tune our ears to poetry’s music through a weekly craft focus, generative prompts, and a supportive workshop. We’ll read short excerpts from Robert Pinsky (The Sound of Poetry), James Longenbach (The Art of the Poetic Line), and Denise Levertov (“On the Function of the Line”). Together we’ll explore sonic patterns that stir and surprise; we’ll write poems that make sense through the senses. This course is for poets at all stages who want to deepen their craft in community. You’ll leave with new drafts, sharper ears, and a keener attention to the key quality that singles poetry out from prose: its complex of lines. [show less]

Your story is unique. Do you want to set it down on paper for yourself? For your family? No other person has accumulated your experiences; no other person has had your potential, learning, drive, disappointments, challenges, triumphs, and quiet joys. We'll explore a variety of media and forms for memoir writing, from picture books to blogs. We'll interview one another with kindness and encouragement and draw amazing stories out of each other—and ourselves. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]