Creative Writing

Unlock profound imagery and meaning in just a few words. This module explores the timeless art of haiku, blending theory with live practice. Each week, dive into the essence of the shortest form of poetry, from its core principles and spiritual roots with a special guest scholar, to its classic and modern masters. Then, immediately apply your insights in a collaborative workshop where your own haiku will come to life. Theory one day, transformation the next. Craft your visions, one word at a time. The module will follow an 8-session structure as shown below: Week 1: Introduction to haiku Week 2: Cultural/Religious connections to Haiku with guest speaker Dr. Robert Steed Week 3: Haiku Classic masters: Matsuo Bashō, Yosa Buson, Kobayashi Issa, Masaoka Shiki Week 4: Modern Haiku [show less]

This Writer's Workshop will be for practicing the art of writing flash fiction, works that are of 500 or fewer words in length. This is a marvelous place for a new writer to begin as the size is not overwhelming. It is also a marvelous place for a seasoned writer to practice the craft of scene creation and characterization under severe creative restriction. We will read examples of flash fiction, and provide feedback for one another on original pieces that we shall write over the length of the course. For this we will use the Collaborative Feedback Method that we use in all Space creative writing courses, a method which emphasizes kindness and curiosity while still providing rigorous and useful feedback to the writer. [show less]

In this craft-focused module, you will dissect the structure of the most fundamental building block of a story. By analyzing scenes from classic books, films, and TV shows, you will discover the key questions to enhance your scenes and narrative conflict on the scene level. In a supportive, kindness-first workshop, you will have the opportunity to share and develop individual scenes.This module will help you craft scenes with intentionality and precision. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time (the only exception is Tree Workshop (Year of the Novel 11) which, while open to all who have a mature writing project ready for close scrutiny, is designed specifically for students who have completed at least 4 previous modules in the Year of the Novel sequence). Each module is designed to stand alone without prerequisites. However, for the richest experience, the full twelve-month sequence of modules will carry you from blank page through to completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

What makes a good story? How can we make our characters feel like real people? Using a combination of recorded lectures, in-class discussion and exercises, you will find out how to employ Aristotle’s precepts on character, theme and emotional catharsis to enrich your creative practice. You will also discover how Aristotle’s teleological understanding of causality can help you discover the final design of your creative work. This module will be a must for fiction authors, screenwriters and directors, RPG game masters, or anyone who wants to weave a dynamic tale! The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction to the Poetics • Workshop 1: Your Narrative's Purpose • Lecture 2: Character and Theme • Workshop 2: Discovering Your Character and Theme • Lecture 3: Structure • Workshop 3: Unfolding Your Story's Structure • Lecture 4: Catharsis • Workshop 4: Sticking the Landing [show less]

Congratulations! You've written an epic manuscript. What comes next? In this module, we’ll discuss some factors to consider in your writing career and overview a wide spectrum of possibilities for publishing. We will begin by discussing traditional vs indie publishing and hybrid options. Which is the right choice for your work? In small-group discussions, we will help you define your career goals, come up with strategies for resilience, and workshop blurbs to sell the sizzle in your narrative. More than that, though, this module is about celebrating your achievement that is your novel! Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

In this craft-focused module, you will discover techniques of characterization and voice, two of the biggest things readers are looking for. You will see how a character’s verbal and non-verbal communication reveals who they are, while also developing your own individual narrative voice. In class, you will analyze film clips and excerpts from published authors to unpack their techniques, before applying them in short writing exercises. In workshops, you will have the opportunity to share your novel-in-progress and receive feedback in a kindness-first, supportive environment. In your journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. The module aims to hone your skills in creating organic dialogue, and boost your confidence in your own voice. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

Has your draft reached the dreaded muddy middle? In this module, you will learn skills and strategies to examine a novel draft with fresh eyes. You will learn to do large-scale edits for topics such as plot, character arcs, and stakes to shape your story to your vision. We will also use collaborative feedback and discussion during class as you discover your own revision process. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

Congratulations! You have Characters in a Setting enacting a Plot! In this workshop you'll explore how your motivations for writing and the themes which worry or puzzle or fascinate you shape your stories. You’ll identify your methods for exploring these themes and consider other methods consonant with your authorial voice. How are your characters changing and responding to their own explorations? You'll examine tools for finding what elements have already slipped into your stories, possibly subconsciously, and tools for intentionally using such emotional connection points to bring more strength to your stories. Each class will introduce a few new tools, offer in-class prompts for trying them, and open the floor to discuss our discoveries and their relevance to our works in progress. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

In this hybrid module, we will explore Scarlett Thomas' book on writing advice, Monkeys with Typewriters. Starting with a brief introduction to literary theory and how it pertains to writers, the module will explore the philosophy and practice of storytelling. Through a combination of lectures and in-class exercises, you will discover tools to tell dynamic stories based upon your own life experiences, learn about the eight basic plots, unlock techniques of characterization and improve your work on the sentence level. The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction • Workshop 1: What do I bring to the story? • Lecture 2: Plot Structures • Workshop 2: How to Have Ideas • Lecture 3: Narration and Characterization • Workshop 3: Telling Your Tale • Lecture 4: Starting the Novel • Workshop 4: Sentence by Sentence [show less]

Have you wanted to write a story but didn't know how to get words onto a blank page? Once the words were there, did you wonder how to find out if those words affected your reader the way you meant them to? In this SPACE module, we will look at where ideas for stories come from. We will take our ideas from our thoughts to the page. Then we will learn, in a supportive community using the Collaborative Feedback method, how to ask for and receive the feedback our stories need to thrive. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Learn the fundamentals of dialogue, action, and dramatic structure in this introduction to writing for performance. Working within the limits of one set, three actors, and ten minutes, participants in this class will learn the basic building blocks of script-writing by crafting short, stand-alone narratives for the stage. Though we will be looking at a few contemporary short plays as examples, the bulk of this class will focus on writing and workshopping your own original scripts. [show less]

Have you finished (or nearly finished) a whole story draft? In this module, you will learn how to craft an ending that makes your entire story shine. You will also learn techniques for ensuring readers are immersed in your story and experiencing the emotional journey you intended. We will use collaborative feedback and discussion during class to help you refine your skills as a storyteller. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

It turns out that writing dialogue can be tricky. A writer has to accomplish a lot through the way in which a character speaks, and how that speech is described. How do people talk to one another? Do they orate? Do they exchange fast and witty quips? Do they lecture one another to impart tons of needed exposition material? Does what they say and how they say it tell us anything about who they are? In this class we will experiment with different ways to write dialogue and incorporate it into a story. We'll explore how details of character diction can change how a reader understands the text of what a character says. We'll do exercises designed to practice achieving particular goals Finally, students will apply what we're working on to their own writing and will receive feedback using our Collaborative Feedback method. We're going to do a fair bit of writing, some in class, more outside of class as (optional) homework. By the end of the class a student should expect to be able to decide how a character should sound and then write dialogue that meets that goal. [show less]

Well-prepared writers enjoy more completion success! We will build worlds, plan character arcs, and try to define the bones of our stories during a month of glorious sub-creation! When you declare your intentions to the group, that act of bravery alone adds momentum to your writing efforts after the month is over. (This Module is great preparation before National Novel Writing Month) Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

When you think about your favorite stories, chances are you conjure the memory of a scene: the charge of the Rohirrim at the coming of the new dawn, Luke turning off his targeting computer as he flies down the trench, or when Ged finally acknowledges the identity of the shadow being that has followed him literally to the land of the dead. Stories are built out of scenes, and scenes like the ones above make stories memorable. In this class, we'll look at how to build scenes that accomplish specific things, according to the needs of the author and the story. We'll practice achieving specific goals, advancing the plot, expanding a characterization, even providing an opportunity for exposition. We'll do this through assigned exercises, and by looking at how to apply these skills to the students' own stories. We'll read each other's scenes and use our Collaborative Feedback method to help one another to sharpen our work. We'll be writers together helping each other's stories thrive. [show less]

We will walk through a complete project from pre-writing through writing, revising, editing, (revising, revising, revising), proofreading, and talking about publication options. Are you interested in finally getting down that memoir of your childhood? making a storybook for your grands? turning that daydream into a novelette? This adventure is for you! Whether your story is a draft, an outline, or a daydream, your project is welcome here in a place where we are aiming to finish it! Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll create, practice, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback to focus both on the construction of your story and on its performance. You will end the month having written an original tale, fiction or memoir or drawn from myth and legend, which has been written specifically to be shared aloud. You will also carry forward a toolkit for exploring this art. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Are you up for an adventure? Whether you plan ahead or improvise, begin right here with as little as a blank page and a vague idea. You will learn about two characteristics of a story this month: developing your plot threads and designing a story structure that will serve your unique tale. We’ll examine how plot threads can influence each other to amplify your story’s impact. By studying different story structure methods, you’ll discover or possibly invent the right structure to carry your tale. Using a very simple writing journal, you’ll identify your strengths as an author and techniques for your toolbox. Every session will feature discussion, writing exercises, and — best of all — Collaborative Feedback on our stories. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

In this module, you will discover how to make your story's setting a vivid and fully-realized character in its own right! Through fun and engaging writing exercises, you will learn techniques to create immersive environments that grow and change along with your characters. Find out how to use sensory details to create a feeling of place in your story. Using Signum’s collaborative feedback method, you will have the opportunity to develop your settings in a supportive workshop. Perfect for beginning authors or those looking to enhance their craft, this module will help you craft settings that live and breathe. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

In this module, you will discover how to make your story's setting a vivid and fully-realized character in its own right! Through fun and engaging writing exercises, you will learn techniques to create immersive environments that grow and change along with your characters. Find out how to use sensory details to create a feeling of place in your story. In workshops, you will have the opportunity to share your novel-in-progress and receive feedback in a kindness-first, supportive environment. In your journal, you will continue to document the process of writing your novel as your story unfolds. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

Critical fantasy is a sub-genre of fantasy writing which I have been pioneering in my own creative works which puts an emphasis on aspects of writing which are often neglected in mass-market fantasy: namely, the careful and controlled use of stylistic devices, the integration of socially relevant themes and philosophical problems into stories, and greater intertextuality with other works in our inherited literary traditions. At the same time, critical fantasy stays true to the core elements of fantasy writing, such as immersive worldbuilding (in spatial and temporal senses), a wide cast of complex characters, and plots often focused on adventures and quests into the unknown. In this module, I will use my own creative writing and that of other writers to illustrate the key topics of each week (see list below). I will also occasionally use theoretical works (in literary theory) to introduce or explain certain concepts in writing (all such readings are optional). At the start of each week’s lesson, we will also have a sharing session where you can read out your own writing (drafts, overviews, or just random thoughts on your writing) in a safe space among fellow creatives. Lesson plan: 1. Introduction: Module Structure, Topics, and Methods 2. Stylistic Principles: Syntax and Phonetics: Chiasmus, Hyperbaton, Parallelism, and Alliteration 3. Character Principles: Developing Psychological Complexity in Your Characters: Inner Conflicts, Perception, Habits 4. Narratological Principles: Narrators Types: Extradiegetic vs Intradiegetic; Heterodiegetic vs Homodiegetic 5. Narratological Principles: Narrative Space: Dynamic Space, Chekov’s Gun, Ecphrasis, and Fable vs Story Space 6. Worldbuilding: Building Historical Layers into Your Writing: Ruins, Symbols, and Forgetfulness 7. Writing as ‘Philosophical impulse’: Why do we write? 8. Workshop: Sharing Thoughts and Writing [show less]

This Collaborative Feedback-based peer workshop experience extends over two months, allowing the luxury of more time to read and comment on one another’s work. The cost is one token, the eight hours of class time are simply spread out. We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. [show less]

So you think you'd like to write a mystery, but it seems overwhelming? Join us to examine the essential elements of a murder mystery: a setting, a sleuth, a murder victim, the murder method, a cast of suspects, the cast who assist the sleuth in investigating and solving the murder, as well as lists of actual clues and red herrings to plant in the story. We'll also discuss how the genre conventions affect your development of general fiction elements (e.g., plot, character, pacing). Brainstorm, refine rough ideas into workable ones, and get help starting on your story-specific research. Leave class with a semi-plan: not an outline, but a collection of notes you can use to write a complete first draft in whatever writing style you prefer. [show less]

We will meet to discuss strategies for revising a piece of writing, including finding your own vision for your story, big-picture developmental editing, and crafting scenes. Writers are encouraged to apply revision strategies between sessions and discuss their work during class if they want to share. Writers will also have the opportunity to explore different editing strategies to help them shape their story into their own vision. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft. In this course, we will discuss how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing. We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés. Class time will be devoted to discussion and to writing story seeds which arise from that discussion: micro scenes within the world of your novel which can become part of the narrative or the background. There is also one day of longer-work feedback (now that we have longer work!) and one outside-of-class small group activity. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

How can we rise through suffering to become heroic? This hybrid module takes a deep dive into the stages of the hero’s journey structure and its applicability to your story. Considering different approaches to the Joseph Campbell’s monomyth, you will have the opportunity to share and reflect upon your character’s journey in supportive workshops. Whether your hero is slaying a dragon or exploring the dark depths of their psyche, this module will help you craft an epic journey. The module will follow an 8-lesson structure as follows: • Lecture 1: Introduction to the Monomyth • Workshop 1: Call to Adventure • Lecture 2: Archetypes • Workshop 2: Challenges and Temptations • Lecture 3: The Heroine’s Journey • Workshop 3: Death and Rebirth • Lecture 4: Challenging the Monomyth • Workshop 4: Transformation, Atonement, Return [show less]

Note: Though this module is open to all who have a mature writing project ready for close scrutiny, we strongly recommend that students participating in this module will have completed at least 4 previous modules in the Year of the Novel sequence. You’ll spend this month building on all the skills you’ve learned through the Creative Writing: Workshop modules by reading each other’s nearly completed novels. Now you’ve built a community of encouragement and good communication and have a deep familiarity with each other’s projects & styles: so, whether you’re copy editing or madly layering in a gamma plot, lean into the group for collaborative feedback to bring this novel to fruition. Collaborative Feedback: A method of supportive feedback which lifts up excellence and encourages your own story in your own voice. You will read and comment kindly on others’ work as well as having the option to share your own writing (which we very much hope you will do). For more information, check out our video here. [show less]

A Feast of Writing! In one weekend, we're going to celebrate creativity by attempting a complete short story, novelette, or novella! Our format will include SPACE class sessions, WriterSpace focused writing time in excellent company, Bandersnatch Breakout room for talking about our craft and peer feedback, and an enthusiastic celebration of Story. So sharpen your quills, line up the inkpots, make a BIG casserole to last the weekend. Here's the plan: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Friday from 8:00 PM to 10:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 10:00 AM to 1:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 3:00 PM to 9:00 PM Eastern: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Sunday from 1:00 PM to 4:00 PM Eastern ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Our goal is to create a completed first draft in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during. You are going to end this amazing experience with a complete first draft of your story! Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Write Our Hearts Come for gentle writing. Introspection. Self expression in a circle of caring and community. Come gather virtually in the Cottage in the Woods with Sparrow: she literally wants us to prep food ahead and get away from the family and the dishes for forty eight hours to write our stories. It's so hard to find time for ourselves, so let's intentionally make that time. From Friday evening through Sunday afternoon there will be writing to prompts, conversation, ideas, blocks of free writing time. Does your heart ache to express a private grief on the page? Is your subconscious telling you to rewrite a story? Do you need to rewrite your story? Here's the plan: ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Friday from 8:00 PM to 10:00 PM Eastern Escape session with community building and prompted writing time ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 10:00 AM to 1:00 PM Eastern Recovery session with prompted writing, free writing, and discussion ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 1:00 PM to 3:00 PM Eastern: Nap time. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Saturday from 3:00 PM to 9:00 PM Eastern: Recovery session continues with optional sharing, prompted writing, and free writing 6p - supper time discussion More Recovery session sharing and writing 9p - Sweet dreams until tomorrow ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Sunday from 1:00 PM to 4:00 PM Eastern Consolation session discussion, prompted writing, and free writing Wrap up at 4p. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Our goal is to write our hearts. Is that memoir? Is that a new story just for yourself? Is that a long, long prayer in the form of a poem? Writers might write between sessions as well as during. You are going to end this amazing experience with something that is uniquely yours. Whether this turns out to be a narrative, creative nonfiction, or a huge list of Be-Happy-Attitudes, this deserves to be on your page, just for you. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Please choose this module if you're excited to be part of our Creative Writing mini-modules in the near future! If you add this module to your wish list (or short-list it), we will include you in our communications about upcoming mini modules and let you know what's available. Note: Our mini modules are special month-long group experiences designed for a small and intimate group of 2 to 4 students for the cost of 1 Token. As soon as we get enough interested students that reserve their seat, we'll schedule this class with the group and fly! [show less]

Using a kindness-first approach, we will read, appreciate, and comment on each other’s work as we deepen our understanding of writing craft. You will be encouraged to submit new works in progress at any level of development for peer reading and feedback. Our Collaborative Feedback method guides you to comment at the author's comfort level through a structured reader response. This workshop will foster a positive and encouraging environment to support our growth both as individuals and as a writing community. We gather to encourage the story that you want to tell. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. You are encouraged — but never required — to submit new pieces in any state of draftiness or readiness for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks you to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that you want to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups. Year of the Novel Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. However, for the richest experience, the carefully planned sequence of modules will carry you from blank page as far as you want toward completing your novel. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our Collaborative Feedback model, check out our video here. [show less]

What makes a good children’s story? We’re going to address chapter books, cultural stories, and learning tales all through a lens of moral, cultural, and spiritual human development. Trying our hands at these forms should lead us to a nice folder full of works-in-progress at the end of the month. The December iteration of this module is designed to complete one treasured story gift for the holidays. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

Come explore Fairy Tales from the inside! In the first meeting each week Pilar Barrera will lift up a Fairy Tale technique, character archetype, or trope. We'll discuss the story at hand and how that story technique makes meaning. Then, students try their own hands at that technique! What do we learn when we push these ideas to their logical extremes? In the second meeting, Sparrow Alden will facilitate a workshop-style discussion of our original tale-telling work; we'll encourage one another as writers and appreciate one another as readers! Our goal is to complete the month with a deeper appreciation for the tales we all love and a folder with one to four good drafts of original tales. Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here. [show less]

The Midst podcast (which can be found at http://www.midst.co) is a strange and compelling space western horror science fantasy. . . hmmm. Let me start again. Midst is a planetoid revolving in a cosmos very unlike our own, one that contains strange creatures bred from The Fold, a supernatural phenomenon that. . . no that's not it either. This module will be a discussion guide to one of the most compellingly weird podcasts I've run across ever. I'm talking Welcome to Nightvale weird. The story is told by three anonymous and quite probably unreliable narrators, does not stick to usual story structures, veers off on tangents, and lands everything in a series of climactic episodes that are simply stunning. What we will be doing is experiencing season 1 of this podcast together and looking at how they are using various tools to tell this story, and whether they really are abandoning a lot of conventional storytelling wisdom. (Spoiler alert, I don't think they are.) You will listen to all nineteen episodes over the course of the class. In class, we will discuss the episodes you've heard, using the frame of questions I will give you ahead of time. Our goal will be to tease out the various storytelling tools the writers used in the creation of their remarkable story. Some of these will be familiar literary tools, others will involve how they use sound and effects to heighten their narration. As each episode is on the order of half an hour long, you will have heard nine to ten hours of audio by the time the class ends. I love this story and the way the writers have chosen to tell it. I would love to share that with you. [show less]

C.S. Lewis is one of the most prolific and influential writers of the 20th century. And yet, in his early career as an Oxford don, he viewed himself as a failed poet. Moreover, his most canonical and transformational writing happened during the most stress-filled periods of his life. This short course allows students to peek into the writing life of C.S. Lewis. Our goal is to see through the lines of printed text by visiting the letters and archival remains of Lewis in a virtual setting. Most of C.S. Lewis's papers remain undigitized and unpublished, available only locally at archives in North America and England. As Professor Brenton Dickieson has visited these archives, he is able to invite students to appreciate C.S. Lewis's writing life by looking at the way that he consciously and unconsciously built his literary career. This course is for writers who are developing their own habits and literary life-prints, as well as folks who are curious about C.S. Lewis's life beyond the biographies and bestselling books. We are not doing text close readings, but looking at the “paratextual” information available to us: writing drafts, letters, diary entries, manuscripts and typescripts, title, and the like. Week 1: Lewis: Pen, Ink, Paper • C.S. Lewis’s Single-jointed Self-Conception as a Writer • What Lewis Says about his Writing Habits • Legendary Bonfires, Stuffed Dolls, and American Suckers: A Story of Lewis’s Papers and Manuscripts • The Screwtape MS. Story: Part 1 Week 2: Leaves, Bombs, Stains • The Screwtape MS. Story: Part 2 • “Villainous Handwriting”: Charlie Starr’s Lewis Handwriting and Rough Draft vs. Fair Draft • Reconsidering the Lindskoog Affair with Manuscript Evidence of “The Dark Tower” Week 3: Joy, Theft, Death • “The Quest of Bleheris”: Lewis’s Teenage Novel Week 4: • Is it True that Lewis Wrote in a Single Draft? • A Grief Observed • Tumbling Through the Wardrobe: The Discovery of Narnia • Arthurian Torso • A New Sketch of Lewis’s Writing Process(es) Note: This course includes a significant amount of visual material on the screen. Please contact the SPACE team if you have visual accessibility requirements and we will do everything we can to accommodate. [show less]

In this module we’re going to discuss some screenwriting techniques such as creating an outline, three-act structure, story structure, characters, and setting. Since this is a discussion-based module, the idea is to share feedback using the Collaborative Feedback Method. We will be using two sessions to share our work for feedback. During the other sessions, the preceptor will share ahead of time a google document with notes in an outline type format with relevant information about the contents of the module. Week 1- Intro to the basics of screenwriting and screenwriting tips (such as outlining using the Hero's Journey technique) Week 2- Screenwriting exercises, overview of other screenwriting techniques, and feedback day Week 3- Differences between the different types of scripts (tv, movie) Week 4-Feedback day, and module wrap-up [show less]

The Muppet Lord of the Rings adaptation developed at Sunshine Moot 2025 was a runaway success, generating millions at the box office and garnering accolades from critics and fans alike. Big Name Studios was so impressed by Signum Studio’s creativity and short production schedule, that they’ve asked us to do it again! There’s a catch though- the Signum Studios Creative Team must generate a new adaptation as soon as possible in order to build on the success of the first movie. “We’re so excited about the possibility of even more opportunities to explore Muppet and LoTR mashups!” Addison Bigbucks, president of Big Name Studios said in a recent interview. “We can’t wait to see what the Signum Studios Creative Team will come up with next!” In this SPACE course, the Creative Team will lead interactive discussions and breakout sessions to discuss human and Muppet casting choices, art direction, and narrative themes. Knowledge of the following Jim Henson productions will be useful but not required: The Muppet Show (1976-1981), : The Muppet Christmas Carol (1992), : Muppet Treasure Island (1996), and the : Muppet Movie (2011). No homework outside of class is required, but ongoing discussions on Signum’s Discord channel will be enthusiastically encouraged. Can the Creative Team at Signum Studios achieve the same success as their Sunshine Moot predecessors? What decisions will appeal to both the die-hard Tolkien fans, Muppet aficionados, and the casual movie-going public? Don’t worry, the Creative Team will have help including a guest lecture from Maggie Parke, Director of Signum Studios, two producers who will keep us on budget and on time, and several Bigwig Studio Executives who will offer advice on creating the next blockbuster hit. [show less]

What makes a poem sing, or whisper, or chant, or curse—that is, make memorable speech? How do you craft that echo when one sound calls another to the surface—stress to stress, line to line? Sometimes the smallest beat, breath, or break can turn a poem’s ordinary sense into what Seamus Heaney called “the music of what happens.” Through the pulse of stress, or the line that ends at rest or breaks in tension, poetry, as James Longenbach writes in The Art of the Poetic Line, “is the sound of language organized in lines.” The poetic line and its sonics are inextricably linked—to each other and to the other elements of the poem with which they are bound up. In this workshop, we’ll tune our ears to poetry’s music through a weekly craft focus, generative prompts, and a supportive workshop. We’ll read short excerpts from Robert Pinsky (The Sound of Poetry), James Longenbach (The Art of the Poetic Line), and Denise Levertov (“On the Function of the Line”). Together we’ll explore sonic patterns that stir and surprise; we’ll write poems that make sense through the senses. This course is for poets at all stages who want to deepen their craft in community. You’ll leave with new drafts, sharper ears, and a keener attention to the key quality that singles poetry out from prose: its complex of lines. [show less]

Language is never more concise and powerful than in the Art of Poetry. Sadly, this art is not consistently taught, nor even consistently admired, having become tainted with the mindset that it is archaic, useless, or unintelligible. Those who seek to learn to write or enjoy this art, are frequently rebuffed by conflicting definitions and daunting rules and rhyme schemes. In this module, students would be introduced to reading and writing basic poetry techniques and examples, learning how to “color” outside the lines with their own words, and to discover the unique power of concise language, empowering them to set out on their own individual poetry journey. (This course will utilize the Collaborative Feedback Method to better support all poetic explorers!) [show less]