Module Directory (List)

Over the course of this module we will read and explore the work of a few major pre-modern Japanese poets in translation, putting them in their historical, cultural, and religious contexts along the way, but always focusing on the poetry itself. Group discussion is strongly encouraged. Poetry and poets covered will include that of the Manyōshū, Saigyō, Princess Shikishi, and Bashō. Time permitting, we can add to the list.

This is a brief introduction to a centuries-old art that has been throughout history vulgar and epic, scandalous and high-brow, cultured and plebeian. Experience the funniest and most ridiculous stories you’ve ever heard, or wallow in the blood and horror of the dark and dramatic. Spend an hour enjoying light entertainment, or have your view of the world changed forever by the deepest human sympathies. If you’ve always wondered about opera, or wanted to try and like it, if you still remember Bugs Bunny in a Valkyrie dress and want to see the source material, come encounter opera in its many forms and journey through this whirlwind of music, lights, glamor, and extravagance.

This module covers some of the basic skills which will improve your academic, scientific, and professional writing. ‘Academic Writing Skills’ is ideal for those who are looking to start an undergraduate or postgraduate course, to resume/advance their academic career, or simply to improve the objectivity, accuracy, and clarity of their writing style. Eight individual lessons cover the following topics: how to structure your academic essay; how to argue in an academic essay: evidence, logic, analogy, and other reasoning skills; how to conduct a literature review; how to use citations and references accurately and effectively; things to avoid in academic writing (Part I and II); how to reduce subjective style; how to write successful funding proposals. Hamish Williams (PhD in literary studies) has written 4 books (academic and fiction) and published over 25 academic articles and chapters.

Have you ever wondered what Tyrannosaurus Rex means? How about Basilosaurus? Deinosuchus? Gigantopithacus? Argentavis? Okay you have to know Megalodon, right? Well, if you are interested in learning about the meaning behind some of your favorite prehistoric animal names, then join me for this sit down discussion. No prior knowledge of a secondary language (namely Greek and Latin) is required. This module is intended to be a fun chat to help you better identify certain creatures the next time you head to a natural history museum -- or the next time the topic shows up on Jeopardy!

In this module we will look at the historical development of anime, with special attention to its uses in re-imagining post-war Japanese culture and society. From Momotaro’s Divine Sea Warriors to mushroom-cloud explosions and kawaii aesthetic, come explore how anime shapes Japanese (and others’) perceptions of Japanese history and culture.

The long and tangled history of cinematic attempts to bring the world of Middle-earth to the big screen is full of fascinating what-ifs, insurmountable setbacks, and ultimately a slew of good, bad, and utterly bizarre movies as a result. In this module we will dive deep into the cinematic adaptations of Middle-earth and watch our way through the Gene Deitch Hobbit (1966), the Rankin/Bass Hobbit (1977), the Bakshi Lord of the Rings (1978), the Rankin/Bass Return of the King (1980), and the Peter Jackson Trilogies over the course of a month, meeting for discussion of each film's cinematic and adaptational merits (or lack thereof). We will also cover some of the film versions that almost happened (such as John Boorman's completed script) and the complicated history behind the production of the films that did come to light. There is a lot of material to cover, but where there's a whip, there's a way.

Come join us as we read the Gospel of John in the original Greek! This module will review grammar where needed, discuss the latest lexical tools, touch on textual issues, but mostly work through this text at a relaxed pace.

Dr. Peter Baker, then of the University of Virginia, translated Lewis Carroll's Alice in Wonderland into Old English. This module will work with and translate back into Modern English this fun and delightful text, Æðelgyðe Ellendæda on Wundorlande: Alice's Adventures in Wonderland in Old English.

These selections will help introduce students to the breadth and depth of Old English texts available for advanced study. Each month, Dr. Larry Swain and/or Dr. Isaac Schendel surveys the group to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Advanced Old English Readings: Beowulf I
• Advanced Old English Readings: Beowulf II
• Advanced Old English Readings: Riddles
• Advanced Old English Readings in Prose: The Old English Boethius
• Advanced Old English Readings: Genesis A 1
• Advanced Old English Readings: Genesis A 2
• Advanced Old English Readings in Poetry: Judith and Exodus
• Advanced Old English Readings: Heroic Elegies
• Advanced Old English Readings: Cynewulf's Juliana
• Advanced Old English Readings: Cynewulf's Christ II
• Advanced Old English Readings: Apollonius of Tyre
• Advanced Old English Readings: Ælfric's Lives of the Saints
• Advanced Old English Readings: Ælfric's Letter to Sigeweard
• Advanced Old English Readings: The Blickling Homilies
• Advanced Old English Readings: Selections in Prose
• Advanced Old English: Alice in Wonderland
• Advanced Old English: Tolkien's Old English Poetry

Including these texts taught by Dr. Isaac Schendel:
• Readings in Old English: The Battle of Maldon & Group Reading
• Intermediate Old English: The Homilies of Wulfstan
• The Old Saxon for Old English Readers (The Old Saxon Hêliand I)

Note: Please refer to the Required Texts section on a month's iteration page to see which texts the group has decided upon for a given month.

Cynewulf is one of the few poets whose name we know from the Old English period. He composed 4 narrative poems casting saints' lives into Old English poetry. "Christ II" is so named because it is one of three poems dealing with key moments in Christ's life: the "Advent" and Incarnation, the Ascension, and the Harrowing of Hell. This middle poem is the one we know as certainly as we can that it was composed by Cynewulf and has a number of very interesting features.

In this series of Advanced Old English Readings we explore, in alternating months, a work of prose and then a work of poetry to introduce students to the breadth and depth of Old English texts available for study. Each month Dr. Swain surveys the group to see what they want to tackle next from month to month.

Most people know that J. R. R. Tolkien was a scholar as well as a writer of speculative fiction. His scholarship was extensive and one of his primary areas was Old English language and literature. But fewer fans know that he also composed poetry in Old English, especially in the early stages of his career. This module will attempt to gather and translate Tolkien's Old English poetry from the various sources in HoME and other sources where they are printed.

(Note: This module can be joined in any month.)

Vǫlsunga saga (“The Saga of the Vǫlsungs”) is a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. In this module, we will continue to translate the Vǫlsunga saga and discuss both the language and how the saga’s version of the legends relate to other versions known from the medieval world.

There are a lot of misconceptions and misrepresentations about African music. This module analyzes the complex linkages between the art of African music and its connections with culture, heritage, politics, and the environment. In this module you will learn about the different rhythms, multiple instruments used, their meaning, and the impact they have on social relations, identity, and politics. The course also touches on the use of song in folktales, meaning, and impact.

From TV shows to computer games, the Vikings still manage to capture our imagination and ensnare us in an odd mix of fact and fiction. But who were they really? This new series takes a deep dive into this complex world of the early medieval Northmen, blending a wide variety of sources and the newest perspectives on written and material culture.

Just as Christopher Tolkien did for the rest of his father’s Middle-earth works, John Rateliff has compiled the manuscripts and early versions of J.R.R. Tolkien’s The Hobbit and presented them with notes and commentary. In this three-part series, we will work our way through Rateliff’s book, The History of the Hobbit. From the first drafts where Gandalf was called Bladorthin (and Thorin was called Gandalf) to the later versions made to better fit with The Lord of the Rings, this SPACE series will give you a much better understanding of how The Hobbit was crafted and a new appreciation for the story that, in some respects, started it all. As well as Rateliff’s material, these modules will also feature some never-before-seen visualizations of The Hobbit draft texts from the Digital Tolkien Project.

Module 1: Chapters I through VII
Module 2: Chapter VIII to the end of The Second Phase
Module 3: The Third Phase onwards

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

In this series of SPACE modules, we will tackle one volume per month over the course of a year. Each month-long module will provide an overview of a volume in context as well as readings from and discussion of highlights in that volume. Each module will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

An examination of who used magic in Egypt, with an emphasis on characters within literary genres and known professions. This includes the story of Khufu, the Nubian sorcerers, the use of Shabtis, and later stories, including Lucian and the inspiration for Fantasia. This also includes priests, healers, and professional magic users. What do we know about fictional and nonfictional magic users? How and why did they practice? What areas did they work in?

Designed for intermediate students of Classical or Biblical Greek with roughly a year under their belts, this course will provide a detailed look at the inflectional system of Ancient Greek, moving past the memorization of paradigms to provide a rich linguistic explanation for why Ancient Greek word forms work the way they do.

Many readers around the world are familiar with the Old Testament, especially in western civilization. But did you know other cultures from the Ancient Near East also contained comparable genres of literature? Epics, annals, legal texts, hymns, wisdom literature, and prophetic oracles are all extant from various cultures of the ancient world. In this course, we will read together some of these works of ancient literature and discuss in relation to their literary counterparts in the Hebrew Bible.

We will continue onwards with our intensive reading and discussion of the text from wherever we end in "An Intensive Reading of the Tao Te Ching/Daode jing 道德經".

"The Way that can be talked about is not the lasting Way": so begins this classic text of world literature and Chinese philosophical and religious thought. The Tao Te Ching has been read, interpreted, and applied in a variety of ways throughout Chinese and world history. We'll do a close reading as well as explore the larger commentarial tradition surrounding it, using it as a gateway to explore further dimensions of East Asian culture and to spark conversations within the class.

Zhuangzi is often presented as the second thinker of classical Daoist thought after Laozi, but in terms of impact on East Asian philosophy and fine arts, Zhuangzi is probably the more significant figure. We will read the text together, taking plenty of time to discuss participant interpretations, all within the framework of the preceptor-provided cultural and historical commentary. Zhuangzi is simply delightful, treating weighty topics with a light and humorous touch. Come join us for Free-and-Easy Wandering through this most idiosyncratic of classical Chinese texts!

Why are the works of J.R.R. Tolkien still so relevant to us in the 21st century? In this course, we will look at some of the central themes of his novels, including Family, Home, Good vs. Evil, and Loss, exploring how Tolkien is still speaking to us almost fifty years after his death.
There are no required texts for this course, however, you may find having a copy of The Hobbit and The Lord of the Rings very useful (any edition).

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: War and Home
	Discussion 1: Why is Tolkien still relevant?
Week 2	Lecture 2: Family, friendship, and fellowship
	Discussion 2: Hope and Heroes
Week 3	Lecture 3: Good and Evil
	Discussion 3: Fantasy: Recovery, Escape, and Consolation
Week 4	Lecture 4: Gender and Race
	Discussion 4: Nature and the Landscape

Whenever we see a painting or a sculpture we might think many different things; we might wonder why we like or dislike it; what is its meaning; and why the artist created it in that way.

In this series we will explore different art periods, movements, and artists. We will discuss the context, symbolism, style, and what each of these periods/ movement/ artists tells us today.

Some of the questions we will ask during these modules are: what is art? How is art different from arts and crafts? What is the purpose of art? Why are some art pieces famous? What are some of the most prominent styles? Why are some artists, such as Vincent Van Gogh, so popular today but not during their own time? How and why do we relate to different pieces in different ways and with different emotional responses?

Each module stands on its own and no previous knowledge of Art History is required. The idea is to engage with the different topics from different lenses and to share different ideas and opinions about them.

In this module we will explore the cultural history of tea production, tea consumption, and tea-related cultural forms and practices. Primary focus will be on Asia, with side-expeditions to other parts of the world. White, green, Oolong, red (black), the Silk Road, tea bricks, tea ceremonies, tea-and-Zen, tea as world commodity, tea as entheogen---we can explore all of this and more!

The Goldberg Variations is a keyboard work by J. S. Bach considered by many to be one of the greatest musical compositions of all time. In this module, we will listen, analyze and discuss our way through the piece. We will begin with the background to the composition, and study the initial aria and the ground bass that underlies the entire piece. We will then work our way through each of the thirty variations, listening to a couple of performances of each and studying the score. Along the way we will discuss the basics of harmony and counterpoint. Our goal is that you come away with a deeper understanding of this remarkable piece of music and a greater appreciation of the genius of Bach.

Note: Ability to read music is not required for this module!

Come join us as we begin to learn basic Japanese, focusing on the four areas of reading, writing, speaking, and listening comprehension. Over the course of this module series we will start by learning: the characteristics of the three scripts (hiragana, katakana, and kanji); how to read and write hiragana; to be able to say and understand set phrases (social interaction-related); how to formulate a simple declarative sentence (AはBです structure); how to formulate a simple interrogative sentence; how to read orally; and vocabulary relevant to dialogues in the textbook. 一緒に日本語を勉強しましょうか! (Shall we study Japanese together?!)

Beginning Quenya aims to take students with any level (or no level) of previous language experience and introduce them to the quest to learn Quenya, Tolkien's most developed invented language.

The first module of Beginning Quenya will introduce students to the pronunciation and basic inflections of the language, with a dose of vocabulary and basic sentence translation as well as an introduction to the Tengwar system.

Future modules will eventually bring students to a more complete understanding of the language with the aim of eventually diving into "primary source" Quenya and Tolkien's numerous Quenya poems, and even into student compositions in Quenya itself!

Each module of the course will be structured around a weekly lecture and practicum, with a pre-recorded lecture released to the students at the beginning of each week, explaining new concepts and giving (optional) exercises to aid in student mastery of each topic. These lectures will be followed by a weekly discussion section/practicum, where each section can work through problems, clarifying questions, and practical exercises as a group to reinforce each lesson.

Optional learning resources will be provided for the students each week, but the most important part is to simply listen to the lectures and take part in the practicum sessions!

The Beginning Scottish Gaelic series consists of three intoructory modules, introducing language and grammar in line with European fluency standard A1. Covering basic conversation, vocabulary building, introducing case structure, irregular verbs, and prepositional pronouns, this module will be using the A1 Inntrigeadh resources from SpeakGaelic.scot.

Module 1 Class Delivery
Class 1 and 2 will cover Topic 1: New Friends
Class 3 and 4 will cover Topic 2: Places
Class 5 and 6 will cover Topic 3: Weather
Class 7 and 8 will cover Topic 4: Family

Module 2 Class Delivery
Class 1 and 2 will cover Topic 5: Home
Class 3 and 4 will cover Topic 6: Time
Class 5 and 6 will cover Topic 7: Work
Class 7 and 8 will cover Topic 8: Time Off

Module 3 Class Delivery
Class 1 and 2 will cover Topic 9: Food & Drink
Class 3 and 4 will cover Topic 10: Shopping
Class 5 and 6 will cover Topic 11: Day-to-day
Class 7 and 8 will cover Topic 12: Describing People

After the 3-module opening series, students wishing to continue learning Scottish Gaelic can proceed to Gaelic Foundations 1.

While medieval literary texts offer a weath of information about Norse mythology, pre-Christian religious behaviour is very difficult to trace back from these sources alone. We generally associate the religion of the Viking age with its gods and stories about them, but it consisted of so much more.

This module attempts to offer a nuanced overview of potential beliefs in the Northern Viking age by drawing not only on literature but also archaeology, anthropology, or iconography. We'll be exploring how people in Scandinavia made sense of the world by focusing on rituals, because in the pagan world practices would have been a much greater part of religion - what you did, where you did it, how you did it and what that says about your spiritual inclinations.

Week 1 - Ritual space and time (types of ritual sites, ritual objects, festivities)
Week 2 - Religious specialists (cultic leaders, performers and their functions)
Week 3 - Public and private rituals (cyclical, passage, crisis rituals)
Week 4 - Death and mortuary behaviour

This module explores the Minor Prophets. What is a prophet? How was a prophet expected to "operate" in the Ancient World? How do Hebrew prophets compare to prophets from other traditions in their world? What is the message of the prophets? These questions and more will be addressed in this module. Those with Hebrew, Greek, or Latin are welcome to use their skills in this module, though these are not required.

This module considers the gospels in their contexts; addressing their genre, the communities to whom they are addressed, their origins, early tradition and legend about how they came to be, comparisons of their literatures to other Hellenistic and Near Eastern ones, the synoptic problem, and related issues.

The premise for this course is that the Primeval History (i.e. Genesis 1-11) provides the key conceptual roadmap for how to understand the rest of the biblical narrative (especially the OT, but pertaining to the NT as well). Once the reader begins to see these connections, an entire world is opened up, because subsequent biblical authors continue to build on the foundational elements introduced in the early chapters of Genesis.

This course is designed for a reader to learn how to see these elements for themselves so that the student can continue to explore them in the future in the rest of the biblical literature and in literature outside the Bible as well. This course would deal with topics pertinent specifically to Genesis 1-11. For example: is Genesis 1-11 properly classified as "history," or "myth," or something else? And on the spectrum of literal versus non-literal interpretation of texts, what should be applied? Are there any textual indicators for these things, and if so, how do we recognize them?

Always wanted to study Beowulf? Here's your opportunity. In our 8 hours together, we will delve into the worlds of the poem, examine the major critical elements, and seek to understand the poem better.

In his debut short novel, Kazuo Ishiguro (2017 Nobel Prize winner) explores topics such as the reliability of memory, womanhood, and the relationships between men. Set in both Britain and Nagasaki, Ishiguro takes the reader into the world of Etsuko a Japanese woman struggling to fulfill the expectations of women after the war. We will discuss the themes, language, imagery, and character development in a relaxed and dynamic way.

Kull Wahad, let’s read Frank Herbert’s Dune! In this series of three modules, we will closely read Frank Herbert’s masterwork. We will explore themes like heroism, mythology, history, ecology, politics and religion while following the dynastic struggles between the Atreides family and the ruthless Harkonnens. Every week, you will get to connect with fellow book lovers and share your insights. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for a cozy book club. Let the spice flow!

Module 1: Book I: Dune
Module 2: Book II: Muad’dib
Module 3: Book III: The Prophet

Considered the first sci-fi novel, Frankenstein is much more than the famous monster who has entered pop culture. From philosophy to science, this novel deals with many issues, confuses the reader, and makes us wonder who the real hero is. We will discuss the themes, imagery, character development, and the many different allusions to other texts mentioned in the book in a relaxed and interactive way.

The saga of Dune is far from over...

Across two months, we will read Brian Herbert and Kevin J. Anderson's completion of Frank Herbert's Dune saga. Whether you are a new or continuing student in our Dune book club, all are welcome to join this class. Connect with book lovers, compare to Herbert's originals, and share your insights.

Let the spice flow!

Month 1: Hunters of Dune
Month 2: Sandworms of Dune

In this two-month module, we will read and discuss the Frank Herbert's final Dune novel, Chapterhouse Dune. The universe as we know it is gone, as the Honored Matres sweep across the stars and destroy everything in their path. On the remote world Chapterhouse, a handful of rebel Bene Gesserit fight to preserve the last sandworms and the hope of humanity...

Whether you are a new or continuing student in our Dune book club, all are welcome to join this class. Connect with book lovers, compare to the adaptations, and share your insights.

Let the spice flow!

Gulping gargoyles, let's read the next Harry Potter book!

By popular demand, here is the long-awaited Harry Potter book club! We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over one month, we will follow twelve-year-old Harry's adventures as he uncovers the dark secrets lurking beneath Hogwarts School of Witchcraft and Wizardry. Whispers and plots abound within the castle, as Harry must confront the evil legacy of Voldemort.

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Expelliarmus! Let's read the seventh Harry Potter Book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow seventeen-year-old Harry's adventures. With Voldemort ascendant, Harry and his friends are now fugitives. They must find a way to break the dark lord's power, or the Wizarding World is lost...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Expelliarmus! Let's read the seventh Harry Potter Book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow seventeen-year-old Harry's adventures. With Voldemort ascendant, Harry and his friends are now fugitives. They must find a way to break the dark lord's power, or the Wizarding World is lost...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Wands at the ready, let's read the fourth Harry Potter book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow fourteen-year-old Harry's adventures as he is forced to compete in the deadly Triwizard Tournament. But who entered him in the tournament, and why? The answers will reveal the dark forces poised to destroy the wizarding world...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Avis! Let's read the sixth Harry Potter book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow sixteen-year-old Harry's adventures as he fights to discover the secret of Voldemort's immortality. Rivalries become deadly and betrayals lurk around every corner...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Avis! Let's read the sixth Harry Potter book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow sixteen-year-old Harry's adventures as he fights to discover the secret of Voldemort's immortality. Rivalries become deadly and betrayals lurk around every corner...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Protego! Let's read the fifth Harry Potter book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow fifteen-year-old Harry's adventures as the clouds of war gather over the Wizarding World. Fates collide, heroes fall, and prophecies unfold...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Protego! Let's read the fifth Harry Potter book!

We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over two months, we will follow fifteen-year-old Harry's adventures as the clouds of war gather over the Wizarding World. Fates collide, heroes fall, and prophecies unfold...

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Blimey, let's read the third Harry Potter book!
We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

Over one month, we will follow thirteen-year-old Harry's adventures as he contends with an escaped mass murderer. Yet all is not as it seems. As Harry grapples with the consequences of a hidden betrayal, he must confront the meaning of fear. Failure may just cost him his soul…

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

Merlin's beard, let's read the first Harry Potter book!

By popular demand, here is the long-awaited Harry Potter book club! We will get together twice a week to explore the series, reading through the books at a relaxed pace. Connect with fellow readers and share your insights as we discover (or rediscover) the magic.

First, we will go back to where it all began, Harry Potter and the Sorcerer's Stone. Over one month, we will follow eleven-year-old Harry's adventures as he commences his study at Hogwarts School of Witchcraft and Wizardry. Together, we will explore themes like friendship, courage, and the power of love.

This book club is all about sharing the moments of unexpected, joyful discovery through close reading. Focusing on the text, we will share our personal readings and experiences. We will learn from our classmates in a kindness-first, supportive environment.

Together, we can tackle some big questions about the series. What was it about the Harry Potter books that resonated with so many people? To what extent is it possible or indeed desirable to separate art from artist?

Most of all, however, we will have an inclusive dialogue that embraces a multiplicity of views and enriches our experience of the text.

In this two-month module, we will read and discuss the fifth Dune novel, Heretics of Dune. 1500 years after the reign of Leto II, humanity is locked on the path laid out by the tyrant. Yet a new threat emerges from the shadows: the Honored Matres, a deadly ecstatic cult bent upon the destruction of the planet Dune...

Whether you are a new or continuing student in our Dune book club, all are welcome to join this class. Connect with book lovers, compare to the adaptations, and share your insights.

Let the spice flow!

Epistolary fiction may have you thinking of Frankenstein and Dracula, but they were just the beginning. This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone builds on the epistolary tradition while creating a whole new experience with their epistolary science fiction/time travel/lgbtqia+ romance novella. We will explore the framing, narrative, metaphor, character, and linguistic choices of the authors in depth as we take our time dissecting this novella with fellow book lovers.

Join Ms. Elise for a cozy, relaxed Book Club series, where participants come to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! Each month, our readings will focus on one of the six Books in Tolkien's The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

The saga of Dune is far from over...

Across two months, we will read Brian Herbert and Kevin J. Anderson's completion of Frank Herbert's Dune saga. Whether you are a new or continuing student in our Dune book club, all are welcome to join this class. Connect with book lovers, compare to Herbert's originals, and share your insights.

Let the spice flow!

Month 1: Hunters of Dune
Month 2: Sandworms of Dune

This course is intended for people who have read The Lord of the Rings and are beginners to The Silmarillion. We will re-read various passages from Lord of the Rings that make reference to First Age people, places, and events: the mighty Elf-friends of old, the Exile of the Elves; the Tale of Tinúviel; the story of Eärendil and more. We will whet our appetites and gather some motivating questions that will make a future journey into The Silmarillion easier and more enjoyable.

Read what Chaucer wrote in his own language! The famed Canterbury Tales are a wonderful read in Middle English and this module will focus on The Miller’s Tale.

In this mini module of four one-hour sessions, we will have fun with Latin Christmas Carols. Any "homework" is optional, texts will be provided, fun shall be had!!! Come and enjoy!

Note: This mini module is a special group experience designed for a small and intimate group of 3 to 4 students for the cost of 1 Token.

In this course, we’ll watch and discuss three different cinematic adaptations of Shakespeare’s Macbeth: Roman Polanski’s classic take on this tragedy (1971); Akira Kurosawa’s acclaimed Japanese adaptation, Kumonosu-jō (English title: Throne of Blood, 1957); and the recent innovative interpretation by Joel Coen (2021), starring Denzel Washington and Frances McDormand. We will also consult reviews and scholarly articles on Shakespeare cinema generally and these films in particular.

This module is structured so that 3 of the 8 meetings will serve as “movie nights” where the class will watch the films together as a group. Admittedly, these meetings will be longer than an hour, so attendance beyond the hour is optional, of course. After a General Introduction (Meeting 1), Meeting 2 will serve as the movie night for Polanski's adaptation, followed by discussion of the film in Meeting 3. We follow this pattern for the Kurosawa version (Meetings 4 & 5) and the Coen version (Meetings 6 & 7), before ending with a look back at all three versions (Meeting 8).

This is the textual language of the early classical Chinese philosophical and literary tradition, bearing a relationship to modern forms of Chinese like that of classical Latin to a modern Romance language. Just as one does not need to know Italian to study Latin, no prior knowledge of modern forms of Chinese is needed to study the classical language. This language served as a kind of "lingua franca" throughout East Asia for much of history, much like the role Church Latin served in medieval Europe. In this module we will begin building the grammar, syntax, and vocabulary to eventually be able to engage with the texts associated with Chinese thinkers such as Confucius, Laozi, Zhuangzi, and Mozi. If a cohort forms, we can continue this study within a continuing sequence. We will focus exclusively on developing the ability to read it as a literary language.

This class will discuss the evolution, history, biology, behavior, and mysteries of buzzing insects with a focus on the honey bee. I will give a brief overview of beekeeping (this is not a how-to-keep-bees course) and honey bee products. We will learn the difference between bees and their wasp and hornet counterparts. We will explore the challenges facing bees and native pollinators, and you will discover how you can support bees and beekeepers. We’ll discuss some big names in the bee world and the amazing research they’re doing. There will be myriad stories about cool things and experiences.

Note: This is NOT a Beekeeping class, however, it may give you an idea of what beekeeping entails and the amount, kind, and frequency of care involved. Also, I can certainly refer you to resources relevant to your geography (America only).

The use of fictional languages in science fiction from the good to the bad. This includes fully constructed languages, references to constructed and foreign languages, as well as misuse or misunderstandings of language change. How these subtle points contribute to or detract from world building. This will expand on the work of Ria Cheyne through examples and delving deeper linguistically.

This is the landing page for Dr. Isaac Schendel's Conversational German Series. For more information check out the module links below.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Conversation German Series when we offer it next.

Japanese is a complex language with a strong emphasis on formality. In any given situation, there are multiple ways to communicate the same idea. This course will introduce some of those common situations in daily life and offer some practical, useful, and modern ways to communicate within them.

Hei alle sammen! Hello everyone! Want to make good use of your spare time and learn something useful? How about Norwegian? It's quite easy to gain a basic level and the language has some very special traits you will love! We'll learn to introduce ourselves, use simple phrases, talk about everyday things and practise speaking in different common situations. Bonus: every lesson comes with bite-sized facts about Norwegian history and culture. Velkommen til Norge og norske språket! Welcome to Norway and the Norwegian language!

The Communicative language teaching approach will be used: every lesson we'll practice words and phrases in specific contexts, with more focus on sentence and vocabulary building than grammatical content.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Introducing yourself, pronunciation basics
	Session 2: Basic activities, days and numbers
Week 2	Session 3: Professions, more activities
	Session 4: Family members, daily routine, telling time
Week 3	Session 5: Weekend plans, simple conversations
	Session 6: Food, clothes, where things are
Week 4	Session 7: Going shopping
	Session 8:Final practice

The literature containing Norse mythology remains one of the most fascinating bodies of medieval storytelling anywhere. Participants will make sense of Norse myths by examining the structures of the tales and investigating the background in which they were written down in manuscripts. Explore Norse mythology with Old Norse expert Dr. Paul Peterson!

This Writer's Workshop will be for practicing the art of writing flash fiction, works that are of 500 or fewer words in length. This is a marvelous place for a new writer to begin as the size is not overwhelming. It is also a marvelous place for a seasoned writer to practice the craft of scene creation and characterization under severe creative restriction.

We will read examples of flash fiction, and provide feedback for one another on original pieces that we shall write over the length of the course. For this we will use the Collaborative Feedback Method that we use in all Space creative writing courses, a method which emphasizes kindness and curiosity while still providing rigorous and useful feedback to the writer.

What makes a good story? How can we make our characters feel like real people?

Using a combination of recorded lectures, in-class discussion and exercises, you will find out how to employ Aristotle’s precepts on character, theme and emotional catharsis to enrich your creative practice. You will also discover how Aristotle’s teleological understanding of causality can help you discover the final design of your creative work. This module will be a must for fiction authors, screenwriters and directors, RPG game masters, or anyone who wants to weave a dynamic tale!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to the Poetics
	Workshop 1: Your Narrative's Purpose
Week 2	Lecture 2: Character and Theme
	Workshop 2: Discovering Your Character and Theme
Week 3	Lecture 3: Structure
	Workshop 3: Unfolding Your Story's Structure
Week 4	Lecture 4: Catharsis
	Workshop 4: Sticking the Landing

In this hybrid module, we will explore Scarlett Thomas' book on writing advice, Monkeys with Typewriters. Starting with a brief introduction to literary theory and how it pertains to writers, the module will explore the philosophy and practice of storytelling. Through a combination of lectures and in-class exercises, you will discover tools to tell dynamic stories based upon your own life experiences, learn about the eight basic plots, unlock techniques of characterization and improve your work on the sentence level.

The module will follow an 8-lesson structure as follows:
• Lecture 1: Introduction
• Workshop 1: What do I bring to the story?

• Lecture 2: Plot Structures
• Workshop 2: How to Have Ideas

• Lecture 3: Narration and Characterization
• Workshop 3: Telling Your Tale

• Lecture 4: Starting the Novel
• Workshop 4: Sentence by Sentence

Have you wanted to write a story but didn't know how to get words onto a blank page? Once the words were there, did you wonder how to find out if those words affected your reader the way you meant them to?

In this SPACE module, we will look at where ideas for stories come from. We will take our ideas from our thoughts to the page. Then we will learn, in a supportive community using the Collaborative Feedback method, how to ask for and receive the feedback our stories need to thrive.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Learn the fundamentals of dialogue, action, and dramatic structure in this introduction to writing for performance. Working within the limits of one set, three actors, and ten minutes, participants in this class will learn the basic building blocks of script-writing by crafting short, stand-alone narratives for the stage. Though we will be looking at a few contemporary short plays as examples, the bulk of this class will focus on writing and workshopping your own original scripts.

It turns out that writing dialogue can be tricky. A writer has to accomplish a lot through the way in which a character speaks, and how that speech is described. How do people talk to one another? Do they orate? Do they exchange fast and witty quips? Do they lecture one another to impart tons of needed exposition material? Does what they say and how they say it tell us anything about who they are?

In this class we will experiment with different ways to write dialogue and incorporate it into a story. We'll explore how details of character diction can change how a reader understands the text of what a character says. We'll do exercises designed to practice achieving particular goals Finally, students will apply what we're working on to their own writing and will receive feedback using our Collaborative Feedback method.

We're going to do a fair bit of writing, some in class, more outside of class as (optional) homework. By the end of the class a student should expect to be able to decide how a character should sound and then write dialogue that meets that goal.

Well-prepared writers enjoy more completion success! We will build worlds, plan character arcs, and try to define the bones of our stories during a month of glorious sub-creation! When you declare your intentions to the group, that act of bravery alone adds momentum to your writing efforts after the month is over. (This Module is great preparation before National Novel Writing Month)


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

When you think about your favorite stories, chances are you conjure the memory of a scene: the charge of the Rohirim at the coming of the new dawn, Luke turning off his targeting computer as he flies down the trench, or when Ged finally acknowledges the identity of the shadow being that has followed him literally to the land of the dead. Stories are built out of scenes, and scenes like the ones above make stories memorable.

In this class, we'll look at how to build scenes that accomplish specific things, according to the needs of the author and the story. We'll practice achieving specific goals, advancing the plot, expanding a characterization, even providing an opportunity fo exposition. We'll do this through assigned exercises, andby looking at how to apply these skills to the students' own stories.

We'll read each other's scenes and use our Collaborative Feedback method to help one another to sharpen our work. We'll be writers together helping each other's stories thrive.

We will walk through a complete project from pre-writing through writing, revising, editing, (revising, revising, revising), proofreading, and talking about publication options. Are you interested in finally getting down that memoir of your childhood? making a storybook for your grands? turning that daydream into a novelette? This adventure is for you! Whether your story is a draft, an outline, or a daydream, your project is welcome here in a place where we are aiming to finish it!

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll create, practice, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback to focus both on the construction of your story and on its performance. You will end the month having written an original tale, fiction or memoir or drawn from myth and legend, which has been written specifically to be shared aloud. You will also carry forward a toolkit for exploring this art.
Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

In this module, you will discover how to make your story's setting a vivid and fully-realized character in its own right! Through fun and engaging writing exercises, you will learn techniques to create immersive environments that grow and change along with your characters. Find out how to use sensory details to create a feeling of place in your story. Using Signum’s collaborative feedback method, you will have the opportunity to develop your settings in a supportive workshop. Perfect for beginning authors or those looking to enhance their craft, this module will help you craft settings that live and breathe.


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

This Collaborative Feedback-based peer workshop experience extends over two months, allowing the luxury of more time to read and comment on one another’s work. The cost is one token, the eight hours of class time are simply spread out.

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.

So you think you'd like to write a mystery, but it seems overwhelming? Join us to examine the essential elements of a murder mystery: a setting, a sleuth, a murder victim, the murder method, a cast of suspects, the cast who assist the sleuth in investigating and solving the murder, as well as lists of actual clues and red herrings to plant in the story. We'll also discuss how the genre conventions affect your development of general fiction elements (e.g., plot, character, pacing). Brainstorm, refine rough ideas into workable ones, and get help starting on your story-specific research. Leave class with a semi-plan: not an outline, but a collection of notes you can use to write a complete first draft in whatever writing style you prefer.

We will meet to discuss strategies for revising a piece of writing, including finding your own vision for your story, big-picture developmental editing, and crafting scenes. Writers are encouraged to apply revision strategies between sessions and discuss their work during class if they want to share. Writers will also have the opportunity to explore different editing strategies to help them shape their story into their own vision.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

How can we rise through suffering to become heroic? This hybrid module takes a deep dive into the stages of the hero’s journey structure and its applicability to your story. Considering different approaches to the Joseph Campbell’s monomyth, you will have the opportunity to share and reflect upon your character’s journey in supportive workshops. Whether your hero is slaying a dragon or exploring the dark depths of their psyche, this module will help you craft an epic journey.

The module will follow an 8-lesson structure as follows:
• Lecture 1: Introduction to the Monomyth
• Workshop 1: Call to Adventure

• Lecture 2: Archetypes
• Workshop 2: Challenges and Temptations

• Lecture 3: The Heroine’s Journey
• Workshop 3: Death and Rebirth

• Lecture 4: Challenging the Monomyth
• Workshop 4: Transformation, Atonement, Return

A Feast of Writing!

In one weekend, we're going to celebrate creativity by attempting a complete short story, novelette, or novella! Our format will include SPACE class sessions, WriterSpace focused writing time in excellent company, Bandersnatch Breakout room for talking about our craft and peer feedback, and an enthusiastic celebration of Story. So sharpen your quills, line up the inkpots, make a BIG casserole to last the weekend.

Here's the plan:
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Friday from 8:00 PM to 10:00 PM Eastern
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Saturday from 10:00 AM to 1:00 PM Eastern
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Saturday from 3:00 PM to 9:00 PM Eastern:
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Sunday from 1:00 PM to 4:00 PM Eastern
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Our goal is to create a completed first draft in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during.

You are going to end this amazing experience with a complete first draft of your story!


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Write Our Hearts

Come for gentle writing. Introspection. Self expression in a circle of caring and community. Come gather virtually in the Cottage in the Woods with Sparrow: she literally wants us to prep food ahead and get away from the family and the dishes for forty eight hours to write our stories. It's so hard to find time for ourselves, so let's intentionally make that time. From Friday evening through Sunday afternoon there will be writing to prompts, conversation, ideas, blocks of free writing time. Does your heart ache to express a private grief on the page? Is your subconscious telling you to rewrite a story? Do you need to rewrite your story?

Here's the plan:
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Friday from 8:00 PM to 10:00 PM Eastern
Escape session with community building and prompted writing time
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Saturday from 10:00 AM to 1:00 PM Eastern
Recovery session with prompted writing, free writing, and discussion
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Saturday from 1:00 PM to 3:00 PM Eastern:
Nap time.
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Saturday from 3:00 PM to 9:00 PM Eastern:
Recovery session continues with optional sharing, prompted writing, and free writing
6p - supper time discussion
More Recovery session sharing and writing
9p - Sweet dreams until tomorrow
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Sunday from 1:00 PM to 4:00 PM Eastern
Consolation session discussion, prompted writing, and free writing
Wrap up at 4p.
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Our goal is to write our hearts. Is that memoir? Is that a new story just for yourself? Is that a long, long prayer in the form of a poem? Writers might write between sessions as well as during.

You are going to end this amazing experience with something that is uniquely yours. Whether this turns out to be a narrative, creative nonfiction, or a huge list of Be-Happy-Attitudes, this deserves to be on your page, just for you.


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.





A seat has been reserved in this module for any writer (especially a beginner) of marginalized identity to support them finding their voice. Please simply write to [email protected] to identify yourself if you wish to join the class.





Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Please choose this module if you're excited to be part of our Creative Writing mini-modules in the near future! If you add this module to your wish list (or short-list it), we will include you in our communications about upcoming mini modules and let you know what's available.

Note: Our mini modules are special month-long group experiences designed for a small and intimate group of 2 to 4 students for the cost of 1 Token. As soon as we get enough interested students that reserve their seat, we'll schedule this class with the group and fly!

What makes a good children’s story? We’re going to address chapter books, cultural stories, and learning tales all through a lens of moral, cultural, and spiritual human development. Trying our hands at these forms should lead us to a nice folder full of works-in-progress at the end of the month. The December iteration of this module is designed to complete one treasured story gift for the holidays.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

What is love? This is the question C.S. Lewis explored in his classic book, The Four Loves. Over four weeks, we will read and discuss The Four Loves as a class, exploring his four classifications and their philosophical underpinnings. Comparing and contrasting Lewis with short excerpts from Plato's Symposium and Aristotle's Nicomachean Ethics, we will explore the themes of affection, friendship, eros and charity.

In the early 10th century, a woman was laid to rest in a lavish ship burial at Oseberg, Norway—one of the richest Viking graves ever discovered. But she was no queen’s consort or mere noblewoman. Her grave goods suggest she was a ruler or religious leader, commanding respect in her own right. In the overtly masculine Old Norse society, women were not simply passive and obedient, sometimes they also found ways to navigate the cultural framework and shape some agency for themselves.

In this class we’ll be moving from the very real, mundane yet essential domain of Norse women – without women’s spinning and weaving the Viking age wouldn’t have existed! – to the more mythical realm of goddesses, Valkyries, spirits, exploring all kinds of social and political roles women would have adopted. Drawing on archaeology, literature, chronicles or laws we’ll attempt to recreate part of the fascinating stories of the great and famous but also forgotten characters that shaped the Viking age and beyond.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: The daily life of women: marriage, children, work
	Discussion 1: Discussion about Lecture 1 material
Week 2	Lecture 2: Women and power: queens, avengers, warriors
	Discussion 2: Discussion about Lecture 2 material
Week 3	Lecture 3: The Norse sorceress and prophetess
	Discussion 3: Discussion about Lecture 3 material
Week 4	Lecture 4: Divine images of women /td>
	Discussion 4: Discussion about Lecture 4 material

This is the Landing Page for Dr. Sara Brown's Discovering the Discworld series. Using the links on this page, you can explore each member of this series by going to its associated module page for more details.

Frank Herbert's Dune novels have been adapted for film, television and tabletop and video games. Using a combination of recorded lectures, in-class discussion and exercises, this hybrid module will examine the various adaptations of the novels, including David Lynch's film, the miniseries, Denis Villeneuve's recent films, HBO's Dune: Prophecy as well as various abortive attempts to adapt the novel. We will also explore the influence of Dune upon the gaming industry. Students are encouraged, but not obliged, to rewatch the various films ahead of in-class discussion.

What can a carefully arranged bento box show us about a protagonist’s emotions? How does a steaming bowl of ramen help tell a story? Anime is known for its detailed, mouthwatering portrayals of food. But what exactly makes these artistic culinary delights so special, and why do we keep coming back for more?

In this module, we will consider many aspects of food in anime and its relationship with fandom, culture, and history, and how food signals certain things about characters, settings, and relationships.

Come help us eat our way through anime!

This module would be an introduction to the Egyptian Book of the Dead without presuming a knowledge of Egyptian Hieroglyphs. We would read about and discuss the origins, transmission, context, and look closely at some different examples.

Introduction to the non-god, non-human, entities in ancient Egypt. Demons were guardians, messengers, and performed other duties, usually as intermediaries between the gods and men. We will consider the category of “demon”, their roles, descriptions, and how they changed over time in the Egyptian worldview. How were demons viewed and why were they necessary? How did they relate to other cultures? What became of Egyptian Demons in later periods?

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this series of 4 modules, we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

This module will introduce the markup of literary and historical texts electronically. It will begin with a tour of the Extensible Markup Language (XML) and then the guidelines of the Text Encoding Initiative (TEI). There will plenty of hands-on activities to markup your out-of-copyright texts of choice but please note that these activities will require a computer (not just a phone or tablet).

This module will explore a range of English sonnets, some familiar and some more obscure, looking at the wordplay of all and exploring the contexts and reception of these poets or their authors where known. In the second half of the month, we will also explore the versatility of the sonnet form, looking at adaptations, variations, and the effects thereof.

This course is a fun exploration of Shakespeare's As You Like It. The lecturer will lead students through the sources, plot, character development and major themes. Class time will be spent in lectures and brief discussions.

This course is a fun exploration of Shakespeare's Hamlet. The lecturer will lead students through the sources, plot, character development and major themes. Class time will be spent in lectures and brief discussions.

One of the most beloved of all classical Chinese novels, Journey to the West features Monkey, Pig, Sand-demon, White Horse, and the monk Tripitaka as they make a pilgrimage from Tang-dynasty Chang’an to India to bring back Buddhist scriptures, having outrageous adventures all along the way. Full of humor and wit, this is a major work of East Asian fantastic literature. Come along with Monkey and the gang for a tour through this foundational text!

In Mob Psycho 100, Shigeo Kageyama ("Mob") is an ordinary middle school student who also happens to have strong psychic abilities. Between his part-time job as an exorcist's assistant, his desire to fit in at school, and the weird things that tend to happen to him, he struggles to find the ordinary life he craves. This series turns many of the tropes of battle-shounen anime on their head, while also exploring what it means to be a good person and find the life you want -- while also including some incredible action sequences. Please join us for a discussion of the themes, tropes, and characters of this unusual show

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Episodes 1-3
	Session 2: Episodes 4-6
Week 2	Session 3: Episodes 7-9
	Session 4: Episodes 10-12 (end of season 1)
Week 3	Session 5: Episodes 13-15
	Session 6: Episodes 16-19
Week 4	Session 7:Episodes 20-22
	Session 8: Episodes 23-25 (end of season 2)

Natsume’s Book of Friends is a contemplative and heartfelt anime/manga series about a boy who inherited a book from his grandmother, allowing him to control youkai. Instead, he chooses to free them. This series sits at the intersection of fantasy and slice of life, and it touches on many aspects of Japanese folklore and culture, at the same time telling a story about connection and compassion.

This series is primarily discussion based, with some contextual information provided by the preceptor. There will be a Google Doc for class discussion and your preceptor will use slides, but sparingly.

Come join us for a stunning coming-of-age fantasy anime that follows the story of Violet Evergarden, a former soldier who finds forgiveness, healing, and self-worth through the unassuming power of writing letters. In this module, we will discuss how Violet Evergarden functions as a postwar recovery and travel story, as well as the anime’s use of Victorian and post-World War I aesthetics to tell Violet’s unusual yet unforgettable tale.

Considered to be one the major classics of pre-modern Chinese literature, Romance of the Three Kingdoms focuses on a story of political and military struggle featuring an impressive array of characters, many of whom have become touchstones of Chinese cultural heritage and artistic interest. This novel has spawned a wide arrange of operas, stories, video game series, musical compositions, television and web series, as well as garnering much academic attention since it was first published in the 14th century. Join us as we read, discuss, analyze, and place in its cultural and historical contexts this major work of Chinese historical fiction.

Sei Shōnagon 清少納言 is a major writer of the Heian period (794-1185) whose Makura no Sōshi 枕草子 (The Pillow Book) has intrigued and delighted reading audiences for centuries. Colorful, witty, incisive, charming, thoughtful, melancholy, poetic---these qualities and more characterize this diary of the famous lady of the court. Join us as we read this text in-depth and place it within the frame of the flow of Japanese culture and history.

Attn: All continua enthusiasts and stub residents, join us as we delve into the world of William Gibson's recent novel and Amazon Prime series, The Peripheral. A world of branch universes, nanobot assassinations, attenuated time travel and kleptocrats, all under the ever-watchful Periwinkle eyes of Detective Inspector Ainsley Lowbeer and the looming Jackpot. If you have read the novels already, this is a great chance to revisit them in light of the Amazon series for The Peripheral which began in 2022. If you have never read William Gibson, this is an opportunity to explore Gibson's particular flavor of fast-paced action, braided narratives, and provocative ideas.

Agency is the second novel of William Gibson's Jackpot Trilogy. Agency's timeline emerges in a branch universe where the 2016 election went otherwise and a somewhat salty AI assistant gets loose in the internet. Nanobot assassinations and attenuated time travel, surly barristas and tech billionaires, smart-ass AI and an elderly super-empowerd Detective Inspector Ainsley work to avoid the blades of the looming Jackpot. Although a sequel to The Peripheral, you need not have read that book to enjoy Agency. Please join us!

Come explore Fairy Tales from the inside! In the first meeting each week Pilar Barrera will lift up a Fairy Tale technique, character archetype, or trope. We'll discuss the story at hand and how that story technique makes meaning. Then, students try their own hands at that technique! What do we learn when we push these ideas to their logical extremes? In the second meeting, Sparrow Alden will facilitate a workshop-style discussion of our original tale-telling work; we'll encourage one another as writers and appreciate one another as readers! Our goal is to complete the month with a deeper appreciation for the tales we all love and a folder with one to four good drafts of original tales.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

In this module, we will answer questions such as: what is a fairy tale? Why do we tell stories? What is the function of fairy tales? What are some recurring themes? Stories to be discussed include Snow White (with and without dwarfs), Little Red Riding-hood, the Little Match Girl, Thumbelina, and East of the Sun and West of the Moon.

In this module, we will continue to explore fairy tales and discuss questions such as: what is the role of nature in fairy tales? What is the role of animals? What are some recurring themes in these tales? Stories to be discussed include “Cinderella”, “The Turnip”, “The Mouse, the Bird and the Sausage”, “The Forest Bride”, “The Daisy”, and “Five out of a Pod”.

Sudying fairy tales takes us back to a time when stories where passed from culture to culture. These stories, replicated around the world, deal with fears and axieties, but they also give us hope as it is the smallest and most vulnerable the one who usually triumphs.

In these modules, we will explore different authors and fairy tales from around the world. Students will have the opportunity to read and re-read the Grimm brothers, Hans Christian Andersen, Andrew Lang, Oscar Wilde and fairy tales from differnet cultures such as Russia, and Japan. Each month, our preceptors will survey the group using to see which text students are most interested in exploring next.

We offer the following Fairy Tales Studies modules:
• Fairy Tales: An Adventure from the Writer's Perspective
• Fairy Tales: From Apples to Bears
• Fairy Tales: Rats, Mice, and Birds
• Fairy Tales: Tricksters, Fools, and Villains
• Introduction to Hans Christian Andersen's Fairy Tales
• Introduction to Oscar Wilde's Fairy Tales: A House of Pomegranates
• Introduction to Oscar Wilde's Fairy Tales: The Happy Prince and Other Tales
• Japanese Fairy Tales and Children's Literature
• Russian Fairy Tales: Journeys, Quests, and Chicken Legs
• Yōkai and Legends: Exploring the Weird in Japanese and Latin American Cultures
• Encountering the Japanese Weird through Lafcadio Hearn's Kwaidan
• Exploring Smith of Wootton Major and Farmer Giles of Ham
• Fairy Tales: Beauty and the Beast

Note: Each module stands on its own and no previous knowledge is required. The idea is to read and discuss these stories, their themes, imagery, and see how we respond to them.

In this module, we will examine fairy tales about tricksters and villains. We will discuss questions such as: why are tricksters important? What is the role of villains? What are some recurring themes in these tales? Stories to be discussed include “Hansel and Gretel”, “Bluebeard”, “Hans in Luck”, “Momotaro, the Peach Boy”, “The Bremen Musicians”, “The Old Woman and the Tramp”, and “The Tinder Box”.

Folk Horror, having initial roots in the early 20th century, has continued steadily in multiple media to explore societal fears of our day. This SPACE class will look at the origins of the genre, its explosion in the upheaval in the 1970's, and its current place of cultural relevance in a world filled with anxious nightmares regarding its future.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: The Tools of Engagement: Modern Folk Horror Studies
	Session 2: The Stories of Ambrose Pierce
Week 2	Session 3: The Stories of Thomas Hardy
	Session 4: The Grandmaster of Folk Horror: M.R. James Part I
Week 3	Session 5: The Grandmaster of Folk Horror: M.R. James Part II
	Session 6: The "Folk" of the 1970's: The Unholy Trinity
Week 4	Session 7: Movies/Media of the 80's and 90's: The Blair Witch and Steven King
	Session 8: Modern Manifestations: True Detective

This course introduces the student to the various aspects of geology and how they can relate to worldbuilding and mapmaking. This includes continents, plate tectonics, mountains, water, glaciers, planetary patterns, the distribution of rock types and natural resources, natural disasters and weather patterns. This background would allow students to better evaluate fictional maps as well as create them. Examples will be drawn from Middle-earth, Earth-sea, Westeros, Dungeons and Dragons, and suggestions from students.

One of the best methods for language learning is to read and discuss a text with friends in a relaxed setting. One can discuss the subject matter from a “literary” perspective, focusing on themes, character development, narrative styles, or from a “language-learner” perspective, focusing on new words, idioms, or syntax. Both discussion types allow us to get to know a text intimately. If one of your foreign languages is Modern German, consider joining SPACE’s German Book Club for a month, where we read German short stories or books and meet twice a week to discuss them—in either English or German!

This module is aimed at the advanced beginner or intermediate level and seeks to meet the intellectual interests of the participants. Every month, the preceptor (Isaac Schendel) chooses a new text based on student interest and German level. Examples include: the novels of Hermann Hesse, the poetry of Rainer Maria Rilke, or the fairy tales of Johann Karl August Musäus. Feel free to send in any suggestions and be sure to bring along some Kaffee und Kuchen.

Two classics of Gothic literature wrestle with the problem of good and evil: Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr. Hyde (1886) and Oscar Wilde’s The Picture of Dorian Gray (1890). The former, a work of early science fiction, and the latter, a Faustian fantasy, both imagine a human psyche divided in two. In Stevenson’s tale, Dr. Jekyll attempts to isolate and contain the evil side of his nature, but creates a monster he cannot control. In Wilde’s “poisonous book,” Dorian enjoys seemingly eternal youth while his portrait suffers the physical and moral consequences of his wickedness —learning too late that, sooner or later (as the saying goes), we all get the face we deserve.

In examining this sinister pair of pairs, this course looks first at the text of each novel. Next, we survey the shock and alarm these books inspired among the Victorian public, as captured by a range of early reader responses. In their contrasting approaches to the same theme, both works reveal insights into the fragility of human identity, the limits of scientific understanding, and the dark power of artistic creation.

This series of modules introduces the vocabulary and grammar of the Gothic language, the oldest attested body of literature in a Germanic language (4th century AD), not just by talking about grammar, but by doing real translations of real Gothic texts. While no prior language study experience is necessary or expected, it is certainly a benefit to understand basic grammatical terms in English (or equivalent) or have knowledge of learning to read another language.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! The first module seeks to introduce learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

This is the Landing Page for Dr. Amy H. Sturgis's Haunting Tales series:

Module 1 explores the context and inspirations of the Gothic horror classic, The Haunting of Hill House (1959), by Shirley Jackson. We will consider its popular and critical receptions, its place in Shirley Jackson’s larger body of work, and its impact on contemporary readers.

Module 2 explore the challenges of the sequel or “inspired-by” work, A Haunting on the Hill (2023), by author Elizabeth Hand, both in its context as a response to The Haunting of Hill House and on its own merits. We will also consider how the novel fits into Elizabeth Hand’s larger body of writings and the ongoing relevance of the Gothic to 21st-century readers.

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Note: Students can jump in at any month/part of the Series. There are no prerequisites.

Sir Philip Pullman’s His Dark Materials trilogy is widely regarded as a modern classic, has been described by The New Statesman as “the most ambitious work since The Lord of the Rings,” and has been adapted onto stage, radio, and screen. The series is also deep and complex, drawing from a rich array of literary, philosophical, and theological ideas.

In this three-module series we will read, successively, the three novels in Philip Pullman’s His Dark Materials trilogy, juxtaposing each with selected materials that will allow us to read Pullman’s work both on its own and in conversation with other works.

Note: Students can join one, two, or all three modules. There are no prerequisites.

This module gives an overview of writing and alphabets, literary and other works written on stone, papyrus, wax, and parchment.

More from Dr. Swain about this module: I love reading and writing. Both are "technological" revolutions that effected historical moments in human history. This module will look at the development of writing and of reading, the kinds of materials we have written on, and how we prepared those surfaces to record our words. We will learn vocabulary that is used to talk about all this. There will be a lot of pretty pictures!

This series is for people looking to begin their journey with Mandarin--the language spoken throughout much of China and its surrounding territories. We will follow the HSK (Chinese Proficiency Test-Hanyu Shuiping Kaoshi 汉语水平考试 ) Standard Course Curriculum for HSK Level 1.

Throughout the course we will also look at some authentic materials, including song lyrics and dialogue from popular T.V. and movies. These will help to give us context for what we are learning and gauge where we are in our journey.

If you've ever wished to understand and speak Mandarin, here's a great stepping stone to get you started!

Grab a cup of tea and join Keli for a relaxed viewing and discussion of the first half of Avatar: The Last Airbender.

This is the first of two modules dedicated to covering the entire original series in preparation for a future module on Netflix's upcoming live action as an adaptation of Book 1 from the original series.

Grab a cup of tea and join Keli for a relaxed viewing and discussion of the second half of Avatar: The Last Airbender.

This is the second of two modules dedicated to covering the entire original series in preparation for a future module on Netflix's upcoming live action as an adaptation of Book 1 from the original series.

The first of the two essential questions raised in Babylon 5, “Who are you” demands that listeners and respondents consider the nature of their own mortality and personhood, delving deeply into their multifaceted identities. This four-week seminar explores the responses to this question as given by six core members of the Babylon 5 universe and considers its presentation as a core Vorlon question, examining the world of Babylon 5 as a space of introspection and self-discovery.

“Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all England.” This series explores the culminating masterpiece of medieval Arthurian literature: Sir Thomas Malory’s Le Morte Darthur (1470). Drawing together the most noteworthy and celebrated threads of earlier versions, Malory tells Arthur’s story from boyhood to death in a narrative sequence that would influence later retellings for centuries, and in striking language that, for many, defines the Arthurian tradition.

Working our way from beginning to end, the series covers all eight books or “tales” of Malory’s text in five modules. In addition to carefully reading the complete work, the series also provides context on Malory’s life and imprisonment during the Wars of the Roses, his book’s first publication in 1485 by English printer and editor William Caxton, and the remarkable twenty-first century discovery of the “Winchester Manuscript,” a now-standard but hitherto-unknown version of Malory’s text by medievalist Eugene Vinaver.

This is the Landing Page for Dr. Koke Saavedra's two-module series, Imagination Unhinged at the End of the World:

Module 1 explores the rich Chilean Gothic, where, amidst sublime, disquieting and disjointed physical and cultural landscapes, Poe and Lovecraft continue exerting much influence. Famous works, like The Shrouded Woman by María Luisa Bombal, coexist with many unknown jewels. Given Chile’s extreme and vast geography, and persistent ‘frontier culture’, fantastic ‘lost cities’ and ‘lost worlds’ adventures have abounded here. We will look at local classics of this fun, gripping subgenre.

Module 2 explores how, under dictatorship, Chilean SFF creation mainly moved abroad, together with its exiled creators, such as Isabel Allende, and her The House of Spirits.

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Note: Students can jump in at any month/part of the Series. There are no prerequisites.

The Midst podcast (which can be found at http://www.midst.co) is a strange and compelling space western horror science fantasy. . . hmmm. Let me start again.

Midst is a planetoid revolving in a cosmos very unlike our own, one that contains strange creatures bred from The Fold, a supernatural phenomenon that. . . no that's not it either.

This module will be a discussion guide to one of the most compellingly weird podcasts I've run across ever. I'm talking Welcome to Nightvale weird. The story is told by three anonymous and quite probably unreliable narrators, does not stick to usual story structures, veers off on tangents, and lands everything in a series of climactic episodes that are simply stunning. What we will be doing is experiencing season 1 of this podcast together and looking at how they are using various tools to tell this story, and whether they really are abandoning a lot of conventional storytelling wisdom. (Spoiler alert, I don't think they are.)

You will listen to all nineteen episodes over the course of the class. In class, we will discuss the episodes you've heard, using the frame of questions I will give you ahead of time. Our goal will be to tease out the various storytelling tools the writers used in the creation of their remarkable story. Some of these will be familiar literary tools, others will involve how they use sound and effects to heighten their narration. As each episode is on the order of half an hour long, you will have heard nine to ten hours of audio by the time the class ends.

I love this story and the way the writers have chosen to tell it. I would love to share that with you.

C.S. Lewis is one of the most prolific and influential writers of the 20th century. And yet, in his early career as an Oxford don, he viewed himself as a failed poet. Moreover, his most canonical and transformational writing happened during the most stress-filled periods of his life. This short course allows students to peek into the writing life of C.S. Lewis. Our goal is to see through the lines of printed text by visiting the letters and archival remains of Lewis in a virtual setting. Most of C.S. Lewis's papers remain undigitized and unpublished, available only locally at archives in North America and England.

As Professor Brenton Dickieson has visited these archives, he is able to invite students to appreciate C.S. Lewis's writing life by looking at the way that he consciously and unconsciously built his literary career. This course is for writers who are developing their own habits and literary life-prints, as well as folks who are curious about C.S. Lewis's life beyond the biographies and bestselling books.

We are not doing text close readings, but looking at the “paratextual” information available to us: writing drafts, letters, diary entries, manuscripts and typescripts, title, and the like.

Week 1: Lewis: Pen, Ink, Paper
• C.S. Lewis’s Single-jointed Self-Conception as a Writer
• What Lewis Says about his Writing Habits
• Legendary Bonfires, Stuffed Dolls, and American Suckers: A Story of Lewis’s Papers and Manuscripts
• The Screwtape MS. Story: Part 1

Week 2: Leaves, Bombs, Stains
• The Screwtape MS. Story: Part 2
• “Villainous Handwriting”: Charlie Starr’s Lewis Handwriting and Rough Draft vs. Fair Draft
• Reconsidering the Lindskoog Affair with Manuscript Evidence of “The Dark Tower”

Week 3: Joy, Theft, Death
• “The Quest of Bleheris”: Lewis’s Teenage Novel

Week 4:
• Is it True that Lewis Wrote in a Single Draft?
• A Grief Observed
• Tumbling Through the Wardrobe: The Discovery of Narnia
• Arthurian Torso
• A New Sketch of Lewis’s Writing Process(es)

Note: This course includes a significant amount of visual material on the screen. Please contact the SPACE team if you have visual accessibility requirements and we will do everything we can to accommodate.

Designed for students who have completed an introductory Latin textbook and wish to explore real Latin texts at a gentle pace, this class will walk students through a selection of Psalms from the Latin Vulgate, adapting the quantity of texts and homework to meet the needs of the enrolled students. We will parse passages and read the psalms clause by clause, moving somewhat slowly to allow ample time for grammatical review as students test different translation techniques and absorb new abbreviations, grammatical quirks, and irregular or new forms.

Note: Students who took this module in 2023 are welcome to repeat it; the 2024 module will feature different psalms than its predecessor.

The Dark Crystal, a film directed and created by Jim Henson and Frank Oz, was released at Christmastime in 1982. An attempt at a more mature and decidedly darker direction for Henson, it performed modestly in the box office to mixed reviews. Despite its poor initial beginnings, over the next 42 years, The Dark Crystal became a cult classic. Why the appeal all these years later? In this class we will explore this multifaceted dark fantasy as a stand of world building from the better appreciated “Muppet” canon. Over the course of eight sessions we will discuss the world of Thra through the film itself, seen afresh with the new lenses of various forms of modern criticism. Please join us for a combination of short lectures and lively discussion of this visual and technical masterpiece whether you’re a long-time fan or neophyte.

This is the Landing Page for Prof. Shawn Gaffney's series exploring Ancient Magic.

Introduction to Ancient Magic: The Earliest Magic provides a short survey of the earliest known magical texts and objects, including the Pyramid texts, Sumerian exorcism spells, and objects used in different apotropaic rituals. Divination and other forms of magic will be included as well. What was the earliest magic? What did it do and how did it work? Who practiced magic? How was magic related to religion?

Introduction to Ancient Magic: Magic in the Greco-Roman World looks specifically at the Greco-Roman world, magic in myth and literature, and specific spells and objects in use throughout the classical world, including their relations to Mesopotamia and Egypt. This includes the Greek magical texts. What types of magic did they use? Who practiced them and why?

Introduction to Ancient Magic: Magic from Late Antiquity to the Early Modern World examines the use of magic in the early Christian world, its relationship with contemporary magic, and related texts. This module explores the origins of this magic, how it was used, and how it evolved over time. We will look at both religious and non-religious magic through a number of examples, both verbal spells and magical items, such as Aramaic incantation bowls.

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Note: Students can jump in at any month/part of the Series. There are no prerequisites.

This module is designed to provide the student with sufficient knowledge of Biblical Hebrew to read the Torah in its original language. The student will progress through four main stages:

1. The students will be acquainted with the Hebrew alphabet, syllabication, and pronunciation. 2. After learning how to read and pronounce Hebrew words students will move on to Hebrew nouns, adjectives, prepositions, etc. 3. In stage the Hebrew verbal stems will be explored. 4. In this final stage the downloadable Logos software will be used and demonstrated to put it all together to assist in translating/reading the Torah.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Introduction to class objectives and Hebrew alphabet
	Session 2: Hebrew syllabication, pronunciation and practice
Week 2	Session 3: Hebrew nouns, adjective, and prepositions, pronunciation and practice
	Session 4: Hebrew verbal stems part one, pronunciation and practice
Week 3	Session 5: Hebrew verbal stems part two, pronunciation and practice
	Session 6: Logos software introduction, Hebrew sentence structure
Week 4	Session 7: Logos software continued, intro to Hebrew poetry
	Session 8: Using Logos software to translation from the Torah

Do you love the physical object of a book just as much as the information it contains? Do you smell your books when you get home from the library or the bookstore? Do you like working with your hands to make things? Then this module is for you!

This class is an introduction to the materials, tools, and methods of making books by hand. Whether you're looking to make "junk journals" on a tight budget or want to rebind your favorite tome in leather, you'll find the information you need in this module!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Brief History of Book Binding and Tools Overview
	Session 2: Materials and Terms - The Anatomy of a Book
Week 2	Session 3: Text Block Assembly 1 - Glued Binding Options - Perfect Binding and Double Fan Binding
	Session 4: Text Block Assembly 2 - Sewn Binding Options - Kettle Stitch, Coptic Binding, and Japanese Stab Binding
Week 3	Session 5: Cover Assembly 1 - How To Make a Softcover - Paperback and Wrap Covers
	Session 6: Cover Assembly 2 - How To Make a Hardback - Classic/English Binding and Hollow Back Case Binding
Week 4	Session 7: Cover Decoration and Finishing - Traditional and Modern Methods
	Session 8: Overflow, Resources for Further Research, and Final Q & A

This module introduces you to the grammatical structure of a programming language. It's designed to give you the mental framework to learn any programming language more easily; though the syntax of programming languages can differ, the basic principles are the same. You'll learn about building blocks like variables, objects, and functions, and common patterns like if statements, switches, and for loops. And you'll put it all together and write your first simple program.

Note: Two class sessions will be considered lab sections, one in the middle of the month and one at the end. They will give you dedicated time to ask questions about your own projects, and explore topics we may not have covered in class.

In this module we will explore the formation and development of early Buddhist traditions, focusing on the life of the historical Buddha, the Deer Park Dharma Discourse, the formation of the Sangha (Buddhist monastic community), and the foundational teachings of the Four Noble Truths, the Three Marks of Existence, and the Chain of Dependent Origination.

Why do people increasingly find Shakespeare challenging to read? Why do we translate Beowulf? How did Latin become Spanish, Italian, French, and other languages? Languages change over time. They are affected by internal and external factors. Many of these changes are recorded, and some fairly well understood. In this module we will explore the variety of changes that occur to languages over time, including sounds, word structure and order, and semantics, as well as language spread and language death. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

Over the course of two modules, we will cover the basics of Japanese religious history. Particular areas of focus will be Shintō 神道 tradition and various forms of Japanese Buddhism, shamanism, and Shugendō 修験道. Time permitting (unlikely) we can also touch upon Japanese New Religions and/or Japanese Christianity.

How do we group and categorize languages? What does it mean that two languages are related? What is a parent language? Which languages are more closely related and which are not? Some languages are genetically related, meaning they have a common origin, while others are typologically similar, in that they have similar structures. While English is well known, and Indo-European, the language family it is in is also well studied, it is just one of 7000 languages in the world. We will explore the world's languages, how they fit into their own families, discuss how relationships are determined, and what we can learn when talk about language families. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

Languages come in contact with each other all the time and have done so throughout history. Many of the patterns that emerge from language contact have been studied and can provide some explanation for what happens. Why do English and Spanish drive out some languages? What happens when one language, through invasion or culture, moves into the area of another language? How do languages compete with one another and how do they “cooperate”? We will explore the varieties of language contact in this course, through military expansion, cultural dominance, and side by side contact, as well as other forms of interaction between languages, and look at the results. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

This course is a basic introduction to the scientific study of the mechanics of language, with a bit of an extra focus on considerations relevant to studying literature.

Building on the "Introduction to Early Buddhism" module, we will explore the development of Mahayana Buddhist traditions, focusing especially on Madhyamika and Yogacara trends, the Zen and Pure Land Schools, the Heart Sutra, the Lotus Sutra, and interactions with Chinese religio-philosophical systems, especially Daoism, and the fascinating culture of the Dunhuang caves.

Morphology is the study of how words are formed and the meaning in their constituent parts. In this module we will explore English morphology first, to build up a vocabulary of useful terms and ideas, and then move on to other languages, both familiar and rare. We will examine different strategies that languages use to communicate information and how that information is encoded into words. We will use a number of problem sets or puzzles to “take apart” other languages, to learn more about their structure, and to take away some interesting new facts about language. We will look at Turkish, Swahili, and others to see the variety of human languages. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

Poignant, hilarious, ironic, sad, beautiful, Oscar Wilde’s literary fairy tales evoke vivid and intense imagery and discuss topics such as social status, wealth, and Christianity. In these modules, we will read and discuss Oscar Wilde’s fairy tales. We will talk about the plot, characters, specific nuances of the language, use of irony, and symbolism. We will also discuss stories that influenced some of the tales, especially Andersen’s tales such as “The Little Mermaid,” “The Shadow,” “The Darning Needle,” and others.

This module is part of a two-module series, but each one stands alone and is independent from the other. In the first module, we will talk about the fairy tales from The Happy Prince and Other Tales, and in the second module we will discuss A House of Pomegranates.

Poignant, hilarious, ironic, sad, beautiful, Oscar Wilde’s literary fairy tales evoke vivid and intense imagery and discuss topics such as social status, wealth, and Christianity. In these modules, we will read and discuss Oscar Wilde’s fairy tales. We will talk about the plot, characters, specific nuances of the language, use of irony, and symbolism. We will also discuss stories that influenced some of the tales, especially Andersen’s tales such as “The Little Mermaid,” “The Shadow,” “The Darning Needle,” and others.

This module is part of a two-module series, but each one stands alone and is independent from the other. In the first module, we will talk about the fairy tales from The Happy Prince and Other Tales, and in the second module we will discuss A House of Pomegranates.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to Oscar Wilde's fairy tales and "The Happy Prince"
	Discussion 1: Discussion about Wilde's life and "The Happy Prince"
Week 2	Lecture 2: "The Nightingale and the Rose"
	Discussion 2: Discussion about "The Nightingale and the Rose"
Week 3	Lecture 3: "The Devoted Friend"
	Discussion 3: Discussion about "The Devoted Friend"
Week 4	Lecture 4: "The Sefish Giant" and "The Remarkable Rocket"
	Discussion 4: Discussion about "The Selfish Giant" and "The Remarkable Rocket"

Phonetics is the study of speech sounds (and, in the case of sign languages, how gestures reflect their own meaning). We will explore how sounds are made and heard. Our goal will be to understand the IPA, or International Phonetic Alphabet, how to listen to and write out English, as well as to explore the variety of sounds in the words languages. We will practice transcribing English, which, for many people, provides additional insight into how the language sounds and why language learning is challenging. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

Phonology is the study of how languages organize their sounds. Each language has its own rules or constraints on what sounds they use, what combinations of sound are allowed, and how sounds change in different environments. This module will first look at some of the patterns of English but will then explore a number of phenomena across the world's languages. Problem sets, or small linguistic puzzles, will help us figure our patterns and train us to look for other patterns in the languages we encounter. This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules. However, it is helpful if you have taken phonetics or have some familiarity with the IPA.

Sociolinguistics explores how society uses language. This includes how we view a “standard dialect”, how different groups of people or demographics use language differently from that dialect, how languages varies over geographic regions, and how we use language to create identity or exclude. We will look at the dialects of the US, their vocabulary, sounds, and structures, as well as other countries and regions. Why do I say “frappe, bubbler, and clicker”? And why do they sound like “frap, bubbla, and clicka”? Do you drink “soda, coke, pop, or what?” This module can be taken by itself or as part of a larger Introductory Linguistics sequence of modules.

It has been said that all Western thought comes from Athens or Jerusalem. While the dichotomy raises friction, one often fails to understand that the two thought patterns are often mixed. This module will focus on the history of Western Philosophy/Thought. For didactic reasons, the focus will be on Athens. The dichotomy in Athens’ thought is between Plato and Aristotle. To over simplify things, Plato ‘looked up’. Plato was looking for ‘the truth’, the ‘Real’ behind our existence. Aristotle ‘looked down’ and was less concerned with Plato’s quest.

The goal is to have students understand the time setting of the philosopher and the working out of their view of the world, to experience the ‘rose colored glasses’ of that particular philosopher. That task can be difficult because the study of Philosophy from the historical approach must negate all developments of Western Thought which are subsequent to the Philosopher.

Upon completion the student will be able to understand the development of Western Thought which led to the Western Post-Modern World View. The five philosophers to be visited will be Plato, Aristotle, Descartes, Kant, and Nietzsche.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Introduction to module’s approach to the study of philosophy
	Session 2: Plato, his time and contribution to Western Thought followed by discussion
Week 2	Session 3: Aristotle, his time, contribution, comparison to Plato’s approach followed by discussion
	Session 4: Descartes, his time, contribution/dilemma, followed by discussion
Week 3	Session 5: Kant, his time, contribution, followed by discussion
	Session 6: Nietzsche part one, his time, contribution followed by discussion
Week 4	Session 7: Nietzsche part two, his legacy on Post Modern Thought
	Session 8:Epistemology and a visit from our philosophers, followed by discussion

Building on the previous two Intro to Buddhism modules in this sequence, we will explore the colorful and varied forms of Vajrayana Buddhism, focusing especially on developments in Tibet, but not ignoring the larger world of esoteric Buddhism. The various sects, arts such as the creation of sand mandalas, ritual practices, and various forms of teaching will all be explored.

Do you love to look at paintings, but aren’t sure how to make them yourself? Do you want to paint, but you don’t have room to store flammable, smelly chemicals like turpentine? Do oil/acrylic canvases and easels take up too much room for you to work in a small space? If you’ve painted watercolor before, have you wondered why they looked washed out or why you get certain unexpected textures in your color mixes? Then this module is for you!

This class is an introduction to the materials, tools, and methods of watercolor painting. Whether you're brand new to making art, a seasoned painter who wants to connect with other makers, or you just want to find out how Tolkien created many of his Middle-earth illustrations, you’ll find a place in this module!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Defining Watercolor – What makes Watercolor different from other art media?
	Session 2: Materials and Terms – What you need and where to get it
Week 2	Session 3: Prep – What to do before you start painting
	Session 4: Composition – Tips for visually interesting paintings and how to save your whites
Week 3	Session 5: Values – How to get good tone, range, and contrast
	Session 6:Color Mixing – Sediments vs. stains and how to make harmonious paintings
Week 4	Session 7: Texture – Tips for interesting textures and brushwork
	Session 8: Overflow, Resources for Further Research, and Final Q & A

As classical mythology is often the gateway into mythological studies, so too will this course be your gateway into classical mythology. We will explore the mythology of the Greco-Roman world in broad strokes, familiarizing ourselves with gods and heroes, before ending the module by dabbling in a bit of comparative mythological study. In doing so, we'll look at excerpts from a few classical authors (in translation), as well as some artifacts and possibly even some historical sites.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Welcome to Classical Mythology Lecture
	Session 2: Discussion about the Myths of the Twelve(ish) Olympians
Week 2	Session 3: Living in a World of Humans and Gods Lecture
	Session 4: Discussion about Myths of Love & Daring
Week 3	Session 5: Heroes & Demigods Lecture
	Session 6: Discussion about Myths of Herakles
Week 4	Session 7: Comparative Mythology Lecture
	Session 8: Discussion about Mythic Forms and Archetypes

What is fan fiction? Where did it come from? Why do people read and write it?

This module will explore fan fiction as a platform, independent of any particular universe (although we will touch on several, based on student input), including its origins, conventions and techniques, purposes, and the opinions of a variety of different stake holders: authors, show creators, and legal experts among them. Students will complete this course with a high-level understanding of fan fiction as genre, community, and as a transformative response to the source material.

This course offers an in-depth look at the first complete “historical” narrative of the reign of King Arthur, Geoffrey’s Historia Regum Britanniae. Almost a quarter of the total work, this crucial first account of Arthur includes Arthur’s magically-contrived conception, his conquest of Rome, and his overthrown and death at the hands of his nephew Mordred. This course also looks at the “battle of books” that followed in the wake of Geoffrey’s work, with some contemporaries arguing that Geoffrey simply made the whole thing up, and others rallying to Geoffrey’s (and Arthur’s) defense.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: The “Historical” Arthur before Geoffrey
	Discussion 1: HRB, Prologue and Book VI: Britain in Chaos
Week 2	Lecture 2: Merlin the Historian: Prophesy as History and Vice-Versa
	Discussion 2: HRB, Book VIII: Death of a Tyrant; The Birth of a Hero
Week 3	Lecture 3: The Anarchy of Stephen: The Politics of Geoffrey’s Early Readership
	Discussion 3: HRB, Books IV – X: The Rise and Fall of King Arthur
Week 4	Lecture 4: The Battle of the Books: Geoffrey’s Contested History
	Discussion 4: HRB, Books XI – XII: Goodbye Britain, Hello England!

This course tracks Lancelot's development from hero of a medieval romance (part tale of adventure, part comedy of manners) to center of a political and moral tragedy. We look in detail at three texts: Chrétien de Troyes's Lancelot: The Knight of the Cart (c. 1180), Thomas Malory's Le Morte Darthur (1470) and Tennyson's Idylls of the King (1859).

Sir Lancelot, as everyone knows, is Arthur’s best and bravest knight—and also, the lover of Arthur’s wife, Guinevere. Examining this pivotal irony of the Arthurian tradition, this course tracks the development of Lancelot as a both character and a literary concept across three major works:

In Lancelot: The Knight of the Cart, master of French Arthurian romance, Chrétien de Troyes, invents a hero who loves Queen Guinevere beyond all bounds of reason—so much that he will face deadly perils and (worse yet) social humiliation to prove his devotion.

Sir Thomas Malory’s late medieval “Tale of Lancelot and Elayne” (part of his sprawling epic, Le Morte Darthur) introduces a would-be rival for Lancelot’s affections in the form of Elayne, the Fair Maid of Astolat. While retaining a few comic touches from earlier versions, this retelling cannot escape the doomed nature of Lancelot’s affair with the Queen.

Finally, Alfred Lord Tennyson’s poem “Lancelot and Elayne” (part of his Idylls of the King) depicts Lancelot and Guinevere’s betrayal of their king as the moral rot at the foundation of a perfect but unsustainable society—and in so doing, reveals a Victorian sense of worlds away from Chrétien’s light-hearted original.

This module contains a mixture of lecture and discussion, with one lecture for each of the three works, and the rest of the meetings focusing on discussion.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Chretien de Troyes and the Creation of Lancelot
	Discussion 1: Lancelot, The Knight of the Cart (first half)
Week 2	Lecture 2: Courtly Romance and Comedy of Manners
	Discussion 2: Lancelot, The Knight of the Cart (second half)
Week 3	Lecture 3: Sir Thomas Malory: Knight Prisoner
	Discussion 3: Le Morte Darthur, “The Tale of Lancelot and Elayne”
Week 4	Lecture 4:Tennyson’s Tragic Arthurian Vision
	Discussion 4: Idylls of the King: “Lancelot and Elayne”

The story of the Holy Grail that was sought by King Arthur’s knights begins with this tale: Chretien de Troyes’s “Perceval, or the Story of the Grail.” This coming-of-age story follows the adventures of Perceval, as he moves from rustic ignorance of his own identity into full-fledged knighthood. As series of mistakes, triumphs, and misadventures leads him almost (but not quite) to the discovery of that most holy of relics. His journey of spiritual understanding, like the quest for the Holy Grail itself, remains incomplete as Chretien’s unfinished romance breaks off in mid-sentence. This course, however, continues Perceval’s story through the numerous continuations of additions by which different authors brought to the tale within a century of its first appearance.

Note on Text: While most of Prof. Daley’s courses are flexible with regard to edition, in this case there is only one English translation that provides the complete text of Chretien’s “Perceval,” and all of the surviving translations: Nigel Bryant’s The Complete Story of the Grail, listed below.

Can Sir Gawain keep his honor without losing his head? This short classic of Middle English chivalric romance follows Gawain on a quest testing his heroism, social etiquette, sexual virtue, and existential sense of self. This course explores: first, the extraordinary history of the single, unique manuscript which preserves this poem (as it “slept” on a library shelf for 400 years, escaped destruction by fire, and was eventually rediscovered in the 19th century); second, the translations which brought this poem to a twentieth century readership – focusing in particular on J.R.R. Tolkien’s; and finally, the 2021 film by David Lowery.

In this series, we will continue to explore the beauty of the Japanese language and culture. We will read tales, learn more complex structures, widen general vocabulary, and we will also start reading and writing kanji. みなさん、これからも一緒に日本語を勉強したい！楽しみにしています！

Join us as we continue learning (advanced) basic Japanese, focusing on the areas of reading and listening comprehension, with some attention to speaking and writing. Over the course of this module series we will work our way through the Genki II textbook, building upon the foundation built from the Genki I text. 一緒に日本語を勉強しませんか

Recorded Series: All sessions of this series are being recorded and provided afterwards to enrolled students in order to support the learning of the group.

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

This course is for those who have an interest in Japanese culture and wish to begin studying Japanese. We will begin by learning Hiragana and Katakana and cover some basic grammatical structures. We will also cover some conversational Japanese and explore how it is used in anime, manga, and music.

This Japanese module has the potential to grow into a series of beginner courses. Japanese is a language of great nuance and depth. This module will open the door to that world and build a foundation for greater insight into Japan's culture and its people.

This module is offered for those Japanese language students who wish to take the Japanese Language Proficiency Test, level N5. We will not be learning new language skills in this module. Instead we will be reviewing and repetitively practicing the precise set of skills tested on the JLPT N5 test, as well as covering various test-taking strategies. We'll cover all the sections in the exam and, apart from working in class, we'll have some homework assignments to further develop test-related skills. Upon passing the test, participants will receive an official certification of language skill level from the Japanese government.

In this series we’ll study Japanese using different tools such as videos, games, and different exercises. We’ll explore different aspects of Japanese culture and work on more complex vocabulary, grammar, and sentence patterns. We’ll also watch lots of videos, play games, and read graded readers among other things.

Note: Japanese Through Culture is for students who already have a basic level of Japanese.

The goal of this course is to study Japanese by analyzing song lyrics. While there will be an initial list of songs, students will be invited to either choose or vote on songs they would like to analyze (depending on number of students), and then we will spend each class studying the vocabulary and grammar contained in those songs.

How do you pick up the threads of an old life? Come and take a deep dive, attempting to do just that, as we look into the life of the maker of Middle-earth! This series will go on an adventure through the life of Tolkien over three months through the lens of the newly revised and expanded Letters of J.R.R. Tolkien. As the module follows the narrative presented in Tolkien's own words in his letters, the class sessions will allow for discussions of Tolkien's thoughts and problems as he raises them --- as well as the chance to read and discuss selections of his creative works along the way.

Throughout the course, we will be discussing the events of Tolkien’s life in tandem with the letters and filling out a more complete picture of the man through his work, his personal life, and his creative endeavours. Names, places, and stages of history can all too easily become abstractions on a page but, in this course, we will see the way in which Tolkien's personal environment was intimately connected to his works, and how it shaped the life of the man behind the legendarium.

You can join us for the whole series or just jump in a month at a time as we explore the newly revised and expanded Letters of J.R.R. Tolkien!

Love, power, betrayal, death; the occasional dragon and cursed ring. All these are to be found in the legends of the Vǫlsungs and Niflungs, amongst the most popular and abiding legends of the medieval Germanic-speaking and Norse worlds. J.R.R. Tolkien reworked these into two poems in Modern English patterned after the alliterative style of Old Norse poems. In this module, we read Tolkien’s poems and their accompanying commentary to see how Tolkien wrought his own retelling of these ancient tales, and we’ll trace the connections across from the original medieval legends through Tolkien’s retelling to his original works of fantasy set in Middle-earth.

Join Ms. Elise for a cozy, relaxed Book Club setting and discuss the joy of Tolkien’s beloved Christmas tale.

Join Ms. Elise for a cozy and relaxed Book Club as we read and discuss J.R.R. Tolkien’s classic, The Hobbit.

Is The Silmarillion your favorite book? Is it your least-favorite book? Whether you’re reading it for the first or fiftieth time, KnewBettaDoBetta will help you see it in a more fun, relatable way!

Tolkien’s The Silmarillion is inarguably a complex read. KnewBetta seeks to make it more accessible by teaching the lore in an understandable way. His hope is that everyone can share his knowledge and passion! This course will look at characters, relationships, relatable themes, and meanings that you may not have explored yet.

This module seeks to provide students with a deeper look into aspects of Korean culture which can provide a lens through which to view and appreciate them on a deeper level. Through a series of 8 classes, we will cover topics of Food, Social Structure, History, North-South relations, some aspects of language, and the global impact of K-dramas.

What do Korean dramas, K-pop, webtoons, and Korean films all have in common? ... The Korean language!

This module is for those who are ready to begin their journey in Korean. In this first step, we will learn to read the Korean alphabet (Hangeul), cover basic vocabulary, and begin exploring grammar and honorifics. We will be following a textbook, but will also spend time exploring song lyrics and a webtoon. The textbook we will be following is: Yonsei Korean 1-1 published by the Yonsei Korean Institute.

Note: This course has the potential to become a series of modules for those who wish to pursue higher levels of proficiency.

Designed for absolute beginners as well as past Latin scholars who want to review at relative leisure, Signum’s 12-module Latin in a Year series surveys core Latin grammar and basic classical vocabulary. Each month, students will tackle new grammatical concepts and paradigms, learn new vocabulary, and practice translating short sentences and longer passages. Optional homework is available for the overzealous. Each one-month module builds on the previous one, so students with prior experience are encouraged to communicate with our Director and Professor Acker to find the right entry point. See the list below for some general guidelines of what material is explored over the course of each module.

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Month 1: Overview of nouns and verbs (present active verbs, 1st and 2nd declension)
Month 2: Adding new tenses (imperfect and future active) and a new declension (3rd)
Month 3: 3rd and 4th conjugations (existing tenses) and new pronouns
Month 4: New verb tenses (perfect system) and more pronouns; numerals
Month 5: Passive verb forms; 4th declension nouns; more pronouns
Month 6: 5th declension, but mostly participles
Month 7: Comparatives, superlatives, and some irregular forms
Month 8: Basic subjunctives
Month 9: Irregular verbs and conditions
Month 10: Subjunctives, deponents, datives, and more irregular verbs
Month 11: (more) finicky grammar
Month 12: Basic readings
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When the weight of grammatical forms and memorization would benefit from time to practice and process, the Latin Readings for Advanced Beginners modules offer respite from the regular Latin in a Year program on an ad hoc basis. As appropriate to their skill levels, Latin in a Year students (other scholars are welcome too!) will spend one month reading selected passages from selected textbooks, Latin readers, and (when appropriate) intermediate Latin texts to support their current grammatical skills. The difficulty level and recommended grammatical knowledge for each module will typically be based upon the progress of one or more existing Latin in a Year cohorts, but the SPACE staff or module preceptor will be happy to provide more information.

This module offers a series of Latin readings that review material covered in many traditional Latin I courses (including Signum's own Latin I graduate course and the first five Latin in a Year SPACE modules). Students will read selections from selected textbooks and Latin readers and attempt two short literary passages. All readings will be provided, though access to a Latin grammar book and a basic Latin dictionary may be beneficial.

Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th declension endings for nouns and adjectives
- Knowledge of regular Latin verb conjugations in all indicative tenses (present, imperfect, future, perfect, pluperfect, future perfect), both active and passive, and the imperative forms
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals
- Acquaintance with ablatives of means, accompaniment, manner, time, agent, separation, and place from which, as well as genitive of the whole and use of genitive and ablative with cardinal numerals

This module offers a series of Latin readings that review material covered in many traditional Latin I courses (including Signum's own Latin I graduate course and the first five Latin in a Year SPACE modules). Students will read selections from selected textbooks and Latin readers and attempt two short literary passages. All readings will be provided, though access to a Latin grammar book and a basic Latin dictionary may be beneficial.

Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th declension endings for nouns and adjectives
- Knowledge of regular Latin verb conjugations in all indicative tenses (present, imperfect, future, perfect, pluperfect, future perfect), both active and passive, and the imperative forms
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals
- Acquaintance with ablatives of means, accompaniment, manner, time, agent, separation, and place from which, as well as genitive of the whole and use of genitive and ablative with cardinal numerals

Ursula K. Le Guin explores themes of power, love, nature, gender, art, politics, and more through her richly-developed world of Earthsea, drawing upon literary, philosophical, religious, and anthropological interests in doing so. We will walk on the islands of Earthsea and dive into its waters as we discover beloved, and maybe hidden or controversial, aspects of Le Guin’s masterpiece.

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The Earthsea Series consists of 3 modules exploring a different Cycle of Le Guin's expansive work:
• Module 1 explores A Wizard of Earthsea and The Tombs of Atuan,
• Module 2 explores The Farthest Shore and Tehanu, and
• Module 3 explores The Other Wind and Tales from Earthsea
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NOTE: Students can jump in at any month/part of the Series.

What makes a utopia? What kind of world do we want to live in, and how do we create a better society? The Dispossessed, often subtitled “An Ambiguous Utopia,” wrestles with weighty questions related to utopia, dystopia, and their relationship to the life of the individual. The novel approaches these questions through the themes of anarchism, socialism, capitalism, individualism, and solidarity. Unlike many utopian visions, Le Guin’s is as ambiguous as the title suggests, raising questions without pushing the reader toward a universal answer.

In this module we will consider Shevek’s journey between worlds, including the literary, philosophical and political aspects of the novel, and will deepen our understanding via class discussion.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Context & introduction to the book. Chapter 1
	Session 2: Chapters 2-3
Week 2	Session 3: Chapters 4-5
	Session 4: Chapter 6
Week 3	Session 5: Chapter 7
	Session 6: Chapter 8
Week 4	Session 7: Chapters 9-10
	Session 8: Chapters 11-13

Ground-breaking when it appeared, and profoundly influential in both science fiction and feminist literature, The Left Hand of Darkness, offers an extended meditation on the nature of sex and gender in society. These ideas are explored in the thematic contexts of intercultural contact, language, and identity in a story that emphasizes both political intrigue and individual relationships. Approaching the novel through its literary, philosophical, and anthropological aspects of the work, we will discuss and consider all the above and more.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Context and introduction to the book. Introduction and Chapters 1-3
	Session 2: Chapters 4-6
Week 2	Session 3: Chapters 7-8
	Session 4: Chapters 9-11
Week 3	Session 5: Chapters 12-14
	Session 6: Chapters 15-17
Week 4	Session 7: Chapters 18-19
	Session 8: Chapter 20, A Gethenian Calendar and Clock

Do you have a general idea or old class paper that you’d like to refresh for an academic conference? This module is for individuals who are interested in turning a past or current research project into an abstract (proposal) and script or outline for a 20-minute conference paper. Bring some past writing (or a bunch of notes) to our first meeting, and we will brainstorm possible venues; wrangle past writing into conference-accessible outlines; draft and peer review abstracts; and write or outline some paragraphs or sections for oral delivery. Everyone is welcome, but this class is specifically designed for novice conference presenters who have a specific topic (or past paper) in mind and would like directed guidance and weekly accountability during the revision and preparation process.

This series will look at what life in the Middle Ages was like. What did people eat? What about entertainment? What about work? What was literature like? People will encounter texts, artifacts, and art to help gain a better understanding of life in the Middle Ages.

Each module in the Life in the Middle Ages series will focus on a different theme:
1. The Lives of Peasants
2. The Lives of Clergy
3. The Lives of Nobility

Science fiction and other popular media frequently feature depictions of extraterrestrial life. From little green men to Daleks to the Borg and beyond, our stories are filled with visions of beings both alien to us yet also remarkably familiar.

This module will consist of two elements:

(1) Exploration and discussion of fictional extraterrestrials from popular series including but not limited to Star Trek, Doctor Who, Star Wars, and assorted anime/comic book titles.

(2) An introduction to the real-world Search for Extraterrestrial Intelligence (SETI) and the field of astrobiology, which will help us more deeply appreciate the question, “Are we alone?”

Tolkien wrote a grammar of the Adûnaic language, the language of Númenor, as part of his Notion Club Papers in the 1940s. Unlike his other language invention, this work was never revisited and so, even though it is incomplete, we don’t have to sort through multiple layers of corrections and changes-of-mind. This is an uncharacteristically “clean” description of one of Tolkien’s languages.

In this module, we’ll take on the role of budding philologists, working our way through the “Report”. We’ll not only get more insight into Tolkien’s language invention but into grammar, philology, and linguistics in general. We’ll draw comparisons with “real” languages of the primary world and see how languages were described in the tradition Tolkien was trained in.

Iyashikei (癒し系), or “healing type”, is a category of anime, manga, and games focused on healing the viewer by giving them a peaceful and relaxing experience. It achieves this with a focus on a beautiful environment, low-stakes stories, and a relaxing tone. In a time of natural disasters, political turmoil, and pandemics, this calming style has grown in popularity, and its influence has been seen in many works that might not be considered iyashikei proper. In this module, we will consider many aspects of the type of story, including its history, its status as a genre (or not), its value for its audience, what really “counts” as iyashikei, and the appeal of a story in which, some say, “nothing much happens.” Please join us for a relaxing discussion that may or may not soothe your soul.

Between the Great Schism (the separation of Orthodox and Catholic churches in 1054 CE) and the Protestant Reformation (initiated by the Church of England separating from the Catholic Church in 1534 CE) lies the medieval period of Christian history. The Church was theologically and spiritually vibrant during this time, marked by the parallel developments of scholasticism and mysticism within the Catholic tradition. The basic premise of this course is that modern society has not outgrown the lessons to be learned from this period of history. Our lives can be enriched by exploring how medieval Christians lived their lives and appropriate applying their perspectives in our lives today.

Late medieval English drama brought episodes from The Bible to life in days-long festivals of pomp and pageantry—but what these plays really show us is the day-to-day lives of ordinary men and women of the Middle Ages. With a mixture of lavish spectacle, slapstick comedy, and intimate poignancy, these plays populate the biblical world with familiar figures of the medieval city-life: shrewd workmen and cunning criminals; disgruntled wives and worried husbands; the friends, family, and neighbors of the playwrights and performers.

This course looks at a sampling of plays from the great civic drama cycles of York, Chester, Coventry, and elsewhere, including Noah’s Flood, The Second Shepherd’s Play, Herod’s Slaughter of the Innocents, The Crucifixion, The Harrowing of Hell, and The Last Judgement. The works presented here offer both a grand history of the world from Creation to Doomsday, and locally-rooted, vernacular versions of a text then otherwise available only in Latin. Knowledge of Middle English is not required since this course will use the modern-spelling edition by Prof. A. C. Cawley. Scholarly online Middle English versions, however, will also be made available for students wishing to practice their skills in that area.

The Horned God, alongside being modern paganism's most popular deity, enjoys a rich heritage in speculative fiction and popular culture. In this module, we will explore his ancient (and modern) origins, his appearances in both esoteric and popular literature, and his surprising role as an environmental figure. Throughout the module, students will gain familiarity with the four core figures that make up the Horned God (Pan, Cernunnos, the Sorcerer of Trois Freres, and Herne the Hunter), and key narratives associated with him. They will also have an opportunity to ponder the complex web of influences between modern paganism and speculative fiction.

This module builds on the work of Margaret Murray and the module 'The Witch-Cult Hypothesis', but does not require prior knowledge of the material covered there.

One of the most relevant novels you could read right now was written almost two centuries ago. Mary Shelley’s The Last Man asks what it means to be human while living in unprecedented times. This 1826 classic of apocalyptic science fiction considers the implications of a global pandemic, a rapidly changing environment, and the failures of political and social institutions. Part imaginative autobiography, part science fictional warning, and part ecocritical thought experiment, The Last Man forces us to examine our assumptions about our present and future.

In this module we will consider Mary Shelley’s novel in the context of her life, times, and intellectual history. We will also explore the afterlife of The Last Man in critical discussions of the ominously similar challenges we face in the 21st century. In the process, we will discuss the novel’s lasting meanings and contributions as pioneering work of speculative fiction.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: The Last Man
	Discussion 1: Introduction and Volume 1
Week 2	Lecture 2: Mary Wollstonecraft Shelley
	Discussion 2: Volume 2
Week 3	Lecture 3: Inspirations and Ancestor Texts
	Discussion 3: Volume 3
Week 4	Lecture 4: Pandemic and Post-Apocalyptic Literature
	Discussion 4: Themes and Takeaways

Typological motifs are a prominent feature of Tolkien's legendarium, including the motif of marriage and romance. Marital relationships appear among the Ainur (both Valar and Maiar) and the Children of Ilúvatar (both Elves and Men): some happy, some tragic, and some in-between. Tolkien's stories of marriage and romance represent a kind of "wisdom tradition" with relevant applicability to modern society and modern relationships. Most notably, men are always the ones who "marry up" in Tolkien's world, demonstrating a profound respect for women and femininity in society.

Demons have played a significant role in ancient cultures beyond just Egypt. Mesopotamia has its own set of liminal entities that reside somewhere between gods and man, with their own responsibilities and roles. This class will explore the features of these beings, including where they are first seen in literature, what roles they play, and what we know about them. Think Pazuzu from the Exorcist.

This series emphasizes reading more complex stela and non-stela texts, providing students with opportunities to use research materials outside of the Collier and Manley text. Building on previous examples, we will explore different ancient media such as carved scarabs, tomb illustrations, papyrus, temple walls, and/or spells from the Book of the Dead. This series provides students a means to practice and refine all of the hard won skills from the previous modules as we continue to slowly add new vocabulary and grammar.

Note: This series is especially suited for students who have already taken our beginning sequence of modules in our Egyptian Hieroglyphs for Beginners series.

This is the landing page for Dr. Isaac Schendel's Middle High German series. For more information, check out the module links on this page.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Middle High German series when we offer it next.

In this module we will read and discuss a collection of some of the best British poetry of the 21st century, considering the ways in which each poet addresses the anxieties of our time.

The Muppet Lord of the Rings adaptation developed at Sunshine Moot 2025 was a runaway success, generating millions at the box office and garnering accolades from critics and fans alike. Big Name Studios was so impressed by Signum Studio’s creativity and short production schedule, that they’ve asked us to do it again! There’s a catch though- the Signum Studios Creative Team must generate a new adaptation as soon as possible in order to build on the success of the first movie.

“We’re so excited about the possibility of even more opportunities to explore Muppet and LoTR mashups!” Addison Bigbucks, president of Big Name Studios said in a recent interview. “We can’t wait to see what the Signum Studios Creative Team will come up with next!”

In this SPACE course, the Creative Team will lead interactive discussions and breakout sessions to discuss human and Muppet casting choices, art direction, and narrative themes. Knowledge of the following Jim Henson productions will be useful but not required: The Muppet Show (1976-1981), : The Muppet Christmas Carol (1992), : Muppet Treasure Island (1996), and the : Muppet Movie (2011). No homework outside of class is required, but ongoing discussions on Signum’s Discord channel will be enthusiastically encouraged.

Can the Creative Team at Signum Studios achieve the same success as their Sunshine Moot predecessors? What decisions will appeal to both the die-hard Tolkien fans, Muppet aficionados, and the casual movie-going public? Don’t worry, the Creative Team will have help including a guest lecture from Maggie Parke, Director of Signum Studios, two producers who will keep us on budget and on time, and several Bigwig Studio Executives who will offer advice on creating the next blockbuster hit.

Music is often described as mathematical but music theory is rarely taught from this perspective. This course will cover traditional basic music theory but will explore some of the underlying mathematical reasons why music works the way it does. Nothing beyond high school math is required.

Note: This mini module is a special small-group experience consisting of four 1-hour sessions—one session per week—for the cost of 1 Token. Since this mini module is designed only for a small and intimate group, it will be capped at 4 students.

This mini module aims to explore the historical and literary complexities of the medieval collection of Norse myths known as the Poetic Edda focusing on the poems that mainly deal with cosmogony and Odin's quests. Bilingual approach - texts both in Old Norse and English translation.

Week 1: Völuspá (The Prophecy of the Seeress)
Week 2: Hávamál (The Sayings of the High One)
Week 3: Vafþrúðnismál (The Ballad of Vafthrudnir)
Week 4: Grímnismál (The Ballad of Grimnir)

Note: All sessions will be live recorded and shared with all enrolled students afterward for review and to allow those who cannot attend live to still participate in the class.

Join Ms. Elise for a cozy and relaxed Book Club as we read and discuss the magic of C.S. Lewis’s highly esteemed series, The Chronicles of Narnia.

In this module we will join the madness, adventure and melancholy of three famous Nordic authors: Hans Christian Andersen, Astrid Lindgren, and Tove Jansson. From the tragic unrequited love of a snowman to the crazy adventures of Pippi Longstocking and the Moomins, this module is a rollercoaster of emotions and beautiful imagery. You will need two books: Pippi Longstocking by Astrid Lindgren and Moominland Midwinter by Tove Jansson.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

Situated on the margins of the medieval world, Iceland was remarkable for developing the largest secular literature in Europe – and Njál’s Saga is the longest, as well as probably the most famous and most artistically acclaimed, of the medieval Sagas of Icelanders. Probably written originally in the later 13th century, Njál’s Saga looks back to feuds of the later Viking Age, in the 10th and 11th centuries and presents much that is characteristic of the Sagas of Icelanders generally: a multitude of clearly drawn and memorable figures (both male and female); clever dialogue, full of dark humor and memorable phrases; great fighters and great fights; bad guys who nevertheless show us some redeeming traits, (however slight); and good guys with their own flaws and shortcomings (often fatal).

Note: We wanted students to be aware that this module may contain violent, graphic, and/or other potentially disturbing material.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to “Njál’s Saga” and its medieval Icelandic context; overview of “Hrut’s Saga” (chapters 1-18 of “Njál’s Saga”)
	Discussion 1: Comments on and questions about the medieval Icelandic context of “Njál’s Saga” and the content of Hrut’s Saga” (chapters 1-18 of “Njál’s Saga”)
Week 2	Lecture 2: Overview of “Gunnar’s Saga” (chapters 19-81 of “Njál’s Saga”)
	Discussion 2: Comments on and questions about “Gunnar’s Saga” (chapters 19-81 of “Njál’s Saga”)
Week 3	Lecture 3: Overview of “Njál’s Saga ‘proper’” (chapters 82-132 of “Njál’s Saga”)
	Discussion 3: Comments on and questions about “Njál’s Saga ‘proper’” (chapters 82-132 of “Njál’s Saga”)
Week 4	Lecture 4: Overview of “Flosi’s and Kari’s Saga” (chapters 133-159 of “Njál’s Saga”)
	Discussion 4: Comments on and questions about “Flosi’s and Kari’s Saga” (chapters 133-159 of “Njál’s Saga”)

(Note: This module explores these texts in English, so no experience in Old Norse is necessary.)

Somewhere between the historical and the fantastic are the traditions of heroic legend, telling of extraordinary men and women whose triumphs and tragedies are writ larger than those of everyday life. In medieval Scandinavia, sagas of heroic legend such as The Saga of the Volsungs, The Saga of Ragnar Lothbrok, The Saga of King Hrolf Kraki, and The Saga of Hervor and King Heidrek retold already ancient stories in the new prose styles of the Middle Ages. Bravery and knavery; loyalty and treachery; magic and the mundane, horror and hope; these tales’ themes have enthralled audiences for more than a thousand years and played an outsized role in the birth of modern fantasy literature.

In this module we will explore the roles that various plant-based entheogens have played, actively and passively, in shaping human consciousness and history. Tea, coffee, chocolate, nutmeg, cannabis, coca, alcohol, opium, pipe-weed (tobacco), and ayahuasca will all be discussed, both in their historical contexts and for their entheogenic properties. Time permitting, we can cover more.

Plato's Republic is arguably one of the most influential books ever written about Western political philsophy. This module offers an exploration of the Republic, examining its key themes such as Justice, the Ideal State, the Theory of Forms, and the Philosopher-King to name a few. Together, we will engage with the text's philosophical arguments and controversies while tying their relevance to contemporary society.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Introduction to The Republic and the Greek World
	Session 2: Book I - The Debate on Justice: Socrates vs Thrasymachus
Week 2	Session 3: Books II & III - Education and the Ideal State
	Session 4: Books IV & V - Justice in the Soul and Society
Week 3	Session 5: Books VI & VII - The Philosopher-King and the Form of the Good
	Session 6: Books VIII & IX - The Mistaken Regimes and Socrates' Critique of Democracy
Week 4	Session 7:Book X - Art, Poetry, and the Myth or Er
	Session 8: Summary, Overview, and the Legacy of Plato's Republic

Explore the fascinating spiritual landscape of the ancient Germanic-speaking world (Anglo-Saxon, Continental Germanic, Scandinavian), where gods, myths, and nature were deeply woven into the cultural fabric. This crash course will dive into the rich traditions of paganism in Northern and Central Europe, from the Bronze Age era to its lasting influence in medieval sagas.

We will engage with a variety of sources ranging from written texts such as Latin histories, heroic or skaldic poetry, Germanic law codes, to archaeological findings such as wooden idols, golden bracteates or bog bodies. Study cases will be analysed in their respective historical context, such as the cult of mother-goddesses from the Rhineland or remnants of pagan beliefs in healing charms.

Through discussions of cosmology, rituals, and the role of myth, we will examine how these early belief systems shaped the cultural and socio-political life in pre-Christian Central and Northern Europe, discover potential continuities, but above all else, uncover a great temporal and geographic diversity with plenty of unanswered questions.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Religions in the Bronze Age – stone pictures, megalithic cultures
	Discussion 1: Class discussion on Lecture 1 material.
Week 2	Lecture 2: Ritual and sacrifice – Iron and Viking Age public and private sacrifices
	Discussion 2: Class discussion on Lecture 2 material.
Week 3	Lecture 3: Pantheons, cosmogonies, eschatologies – Pre-Norse and Norse deities, fate, death
	Discussion 3: Class discussion on Lecture 3 material.
Week 4	Lecture 4: Conversion stories – phases, peoples, syncretism
	Discussion 4: Class discussion on Lecture 4 material.

Nota bene: The course serves as an overview of sources for pre-Christian practices and the evolution of religious ideas in Northern Europe over a timespan of 1000 years – there was never a homogenous, continuous and unchanged strain of “Germanic” paganism. The term remains controversial in scholarship due to its political misuse.

In this module we'll work together to create individual goals, projects, and action plans for the year to come and establish a journaling system to keep you accountable. We'll also cover techniques that I've found helpful and figure out how they best apply to you individually.

Each session will begin with a 15–20-minute mini-lecture on the session’s topic followed by examples from my own life. We will then take however long is needed for Q&A and discussion on the topic. The rest of the session will be a workshop format where we will share with one another the results from your own work on the previous session’s topic and “assignment”.

To get the most out of this class, expect to spend 1-2 hours outside of each class session and be prepared to share your personal goals and projects in class so that we can help each other refine and reach our goals. As this is a SPACE module, there are no requirements. But it is encouraged that you take 1-2 hours or so between sessions to work through your implementation of what was talked about in the previous session.

This module will be divided into three main parts:

Outline	8-Session Structure
Part 1: Introspection	Session 1: Establishing Your Foundation (alt. Finding Your Why): Pillars + Roles
	Session 2: Pursuing Excellence: Arete
	Session 3: Reviews + Plans: Annual, Quarterly, and Monthly
Part 2: Planning	Session 4: Habits + Goals
	Session 5: Projects + Tasks
	Session 6: Reviews + Plans: Annual, Quarterly, and Monthly
Part 3: Action	Session 7: Taking Action: Weekly and Daily
	Session 8: Following Through: Tools, Tips, and Techniques

Renaissance clergyman John Donne was a prolific scholar and poet. His verses follow many different poetical forms and vary widely in tone from the solemn and devout to the seductive and sensual. In this module, we will study Donne’s Holy Sonnets, a sequence of poems that blend meditations on the divine with vivid but sometimes irreverent imagery. Here we will discuss selected sonnets individually and the full collection in some of the different arrangements and forms in which it was read and copied in the seventeenth century. Along the way, we will look at the connotations and complexities of words and particular lines, identify biblical and other allusions, and delight in the language of these complex and thought-provoking Renaissance sonnets.

This course will be offered for the first time this October 2023 (Anne’s favourite month)

Within weeks of its 1908 publication, L.M. Montgomery’s Anne of Green Gables became a bestseller. Over the years, this charming orphan story put Montgomery and her imaginative Prince Edward Island on a global map.

Despite the fact that Anne of Green Gables is Canada’s bestselling novel throughout the world—or because of it—Montgomery was ignored by the literati and scholarship. Montgomery was a public intellectual, the first female Canadian fellow of the Royal Society of Arts, and invested Officer of the Order of the British Empire. Still she was dismissed as “just” a children’s writer, a regionalist, or a woman. It was 25 years after Montgomery’s death before children’s literature and feminist scholars began to recover her work as worthy of study.

While there is a robust field of Montgomery scholarship, there are areas where our focus is sometimes too narrow. One of these is the category of “realistic” fiction. While there is a kind of verisimilitude about everyday life in the late Victorian era in her work, the realism is pressed to the margins of definition as Montgomery romanticizes the worlds she creates. And can we disagree that there is something magical about Anne herself? By changing our way of approach and by looking at Anne of Green Gables as a fantasy novel, what can we unveil in this classic novel?

Native Prince Edward Islander and Montgomery scholar Brenton Dickieson will lead students through a rereading of Anne of Green Gables using the lenses we use to study fantasy and speculative fiction with the goal of allowing one of the greatest living children’s books to live in new ways.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: What Makes Anne Magical?
	Discussion 1: The Worlds of Anne: Within and Without?
Week 2	Lecture 2: Notes on Montgomery’s Iconography of the Spiritual Imagination
	Discussion 2: Farah Mendelson's 4 Types of Fantasy
Week 3	Lecture 3: Initial Notes on Fantasy Mapping: Avonlea, Time, and Space
	Discussion 3: Passports to the Geography of Fairyland
Week 4	Lecture 4: Word Portals: Paths, Doors, Rivers and Creeks, Forests and Gardens
	Discussion 4: What is the shape of Faërie?

This course introduces the basics of Middle English language and literature, including grammar, syntax, and pronunciation. Designed for students new to reading Middle English texts in their original form, the course focuses mainly on the English of London and the south of England in the thirteenth through fifteenth centuries—the language of Chaucer, Gower, Langland and others.

As a language-learning course as well as a literature course, the first half of each meeting will be devoted to reading Middle English aloud and answering questions about pronunciation and comprehension; the second half will focus on the reading’s content, from basics of plot and conventions of genre to the historical context of each text. Course readings include: a selection of lyric poetry, two short poems by Chaucer, the chivalric romance Sir Orfeo, the Chester play of Noah’s Flood, a chronicle of the reign of King Henry V, Chaucer’s Treatise on the Astrolabe, and selections from the first English autobiography by a woman, The Book of Margery Kemp.

This series will help introduce students to the breadth and depth of Greek texts available for intermediate-level study. Each month, Dr. Larry Swain surveys the group to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Stump the Swain: Easy Classical Greek Readings
• Easy Koine Greek Readings
• Advanced Greek Readings: Gospel of Matthew
• Advanced Greek Readings: Gospel of John Series
• Advanced Greek Readings: Paul's Letter to the Galatians

Note: Please refer to the Required Texts section on a month's iteration page to see which texts the group has decided upon for a given month.

This series will help introduce students to the breadth and depth of Latin texts available for intermediate-level study . Each month, our preceptors survey the group using the Intermediate Latin Series survey form to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Latin: The Vulgate Gospel of Matthew
• Latin: Plautus' Miles Gloriosus (the Braggart Soldier)
• Latin: Augustine's Confessions
• Intermediate Latin Readings: Catullus
• Intermediate Latin Readings: The Vulgate Bible 1
• Intermediate Latin Readings: The Vulgate Hester
• Intermediate Latin Readings: Caesar’s Gallic Wars
• Intermediate Latin Readings: Martial’s Epigrammata
• Intermediate Latin Readings: Gesta Romanorum
• Intermediate Latin Readings: Horace
• Advanced Latin Readings: Cicero's Pro Archia Oration
• Advanced Latin Readings: Aesop's Fables
• Advanced Latin Readings: Hobbitus Ille
• Advanced Latin Readings: Silius Italicus' 'Punica'
• Advanced Latin Readings: Vergil's Aeneid in a Year

Note: Please refer to the Required Texts section on a month's iteration page to see which texts the group has decided upon for a given month.

Havelock the Dane is lovely fairy tale type story that sits between heroic epic and developing Romance genres looking into a now distant past, and showing how an unjustly treated child grows to be a great king.

This series will help introduce students to the breadth and depth of texts available for study in Middle High German. Each month, Dr. Isaac Schendel surveys the group to see which text students are most interested in exploring next.

In 2024, Oxford University Press published An Introduction to Middle High German, which promises to become the new standard textbook for learning Middle High German. It has a selection of readings, both prose and poetry, all of which are edited for readability and annotated for instruction.

Due to popular demand, we at Signum University’s SPACE program are offering a month of just perusing the Introduction textbook and reading the prose as a group. We will begin with the introductory text “Von den siben planêten” by Berthold von Regensburg before moving on to the religious literature at the end of the book. Time permitting, we will also look at legal texts in the larger Oxford Guide to Middle High German, which will be supplied as scans according to the Fair Use doctrine. These readings will offer a chance to focus on the language’s syntax when it is not as heavily constrained by the demands of meter and rhyme.

This course is open to both veterans and newcomers to SPACE’s small, but growing Middle High German program.

In 2024, Oxford University Press published An Introduction to Middle High German, which promises to become the new standard textbook for learning Middle High German. It has a selection of readings, both prose and poetry, all of which are edited for readability and annotated for instruction.

Due to popular demand, we at Signum University’s SPACE program are offering a month of just perusing the Introduction textbook and reading the prose as a group. We will begin with the introductory text “Von den siben planêten” by Berthold von Regensburg before moving on to the religious literature at the end of the book. Time permitting, we will also look at legal texts in the larger Oxford Guide to Middle High German, which will be supplied as scans according to the Fair Use doctrine. These readings will offer a chance to focus on the language’s syntax when it is not as heavily constrained by the demands of meter and rhyme.

This course is open to both veterans and newcomers to SPACE’s small, but growing Middle High German program.

The Dominican Johannes Tauler (ca. 1300-1361) counts as one of the most important representatives of Medieval German mysticism—so important, in fact, that some scholars consider him a predecessor to Martin Luther. That might be an oversimplification, but he stands among the giants of Middle High German literature and continues a literary tradition established by Mechthild von Regensburg and Meister Eckhart. His homilies, which begin with a Bible reading following the liturgical calendar, boast a powerful imagery. His calls to moral reform and self-reflection challenge the reader both spiritually and linguistically. With Dr. Schendel’s guidance, you can overcome your resignatio ad grammaticam and be better equipped to appreciate Tauler’s invocation of the resignatio ad infernum.

As Tauler’s repertoire is huge, and we believe in Roman Jakobson’s definition of philology as “the art of reading slowly,” every iteration of this module focuses on a different selection of homilies, which the preceptor and the class choose together based on interest and language levels.

This course is open to all veterans of SPACE’s growing Middle High German program. At least one module of previous MHG is highly recommended.

(Note: This module can be joined in any month.)

This series will help introduce students to the breadth and depth of Old Norse texts available for study. Each month, Dr. Anderson surveys the group using the Old Norse survey form to see which text students are most interested in exploring next.

Some of the texts we could explore in a given month include:
• Vǫlsunga Saga (“The Saga of the Vǫlsungs”)
• The excerpted short texts in Jesse Byock’s Viking Language 2 (which can both be ordered from Amazon, etc.)
• The other short but complete texts in Byock’s saga series: The Tale of Thorstein Staff-struck and/or Saga of the People of Weapon’s Fjord (which can both be ordered from Amazon, etc.)
• Njáls saga. (There is a modernized Icelandic text online.)
• Laxdœla saga. (There is a modernized Icelandic text online.)
• Egil’s saga. (A free PDF of a good edition is available from the Viking Society.)
• The Prose Edda, or portions thereof (Free PDFs are available from the Viking Society.)
• Something from the legendary sagas (besides Vǫlsunga saga), e.g.:
--- Hrólfs saga kraka. (There is a modernized Icelandic text online.)
--- Hervarar saga ok Heiðreks (A free PDF of C. Tolkien’s edition/translation is available from the Viking Society.)
--- Ragnars saga loðbrókar (Olsen’s 1908 edition is available as a PDF online.)
• Something form the chivalric and/or Arthurian sagas (various texts online or in print).
• Eddic poetry (various texts are available online).
• Faroese ballads of the Vǫlsungs (not technically “Old Norse”, but the 19th-century editions are available online).

But there are many other possibilities!

Tolkien drew upon a wide range of religious, philosophical, and metaphysical sources in shaping his legendarium, including Greek, Norse, Germanic, and Celtic paganisms, Catholic Christianities, Eastern Orthodox and Jewish mysticisms, various Neo-Platonisms, and western esoteric traditions among others. Join the discussion as we explore in some depth these sources and how Tolkien weaves them into his web of story-telling and world-building.

While the idea of establishing an ‘actual’ utopia has been disparaged since the first half of the twentieth century from socio-political perspectives (e.g. the failed age of ideology from 1917-1945), literary and related cultural narratives have a long history of imagining and representing utopia (also paradise, the golden age, etc.). These utopias often function to criticize the problematic social norms and climates of their times as well as providing progressive imaginings for a better future, often based on certain ideals or virtues. In this module, we go on a chronological tour of different representations of utopia, including: the paleolithic utopia of hunter-gatherers (e.g. as discussed in Harari’s Homo Sapiens) (before 10,000 BC), the Bronze Age utopia of Minoan Crete (4000-1400 BCE), Plato’s mythical island of Atlantis (ca 400 BC), the pastoral utopia of the Roman poet Virgil (ca 40 BC), the New World utopia of Sir Thomas More (1516), the Enlightened, reasoned utopia of Robinson Crusoe (1719), Tolkien’s fantasy utopia of Númenor (ca 1940), and more.

In this module we will explore some of the most important Russian fairy tales, their archetypal characters, and beautiful imagery. We will travel magical lands and meet incredible characters, even a talking pancake, and a flying wooden eagle! We will relate these tales with stories from the Grimm brothers, Hans Christian Andersen, and the unforgettable Arabian Nights.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Intro to Russian Folklore and Fairy Tales
	Session 2: Tales of Magic
Week 2	Session 3: Animals Helpers
	Session 4: Fables and Everyday Stories
Week 3	Session 5: Stories of Brave Heroes – Part 1
	Session 6: Stories of Brave Heroes – Part 2
Week 4	Session 7: Journeys and Marvels
	Session 8: On Pushkin’s Fairy Tales

Using Scottish Gaelic songs to gain a deeper understanding of the language and culture. Covering mouth music, religious music, working music, and ballads.

This course does not require any past experience with Scottish Gaelic. Open to all.

This module looks at two late plays frequently overlooked in Shakespeare studies: Pericles, Prince of Tyre and Cymbeline. In Pericles, Shakespeare and collaborator George Wilkins present a medievalist fairy-tale of adventure on the high seas, set in the ancient Mediterranean and narrated by Middle English poet, John Gower. In Cymbeline, a princess’s attempt to rid herself of the suitor she loathes and reunite with the man she loves leads to a tangle of escapes, pursuits, and mistaken identities. Decried by some critics for their eccentric and eclectic plots, both plays feature grand voyages across land and sea, benevolent magic, and the loss and recovery of true love.

This module continues the examination of Shakespeare’s late work with two baffling and beautiful plays. The Winter’s Tale begs the question: where does art end and magic begin? Containing the bard’s most famous stage direction—“Exit, pursued by a bear”—this tale of jealousy and forgiveness transforms from domestic tragedy into pastoral comedy, before finally arriving at one of Shakespeare's strangest endings. The Two Noble Kinsmen, Shakespeare’s final work, gives Chaucer’s Middle English "The Knight’s Tale" a Renaissance rewrite. Co-authored with rising star of the Jacobean stage, John Fletcher, this tragicomedy expands the scope of Chaucer’s female characters while hinting at a range of suppressed, taboo romantic desires. Blending the poignant and the absurd, the playwrights worried that their presumptuous "modern" rewrite would raise Chaucer's angry ghost!

Among the many themes Tolkien contemplates through his legendarium, that of grief and mourning is prominent. In this class, we will unfold the implications of expressions of grief and mourning in his work. For example, why do lamentations matter, and how might they offer healing? Why does Nienna weep? Are there cases of “inappropriate” grief? What roles do grief and mourning play in the creation of wisdom and beauty? Does Elven grief have special characteristics? What about that of Dwarves and Humans? We will explore these topics and more.

This series is designed for beginners of Spanish who have had very little or no previous contact with the language. The purpose of the course is to build up communication skills through interactive and dynamic sessions. The modules overview essential vocabulary, expressions, and grammar, but we’ll also take a look at cultural aspects such as celebrations, artists, music, and food. This is a progressive course: each module builds on the concepts studied in the previous one, so that, as the modules advance, other students with prior knowledge may join. Vamos a aprender español!

In this module, we will discuss the aspects of the Force as depicted in Star Wars films, tv, and video games. We will look at specific characters and cults (Jedi v. Sith, the Bendu, Nightsisters, etc.) to understand where they fit in the wider mythology far far away, as well as other mystical motifs and ideas (Mortis, the World Between Worlds). There are tons of different topics to choose from, so there will be plenty to discuss in this course.

This course will be structured as a guided reading of Aurelius' "Meditations". We will explore the life of Marcus Aurelius and then spend the bulk of the class reading/discussing his Meditations Books I-XII.

The goal of the course is to get the novice reading of ancient literature comfortable with the text and introduced to an exemplar of stoicism. For the more seasoned student it will serve to deepen their engagement with such an influential and deep thinker in the Western philosophical tradition.

This 6-module series will work slowly through the 24 books of Homer’s Odyssey. Each week we will read one book of the Odyssey aloud together, comparing editions and language and then discussing translation choices, plot development, character and setting descriptions, and overall themes. With two hours to spend on each book, students can enjoy a slow reading pace, little to no homework, and lots of class discussion.

Although a priest, Renaissance poet John Donne was on paper a playboy, a quality the first publishers of his poems sought to downplay by censoring scandalous words, leaving some verses out of the collection, and placing the raciest poems they included near the end of the volume. While the publishers may have found these difficult to align with his staid churchman persona, Donne’s earliest readers collected these poems with joy, sharing them in private verse collections and prioritising his most sensual poetry over his complex religious lyrics. In this module we will read and discuss eight of Donne’s most popular amorous verses, paying particular attention to his puns and allusions, superficial treatment of women, and beautiful literary structures and styles. (Warning: this module is not for the faint of heart: Donne is just as explicit as Shakespeare! Think carefully before inviting your parents to join you.)

In an interactive language course, we will explore the grammar, culture, and vocabulary of the largest Scandinavian language spoken today. From Vikings to Volvos to IKEA, Sweden is internationally recognized as a leader of cultural thought and political neutrality. The Swedish language is from the branch of North Germanic languages, meaning a lot of built in cognates exist for speakers of other Germanic languages (including English).

Kom och tala svenska med mig!

This module seeks to introduce students to some of the core stories at the heart of Korean society. The module will include an exploration of the foundation myth of Dan Gun, the Tale of Shim Cheong, two other P'ansori tales, an exploration of Hong Gil Dong (Korea's "Robin Hood"), and a few shorter folk tales.

Join Dr. Sara Brown and Sparrow Alden as they read their way through the winners and nominees of the Andre Norton Nebula Award for Middle Grade and Young Adult Fiction. How do these books speak to their special audience? What do they reflect about changing society? How do they build or break down their readers' connection to modern culture? How do they use heritage and world mythology to bring their stories to life?

Each time this module is presented, we will choose two different Norton Award novels to read, enjoy, discuss, and analyze with various critical tools. Mostly we're going to read great books and have fun working to understand them at deeper and deeper levels.

Hosoda Mamoru is an anime director whose films are known for their exploration of family, virtual worlds, and the relationships between wildness and domesticity. In this module, we will watch several of Hosoda's films as per the proposed outline below and we will discuss their themes, history, and literary background.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Biography, influences, contexts, and early works
	Session 2: The Girl Who Leapt through Time
Week 2	Session 3: Wolf Children
	Session 4: Wolf Children, continued
Week 3	Session 5: The Boy and the Beast
	Session 6: Mirai
Week 4	Session 7: Belle
	Session 8: Belle continued

Shinkai Makoto is an anime director whose films are known for the hyperrealistic beauty of their background art, but also for their star-crossed lovers and the way they play with time. Shinkai's films are often considered "sekai-kei"; that is, the world may be in crisis, but we see this crisis from the point of view of individual lives. In this module, we will watch several films, based on availability, as per the proposed outline below.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Biography, influences, context, short films, and Voices of a Distant Star
	Session 2: The Place Promised in Our Early Days
Week 2	Session 3: 5 Centimeters per Second
	Session 4: Your Name
Week 3	Session 5: Your Name, continued
	Session 6: Weathering With You
Week 4	Session 7: Weathering with You, continued
	Session 8: Suzume

Language is never more concise and powerful than in the Art of Poetry. Sadly, this art is not consistently taught, nor even consistently admired, having become tainted with the mindset that it is archaic, useless, or unintelligible. Those who seek to learn to write or enjoy this art, are frequently rebuffed by conflicting definitions and daunting rules and rhyme schemes.

In this module, students would be introduced to reading and writing basic poetry techniques and examples, learning how to “color” outside the lines with their own words, and to discover the unique power of concise language, empowering them to set out on their own individual poetry journey.
(This course will utilize the Collaborative Feedback Method to better support all poetic explorers!)

This module will focus on bodies in Middle-earth from a multitude of directions and fields of enquiry. We will address fascinating subjects such as Sauron's body, the physical differences between Gandalf the Grey and Gandalf the White and the age old question "Do Balrogs have wings?" [No, the case is not settled on this.] We will explore how Tolkien writes about gendered and racialized bodies and how he uses slap-stick carnivalesque bodily humor in The Hobbit. We will explore the artwork and film images too. The point will be that bodies very much mattered in the narratives that make up Tolkien's Cauldron of Story, and they matter in his Legendarium!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introductions. Strategies of Reading Theories of the Body Topics: Feminism, Gender, Sexuality, Race, Religion, Science, Art Do Bodies Matter in Middle-earth? Reading spirituality: Evil and Angelic Bodies, Wraiths, Elves, Istari, Sauron’s Bodies
	Discussion 1: Discussion about Lecture 1 topics
Week 2	Lecture 2: Reading gendered bodies Trans bodies? Women’s and Men’s Bodies Masculine and Feminine Bodies Bodies and Metaphors of Light or Foliage
	Discussion 2: Discussion about Lecture 2 topics
Week 3	Lecture 3: Reading race and the body Hobbits, Orcs, Elves, Races of men Hybridized Bodies: The White Rider Intersectionality: Dwarf Women
	Discussion 3: Discussion about Lecture 3 topics
Week 4	Lecture 4: Wars, wounds, suffering bodies Bodies Out of Faerie: on stage and on screen
	Discussion 4: Discussion about Lecture 4 topics

This is the landing page for Dr. Sara Brown's series on The Dark is Rising Sequence by Susan Cooper.. Using the links on this page, you can explore each member of this series by going to its associated module page for more details. Note that students can jump in at any month/part of the series. There are no prerequisites.

Susan Cooper’s classic fantasy series takes us into a world where the forces of the Light battle against those of the Dark, but these are also coming-of-age stories in which children are at the forefront of the conflict. Deeply rooted in the folklore of the British landscape, the narratives are often set in spaces encoded in ancient wisdom and traditions and employ, as Tolkien did in his legendarium, songs and verse that pass on those traditions.

Come join us as we explore various aspects of the weird, the strange, the uncanny, the dreamlike, and the visionary in East Asian literature, religion, folktales, poetry, and popular media. Whether it is ecstatic visions in Daoist texts, shamanistic expressions in Chinese poetry, gumiho and ghosts in KDramas, or stories such as that of the Yuki Onna (Snow Woman) in Japanese folklore, we’ll explore them all (and perhaps more!) in this class.

This module will be a chronological listening tour of the history of the symphony after Beethoven. We will explore the symphony’s subsequent development in the romantic era, and its rethinking in the 20th century. We will listen to some key works together and discuss some of the innovations introduced in those particular works.

This module will be a chronological listening tour from the precursors of the symphony in the baroque era to the birth of the symphony in the classical era culminating in the works of Beethoven. We will listen to some key works together and discuss some of the innovations introduced in those particular works.

No prior knowledge of music history or music theory is required.

With the publication of The Fall of Númenor (November 2022) we finally have much of Tolkien’s writing on this period in the history Middle-earth drawn together in one place. This offers a unique opportunity, at a moment when the island of Númenor has come to greater public awareness via Amazon’s show ‘The Rings of Power’, to fully examine this aspect of Tolkien’s secondary world. In this course, we will explore the history of Númenor, with particular focus on important events, significant people, the geography of the island, and the evolving culture of the Númenóreans.

Homer's Iliad is the foundational text of Western Literature, focusing on powerful perpetual problems of human life and experience: the desire for glory, the destructiveness of war, the struggle against overwhelming fate, the complex and powerful bonds of family, and the unexpected value of pity. Its impact can hardly be underestimated, as the list of its direct descendants stretches from "The Aeneid" to Milton's "Paradise Lost" and beyond, and the works that it has inspired are too many to count. Whether you are a newcomer or an old friend of the text, there is always something new, arresting, strange, and poignant to be found in the story that started it all. Come join in the exploration!

Called iyashikei - 癒し系 literature, this Japanese literary genre actually (and catually – there’re plenty of cats) means ‘healing’. These lighthearted, warm short novels are designed to soothe the heart and mind and to help us find refuge in stories that make readers reflect on what is important in their lives.

In this series, we will read a complete novel per module. We will explore the themes, the characters' arcs, and personal takeaways as well as the Japanese cultural aspects.

Each module stands on its own and you can join any month you’d like. If you’re looking for a relaxing escape into soothing worlds and discussions come join us!

(Note: The first book we’re going to read in this series is Michiko Aoyama’s What you Are Looking for Is in the Library.)

HBO’s new “The Last of Us” TV show (2023) is widely hailed as the best adaptation of a video game. “The Last of Us” video game (2013) tells the story of a cynical older man befriending a young girl during a zombie apocalypse. The game received praise for its subtle storytelling and strong characterizations. The lead creator of the game is also a showrunner and insisted that HBO remain faithful to the game. However, the show uses the freedom of TV to expand upon the backstories of characters. In this course, we will watch the TV show and play the video game simultaneously. We will then discuss how the genre/medium of each affects adaptation choices.

Note: Students do not need to have watched the show or played the game beforehand, but will need to have access to both. Students can also watch a walkthrough of "The Last of Us" in lieu of playing the game.

Who was the real historical figure behind Santa Claus? In this module, we will read the earliest biographical sources about fourth century bishop, St Nicholas of Myra. Your preceptor will facilitate discussions of Nicholas' historical context and examine the development of his legend. Together, we will examine Byzantine stories of Nicholas' benefaction and miracles, his role as patron saint of seafarers, students and merchants (among others), and how he came to embody the tradition of gift-giving in Christendom. A wonderful end-of-year treat!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introducing the Historical Nicholas
	Discussion 1: Early Sources (5th – 8th Centuries)
Week 2	Lecture 2: Literary Sources and Oral Storytelling
	Discussion 2: Michael the Archimandrite (9th Century)
Week 3	Lecture 3: Nicholas as Protector of Seafarers
	Discussion 3: Later Sources (9th-10th Centuries)
Week 4	Lecture 4: Nicholas and the High Middle Ages
	Discussion 4: The Translation of Nicholas

"What art thou that counterfeit’st the person of a king?” This is the question asked (in more ways than one) by Shakespeare’s coming-of-age trilogy about England’s most popular medieval monarch—King Henry V. Beginning with his youth in King Henry IV, Part 1, we see the riotous Prince Hal grow from wastrel, drunkard, and companion of highway robbers into the royal figure his war-torn country needs. After relapsing in Part 2, to the great consternation of his dying father King Henry IV, we finally see Hal lead his subjects on the battlefields of France as the mature king in Henry V. Charting his course between the demands of his kingly father, the peculiar philosophy of his friend and mentor, the exuberant Sir John Falstaff, and the dangers posed by a series of political and military rivals, Prince Hal becomes King Henry V by learning what it means to “act” the part of a king in the ways that matter most.

When one thinks of ancient, pre-classical civilisations, one thinks of Sumerians, Egyptians, Hittites, and, not least, Minoans. The Minoan civilisation, discovered around 1900 by English archaeologist Sir Arthur Evans, has often been styled as the first major European civilisation, equally proficient in technology and the arts, with a sea empire spanning across the Eastern Aegean. But how much of what we imagine about the Minoans is truthful and how much is modern mythmaking?

In this module, we will examine the immense impact which the discovery of Minoan Crete and its integration with the classical myths of the Minotaur and the Labyrinth has had on literature, movies, the arts, and even computer games. We will examine the works of Sir Arthur Evans, Pablo Picasso, Nikos Kazantzakis, Robert Graves, Mary Renault, Poul Anderson, and Stephen King, among others. In so doing, we will explore such key 'Minoan' concepts and phenomena as: the sublime, utopianism, feminism, irrationality and the unconscious, mythmaking, and European identity.

The Music of Middle-earth series explores the musical storytelling of works related to the writings of J.R.R. Tolkien. This discussion-based course is not targeted to musicians, and no prior musical knowledge or skill set is required. Rather, the course seeks to discuss how music can tell stories, and how music interacts with text, poetry, and adaptation. A familiarity with Tolkien’s work is very helpful.

This series will study three types of musical adaptation: music inspired by Tolkien’s writing, work that has taken Tolkien’s poetry and put it to music, and music written for adaptations of Tolkien’s work. Each of these types of composition comes with their own unique storytelling approaches and outcomes.

Note: This series is not sequential, and folks are more than welcome to register for any class that interests them at any point.

Throughout Tolkien's works, the sense of loss is pervasive, building upon Tolkien's personal belief that to create myth was to engage the cultural awareness of a past "fall." This course will analyze Tolkien's most obvious allusions to a Fall in the legendarium, while looking at literary examples of a "Fall" in society of which Tolkien built upon.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: "There must be a Fall": Tolkien's idea of story-telling
	Session 2: The Biblical Back Drop
Week 2	Session 3: The Greek Awareness
	Session 4: The Fall of Rome
Week 3	Session 5: The Great War
	Session 6: The Attraction of the North: The Nordic Influence
Week 4	Session 7: Modernity's theft
	Session 8: Life as Teacher: Tolkien's Loss

Old Saxon, the continental cousin to Old English, was the language spoken in Northern Germany from the ninth to the twelfth century. It is closely related to and mutually intelligible with Anglo-Saxon, so Old English students will easily be able to read and understand it. The language boasts a number of smaller texts, but the Hêliand, an epic poem of nearly 6,000 lines, remains its most prestigious literary monument. It tells the story of Jesus Christ (the “Hêliand,” meaning “Savior”) reimagined as a Saxon lord with a retinue of twelve thanes, and it is comparable to the Old English Beowulf. In this module, we will read and discuss selections of this poem. Some familiarity with Old English is required.

If you’ve read some of Chaucer’s The Canterbury Tales , you probably encountered the chivalric grandeur of “The Knight’s Tale,” the irrepressible vitality of “The Wife of Bath’s Tale,” or the sinister irony of “The Pardoner’s Tale.” But what of the other pilgrims and their tales? This course looks at some of The Canterbury Tales that are less well-known but equally deserving of study: the beauty of the Squire’s unfinished orientalist fairy tale; the rancorous one-upsmanship of the Friar and Summoner’s exchange of tales on clerical abuses, Satanic bargains, and flatulence; or the pilgrims’ run in with an aspiring alchemist, the Canon, and the satirical tale of alchemy gone wrong offered by his servant, the Yeoman. This course will look at these tales and more in their original Middle English spelling.

The Egyptians had a complex view of non-Egyptians. They were both threatening enemies but also potential Egyptians. This course will look at how the Egyptians viewed and depicted the other, the role of the other, and the change in many cases, of other to countryman. This will include a survey of art, literature, and magic as it relates to depicting, describing, and affecting the other and how this reinforced the Egyptian identity. Who were the “others” in the Egyptian worldview? How were they to be interacted with? Who where the Egyptians in their own view?

JRR Tolkien is one of those rare authors whose poetry is as accomplished as his prose writing. Up to this point, though, those who wished to focus primarily on Tolkien’s poetry had to access a significant number of books and online resources to do so, as they were scattered far and wide. Now, a Most Delightful Event has occurred – for the first time, a collected volume of Tolkien’s poetry is available, and it is a Tome of Significant Size!

In this hybrid course, we will read and discuss a selection of these poems, enjoying them for their aesthetic appeal as well as analysing them for Tolkien’s style, use of language, and the poetic forms he employed. This is a hybrid course, in which one class per week will be a lecture and the second class will be group discussion.

There are so many poems in these volumes that the intention is to spread the course over several months. If you can’t make one or more of the months, feel free to dip in and out as suits you!

I am also delighted to announce that one lecture session per month will be led by the one and only James Tauber, who will focus on language and the formal elements of the poetry.

Bonus Lecture from Dr. Olsen each month! We are delighted to announce that each month Dr. Corey Olsen will offer a bonus lecture on Tolkien's poetry. Each month the SPACE team will share Dr. Olsen's bonus lecture with all enrolled students that month in The Poetic Corpus of J. R. R. Tolkien series.

This module will be about the history and lore of the realm of Arnor. It will cover its geography, kings, civil war, wars with Angmar, and important artifact sites.

The wait is over and the second season of Amazon's Tolkien-inspired series is upon us! Already, this series has stimulated much heated discussion across various social media, with the images and trailers dividing opinion among Tolkien fans. In this discussion group, we will watch the show and discuss what we have seen, linking it to what we already know about Tolkien’s creation, and exploring the ways in which ‘The Rings of Power’ is extending the world of Middle-earth.

Access to copies of The Silmarillion, The Hobbit and The Lord of the Rings is desirable. Prior knowledge of the texts is also desirable, but you could manage without. Knowledge of The History of Middle-earth series and The Unfinished Tales is a bonus!

Is your child struggling to learn how to read? Do they have trouble sounding out words, or understanding the meaning of new words? Do you struggle to explain why "one" begins with an o, and not a w? Then come learn more about the Science of Reading!

This introductory module will show you all about the Science of Reading, and why everyone should understand these fundamental linguistic principles throughout their reading journeys (not just kids!). We will discuss the history of the American Reading Wars and how they have impacted reading instruction, what happens in your brain as you learn to read, and how to use systematic, "building-block" approaches in your own home when reading with your little ones. If you're interested in the "why" and "how" of reading, then this module is for you!

The Second Age of Middle-earth saw the rise and fall of Númenor, the rise and (apparent) fall of Sauron, and the creation of the Rings of Power. This course will look at the events of the Second Age with readings from LOTR (especially Appendix A and B), Unfinished Tales, and The Silmarillion. It will also be of particular interest to people who want to know more about the Second Age in light of the Amazon Prime series, The Rings of Power.

How did cinema develop from a curiosity of the early 20th century to the multi-billion dollar industry it is today?

The story of the rise of filmmaking as both mass entertainment and an art form is a tale of epic proportions that is still in the making. From Victor Fleming to Tarantino and John Ford to Spielberg, the medium of film has turned into the backbone of modern storytelling. Just as the novels of Dickens and Cervantes captured the attention and imaginations of generations of audiences, the classics of cinema will provide food for thought and discussion for generations to come. Take a deep dive with us into the greatest and most fascinating movies that cinematic history has to offer as we make an Odyssey through the stories that made film the art form that it is today. Join in with our analytical discussions led by a professional film critic and movie podcaster, and together we will explore the enduring quality of the best that film has to offer.

For the first module of this series, "The Story of Cinema: A SPACE Odyssey," we will be exploring some of the most unique and innovative space and science fiction films in history:

• Class 1: 2001: A Space Odyssey (1968)
• Class 2: Star Wars (1977)
• Class 3: Alien (1979)
• Class 4: Blade Runner (1982)
• Class 5: Star Trek IV: The Voyage Home (1986)
• Class 6: Minority Report (2002)
• Class 7: Interstellar (2014)
• Class 8: Arrival (2016)

Imagine a witch. Perhaps, she is a solitary crone, living in a cottage on the outskirts of the village, in equal measures reviled and grudgingly respected by the villagers for her knowledge of midwifery and healing herbs. Perhaps, she is a self-possessed attractive young woman, persecuted by an oppressive authority for her feminist outlook. Perhaps, she is sexually liberated, she conducts strange rituals tied to the land’s fertility, she speaks of the Old Faith as a secret knowledge passed on in secret alongside the official religion. This image of the witch owes much to Margaret Murray’s Witch-cult Hypothesis, an idea that people accused of witchcraft in the medieval and early modern period in the Western world, were the inheritors of a prehistoric fertility cult, which survived as a covert practice alongside Christianity for millennia. Despite being rejected as academically spurious, Murray’s work continues to be incredibly influential for practitioners of modern witchcraft and in popular culture.

In this course, we will take a close look at Murray’s claims, and place them in a historical and cultural context. We will venture outside the academic setting to read witchcraft handbooks and genre fiction, where the witch-cult hypothesis continues its fascinating afterlives.

The witch contains a multitude of meanings, from victim to agent of political resistance to a paragon of magical power. While the witch is overtly present in modern media, her origins are often obscured. Is the witch always female? Where does her magic come from? And who devised the eight annual pagan festivals? This module uses Steve Hutton's Raven's Wand fantasy novel (and Book 1 of his Dark Raven Chronicles series) as a starting point to discuss how witches are depicted in fiction and history, and what witches themselves have to say about that.

The Dark Raven Chronicles offer an engaging overview of the main trends for depicting witches in speculative fiction. On our journey through the book, we will discuss what historical details and popular assumptions the author draws on, and how they compare to the lives of people accused of witchcraft in the past, and those who identify as witches today.

Yes, there are indeed women in Beowulf. Vital and potent women in fact. From the valkyrie-esque figures to the weeping peace-weavers, a broad spectrum of women characters exists as both historical representation and imaginative mythology. Grendel's Mother is ferocious and masculine. Hildeburh laments the death of her brother and son before being carried off. Modthryth behaves like a sadistic queen. Wealhtheow is mindful of so much in her husband's hall. Freawaru seems destined for tragedy. And could the dragon be a female too? Maria Headley seems to think so. This module will explore this topic using dual-language editions of texts so we can see the original language alongside translations by J.R.R. Tolkien, Roy Liuzza, and Maria Headley.

Transformation and the process of transformation, either physical or of the self, is a significant theme in Tolkien’s writing and appears throughout the Middle-earth legendarium. In this SPACE course, we will explore how the practice, philosophy and symbolism of alchemy resonate in the texts and provide another way to read the changes that are apparent throughout. Amongst other topics, we will look at the Music of the Ainur and Tolkien’s creation myth, the recurring symbolism of the alchemical colours: Black, White and Red, the metaphor of Gold, the nature of the One Ring, and Frodo as alchemical subject.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Freshman Alchemy 101
	Discussion 1: Philosophy, Spirituality, Science, and Literature
Week 2	Lecture 2: The Nigredo & The Albedo
	Discussion 2: The Nigredo & The Albedo in Literary Alchemy
Week 3	Lecture 3: The Citrinitas, The Rubedo, & Gold
	Discussion 3: The Citrinitas, The Rubedo, & Gold in Literary Alchemy
Week 4	Lecture 4: Tolkien’s Alchemical Creation Myth, & Frodo’s Alchemical Journey
	Discussion 4: Alchemical Themes in Tolkien’s Work

Based on the preceptor's edited volume, Tolkien and the Classical World, this module takes students on a tour of the classical influences and ideas on the life, writings, and thought of English fantasy writer J.R.R. Tolkien, while also introducing seminal Greco-Roman texts to those without any classical background.

The basic premise of this module is that 1) there are some systematic similarities and dissimilarities between Tolkien's works (especially his legendarium) and the corpus of literature called the Old Testament; and 2) understanding these systematic similarities and dissimilarities enriches the reader's understanding and appreciation for BOTH bodies of literature. Fundamentally, both Tolkien's legendarium and the Old Testament address issues of metaphysics through the vehicle of narrative (with poetry and other genres sprinkled in, of course!).

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Intersections of Tolkien and the Old Testament (introductory -- literary, mythological, theological)
	Session 2: Intersections of Archetypes (literary)
Week 2	Session 3: Intersections of Typology (literary)
	Session 4: Intersections of Salvation and Judgment (mythological)
Week 3	Session 5: Intersections of Death and Life (mythological)
	Session 6: Intersections of the Human Condition (theological)
Week 4	Session 7: Intersections of the Divine Being (theological)
	Session 8: Intersections of Textual Criticism (literary)

This is the Landing Page for preceptor Will Sherwood's Tolkien and the Romantics series. Using the links on this page, you can explore each member of this series by going to its associated module page for more details.

From the subcreation of Ulmo to travels from Cornwall to Avallonë, the Sea has played a special role in Tolkien’s world. This module looks at key instances of the Sea’s appearance in his writing corpus so that fellow readers can more fully appreciate the haunting beauty of water’s meaning and Tolkien’s imaginative ability. We will be reading excerpts from Tolkien’s legendarium, poetry, and creative historical works.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. This series each of his Great Tales in turn, namely, The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this puzzle-solving course we will work to piece together Tolkien’s invented languages based primarily on how they are used in The Lord of the Rings. Although much richer linguistic information became publicly available later, this course will look primarily at those aspects of the languages revealed through the main text and appendices of The Lord of the Rings.

In the module Tolkien’s Invented Languages in The Lord of the Rings, we exclusively looked at Tolkien's language invention from the perspective of how the languages were used in The Lord of the Rings. In this follow-on module, we will explore the linguistic information in The Road Goes Ever On, The Silmarillion, The History of Middle-earth, the Letters, as well as publications such as Parma Eldalamberon and Vinyar Tengwar. If you've ever wanted to get a handle on the primary sources for information about Tolkien's invented languages beyond The Lord of the Rings, this is the module for you!

The Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J.R.R. Tolkien which are filled with all the wonderful elements of story-telling that are to be found in The Silmarillion, The Hobbit and The Lord of the Rings and yet, for some reason, they are less well-known and less studied. Some, like ‘Aldarion and Erendis: The Mariner’s Wife’, offer a compelling insight into the Second Age and the time of Númenor. Others, such as ‘The History of Galadriel and Celeborn’, ‘The Quest of Erebor’, or ‘The Hunt for the Ring’, shed further light on the events of the Third Age that are so familiar to readers of The Hobbit and The Lord of the Rings. We will discuss some of these stories and place them in the context of the other Middle-earth works.

Access to a copy of The Unfinished Tales is essential. Prior knowledge of the stories within is desirable, but you could read them as we go along.

This module will study various writing systems invented or adapted by Tolkien. We will primarily look at the Tengwar and the Angerthas (Cirth) described in The Lord of the Rings but we will also touch on other systems such as the Hobbit runes and other runic variants as well as the Goblin Alphabet from Letters from Father Christmas. Along the way we will introduce some basic phonetics and place Tolkien’s inventions in the context of the writing systems of the primary world.

Explore Tolkien’s Anglo-Saxon poetic inspiration. We will enjoy an introduction to a few Anglo-Saxon poems and then compare Tolkien’s adaptations to their Anglo-Saxon counterparts. Discussions of poetic style and technique will be with us along the way! Texts discussed include Beowulf, The Fall of Arthur, and other poems.

J.R.R. Tolkien explicitly and publicly associated his subcreated race of the Dwarves with the Jewish people. This raises all sorts of interesting questions and problems, not least of which is why does he do this, and what within Jewish culture is he referring to? Usually scholars point to Dwarven language and Dwarven history for this association, but in this class we will explore the possibility that at the deepest level Tolkien is also drawing upon aspects of Jewish mysticism to support his claim.

One of the earliest stories of J.R.R. Tolkien’s legendarium committed to writing was the tragic tale of Túrin Turambar. As Tolkien himself acknowledged, in creating Túrin’s tale, he drew on elements of real-world legends, particularly those of Sigurd the Volsung, Oedipus, and the Finnish Kullervo. In this module, we’ll look at the interplay between these legends (in the forms that young Tolkien had likely encountered them) and Tolkien’s own creation of the tale of Túrin. The module’s objective is twofold: a semi-biographical examination of young Tolkien’s early creative processes, and familiarization with the historical sources for these legends that proved so inspirational for him.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
	Discussion 1: Comments on and questions about Túrin Turambar and his legendary inspirations (reading: “Turambar and the Foalókë”).
Week 2	Lecture 2: Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
	Discussion 2: Comments on and questions about Oedipus & Túrin (reading: excerpts Sophocles, ed. Jebb, “The Oedipus Tyrannus”).
Week 3	Lecture 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
	Discussion 3: Sigurd & Túrin (reading: excerpts from “The Story of Sigurd”, ed. Lang; excerpts from “Völsunga saga”, trans. Eiríkur Magnusson & Morris).
Week 4	Lecture 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; excerpts from Tolkien, “The Story of Kullervo”).
	Discussion 4: Kullervo & Túrin (reading: excerpts from “Kalevala”, ed. Kirby; Tolkien, “The Story of Kullervo”).

Ubuntu has been described as Africa's greatest gift to the world; a philosophy that covers various aspects of humanity, human life—being human. In this module we will be discussing ubuntu as a concept that covers:
- moral philosophy
- human dignity
- human rights
- substantive equality
- human connection
... And, how ubuntu can help explain and address the current most pressing problems.

The module will help in making the philosophy understandable to all audiences, especially considering its uptake and misrepresentation in the media and various platforms. The module goes beyond the usual simplifications of the philosophy and gives an in-depth and yet understandable analysis of the practical concepts within the philosophy, including their usage in solving contemporary problems, from personal/intimate to structural problems.

Based on Hamish's recently published book Tolkien's Utopianism and the Classics, this new module takes us on a tour of utopian and dystopian places in The Fellowship of the Ring, journeying through the pastoral bliss of the Shire, the sublime encounter in Woody End, the perilous Old Forest, the abandoned ruins at Weathertop, Elrond's paradise in Rivendell, the abandoned wilderness in Hollin, the undergound realm of Moria, and the timeless utopia of Lothlorien. In every class, our approach will be to read together important passages and discuss the representations of different spaces and societies in Tolkien's Fellowship of the Ring.

There are dragons in Tolkien’s works, of course, as well as Ents, Trolls, and Orcs, all enabling Tolkien to give shape and dimension to his world of Middle-earth. Less discussed amongst readers of the legendarium are the weird creatures that sit in the shadows – the ones designed to really make the back of your neck prickle. In this course, we will discuss these more troubling inhabitants of Middle-earth, with some close reading of the texts to guide our way.

Access to copies of The Silmarillion, The Hobbit and The Lord of the Rings is essential. Prior knowledge of the texts is desirable, but you could read them as we go along.

When we think of Gothic Horror, Bram Stoker’s Dracula immediately comes to mind. In this Module, we will explore the reasons why we are drawn to this compelling yet terrifying character, and how Stoker was connecting with Victorian anxiety towards the Supernatural and the Other.

Video games are an exciting new medium for storytelling because they give players agency within the story world. In this class, we’ll look at recent examples of games that use interactivity to tell stories not possible in any other medium. We’ll see how games encourage players to identify with characters’ emotions through gameplay; incorporate world-building into the setting; and handle the branching pathways of player choice. The games we’ll play are relatively short and are accessible to students who have never played video games before.

Inviting students to share their delight in, and deepen their appreciation of, video games, we will discuss examples of the art, music, gameplay, and story from a range of influential titles. We will introduce and experiment with some of the theoretical frameworks that have been applied to video games as media objects and cultural artifacts. But mostly, we will enjoy learning more about the medium and the games we already love. Aside from links and selections shared throughout the module, Gabrielle Zevin's novel Tomorrow, and Tomorrow, and Tomorrow. will be the only required reading.

Join us in a creaky old tavern, in a forgotten corner of the video game universe, to unravel a murder mystery. Daniel Mullins' The Hex experiments with video game genres to tell its story of two game developers and their creations, worlds and characters alike, vying for freedom and survival. The Hex is available on Steam (and videos of playthrough can be found for those who would rather not play the game.)

This is the Landing Page for Prof. Irina Manea's Viking Hogwarts series exploring The World of Old Norse Sorcery.

In the first module, A Guide to Old Norse Magic, we will be critically exploring the sources for such powerful practices, the vocabulary of sorcery, as well as attempting to enter the Viking soul in search of its logic and manifestations through everyday witchcraft, while confronting the great hindrances in the study of an elusive phenomenon.

Next, in the Battle Magic and Mythology module, we will take a closer look at the most violent practices in Old Norse Sorcery. Beyond domestic practices, sorcerous aggression manifested e.g. through driving the enemy insane, sending spirits to attack, causing misfortune and on a much broader scale on the battlefield. The elements of sorcery buried deep in the often problematic sources might help us better understand the potential mindset of pre-Christian Northern peoples and illuminated the often too tightly defined warrior identity.

Finally, in the Shamanistic World Views in Norse Magic module, we will attempt to integrate the evidence from literary and archaeological sources into a broader context of shamanistic northern religions.

Confucianism, Daoism, Legalism, Mohism---these Chinese philosophical systems all have their foundational roots in the Warring States period of Chinese history (475–221 BCE), and as such share a set of common interests, even if their proposals for attaining those interests greatly differ. In this module we will cover the basic concerns of each of these systems, paying attention to their differences as well as their similarities, and perhaps most importantly, seeing how their proposals for the attainment of human flourishing may still have something to offer to contemporary people.

Boarding schools have become a staple in fantasy, but Eleanor West's Home for Wayward Children specializes in children that have stumbled into and then out of portals and haven't quite managed to adjust to being back from their adventures. There are three rules at Eleanor West's: No Solicitations, No Visitors, and No Quests.

Many people do not realize the variety of language structures and strange language phenomena that exist in the world's languages. This class will introduce a number of features that can be found across the globe. These include object agreement, verbs that necessarily encode the shape of items, ergativity, discourse particles, languages with 20 grammatical gender classes, pronoun hierarchies, circumfixes and infixes, and the complex systems of taboo words that arise in some languages. We will look at a number of these, at what is rare, common, surprising, but all of which are real. Language families from Africa, the Caucasus, Siberia, Australia, and the Americas.

The module will follow an 8-session structure as shown below.

Outline	8-Session Structure
Week 1	Lecture 1: Introduction to languages, English, linguistics, and glossing
	Discussion 1: How to we make sense of English and what else to expect in the world's languages?
Week 2	Lecture 2: Agreement, ergativity
	Discussion 2: Problem set and identifying parts of unusual phenomena
Week 3	Lecture 3: Evidentiality, Genders
	Discussion 3: Noun class, word gender exercise
Week 4	Lecture 4: Taboo language and word classes, and shape
	Discussion 4: Word class and shape puzzle

While Shakespeare is famous for his plays, he also wrote more than 150 sonnets, which display his wit, his charm, his insight, and his unparalleled talent for turning a phrase and playing into double-entendres. Join us as we scan and analyze the whole compendium of Shakespeare's sonnets from beginning to end, exploring the nuances of each individual poem as well as the wide sweep of personal love and loss in his own life explained between the pages of Shakespeare's poetry.

To give each of the sonnets their due, this will be a non-sequential series in which each month, we will cover some of the sonnets, their structure, history and inspiration behind them. No previous knowledge of sonnets is required.

Note: Each module in the series will enrich the understanding of the overall sonnet project, but students will be able to enter into any of the modules of this series independent of each other without needing the context of the previous class.

Tolkien’s essay into the time-travel genre is little known and even less likely read. However, his "Lost Road" and "Notion Club Papers" showcase his grappling with concepts at the heart of his legendarium. This module highlights those works, taking readers through a genre study, philological walkthrough, and conceptual discussion of the fragments. Buckle in for a Tolkien-guided adventure through Earth’s history back to the time of the Elves.

Doctor Who is the longest running Science Fiction program on television earning great recognition and accolades in the process. Despite this, Doctor Who is infamous for writing/producing some of the best in Science Fiction television, and at the same time arguably the worst.

This Class will make use of a free streaming device (tubi) in order to view these episodes individually once again, so that we can discuss their merits or “demerits”; to view some of "the best" and "the worst" of Classic Doctor Who. Hartnell, Troughton, Pertwee, the Bakers, Peterson and McCoy are ready to open the TARDIS doors for us; Let the conversation begin!

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: "Criteria and Process
	Session 2: The Best: The Talons of Weing Chiang
Week 2	Session 3: The Worst: The Macra Terror
	Session 4: The Best: The Caves of Androzani
Week 3	Session 5: The Worst: The Twin Dilemma
	Session 6: The Best: The Daemons
Week 4	Session 7: The Worst: Paradise Towers
	Session 8: The Best: The Dalek Invasion of Earth

Millions of people emotionally connect with Middle Earth in ways that are unique to Tolkien’s works. All sorts of people… young and old, all walks of life, all over the globe, have reported using Tolkien’s writing as comfort in times of stress, a classroom in times of confusion, and a sanctuary in times of danger.

How many people feel this way about Middle Earth? Well, Tolkien’s stories are valued at roughly the same amount as the GDP of Iceland. That’s a lot of fans.

But Why?

Why do we love Faerie, and specifically Tolkien, with such passion. What is it about Middle Earth that elicits such a powerful emotional response?

This class will cover what those typical responses look like and then discuss the psychological mechanisms behind them. We will discuss what it is about Faerie, and Tolkien’s writing specifically, that is so successful at prompting these psychological functions.

This class is not so much about Tolkien’s work, but rather it is a study of the people, like all of us, who are impacted by his work and why we react the way we do. We will read The Professor's own theories about Faerie and then connect these ideas with various psychological studies.

The module will follow an 8-session structure as shown below:

Outline	8-Session Structure
Week 1	Session 1: Intro to this Class + Psychology of Faerie Stories: This is a psychology class! We will talk about the literature, but mostly will focus on what happens to us when we engage with the literature. While we will read some Tolkien, most of what we will be reading are scientific studies. To begin, we will define and discuss the true definition of a faerie story? And HOW does it captivate? Introduce “positive psychology” vs. “traditional psychology” and the concept of Flow State.
	Session 2: Psychology of Faerie Stories continued
Week 2	Session 3: Developmental Psychology and Faerie How does Faerie impact the adolescent and child versus the adult. Why are teenagers & adults impacted? Talk about different stages of development specifically moral development
	Session 4: First of two parts on “Fantasy, Recovery and Escape” The first part will focus on “Fantasy” and the difference between Controlled Fantastical Thoughts and being delusional or hallucinating and Tolkien's vies on Lies Vs. Enchantment. We will also talk about Frankl’s theories of logotherapy.
Week 3	Session 5: Recovery & Escape What does Tolkien mean by “cleaning our window”? How does the concept of the “Eucatastrophe” allow people to recover from trauma and build resilience mechanisms?
	Session 6: Tolkien and Carl Jung – Symbolism, Imagination and Magic. This class will be based on the lectures given by Dr. Lance S. Owens on the similarities between Carl Jung’s imaginative experiences writing his “Red Book” and Tolkien’s writing
Week 4	Session 7: Thinking Strategically (non-linear) vs. linear thinking (cognitive psychology and adult learning) How does Fantasy open up non-linear thinking and learning? Plus, how do Tolkien’s stories allow for safe places to think without bias and repressive tolerance. We will introduce various cognitive psychology theories such as Frederickson's Broaden and Build Theory and Mezirow's theories on adult learning.
	Session 8: Spirituality & Evangelium. The religion of LoTR. SBIMI – SHALL PROVE BUT MINE INSTRUMENT! Faith and Finding grace in LoTR and how that type of spirituality contributes to happiness and well-being.

Something dangerous is lurking on the periphery of polite Edwardian society. Master of dark social comedy H. H. Munro (pen name “Saki”) offers a world populated by duchesses, vicars, and idle London playboys—but also escaped hyaenas, talking cats, werewolves, and malevolent pageant gods. When these wild, menacing forces intrude into a world of decorous familiarity and boredom, the results are shockingly funny (or sometimes just shocking). This course will examine a selection of Saki’s short fiction, along with a brief look at his biography and historical context. Marked by a combination of acid wit, sudden terrible reversals, and a knack for precisely conveying the unmentionable, Saki’s stories are essential reading for anyone interested in the gothic tale, the comic anecdote, or the craft of short fiction writing.

The Old Testament is remarkable among other works in ancient Near Eastern literature for its prominent inclusion of women in the narrative. This is especially noteworthy, considering that ancient Israelite society was a patriarchal society. This course explores the lives of individual women in the narrative and focuses on their collective contribution to the entire body of OT literature. Most notably, the Old Testament contains two books named specifically for women ("Ruth" and "Esther"), and three prominent hymns are explicitly attributed to female authors (Exodus 15, Judges 5, and 1 Samuel 2). Undoubtedly, the heroines of the Old Testament continue to inspire women (and men!) to this day.

What are the tools of the writer’s craft, and how can we sharpen them? In this module, we will learn about the writer’s toolkit through guided writing exercises and group discussion. We will use exercises from Ursula K Le Guin’s book Steering the Craft: A 21st-Century Guide to Sailing the Sea of Story to explore tools like pacing, narration, point of view, syntax, and diction. Practice your writing technique, hone your craft, and embark on a journey with us through the “Sea of Story.”


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft.

In this course, we will look at examples from literature of how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing.

We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés that make the lives of people like your preceptor materially harder.

Note: Texts will be provided by the preceptor.

Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Your story is unique. Do you want to set it down on paper for yourself? For your family? No other person has accumulated your experiences; no other person has had your potential, learning, drive, disappointments, challenges, triumphs, and quiet joys. We'll explore a variety of media and forms for memoir writing, from picture books to blogs. We'll interview one another with kindness and encouragement and draw amazing stories out of each other—and ourselves.


Note: For more information about the Collaborative Feedback Method in SPACE, please check out our video here.

Are you ready for an adventure in writing? The Year of the Novel provides support, in depth practice of the writing craft, and encouraging feedback for your story (even if it's not a novel). One cluster of modules is for Seedling Stories, just in their beginning stages; one is for Sapling Stories which have a draft and are ready for shaping and curious readers; one is for Tree Stories which might need deep revision or editing to reach finished. Each module in the clusters are coordinated by your team of preceptors to draw upon lessons from the others. In addition, we will build a community of writers who go through the experience together, encouraging each other and being sounding boards for each other.

Note: Anyone is welcome to join our Year of the Novel modules at any time. Each module is designed to stand alone without prerequisites. For the richest experience, we suggest taking a whole cluster at a time. In a writing journal, you will track your progress and moments of unexpected, joyful discovery as you continue your novel. Whether you are looking to publish commercially or simply writing for yourself, our program is designed to nurture your individual writing journey. Our workshops place kindness first, lifting up excellence and encouraging you to tell your story in your own voice. For more information about our model for giving and receiving feedback please check out our Collaborative Feedback model.

In this module we will examine the origins and development of Zen Buddhism from its roots in Mahayana and Daoist thought through its formative years in China and its spread to Korea and Japan. Among other topics, we should have time to cover the Patriarchs of Zen, the Five Houses of Zen, and major figures within the tradition. We will also gesture towards Zen's impact on East Asian arts and culture more generally.