Module Directory (List)

Over the course of this module we will read and explore the work of a few major pre-modern Japanese poets in translation, putting them in their historical, cultural, and religious contexts along the way, but always focusing on the poetry itself. Group discussion is strongly encouraged. Poetry and poets covered will include that of the Manyōshū, Saigyō, Princess Shikishi, and Bashō. Time permitting, we can add to the list.

Kyriacos Markides's classic exploration of Eastern Orthodox thought and mysticism rewards slow, careful, contemplative reading and discussion. Various aspects of Orthodox mysticism and religious practice are addressed in a series of conversations that the author has with "Father Maximos," a priest and monk trained in the spiritual atmosphere of Mt. Athos. Please join us as we use this text as a gateway into understanding Orthodox and more generally sacramental forms of Christian thought and practice, all in a friendly, non-partisan, and open group setting.

Have you ever wondered what Tyrannosaurus Rex means? How about Basilosaurus? Deinosuchus? Gigantopithacus? Argentavis? Okay you have to know Megalodon, right? Well, if you are interested in learning about the meaning behind some of your favorite prehistoric animal names, then join me for this sit down discussion. No prior knowledge of a secondary language (namely Greek and Latin) is required. This module is intended to be a fun chat to help you better identify certain creatures the next time you head to a natural history museum -- or the next time the topic shows up on Jeopardy!

In this module we will look at the historical development of anime, with special attention to its uses in re-imagining post-war Japanese culture and society. From Momotaro’s Divine Sea Warriors to mushroom-cloud explosions and kawaii aesthetic, come explore how anime shapes Japanese (and others’) perceptions of Japanese history and culture.

Find yourself in need of a refresher for your Greek skills? Come join us for reading the Gospel of John in the original Greek! This module will review grammar where needed, discuss the latest lexical tools, touch on textual issues, but mostly work through this text at a relaxed pace.

Come join us as we continue reading the Gospel of John in the original Greek! This module will review grammar where needed, discuss the latest lexical tools, touch on textual issues, but mostly work through this text at a relaxed pace.

Find yourself in need of a refresher for your Greek skills? Come join us for reading the Gospel of Matthew in the original Greek! This module will review grammar where needed, discuss the latest lexical tools, touch on textual issues, but mostly work through this text at a relaxed pace.

Find yourself in need of a refresher for your Greek skills? Come join us for reading the Paul's Letter to the Galatians in the original Greek! This module will review grammar where needed, discuss the latest lexical tools, touch on textual issues, but mostly work through this text at a relaxed pace.

Aesop’s Fables are an odd collection of stories of multiple genres, some by Aesop, others attributed to him over the centuries. According to Herodotus, Aesop lived in the sixth century BCE, indicating that some form of the fables were already traditional and hoary when Herodotus was writing in the early fifth century BCE. In the Middle Ages, Latin versions of the fables were used as intermediate texts for students learning Latin. This module picks up with that tradition for the 21st century!

Latin is such a great language that many wonderful modern texts have been translated into the language: Dr. Seuss, Alice in Wonderful, Asterix and Obelix, Harry Potter…..and Tolkien’s The Hobbit. Join this module to read this beloved story in Latin!

Cicero is perhaps the preeminent Latin prose stylist. He made his fame in Rome as a barrister and senator opposed to Caesar. In this trial of the poet Archius, Cicero defends the humanities as a vital area of study earning Archius Roman citizenship rather than deportation.

Vergil's Roman Epic is one of the most important and influential works of literature in Latin. Following in the style and partially in response to Homer's Greek Epics in "The Iliad" and "The Odyssey," Vergil's work follows the story of the aftermath of the Trojan War, tracing the tale of Aeneas as he embarks upon his divinely-sanctioned quest to find a new homeland and found his people anew. This class will explore the poetic and literary aspects of this Roman Epic while focusing on a month-by-month, book-by-book translation from the Latin.

For this month, we turn again to Aelfric of Eynsham, the most prolific writer in Old English. In this letter, he addresses a nobleman and tries to teach him what Aelfric considers to be the important things of the Christian faith. It is a fascinating text to read and has a little something for everyone interested in the language, literature, and culture of Early Medieval England.

Saints’ Lives were a major and important genre of literature and were composed in prose and poetry. In this module we will look at three prose lives written in the 990s by Aelfric of Eynsham, from whose quill more Old English survives than even the prolific Anonymous! Those three are English figures: Kings who became saints Oswin and Edmund and the capital city saint Swithun. Then we will begin Guthlac A, one of the poetic treatments of a St Guthlac of East Anglia.

This is one of the most popular tales of the Ancient and Medieval worlds! Originally a Hellenistic Greek tale, translated into Latin, and then many Latin and vernacular versions thereafter. The earliest vernacular is the Old English translation by the ubiquitous Anonymous. The tale has incest, murder, unjust punishments, hidden identities, and resolutions. Apollonius of Tyre is a corker of a tale and fun in any language!

Spend the time reading and translating in a relaxed manner with friends! This beautiful, moving, narrative poem is a joy to work with and I hope you will join me for a month of study.

Let's continue reading and translating Beowulf in a relaxed manner with friends! This beautiful, moving, narrative poem is a joy to work with and I hope you will join me for another month of study.

Cynewulf is one of the few poets whose name we know from the Old English period. He composed 4 narrative poems casting saints' lives into Old English poetry. "Christ II" is so named because it is one of three poems dealing with key moments in Christ's life: the "Advent" and Incarnation, the Ascension, and the Harrowing of Hell. This middle poem is the one we know as certainly as we can that it was composed by Cynewulf and has a number of very interesting features.

The long poem that scholars have named Genesis A is a retelling and adaptation of the first 22 chapters of Genesis into a Germanic heroic poem! Among the many points of interest is that this poem contains the FIRST time in intellectual history that the NARRATIVE of the Fall of the Angels is told and made a part of the Creation Story. The poem is almost as long as Beowulf, so this module will start at the beginning and get as far as we get, with plans to return to it in future modules.

This is a continuation from where we left off in Genesis A 2... The long poem that scholars have named Genesis A is a retelling and adaptation of the first 22 chapters of Genesis into a Germanic heroic poem! Among the many points of interest is that this poem contains the FIRST time in intellectual history that the NARRATIVE of the Fall of the Angels is told and made a part of the Creation Story. The poem is almost as long as Beowulf, so this module began at the beginning of the poem and now we shall continue where we left off!

J. R. R. Tolkien suggested in his seminal Monsters and the Critics that Beowulf is a heroic elegy. In this module, we will translate some of the Old English Heroic Elegies such as Deor, Wife’s Lament, Husband’s Message, The Ruin, and if time others. Not only translating, the question is how these “elegies” relate to Beowulf, or Tolkien’s own work. The module emphasizes translation and working in Old English, but also how that applies to other literature (i. e. this stuff isn’t in a vacuum!)

Dr. Peter Baker, then of the University of Virginia, translated Lewis Carroll's Alice in Wonderland into Old English. This module will work with and translate back into Modern English this fun and delightful text, Æðelgyðe Ellendæda on Wundorlande: Alice's Adventures in Wonderland in Old English.

The Early English adapted Biblical material into heroic poetry. In this module two of those poems will be translated and discussed, each only a few hundred lines.

Alfred the Great had Boethius’ Consolation of Philosophy translated into Old English. This module will translate and comment on this translation and how it adapts the late Roman text to the early medieval context.

This module will focus on reading a number of Riddles in Old English. The Riddles cover a wide range of subjects from the bawdy to sublime, aimed at both lower class and learned classes. In short, they are fun!

For this module a selection of prose texts not usually encountered in readings classes will be examined. First, the Life of St. Swithun. When this is finished we will explore short selections from Alfred's Laws, a charter or two, and a will from a tenth century noble woman to round out the module.

April is often mostly a Lenten month (though in 2023 Easter is April 9). The collection of homilies known as the Blickling Homilies has a number of Lenten homilies, especially at the beginning of the collection. It is then fitting to have the two together! The homilies were collected together from diverse sources in the second half of the tenth century. The collection is contemporary then with the Genesis A manuscript and the Beowulf manuscript and Aelfric of Eynsham. But these prose texts appear Mercian in dialect, and would have made Tolkien happy. They are called "Blickling" because they were discovered in the library of Blickling Hall in Norfolk.

Most people know that J. R. R. Tolkien was a scholar as well as a writer of speculative fiction. His scholarship was extensive and one of his primary areas was Old English language and literature. But fewer fans know that he also composed poetry in Old English, especially in the early stages of his career. This module will attempt to gather and translate Tolkien's Old English poetry from the various sources in HoME and other sources where they are printed.

Vǫlsunga saga (“The Saga of the Vǫlsungs”) is a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. In this module, you will begin to translate Vǫlsunga saga and discuss both the language and how the saga’s version of the legends relate to other versions known from the medieval world.

The Advanced Old Norse reading modules return to Vǫlsunga saga (“The Saga of the Vǫlsungs), a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. This module picks up where previous iterations of this module left the narrative. We will translate the text of the saga and discuss both its language and how its version of the legends relates to other versions known from the medieval world. Anyone with a reading knowledge of Old Norse can join this module!

The Advanced Old Norse reading modules return to Vǫlsunga saga (“The Saga of the Vǫlsungs), a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. This module picks up where previous iterations of this module left the narrative. We will translate the text of the saga and discuss both its language and how its version of the legends relates to other versions known from the medieval world. Anyone with a reading knowledge of Old Norse can join this module!

The Advanced Old Norse reading modules return to Vǫlsunga saga (“The Saga of the Vǫlsungs), a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. This module picks up where previous iterations of this module left the narrative: with the hero Sigurd preparing to confront the dragon Fáfnir. We will translate the text of the saga and discuss both its language and how its version of the legends relates to other versions known from the medieval world. Anyone with a reading knowledge of Old Norse can join this module!

The Advanced Old Norse reading modules return to Vǫlsunga saga (“The Saga of the Vǫlsungs), a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. This module picks up where previous iterations of this module left the narrative. We will translate the text of the saga and discuss both its language and how its version of the legends relates to other versions known from the medieval world. Anyone with a reading knowledge of Old Norse can join this module!

Vǫlsunga saga (“The Saga of the Vǫlsungs”) is a medieval Icelandic retelling of one of the best-known legendary cycles of the pre-modern Germanic-speaking world – stories that influenced the operas of Richard Wagner, the fantasies of J. R. R. Tolkien, and many other modern creative artists. In this module, we will continue to translate the Vǫlsunga saga and discuss both the language and how the saga’s version of the legends relate to other versions known from the medieval world.



Note: This module can be joined in any month.

There are a lot of misconceptions and misrepresentations about African music. This module analyzes the complex linkages between the art of African music and its connections with culture, heritage, politics, and the environment. In this module you will learn about the different rhythms, multiple instruments used, their meaning, and the impact they have on social relations, identity, and politics. The course also touches on the use of song in folktales, meaning, and impact.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

In this series of SPACE modules, we will tackle one volume per month over the course of a year. Each month-long module will provide an overview of a volume in context as well as readings from and discussion of highlights in that volume. Each module will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of Volume One, The Book of Lost Tales Part One, as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of Volume Two, The Book of Lost Tales Part Two, as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of Volume Three, The Lays of Beleriand, as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of Volume Five, The Lost Road and Other Writings, as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of Volume Four, The Shaping of Middle-earth, as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

Christopher Tolkien’s twelve volumes on the History of Middle-earth give unparalleled insight into the development of J.R.R. Tolkien’s legendarium. They contain early drafts of familiar texts, different conceptualizations of well-known stories, and in some cases completely new material.

This module is part of a series of modules covering all twelve volumes of The History of Middle-earth. This particular module will provide an overview of the first book in The History of The Lord of the Rings, The Return of the Shadow (Volume Six of The History of the Middle-earth), as well as readings from and discussion of highlights in that volume. It will include a guest appearance from Tolkien scholar John Garth.

Whether you’ve read the History of Middle-earth before or not, the hope is that these modules will make the volumes more accessible and will enhance your appreciation of the works of J.R.R. Tolkien. There is no requirement that you do every single module in the series as each will be largely standalone, although in later modules, references will be made to earlier volumes.

An examination of who used magic in Egypt, with an emphasis on characters within literary genres and known professions. This includes the story of Khufu, the Nubian sorcerers, the use of Shabtis, and later stories, including Lucian and the inspiration for Fantasia. This also includes priests, healers, and professional magic users. What do we know about fictional and nonfictional magic users? How and why did they practice? What areas did they work in?

Designed for intermediate students of Classical or Biblical Greek with roughly a year under their belts, this course will provide a detailed look at the inflectional system of Ancient Greek, moving past the memorization of paradigms to provide a rich linguistic explanation for why Ancient Greek word forms work the way they do.

"The Way that can be talked about is not the lasting Way": so begins this classic text of world literature and Chinese philosophical and religious thought. The Tao Te Ching has been read, interpreted, and applied in a variety of ways throughout Chinese and world history. We'll do a close reading as well as explore the larger commentarial tradition surrounding it, using it as a gateway to explore further dimensions of East Asian culture and to spark conversations within the class.

Charles Williams was a friend of Tolkien and Lewis; he was also a novelist, poet, literary critic, editor, theologian, and occult master. There is no other literature quite like that by Charles Williams: his writings are startling, convoluted, beautiful, unpredictable, and obscure. Every sentence is thrilling, dangerous, sinuous, and demanding. His unusual combination of Christianity and the occult finds expression in a bizarre, exciting mix of the everyday and the supernatural in his writing. In this module, you'll get a taste of his works through one novel and selections from his poetry and nonfiction. Once you start reading the Oddest Inkling, you'll want to keep going until you've experienced all seven of his "supernatural shockers" and his astonishing Arthurian poetry.

Breathtaking animation, sound design, and worldbuilding combined to make Arcane one of 2021's unexpected animated hits.

Join us for this SPACE module where we'll do an episode-by-episode watch and discussion of this fantastic show.

Why are the works of J.R.R. Tolkien still so relevant to us in the 21st century? In this course, we will look at some of the central themes of his novels, including Family, Home, Good vs. Evil, and Loss, exploring how Tolkien is still speaking to us almost fifty years after his death.

There are no required texts for this course, however, you may find having a copy of The Hobbit and The Lord of the Rings very useful (any edition).

The 2016 film ""Arrival"" and the novella on which it is based (Story of Your Life by Ted Chiang, 1998) are wildly different from one another. In this course, half of us will read the story first, then watch the film, while the other half of the class will watch the movie first, then read the story. We will compare our reactions and discuss how the genre/medium affect adaptation choices. We will also talk about each work on its own merits, including a day with one of Signum's fine linguists on the Sapir–Whorf hypothesis.

Isaac Asimov wrote a complete 7 volume series of Foundation novels, an interesting Empire prequel series, and compiled short stories and novellas into a Robot prequel series to make a vast and arching future history for our universe. But at it's core were the first three compiled and original stories that made a trilogy of the Seldon Plan and its unfolding. If you want a spoiler free, first look into this classic series, let's read the first three books together in one month.

In this module we will explore the cultural history of tea production, tea consumption, and tea-related cultural forms and practices. Primary focus will be on Asia, with side-expeditions to other parts of the world. White, green, Oolong, red (black), the Silk Road, tea bricks, tea ceremonies, tea-and-Zen, tea as world commodity, tea as entheogen---we can explore all of this and more!

In this module, we will discuss the origins and outworkings of four major holiday which occur this coming spring: Purim (March 6-7), Nawroz (March 21), Easter (April 9), and Eid al-Fitr (April 21). First, we will discuss the assigned literature and what we know about the culture in which the holiday first originated. Then, we will discuss how the holiday is currently celebrated in various areas of the world and in particular traditions. As we identify what people groups observe the holiday we will consider the anthropological specifications of those people groups in order to imagine in what ways the given holiday might form or reflect the cultural characteristics of that people group.

You've seen the original series, now it's time to watch the sequel.

Come watch us for an intense month of Avatar-viewing as we watch through the entire ""Legend of Korra"" animated show and discuss it in a book club format.

The first of the two essential questions raised in Babylon 5, “Who are you” demands that listeners and respondents consider the nature of their own mortality and personhood, delving deeply into their multifaceted identities. This four-week seminar explores the responses to this question as given by six core members of the Babylon 5 universe and considers its presentation as a core Vorlon question, examining the world of Babylon 5 as a space of introspection and self-discovery.

The Goldberg Variations is a keyboard work by J. S. Bach considered by many to be one of the greatest musical compositions of all time. In this module, we will listen, analyze and discuss our way through the piece. We will begin with the background to the composition, and study the initial aria and the ground bass that underlies the entire piece. We will then work our way through each of the thirty variations, listening to a couple of performances of each and studying the score. Along the way we will discuss the basics of harmony and counterpoint. Our goal is that you come away with a deeper understanding of this remarkable piece of music and a greater appreciation of the genius of Bach.

Note: Ability to read music is not required for this module!

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! The first module seeks to introduce learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! We continue our study introducing learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Want to read the NT in the original Greek? The Greek translation of the Old Testament? This module’s for you! The first module seeks to introduce learners to the basics of ancient Greek: the alphabet, introduction to the verb system (tenses and moods) and the noun system (the very helpful article, first and second declension). Over several modules, the students will learn the foundations of the language and then students will be able to read texts.

Come join us as we begin to learn basic Japanese, focusing on the four areas of reading, writing, speaking, and listening comprehension. Over the course of this module series we will start by learning: the characteristics of the three scripts (hiragana, katakana, and kanji); how to read and write hiragana; to be able to say and understand set phrases (social interaction-related); how to formulate a simple declarative sentence (AはBです structure); how to formulate a simple interrogative sentence; how to read orally; and vocabulary relevant to dialogues in the textbook. 一緒に日本語を勉強しましょうか! (Shall we study Japanese together?!)

Building on the material covered in Beginning Japanese 1, we will cover lessons three and part of four in the Genki textbook, including: introduction to and learning to use katakana; solidifying usage of hiragana; introduction to kanji (around 10-20); developing communication abilities beyond stative sentences, focusing on the introduction of non-stative verbs; new vocabulary; continuing the development of fluency in the four aspects of language mastery.

Focusing on chapters three (depending on how far we got in Beginning Japanese 2), four, and five in the textbook, we plan to improve our understanding of particles, verb categories and conjugations, describing where things are, forming the past tense of verbs, and increasing our abilities to use and "conjugate" adjectives----which do have tense in Japanese. As always, we will also be increasing our vocabulary and kanji knowledge. This module should be especially exciting because after laying various foundations in the first two units, we now begin to be able to actually have short conversations and form everyday useful sentences.

Picking up from where we leave off in Beginning Japanese 3, we'll review what needs solidifying from the first two modules and advance to new material in Genki. We will focus especially upon verb, adjective, and noun tenses, as well as continuing to build vocabulary, katakana, and kanji knowledge, as well as oral skills.

Continuing from where we ended in Japanese 4, we will advance our knowledge of Japanese grammar, vocabulary, speaking, listening, and kanji as we work our way through the Genki textbook.

Continuing from where we ended in Japanese 5, we will advance our knowledge of Japanese grammar, vocabulary, speaking, listening, and kanji as we work our way through the Genki textbook.

Continuing from where we ended in Japanese 6, we will advance our knowledge of Japanese grammar, vocabulary, speaking, listening, and kanji as we work our way through the Genki textbook.

Continuing from where we ended in Japanese 7, we will advance our knowledge of Japanese grammar, vocabulary, speaking, listening, and kanji as we work our way through the Genki textbook.

Continuing from where we ended in Japanese 8, we will advance our knowledge of Japanese grammar, vocabulary, speaking, listening, and kanji as we work our way through the Genki textbook.

Come join us as we begin to learn basic Japanese, focusing on the four areas of reading, writing, speaking, and listening comprehension. Over the course of this module series we will start by learning: the characteristics of the three scripts (hiragana, katakana, and kanji); how to read and write hiragana; to be able to say and understand set phrases (social interaction-related); how to formulate a simple declarative sentence (AはBです structure); how to formulate a simple interrogative sentence; how to read orally; and vocabulary relevant to dialogues in the textbook. 一緒に日本語を勉強しましょうか! (Shall we study Japanese together?!)

The Beginning Scottish Gaelic series consists of three intoructory modules, introducing language and grammar in line with European fluency standard A1. Covering basic conversation, vocabulary building, introducing case structure, irregular verbs, and prepositional pronouns, this module will be using the A1 Inntrigeadh resources from SpeakGaelic.scot.

Module 1 Class Delivery
Class 1 and 2 will cover Topic 1: New Friends
Class 3 and 4 will cover Topic 2: Places
Class 5 and 6 will cover Topic 3: Weather
Class 7 and 8 will cover Topic 4: Family

Module 2 Class Delivery
Class 1 and 2 will cover Topic 5: Home
Class 3 and 4 will cover Topic 6: Time
Class 5 and 6 will cover Topic 7: Work
Class 7 and 8 will cover Topic 8: Time Off

Module 3 Class Delivery
Class 1 and 2 will cover Topic 9: Food & Drink
Class 3 and 4 will cover Topic 10: Shopping
Class 5 and 6 will cover Topic 11: Day-to-day
Class 7 and 8 will cover Topic 12: Describing People

After the 3-module opening series, students wishing to continue learning Scottish Gaelic can proceed to Gaelic Foundations 1.

Beginning Scottish Gaelic 2 continues our language and grammar study in line with European fluency standard A1. This module continues where we left off, using the A1 Inntrigeadh resources from SpeakGaelic.scot.

Module Class Delivery
Class 1 and 2 will cover Topic 5: Home
Class 3 and 4 will cover Topic 6: Time
Class 5 and 6 will cover Topic 7: Work
Class 7 and 8 will cover Topic 8: Time Off

Beginning Scottish Gaelic 3 continues our language and grammar study in line with European fluency standard A1. This module continues where we left off, using the A1 Inntrigeadh resources from SpeakGaelic.scot.

Module Class Delivery
Class 1 and 2 will cover Topic 9: Food & Drink
Class 3 and 4 will cover Topic 10: Shopping
Class 5 and 6 will cover Topic 11: Day-to-day
Class 7 and 8 will cover Topic 12: Describing People

The Beginning Scottish Gaelic series consists of three intoructory modules, introducing language and grammar in line with European fluency standard A1. Covering basic conversation, vocabulary building, introducing case structure, irregular verbs, and prepositional pronouns, this module will be using the A1 Inntrigeadh resources from SpeakGaelic.scot.

Module 1 Class Delivery
Class 1 and 2 will cover Topic 1: New Friends
Class 3 and 4 will cover Topic 2: Places
Class 5 and 6 will cover Topic 3: Weather
Class 7 and 8 will cover Topic 4: Family

Module 2 Class Delivery
Class 1 and 2 will cover Topic 5: Home
Class 3 and 4 will cover Topic 6: Time
Class 5 and 6 will cover Topic 7: Work
Class 7 and 8 will cover Topic 8: Time Off

Module 3 Class Delivery
Class 1 and 2 will cover Topic 9: Food & Drink
Class 3 and 4 will cover Topic 10: Shopping
Class 5 and 6 will cover Topic 11: Day-to-day
Class 7 and 8 will cover Topic 12: Describing People

After the 3-module opening series, students wishing to continue learning Scottish Gaelic can proceed to Gaelic Foundations 1.

The first module of an 8-module series, designed for beginners of Spanish who have had very little or no previous contact with the language. The purpose of the course is to build up communication skills through interactive and dynamic sessions. The modules overview essential vocabulary, expressions, and grammar. This is a progressive course, so each module builds on the concepts studied in the previous one, so that, as the modules progress, other students with prior knowledge may join. Vamos a aprender español!

This 8-module series is designed for beginners of Spanish who have had very little or no previous contact with the language. The purpose of the course is to build up communication skills through interactive and dynamic sessions. The modules overview essential vocabulary, expressions, and grammar. This is a progressive course, so each module builds on the concepts studied in the previous one, so that, as the modules progress, other students with prior knowledge may join. Vamos a aprender español!

Always wanted to study Beowulf? Here's your opportunity. In our 8 hours together, we will delve into the worlds of the poem, examine the major critical elements, and seek to understand the poem better.

From the nesting habits of dragons to the process of zombification, science has become an increasingly important component of speculative fiction (fantasy, sci-fi, and horror). This module will explore the ways in which various works have incorporated biological principles to enhance their worlds, creatures, and characters and to draw in audiences of increasingly scientifically aware readers and viewers.

Boccaccio’s fourteenth-century masterpiece shows ten young Florentine nobles fleeing a city devastated by plague, retiring to a country villa to divert themselves with the telling of tales—one tale each for ten days. Populated by gullible merchants, wily apprentices, self-possessed daughters, and libidinous nuns, these tales feature a series of practical jokes, remarkable journeys, love, deception, and family drama—all with a blend of wit, wonderment, and buffoonery. From this hundredfold collection, our class will look at just a decimal selection—a curated “top ten” tales from this set of ten tens. We conclude the course by watching the 2017 film adaptation of two of these tales, The Little Hours.

In his debut short novel, Kazuo Ishiguro (2017 Nobel Prize winner) explores topics such as the reliability of memory, womanhood, and the relationships between men. Set in both Britain and Nagasaki, Ishiguro takes the reader into the world of Etsuko a Japanese woman struggling to fulfill the expectations of women after the war. We will discuss the themes, language, imagery, and character development in a relaxed and dynamic way.

Kull Wahad, let’s read Frank Herbert’s Dune! In this series of three modules, we will closely read Frank Herbert’s masterwork. We will explore themes like heroism, mythology, history, ecology, politics and religion while following the dynastic struggles between the Atreides family and the ruthless Harkonnens. Every week, you will get to connect with fellow book lovers and share your insights. This module is perfect for the creative writer looking to pick up techniques through close reading, or for anyone looking for a cozy book club. Let the spice flow!

Module 1: Book I: Dune
Module 2: Book II: Muad’dib
Module 3: Book III: The Prophet

Considered the first sci-fi novel, Frankenstein is much more than the famous monster who has entered pop culture. From philosophy to science, this novel deals with many issues, confuses the reader, and makes us wonder who the real hero is. We will discuss the themes, imagery, character development, and the many different allusions to other texts mentioned in the book in a relaxed and interactive way.

A 2020 winner of the Women’s Prize for Fiction, Hamnet is a retelling of Shakespeare’s lost years that focuses on his relationship with Anne Hathaway. At times magical and surreal, it has hues of magic realism and a unique style. We will discuss the themes, imagery, character development, and many allusions to different plays of Shakespeare in a relaxed and interactive way.

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book I of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book II of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! Each month, our readings will focus on one of the six Books in Tolkien's The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book V of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book VI of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book III of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Join Ms. Elise for a cozy, relaxed Book Club series, where participants comes to our Club meetings with their own reflections and discussion questions about the text. YOU get to guide the magic! In this module, our readings will specifically focus on Book IV of The Lord of the Rings. Bring a cozy blanket, a cup of tea, and enjoy!

Published in 1899, The Awakening is considered one of the first feminist novels and a precursor of American modernism. Kate Chopin explores issues such as motherhood, independence, the conformism to preset social values, and more. We will discuss the themes, imagery, and character development in a relaxed and interactive way.

This course is intended for people who have read Lord of the Rings and are beginners to the Silmarillion. We will re-read various passages from Lord of the Rings that make reference to First Age people, places, and events: the mighty Elf-friends of old, the Exile of the Elves; the Tale of Tinúviel; the story of Eärendil and more. We will whet our appetites and gather some motivating questions that will make a future journey into the Silmarillion easier and more enjoyable.

Building on the previous two Intro to Buddhism modules in this sequence, we will explore the colorful and varied forms of Vajrayana Buddhism, focusing especially on developments in Tibet, but not ignoring the larger world of esoteric Buddhism. The various sects, arts such as the creation of sand mandalas, ritual practices, and various forms of teaching will all be explored.

Read what Chaucer wrote in his own language! The famed Canterbury Tales are a wonderful read in Middle English and this module will focus on The Miller’s Tale.

How did early Christians respond to persecution? In this module, we will explore Tertullian's masterwork, The Apology. One of the first major Christian works composed in Latin, Tertullian drew upon his education in law and rhetoric to produce this supremely eloquent and passionate defence of Christianity in response to an outbreak of violence. Over four weeks, we will closely read The Apology, discussing its fascinating insights into the world of the early Christians and the challenges they faced.

This is the textual language of the early classical Chinese philosophical and literary tradition, bearing a relationship to modern forms of Chinese like that of classical Latin to a modern Romance language. Just as one does not need to know Italian to study Latin, no prior knowledge of modern forms of Chinese is needed to study the classical language. This language served as a kind of "lingua franca" throughout East Asia for much of history, much like the role Church Latin served in medieval Europe. In this module we will begin building the grammar, syntax, and vocabulary to eventually be able to engage with the texts associated with Chinese thinkers such as Confucius, Laozi, Zhuangzi, and Mozi. If a cohort forms, we can continue this study within a continuing sequence. We will focus exclusively on developing the ability to read it as a literary language.

This is the textual language of the early classical Chinese philosophical and literary tradition, bearing a relationship to modern forms of Chinese like that of classical Latin to a modern Romance language. Just as one does not need to know Italian to study Latin, no prior knowledge of modern forms of Chinese is needed to study the classical language. This language served as a kind of "lingua franca" throughout East Asia for much of history, much like the role Church Latin served in medieval Europe. In this module we will begin building the grammar, syntax, and vocabulary to eventually be able to engage with the texts associated with Chinese thinkers such as Confucius, Laozi, Zhuangzi, and Mozi. If a cohort forms, we can continue this study within a continuing sequence. We will focus exclusively on developing the ability to read it as a literary language.

The use of fictional languages in science fiction from the good to the bad. This includes fully constructed languages, references to constructed and foreign languages, as well as misuse or misunderstandings of language change. How these subtle points contribute to or detract from world building. This will expand on the work of Ria Cheyne through examples and delving deeper linguistically.

Learn French like you learned your first language – through stories, questions, and answers.

This 8-session introduction to German is intended to give the students a basic acquaintanceship with the German language and enough information for further study. This first module covers the alphabet, basic verb conjugation, important verbs like Haben and Sein, pronouns, grammatical gender, nominative vs. accusative cases, forming questions, and giving dates and times. Some specific vocabulary content is given in the session breakdown, but the individual entries are not meant to be either restrictive or exhaustive.

Session Breakdown:

1. The alphabet and sounds; the present tense of regular verbs; colors and numbers

2. Haben und Sein; nominative pronouns; noun gender; Was studieren Sie (what do you study?) and Wo wohnen Sie (where do you live?);

3. Fragewörter (question words) and forming questions; yes/no questions; “Interview” game

4. Coordinating conjunctions; describing your field of study; the verb mögen (to like)

5. Die Wochentage (days of the week); Die Uhrzeiten (time); Der Wochenplan (weekly schedule)

6. Planning a meeting with a friend (combination of Der Wochenplan and the “Questions” from Session 3); negation (Nicht and Kein)

7. The accusative case; description of rooms (Ich habe/Es gibt); accusative pronouns

8. Accusative prepositions; general review

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This course continues along the track established by the first Conversational German Series module. This month, the topics are a bit more “fun,” focusing a great deal on “free time” activities and the students’ subjects of interests. Grammar is a bit more limited, but the biggest grammatical subject – modal verbs – are complicated enough to merit intense study. A final grammatical case, the dative, is introduced in the final two sessions. Because this module builds on the previous one, there is slightly more repetition in the sessions listed below.

Session Breakdown:

1. Introduction and review; nominative and accusative case; conjugation of regular conjugations

2. Der Alltag (the normal day); Irregular and Stem-changing verbs in the present; the German breakfast;

3. More practice with “irregular” verbs; Einkaufen gehen (going shopping); repetition of modal verbs; gern; Obst und Gemüse

4. Freizeit; modal verbs; review of Wochenplan vocabulary (date and time); repetition of coordinating conjunctions

5. Kleider (clothing); Musik hören (listening to music);

6. Sport treiben (exercise); evaluating hobbies (adjectives like entspannend “relaxing” or interessant “interesting”); Restaurant vocabulary

7. General review of cases; indirect objects and the dative case for nouns.

8. The dative case for pronouns; dative prepositions.

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This module continues along the track established by Conversational German 1 and 2.

The cohort of the current iteration of Conversational German has asked to focus on speaking practice, so specific topics of instruction will be determined on an ad hoc basis. Any topics listed in the Conversational German 1 and 2 modules that have not yet been covered will be discussed, but the instructor will also introduce new subject matter. Possible subjects, time permitting, include:

Session Breakdown:

1. Imperatives and Requests

2. Separable Prefixes

3. The Conversational Past tense (The Present Perfect)

4. Irregular and Strong Verbs

5. Meals and Evening Activities

6. Travel Vocabulary

7. Vacation

8. Holidays and Festivals

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This module continues along the track established by Conversational German modules 1-3.

The current iteration of Conversational German 4 continues to focus on speaking practice, which means that (as with Conversational German 3) the instructor determines specific topics on an ad hoc basis. If we have not yet covered topics listed in previous modules, we will cover them in this session while the instructor concomitantly introduces new subject matter. Possible subjects include:

Session Breakdown:

1. The Comparative and Superlative

2. Careers and Dream Jobs

3. Possessive Adjectives

4. Family Vocabulary

5. Months and Seasons

6. A Review: The Conversational Past

7. Separable Prefixes

8. Gesundheit

Note: This list is not meant to be exhaustive and can change depending on student wishes.

This is the landing page for Dr. Isaac Schendel's Conversational German Series. For more information check out the module links below.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Conversation German Series when we offer it next.

In this module, we will speak about art, hobbies, memories, and many other topics in Spanish. We will examine specific vocabulary and expressions in an interactive way.

Come join us for the first iteration of Cosmere Club--a friendly, book-club styled series of modules-- exploring Brandon Sanderson's "Cosmere." We will begin Cosmere Club with an exploration of Sanderson's Mistborn series.

"You should try not to talk so much, friend. You'll sound far less stupid that way." - Breeze

Don't let Breeze dissuade you, come join us for this module where we'll read (and yes talk about) Brandon Sanderson's Mistborn: The Final Empire.

Book-talk is always welcome!

Join us as we continue our exploration of the Cosmere with the final book in the original Mistborn trilogy.

Whether or not you've taken the preceding modules or not, all that we ask is that you come to this class ready to have a great time diving into Sanderson's Cosmere through our group discussions.

Join us as we continue our exploration of the Cosmere with the second book in the original Mistborn trilogy.

Whether you've taken the first module or not, all that we ask is that you come to this class ready to have a great time diving into Sanderson's Cosmere through our group discussions.

This entire month will be a deep dive into the analogical abilities of poetic language: similes, metaphors, epic similes, extended metaphors or conceits, metonymy, synecdoche, implicit metaphors, and more. We'll talk about cognitive and conceptual metaphors, the limits of literal language, and maybe even examine allegory. Through unpacking some famous and infamous examples of literary analogy, we'll learn how they work and why they sometimes fail. And of course, we'll try them out in our own writing, especially in poetry of various kinds.

What makes a good story? How can we make our characters feel like real people? In this module, we will closely read Aristotle's Poetics in full and discuss how we can employ his precepts on character, theme, and emotional catharsis can enrich our creative practice. This module will be a must for fiction authors, screenwriters and directors, RPG game masters, or anyone who wants to weave a dynamic tale!

This class takes creative writers deeper into a common form of 20th- and 21st-century poetry in English. According to the Poetry Foundation, the original "Confessional poets wrote in direct, colloquial speech rhythms and used images that reflected intense psychological experiences, often culled from childhood or battles with mental illness or breakdown." This type of verse is honest, raw, and immediate. We'll explore what techniques can lift such writing above the merely personal into the literary. By examining models, we'll learn to improve our own confessional verse.

What makes a piece of free verse different from prose broken into lines? What makes a free verse poem "good"? Are there any rules? How does a poet decide what techniques to use, the length of lines, the internal metrical elements, and more? In this class, we'll use everything we know about formal poetry to analyze some great works of short free verse, then we'll try writing some pieces of our own. Prior experience in Poetry in Forms is recommended but not required.

Learn the fundamentals of dialogue, action, and dramatic structure in this introduction to writing for performance. Working within the limits of one set, three actors, and ten minutes, participants in this class will learn the basic building blocks of script-writing by crafting short, stand-alone narratives for the stage. Though we will be looking at a few contemporary short plays as examples, the bulk of this class will focus on writing and workshopping your own original scripts.

Well-prepared writers enjoy more completion success! We will build worlds, plan character arcs, and try to define the bones of our stories during a month of glorious sub-creation! When you declare your intentions to the group, that act of bravery alone adds momentum to your writing efforts after the month is over. (This Module is great preparation before National Novel Writing Month)

In this course, we'll examine some great models of lyric poetry in English: short, tightly-crafted verses that pay close attention to the sounds of the words, may employ formal elements, and often express the narrator's (or poet's) internal psychological or emotional state. After analyzing some examples, we will compose our own lyric poems, revising them repeatedly throughout the month to achieve mastery of this demanding and rewarding approach to creative writing.

Over the course of this month, each student will work on planning, developing, drafting, and revising one longish narrative poem. We'll read some great examples, then help one another plan the stories we want to tell, the characters who will carry the action, and the world in which the tale takes place. We'll workshop drafts and revise our narrative verses until we have a final piece that satisfies.

We will walk through a complete project from pre-writing through writing, revising, editing, (revising, revising, revising), proofreading, and talking about publication options. Are you interested in finally getting down that memoir of your childhood? making a storybook for your grands? turning that daydream into a novelette? This adventure is for you! Whether your story is a draft, an outline, or a daydream, your project is welcome here in a place where we are aiming to finish it!

Storytelling might just be our oldest art, crossing time, cultures, and continents. Crafting a story suitable for telling demands a heightened awareness of audience, medium, and meaning. Telling a story requires fluidity in a register both intimate and stylized. We'll learn, create, and tell our short tales in a month of cooperative fun and work. We will use a collaborative and encouraging mode of feedback. You will end the month with two or three new stories to revise and practice and a toolkit for exploring this art.

You've written an epic book or an incredible screenplay, but what comes next? In this module, we will discuss how to make your story irresistible to potential buyers and entice readers to pick up your book! Examining successful examples combined with my experience in attracting publishers and an agent, we will workshop your query letter, synopsis and blurb, before finessing your verbal pitch. Whether you are looking to a traditional writing deal or an indie career, this module will help you sell the sizzle in your narrative.

This course is a creative writing intensive on the use of metrical patterns in English-language poetry. We'll study the most common meters that have traditionally been employed in English verse, learn to identify and scan them, then try using them in our own poetry. We'll play with patterns of sound and stress, listen to how meter work in words set to song, and maybe even dance a little, either metaphorically or literally, as we sway to the rhythms of words. Join me to learn how to set your words rockin'!

This class introduces students to some of the classic forms of European poetry, including sonnets, villanelles, sestinas, ballads, odes, and more. We’ll look at some noteworthy examples, then compose our own poetry following those structures, which we’ll then workshop together.

This class takes creative writers deeper into one of the most important approaches to English-language poetry: so-called "Free Verse." We’ll look at some noteworthy examples, discuss to what extent the verse is free (and from what), then compose our own poems responding to those ideas, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer. This module would have the greatest impact on poets who have spent a long time writing in meter, and will work best for those who are adept at scansion, but can be attempted by beginners, as well.

This is the Landing Page for Prof. Higgins' Poetry in Forms Series. After her introductory class, Creative Writing: Poetry in Forms, Prof. Higgins will survey the class to see which course the Class would like to take next in the Series.

This page will be updated to reflect which module in the series is being offered once the class decides.
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Creative Writing: Poetry in Forms Series:
• Creative Writing: Poetry in Forms: The Ballad > Link
• Creative Writing: Poetry in Forms: The Villanelle > Link
• Creative Writing: Poetry in Forms: The Sonnet > Link
• Creative Writing: Poetry in Forms: The Pantoum > Link
• Creative Writing: Poetry in Forms: The Sestina > Link
• Creative Writing: Poetry in Forms: The Ode > Link
• Creative Writing: Poetry in Forms: "Free Verse" > Link
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NOTE: Students can jump in at any month/part of the Series. There are no prerequisites.

This class takes creative writers deeper into one of the classic forms of European poetry: The Ballad. We’ll look at some noteworthy examples, learn the metrical and rhymes schemes, then compose our own ballads following those structures, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

This class takes creative writers deeper into one of the classic forms of European poetry: The Ode. We’ll look at some noteworthy examples, learn their rhetorical techniques, then compose our own odes following those models, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

This class takes creative writers deeper into one of the classic forms of European poetry: The Pantoum. We’ll look at some noteworthy examples, learn the metrical and rhyme schemes, then compose our own pantoums following those structures, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

This class takes creative writers deeper into one of the classic forms of European poetry: The Sestina. We’ll look at some noteworthy examples, learn the metrical and rhyme schemes, then compose our own sestinas following those structures, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

This class takes creative writers deeper into one of the greatest and most enduring classic forms of European poetry: The Sonnet. We’ll look at some noteworthy examples, learn the metrical and rhyme schemes, then compose our own sonnets following those structures, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

This class takes creative writers deeper into one of the classic forms of European poetry: The Villanelle. We’ll look at some noteworthy examples, learn the metrical and rhymes schemes, then compose our own villanelles following those structures, which we will then workshop together. While this course belongs to a cycle of modules on Poetry in Forms, there are no prerequisites, and students can take one or many in any order they prefer.

Join the amazing Jennie Starstuff: NASA Solar System Ambassador with Sparrow F. Alden to talk about the coolest, trippiest space physics to inspire our fiction! We’ll learn stuff on one day to use as writing prompts for peer-review on the second day. The plan is to explore star lore and archaeoastronomy; gravity and relativity (things get really weird); stars and cosmic life cycles; and life in the cosmos (alien contact? Heck, yes!). What about the amazing spaces between? We will have wonderful sonifications (sound pictures) of some of the most wonder-filled, hard to believe astro science out there—just imagine the stories we’ll create!

We will meet to discuss strategies for revising a piece of writing, including finding your own vision for your story, big-picture developmental editing, and crafting scenes. Writers are encouraged to apply revision strategies between sessions and discuss their work during class if they want to share. Writers will also have the opportunity to explore different editing strategies to help them shape their story into their own vision.

A New Story for a New Season!

On June 30th and July 1st & 2nd, we're going to celebrate creativity by attempting a complete story! Our format will include nine SPACE class sessions, WriterSpace focus time in excellent company, Bandersnatch Breakout rooms for craft talk and work encouragement, and an enthusiastic celebration of the season. We will plan, plan, plan on the 30th and you will get an amazing first draft on the 1st and 2nd ready for editing! This even dovetails beautifully with July Camp NaNoWriMo. So sharpen your quills, line up the inkpots, grill a BIG meal to last the weekend.

Here's the plan:
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Friday the 30th from 6:00 PM to 9:00 PM Eastern
6p - class session
7p - WriterSpace (we will attempt to do an entire Zero Draft)
8p - class session
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Saturday the 1st from 9:00 AM to 1:00 PM Eastern
9a - class session
10a - WriterSpace & Bandersnatch (that's "quiet space and talking space")
11a - WriterSpace & Bandersnatch
12noon - class session
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Saturday the 1st from 1:00 PM to 3:00 PM Eastern:
Nap time.
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Saturday the 1st from 3:00 PM to 9:05 PM Eastern:
3p - class session
4p - WriterSpace & Bandersnatch
5p - WriterSpace & Bandersnatch (completing our First Draft)
6p - class session
7p - WriterSpace & Bandersnatch
8p - class session
9p - Sparkler parade for those who can get their equipment outdoors to a safe spot.
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Sunday, the 2nd from 1:00 PM to 4:00 PM Eastern
1p - class session
2p - WriterSpace & Bandersnatch (envisioning our revisions plus machete editing!)
3p - class session & wrap up at 4p.
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Our goal is to create a ready-for-edit short work in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during.

You are going to end this amazing experience with a complete first draft of your story. What a way to celebrate!

A Feast of Writing!

In one weekend, we're going to celebrate creativity by attempting a complete short story, novelette, or novella! Our format will include nine SPACE class sessions, WriterSpace focus time in excellent company, Bandersnatch Breakout room for talking about our craft and peer feedback, and an enthusiastic celebration of Story. So sharpen your quills, line up the inkpots, make a BIG casserole to last the weekend.

Here's the plan (it's a little bit flexible):
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Friday from 6:00 PM to 9:00 PM Eastern
6p - class session
7p - WriterSpace
8p - class session
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Saturday the 31st from 9:00 AM to 1:00 PM Eastern
9a - class session
10a - WriterSpace, Bandersnatch, & peer review
11a - WriterSpace, Bandersnatch, & peer review
12noon - class session
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Saturday from 1:00 PM to 3:00 PM Eastern:
Nap time.
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Saturdayfrom 3:00 PM to 9:05 PM Eastern:
3p - class session
4p - WriterSpace, Bandersnatch, & peer review
5p - WriterSpace, Bandersnatch, & peer review
6p - class session
7p - WriterSpace, Bandersnatch, & peer review
8p - class session
9p - Frivolity!
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Sunday from 1:00 PM to 4:00 PM Eastern
1p - class session
2p - WriterSpace, Bandersnatch, & peer review
3p - class session & wrap up at 4p.
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Our goal is to create a completed first draft in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during.

You are going to end this amazing experience with a complete first draft of your story!

Write in the New Year!

On December 30th and 31st and January 1st, we're going to celebrate creativity by attempting a complete short story! Our format will include nine SPACE class sessions, WriterSpace focus time in excellent company, Bandersnatch Breakout room for talking about our craft, peer feedback through google doc commenting and breakout room conversations, and an enthusiastic ringing in of the new year. So sharpen your quills, line up the inkpots, make a BIG casserole to last the weekend.

Here's the plan:
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Friday the 30th from 6:00 PM to 9:00 PM Eastern
6p - class session
7p - WriterSpace
8p - class session
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Saturday the 31st from 9:00 AM to 1:00 PM Eastern
9a - class session
10a - WriterSpace, Bandersnatch, & peer review
11a - WriterSpace, Bandersnatch, & peer review
12noon - class session
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Saturday the 31st from 1:00 PM to 3:00 PM Eastern:
Nap time.
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Saturday the 31st from 3:00 PM to 9:05 PM Eastern:
3p - class session
4p - WriterSpace, Bandersnatch, & peer review
5p - WriterSpace, Bandersnatch, & peer review
6p - class session
7p - WriterSpace, Bandersnatch, & peer review
8p - class session
9p - ringing in the new year in Grytviken, King Edward Point, Sandwich Island (time zone UTC-2)
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Sunday, the 1st from 1:00 PM to 4:00 PM Eastern
1p - class session
2p - WriterSpace, Bandersnatch, & peer review
3p - class session & wrap up at 4p.
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Our goal is to create a completed short work in one weekend! Prompts, planning, focus methods, peer encouragement, machete editing, character crucibles — we’ll do it all. Writers will write between sessions as well as during.

You are going to end this amazing experience with a complete first draft of your story. What a way to begin 2023!

We will meet to blend learning, discussion, and playing games with reading, appreciating, and commenting on one another’s work as it is submitted for peer review. Writers are encouraged—but never required—to submit new pieces in any state of draftiness or readiness up to 2,000 words each week for peer reading and feedback. Our Collaborative Feedback method, developed here at Signum University, asks us to comment at the author's comfort level through a structured reader (not editor) response. We gather to encourage the story that the author wants to tell. Our philosophy of kindness first might just turn around your previous experience of writing groups.

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Note: A seat has been reserved in this module for a writer of traditionally marginalized identity. There is no form; simply write to [email protected] to identify yourself as someone who qualifies for and wishes to use this space in the writing group.
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How do you world-build without losing your reader? In this module, we will consider techniques on the scene level to embed world-building seamlessly into your narrative without bogging the reader down in exposition. Considering examples from J.R.R. Tolkien, Ursula K. Le Guin and Frank Herbert, we will learn from the masters to bring your world to vivid life. Focusing on viewpoint, characterization, word choice, and narrative conflict, we will workshop how to draw your reader in and make your universe feel like a real place. No matter your genre, this module will enrich your commercial fiction and help make your vision a reality.

What does a computer scientist wish that writers knew? That we are building aliens right here on Earth? That perception is not what we think it is? Join us for four weeks of learning, writing, and feedback. In "How Does Hacking Actually Work?" we'll learn to write far more complex and realistic scenes than Hollywood. In "Computer Perception" we'll talk about detecting the simple presence of volts and the most subtle patterns of the cosmos. In "Computer Interfaces" we're going to cook up stories about the Alien, the Understander, and the Quality of Misunderstanding. Finally in "Atemporal Decision Theory" we're going to ask enough questions about Truth, sentience, and honor to fill adventure after adventure with artificial and artisanal intelligences. Each week we'll have a learning and discussion day plus a day to reflect on "This idea made me ask 'what if?' and reach for my keyboard."

We need good tales of good people making heroic choices. Whether we write memoir, pure fiction, or a what-if-it-had-ended-well personal speculations, this module is about creating the characters whom we can admire, trust, emulate, and become. Writing these short scenes during difficult times balances our minds and hearts, and can be part of a personal path to hope. This module specifically allows us to write our inner heroes within a place of safety. When believing in heroes is hard, we need to write them anyway. Explore your own traumas, toils, and fears even if your bad situation is right now, and write your own next chapter, your terrified heroic first step.

Join Ms. Elise for a cozy and relaxed Book Club as we read and discuss the magic of C.S. Lewis’ The Lion, the Witch, and the Wardrobe.

What is love? This is the question C.S. Lewis explored in his classic book, The Four Loves. Over four weeks, we will read and discuss The Four Loves as a class, exploring his four classifications and their philosophical underpinnings. Comparing and contrasting Lewis with short excerpts from Plato's Symposium and Aristotle's Nicomachean Ethics, we will explore the themes of affection, friendship, eros and charity.

In this class we will explore some of the major texts and movements within historical Daoism, especially Laozi, Zhuangzi, and Daoist alchemy and long-life practices. We will also examine how some of these Daoist concepts are incorporated by Ursula K. Le Guin into her speculative fiction.

This module explores the practice of exorcism, from ancient Egypt and the Near East through antiquity and into Judaism, Christianity, and Islam. We will look at spells, rituals, and practitioners as well as the causes of possession, demons, and curses.

Too many of today’s languages—natural or constructed—use the Roman writing system. While you listen to the shimmering notes of your con lang flow from your tongue or in your imagination, have you ever dreamed of a completely new way of writing? This course will guide you through factors to consider while designing a writing system for your created language by investigating real-life orthography development for living, unwritten languages.

Terry Pratchett's witches - Granny Weatherwax, Nanny Ogg and Magrat Garlick - are more than just a marvelous spoof of those in Shakespeare's 'Macbeth'. In addition to their undoubted comedic value, they are also a voice for some of the major themes of the Discworld novels. Through readings of extracts from the relevant novels, as well as reference to some modern scholarship, we will examine the differences between witch magic and wizard magic; the role of witches in Discworld society; Pratchett's representations of gender; themes of power and authority, and the presentation of the minor witch characters. Access to the listed texts is desirable. Prior knowledge of at least the majority of the listed texts will be assumed.

Known as the shortest form of poetry in the world, haiku overwhelm us with their beautiful imagery and evoke incredible emotions. Join preceptors Robert Steed and Pilar Barrera in this module where we’ll explore the historical, religious and cultural background of haiku, read and analyze a variety of haiku by different authors, and play with haiku as you’ll have the opportunity to write your own!

Douglas Adams' Hitchhikers' Guide to the Galaxy was first a radio production, then a novelization, then a tv series, then a movie. If this is giving you fits, don't panic, there's even more. Grab your towel, and thumb, and hitch a ride for a rediculous look at the lighter side of science fiction. Where were you when you heard those recordings for the first time? Or discovered the trilogy was 5 (or 6?) books? In this SPACE course we will cover the 12 fits of the radio drama's first series, and the first 2 books in the trilogy that it covered: Hitchhiker's Guide to the Galaxy and Restaurant at the End of the Universe. There may be spoilers and digressions into the other adaptations and possible series in progress as well.

Which do you enjoy more: reading or eating? How about we do both at once! In this delicious module, we'll read fiction, nonfiction, and poems all about the gustatory delights of the table. We'll munch, slurp, taste, and swallow our way through juicy descriptions of gastronomic adventures around the world--AND we'll include some cooking and eating expeditions of our own along the way! So eat, drink, and be merry, for tomorrow we read.

Introduction to the non-god, non-human, entities in ancient Egypt. Demons were guardians, messengers, and performed other duties, usually as intermediaries between the gods and men. We will consider the category of “demon”, their roles, descriptions, and how they changed over time in the Egyptian worldview. How were demons viewed and why were they necessary? How did they relate to other cultures? What became of Egyptian Demons in later periods?

These are a special set of Egyptian texts, as well as objects and rituals that accompany them, used to act as either preventative or punitive magic against the enemies of Egypt. They provide a familiar framework from which to start learning about the specifics of Egyptian magic, in that they resemble our notion of “voodoo dolls”. How did they work? Why were they used? How did the object reflect the worldview of the Egyptians?

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this sequence of courses we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this sequence of courses we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this sequence of courses we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this sequence of courses we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

The Hieroglyphics series will present students with a basic understanding of Egyptian hieroglyphs, grammar, and knowledge about how to proceed with further study. In this series of 4 modules, we will discuss how to translate steles that you are likely to encounter in museums, as well as their cultural significance. As student progress, the class will tackle more complex translation. Each one-month module builds on the previous one, so students ready to learn Hieroglyphics will communicate with our Director and Professor Gaffney to make the right placement for everyone.

Another variation of this class looks at the history of magic writing, starting with the Pyramid texts and their evolution into the Books of the Dead, Coffin Texts, and the Greek Magical Texts. We will look closely at the origin and evolution of Egyptian spells and texts, as well as the culture that gave rise to them. How did magic work? How are writing and magic bound to one another? How are writing, magic, and image related? What were the various spells for?

This module will introduce the markup of literary and historical texts electronically. It will begin with a tour of the Extensible Markup Language (XML) and then the guidelines of the Text Encoding Initiative (TEI). There will plenty of hands-on activities to markup your out-of-copyright texts of choice.

Want to become a masterful literary sleuth? Come learn Sherlockian skills of poetic detection! In this module, we'll use all the available data (the words on the page) to deduce every last, little, meticulous, ingenious clue the author left for us to unlock the poem's full mystery and majesty. There's so much going on beneath the surface of a poem--connotations, figurative techniques, allusions, intertextual imbrications, formal virtuousity, and more--that it requires patience, analysis, a magnifying glass, and a Dr. Watson along by your side to observe and interpret them all. Together, we'll follow the tracks of genius through poetry old and new. Come along with me: The game's afoot! (a poetic foot, that is).

Japanese ghost stories are famous for their many chilling, sometimes funny, and creepy ghosts and yokai. Lafcadio Hearn, a Greek-later-Japanese writer popularized these stories in his book Kwaidan. In this module, we will discuss the stories, the settings, and their cultural and religious background.

This module will explore a range of English sonnets, some familiar and some more obscure, looking at the wordplay of all and exploring the contexts and reception of these poets or their authors where known. In the second half of the month, we will also explore the versatility of the sonnet form, looking at adaptations, variations, and the effects thereof.

This course is a fun exploration of Shakespeare's As You Like It. The lecturer will lead students through the sources, plot, character development and major themes. Class time will be spent in lectures and brief discussions.

This course is a fun exploration of Shakespeare's Hamlet. The lecturer will lead students through the sources, plot, character development and major themes. Class time will be spent in lectures and brief discussions.

We will explore Tolkien’s understanding of these two essential aspects of human literary experience, from the horns of the Rohirrim to the Children of Húrin.

This is a supplementary module to the Japanese language course. In this vocabulary-centered module taught by preceptors Pilar Barrera and Robert Steed we will explore different vocabulary related to daily life topics such as parts of the house, food, animals, as well as the use of certain important grammar structures. Using lots of pictures, students will have the opportunity to use and practice the vocabulary while exploring important cultural elements.

The third volume in Liu Cixin's Remembrance of Earth's Past series, Death's End builds on the setting of the first two novels, culminating in a dazzling series of events and thoughtful ruminations on their meaning. Join us as we explore this novel largely through class discussion framed by preceptor commentary. There are few series better for an introduction to Chinese science fiction than this one.

One of the most beloved of all classical Chinese novels, Journey to the West features Monkey, Pig, Sand-demon, White Horse, and the monk Tripitaka as they make a pilgrimage from Tang-dynasty Chang’an to India to bring back Buddhist scriptures, having outrageous adventures all along the way. Full of humor and wit, this is a major work of East Asian fantastic literature. Come along with Monkey and the gang for a tour through this foundational text!

We will watch and discuss Mushi Shi, paying special attention to aspects of Japanese religion and culture which are woven into the fabric of the story. The class will be discussion-oriented, framed by preceptor commentary. This is a beautifully designed series that rewards slow and relaxed contemplation.

Natsume’s Book of Friends is a contemplative and heartfelt anime/manga series about a boy who inherited a book from his grandmother, allowing him to control youkai. Instead, he chooses to free them. This series sits at the intersection of fantasy and slice of life, and it touches on many aspects of Japanese folklore and culture, at the same time telling a story about connection and compassion. In this module, we will watch and discuss the first two seasons of the anime, paying particular attention to themes including: the iyashikei (healing) genre of anime, the portrayal of youkai in popular culture, and the use of concepts and imagery from Japanese literature and folklore in the series.

This module is primarily discussion based, with some contextual information provided by the preceptor. There will be a Google Doc for class discussion and your preceptor will use slides, but sparingly.

Considered to be one the major classics of pre-modern Chinese literature, Romance of the Three Kingdoms focuses on a story of political and military struggle featuring an impressive array of characters, many of whom have become touchstones of Chinese cultural heritage and artistic interest. This novel has spawned a wide arrange of operas, stories, video game series, musical compositions, television and web series, as well as garnering much academic attention since it was first published in the 14th century. Join us as we read, discuss, analyze, and place in its cultural and historical contexts this major work of Chinese historical fiction.

Sei Shōnagon 清少納言 is a major writer of the Heian period (794-1185) whose Makura no Sōshi 枕草子 (The Pillow Book) has intrigued and delighted reading audiences for centuries. Colorful, witty, incisive, charming, thoughtful, melancholy, poetic---these qualities and more characterize this diary of the famous lady of the court. Join us as we read this text in-depth and place it within the frame of the flow of Japanese culture and history.

In this relaxed, discussion-oriented module, we will explore these two lesser-known short stories by Tolkien. While Smith of Wootton Major takes us to Fäerie in a story full of beautiful imagery and sorrow, Farmer Giles of Ham transports us to a comical medieval world full of unforgettable adventures and characters such as giants, Garm the talking dog, and the arrogant dragon Chrysophylax.

The second volume in Liu Cixin's The Remembrance of Earth's Past series continues the story of Trisolaran alien invasion and the range of human responses to that threat. As with the Three-Body Problem module, we will read and discuss the novel, both for its inherent interest and for the ways it can serve as an accessible gateway to various aspects of Chinese history, culture, and science fiction.

Join us as we explore Choo’s delightful debut novel, which has also been made into a Netflix series. The story focuses on Li Lan, a young Chinese woman, who lives in 1890s colonial Malaya with her father, who returns one evening with a proposition — to become the bride, a ghost bride, of the recently deceased heir to the fabulously wealthy Lim family. After a visit to the Lim mansion, Li Lan finds herself haunted by her ghostly would-be suitor, but also by her growing desire for the Lim’s living heir, Tian Bai. She is drawn into the multifold realms of the Chinese afterlife, with their ghost cities, funerary paper offerings, wandering spirits and rigid bureaucracy. Li Lan must navigate her way through this web of complicated relationships both to save her life and meet her destiny.

Join us as we explore this award-winning Chinese science fiction series from Liu Cixin. The focus will be on participant discussion framed by preceptor commentary. Beginning with The Three-Body Problem, we will explore the various themes of technological and social crisis that alien invasion might present, as well as how they can be interpreted in the context of Chinese history and society.

For this class we will take the two films of the title as the primary media through which we explore some of Hayao Miyazaki's major themes appearing throughout most of his work. These include themes of regard for nature, tensions between human society and the natural world, the prominence of shōjo (young female protagonists,) and questions of identity, of friendship, and of trust. Time permitting, we can consider even more.

First ever Asian winner of the Hugo award for best novel, as well as winning the Chinese Yinhe (“Galaxy”) award for best novel, and nominated for the Nebula award for best novel, and serving as the source material for an upcoming Netflix series by the same name, The Three-Body Problem is an exploration of both humanistic and technological themes in the context of Chinese history and contemporary society, all set in a narrative of alien invasion. There are few novels better for beginning to explore Chinese science fiction, so please join us as we take a deep dive into this fascinating masterpiece!

Content advisory: Graphic depictions of historical violence.

Attn: All continua enthusiasts and stub residents, join us as we delve into the world of William Gibson's recent novel and Amazon Prime series, The Peripheral. A world of branch universes, nanobot assassinations, attenuated time travel and kleptocrats, all under the ever-watchful Periwinkle eyes of Detective Inspector Ainsley Lowbeer and the looming Jackpot. If you have read the novels already, this is a great chance to revisit them as the Amazon series rolls out The Peripheral. If you have never read William Gibson, this is an opportunity to explore Gibson's particular flavor of fast-paced action, braided narratives, and provocative ideas.

Come explore Fairy Tales from the inside! In the first meeting each week Pilar Barrera will lift up a Fairy Tale technique, character archetype, or trope. We'll discuss the story at hand and how that story technique makes meaning. Then, students try their own hands at that technique! What do we learn when we push these ideas to their logical extremes? In the second meeting, Sparrow Alden will facilitate a workshop-style discussion of our original tale-telling work; we'll encourage one another as writers and appreciate one another as readers! Our goal is to complete the month with a deeper appreciation for the tales we all love and a folder with one to four good drafts of original tales.

In this module we will explore Beauty and the Beast in different versions and media. We’ll compare other similar stories and discuss its main themes, motifs, and imagery. We will read and view versions from Andrew Lang, the Grimm's Brothers, Disney, and more!

Note: Texts will be provided by the preceptors.

In this module, we will answer questions such as: what is a fairy tale? Why do we tell stories? What is the function of fairy tales? What are some recurring themes? Stories to be discussed include Snow White (with and without dwarfs), Little Red Riding-hood, the Little Match Girl, Thumbelina, and East of the Sun and West of the Moon.

In this module, we will explore Andrzej Sapkowski’s stories from The Last Wish (the first book in the now famous The Witcher Netflix series) and prequel to the main saga. We will discuss how fairy tales are deeply embedded in the stories and are a fundamental part of the Witcher’s world. We will talk about the abundant allusions to different fairy tales that permeate the narrative, read these fairy tales, and discuss how they are presented and molded in Sapkowski’s book. While we’ll talk about the TV series, particularly, the first episode of the second season, “A Grain of Truth”, we will focus on the book itself and on the fairy tales mentioned in the stories.

In this module, we will continue to explore fairy tales and discuss questions such as: what is the role of nature in fairy tales? What is the role of animals? What are some recurring themes in these tales? Stories to be discussed include “Cinderella”, “The Turnip”, “The Mouse, the Bird and the Sausage”, “The Forest Bride”, “The Daisy”, and “Five out of a Pod”.

In this module, we will examine fairy tales about tricksters and villains. We will discuss questions such as: why are tricksters important? What is the role of villains? What are some recurring themes in these tales? Stories to be discussed include “Hansel and Gretel”, “Bluebeard”, “Hans in Luck”, “Momotaro, the Peach Boy”, “The Bremen Musicians”, “The Old Woman and the Tramp”, and “The Tinder Box”.

Sharpen your knives and your pencils, for we're about to stir up the cauldron of stories! Want to whet your appetite while workshopping your writing? Where else can you taste the sweet flavor of inspiration in both the kitchen and the office? In this module, we'll combine cooking and creative writing: Each week, you'll (1) read literary works that revel in the gustatory delights of gastronomic adventure; (2) try out a new recipe; and (3) write a creative response of your own! As long as you don't eat your poems and write on your pastas, you'll delight in this most delicious of months.

In this book-club-style class, we will discuss Mary Shelley's ground-breaking novel Frankenstein; or, The Modern Prometheus. We’ll track the book's major themes, talk about its interesting narrative structure, discuss its historical context and contemporary applicability, and perhaps cheerfully debate some of its philosophical implications. We might talk a little bit about adaptations of the novel to stage or screen, the revision process between the 1818 and 1831 versions, and maybe some points scholars have made to help us understand this important work more deeply.

Join us for the second of two modules dedicated to exploring Full Metal Alchemist: Brotherhood. In this second module we’ll cover episodes 33-64 and the development and placement of its major themes including Truth, Science, Religion, Oppression, and Loss amongst others. Attending the next module in this series is not required, but for full enjoyment it’s definitely recommended.

Join us for the first of two modules dedicated to exploring the Fullmetal Alchemist: Brotherhood anime series. In this first module we’ll cover episodes 1-32 and the development and placement of its major themes including Truth, Science, Religion, Oppression, and Loss amongst others. Attending the next module in this series is not required, but for full enjoyment it’s definitely recommended.

Continuing from Beginning Gaelic, this is the A2 European fluency standard materials for Scottish Gaelic. Covering more in-depth grammar and idioms for conversation.

Continuing from Gaelic Foundations 1, this is the A2 European fluency standard materials for Scottish Gaelic. We will cover more in-depth grammar and idioms for conversation with sections on Seasons, People & Relationships, and At the House.

This series would likely comprise several modules as there's lots of time to cover.

Module 1 will begin with a look into what does "Celtic" mean and the language branches, Hallstatt and La Tene period artifacts, and what that tells us about the culture. Then we explore what Rome can tell us about Celtic culture through their lens up to Caesar's campaign in Gaul, Hadrian's Wall, Boudicca and the Iceni and hopefully we can cover the formation of Scotland.

Module 2 will essentially cover the period of the Middle Ages. We will explore what daily life looked like and talk about material culture and clan structures. We will also explore religion and the introduction of Christianity with the monastic cultures and manuscripts.

Module 3 will examine royalty in Scotland and the series of events that lead to Culloden.

Module 4 will explore diaspora-settlement, growth, and identity in the New World.

Module 5 will examine the modern gael-decline of language, revitalization efforts, and what does Gaeldom look like in the age of technology.

This series would likely comprise several modules as there's lots of time to cover.

Module 1 will begin with a look into what does "Celtic" mean and the language branches, Hallstatt and La Tene period artifacts, and what that tells us about the culture. Then we explore what Rome can tell us about Celtic culture through their lens up to Caesar's campaign in Gaul, Hadrian's Wall, Boudicca and the Iceni and hopefully we can cover the formation of Scotland.

Module 2 will essentially cover the period of the Middle Ages. We will explore what daily life looked like and talk about material culture and clan structures. We will also explore religion and the introduction of Christianity with the monastic cultures and manuscripts.

Module 3 will examine royalty in Scotland and the series of events that lead to Culloden.

Module 4 will explore diaspora-settlement, growth, and identity in the New World.

Module 5 will examine the modern gael-decline of language, revitalization efforts, and what does Gaeldom look like in the age of technology.

This series would likely comprise several modules as there's lots of time to cover.

Module 1 will begin with a look into what does "Celtic" mean and the language branches, Hallstatt and La Tene period artifacts, and what that tells us about the culture. Then we explore what Rome can tell us about Celtic culture through their lens up to Caesar's campaign in Gaul, Hadrian's Wall, Boudicca and the Iceni and hopefully we can cover the formation of Scotland.

Module 2 will essentially cover the period of the Middle Ages. We will explore what daily life looked like and talk about material culture and clan structures. We will also explore religion and the introduction of Christianity with the monastic cultures and manuscripts.

Module 3 will examine royalty in Scotland and the series of events that lead to Culloden.

Module 4 will explore diaspora-settlement, growth, and identity in the New World.

Module 5 will examine the modern gael-decline of language, revitalization efforts, and what does Gaeldom look like in the age of technology.

This series would likely comprise several modules as there's lots of time to cover.

Module 1 will begin with a look into what does "Celtic" mean and the language branches, Hallstatt and La Tene period artifacts, and what that tells us about the culture. Then we explore what Rome can tell us about Celtic culture through their lens up to Caesar's campaign in Gaul, Hadrian's Wall, Boudicca and the Iceni and hopefully we can cover the formation of Scotland.

Module 2 will essentially cover the period of the Middle Ages. We will explore what daily life looked like and talk about material culture and clan structures. We will also explore religion and the introduction of Christianity with the monastic cultures and manuscripts.

Module 3 will examine royalty in Scotland and the series of events that lead to Culloden.

Module 4 will explore diaspora-settlement, growth, and identity in the New World.

Module 5 will examine the modern gael-decline of language, revitalization efforts, and what does Gaeldom look like in the age of technology.

This series would likely comprise several modules as there's lots of time to cover.

Module 1 will begin with a look into what does "Celtic" mean and the language branches, Hallstatt and La Tene period artifacts, and what that tells us about the culture. Then we explore what Rome can tell us about Celtic culture through their lens up to Caesar's campaign in Gaul, Hadrian's Wall, Boudicca and the Iceni and hopefully we can cover the formation of Scotland.

Module 2 will essentially cover the period of the Middle Ages. We will explore what daily life looked like and talk about material culture and clan structures. We will also explore religion and the introduction of Christianity with the monastic cultures and manuscripts.

Module 3 will examine royalty in Scotland and the series of events that lead to Culloden.

Module 4 will explore diaspora-settlement, growth, and identity in the New World.

Module 5 will examine the modern gael-decline of language, revitalization efforts, and what does Gaeldom look like in the age of technology.

This course introduces the student to the various aspects of geology and how they can relate to worldbuilding and mapmaking. This includes continents, plate tectonics, mountains, water, glaciers, planetary patterns, the distribution of rock types and natural resources, natural disasters and weather patterns. This background would allow students to better evaluate fictional maps as well as create them. Examples will be drawn from Middle-earth, Earth-sea, Westeros, Dungeons and Dragons, and suggestions from students.

In this module, we will discuss two films of the Godzilla franchise -- the original 1954 Gojira and 2016's Shin Godzilla. After a quick overview of the franchise -- its numerous films and eras -- we'll look at the historical events that influenced each films' creation, as well as the central themes and motifs.

You wouldn't want to end up like Eustace Clarence Scrubb, would you: strong on imports and exports, but weak on dragons? To avoid that fate, come and talk about dragons old and new, wicked and glorious, beloved and feared in many a tale. Python, Hydra, Draco, Leviathan and the Colchian dragon threatened Classical heroes. Germanic gods and warriors contended with Níðhöggr, Jörmungandr, Starkheart, and Fafnir. There are dragons in Arthuriana and medieval folklore. And of course, dragons proliferate in more recent fantasy, including those by Lewis Carroll, J.R.R. Tolkien, C.S. Lewis, Ursula K. LeGuin, J.K. Rowling, George R.R. Martin, Anne McCaffrey, Christopher Paolini, and more. We'll read short excerpts from a wide range of European and American literature, looking at the evolution of the dragon, and attendees will be encouraged to bring in additional texts for discussion. You'll be well prepared for sleeping on a dragon's hoard after this!

Sir Philip Pullman’s His Dark Materials trilogy is widely regarded as a modern classic, has been described by The New Statesman as “the most ambitious work since The Lord of the Rings,” and has been adapted onto stage, radio, and screen. The series is also deep and complex, drawing from a rich array of literary, philosophical, and theological ideas.

In this three-module series we will read, successively, the three novels in Philip Pullman’s His Dark Materials trilogy, juxtaposing each with selected materials that will allow us to read Pullman’s work both on its own and in conversation with other works. Students can join one, two, or all three modules. There are no prerequisites.

Module 1: His Dark Materials in Context 1: The Golden Compass / Northern Lights
Module 2: His Dark Materials in Context 2: The Subtle Knife
Module 3: His Dark Materials in Context 3: The Amber Spyglass

This module gives an overview of writing and alphabets, literary and other works written on stone, papyrus, wax, and parchment.

Diana Glyer's marvelous book "Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings" is part literary biography, part how-to guide for setting up your own writing group. We'll read her book and talk through both aspects. We'll unpack what it reveals about Tolkien's & Lewis's creative writing methods, and we'll brainstorm how we might apply those to our own writing, whether individually or in groups. You're totally welcome to attend if your interest is in the scholarly aspect (the Inklings as writers in their time), the creative aspect (how collaborative writing groups work), both, or something else altogether! Either way, I'm sure you'll be inspired and encouraged by the example of these great--but very human--writers.

This course will introduce you to some of the basic laws of universal grammar and guide you through the process of writing an analysis of any language.

Would you like to know how to write really awful prose? Boring stories? Flat novels? Poems that make readers yawn? Then you’ve come to the right place! In this class, we’ll find out how to fill our writing with useless fluff, use all abstract generalizations and avoid sensory descriptions, choose well-worn clichés, ignore stylistics, go for the most obvious ideas, introduce unimportant characters, avoid tidy paragraphs, and create a dull narrative. You won’t want to miss out on this superficial study of the mediocre, the mundane, and the soporific!

In each class, we’ll look at an example of writing that follows these rules and is, therefore, rather bad. Then we’ll do exercises in which we improve that aspect of this writing. Participants will be invited to work throughout this month on one piece of their own writing. It could be a short story, novel, poem, nonfiction work, or academic piece. At the end of each class, we’ll brainstorm how to apply that day’s real principle of good writing to our own work.

H.P. Lovecraft revolutionized horror, modernized the Gothic, and created a 20th-century mythology explored by authors from Jorge Luis Borges to Stephen King. This module provides an overview of Lovecraft's fiction, from his early "Dunsanian" fantasies to his later science fiction masterpieces. Along the way, it touches on Lovecraft's life and times, his letters and criticism, and other aspects of his thought, but keeps the stories themselves central. We explore Lovecraft's uses of settings such as "witch-haunted Arkham," techniques including the near-hoax and "adventurous expectancy," and his great theme of "cosmic indifference."

A continuation of the themes from Introduction to Egyptian Magic. We will add to our repertoire of spell and magical categories, including a variety of specific spells from texts and objects, including magic-medical spells, wands, execration materials, and amulets. This class will also review some of the magic associated with religious rituals and the afterlife. What constituted a magic object and how were they used? What magic was useful for the afterlife?

This course is for those who have had beginning Latin and are ready to move on into reading and translating classical Latin authors.

Designed for students who have completed an introductory Latin textbook and wish to explore real Latin texts at a gentle pace, this class will cover the translation of selected passages from Caesar’s Gallic Wars. We will parse passages and read Caesar’s prose slowly to allow ample time for grammatical review as students try new translation techniques, and familiarise themselves with Caesar’s prose.

Designed for students who have completed an introductory Latin textbook and wish to explore real Latin texts at a gentle pace, this class will walk students through a selection of Martial’s Latin epigrams, adapting the quantity of texts and homework to meet the needs of the enrolled students. We will parse passages, review grammar and vocabulary, and translate these poems, moving somewhat slowly to allow ample time for grammatical review as students test different translation techniques and absorb new and irregular forms and devices.

Designed for students who have completed an introductory Latin textbook and wish to explore real Latin texts at a gentle pace, this class will walk students through a selection of Psalms from the Latin Vulgate, adapting the quantity of texts and homework to meet the needs of the enrolled students. We will parse passages and read the psalms clause by clause, moving somewhat slowly to allow ample time for grammatical review as students test different translation techniques and absorb new abbreviations, grammatical quirks, and irregular or new forms.

An introduction to magic in the ancient world provides a short survey of the earliest known magical texts and objects, including the Pyramid texts, Sumerian exorcism spells, and objects used in different apotropaic rituals. Divination and other forms of magic will be included as well. What was the earliest magic? What did it do and how did it work? Who practiced magic? How was magic related to religion?

This class continues into module two where we look specifically the Greco-Roman world, magic in myth and literature, and specific spells and objects in use throughout the classical world, including their relations to Mesopotamia and Egypt. This includes the Greek magical texts. What types of magic did they use? Who practiced them and why?

Last in the sequence of Ancient Magic is the use of magic in the early Christian world, its relationship with contemporary magic, and related texts. We will explore the origins of this magic, how it was used, and how it evolved over time. We will look at both religious and non-religious magic through a number of examples, both verbal spells and magical items, such as Aramaic incantation bowls.

This is the Landing Page for Prof. Shawn Gaffney's series exploring Ancient Magic.

This page will be updated to reflect which module in the series is being explored in a given month.
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Introduction to Ancient Magic Series:
• Module 1: Introduction to Ancient Magic 1 > Link
• Module 2: Introduction to Ancient Magic 2 > Link
• Module 3: Introduction to Ancient Magic 3 > Link
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NOTE: Students can jump in at any month/part of the Series. There are no prerequisites.

Do you love the physical object of a book just as much as the information it contains? Do you smell your books when you get home from the library or the bookstore? Do you like working with your hands to make things? Then this module is for you!

This class is an introduction to the materials, tools, and methods of making books by hand. Whether you're looking to make "junk journals" on a tight budget or want to rebind your favorite tome in leather, you'll find the information you need in this module!

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Course Outline:

• Class 1: Brief History of Book Binding and Tools Overview
• Class 2: Materials and Terms - The Anatomy of a Book
• Class 3: Text Block Assembly 1 - Glued Binding Options - Perfect Binding and Double Fan Binding
• Class 4: Text Block Assembly 2 - Sewn Binding Options - Kettle Stitch, Coptic Binding, and Japanese Stab Binding
• Class 5: Cover Assembly 1 - How To Make a Softcover - Paperback and Wrap Covers
• Class 6: Cover Assembly 2 - How To Make a Hardback - Classic/English Binding and Hollow Back Case Binding
• Class 7: Cover Decoration and Finishing - Traditional and Modern Methods
• Class 8: Overflow, Resources for Further Research, and Final Q & A
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This module introduces you to the grammatical structure of a programming language. It's designed to give you the mental framework to learn any programming language more easily; though the syntax of programming languages can differ, the basic principles are the same. You'll learn about building blocks like variables, objects, and functions, and common patterns like if statements, switches, and for loops. And you'll put it all together and write your first simple program.

Note: Two class sessions will be considered lab sections, one in the middle of the month and one at the end. They will give you dedicated time to ask questions about your own projects, and explore topics we may not have covered in class.

In this module we will explore the formation and development of early Buddhist traditions, focusing on the life of the historical Buddha, the Deer Park Dharma Discourse, the formation of the Sangha (Buddhist monastic community), and the foundational teachings of the Four Noble Truths, the Three Marks of Existence, and the Chain of Dependent Origination.

Introduction to the basic magic of Egypt, including medical, religious, and daily magic used by both specialists and ordinary Egyptians. Where was magic used and by whom? How did one practice magic? Examples will be drawn specifically from Egyptian sources. We will also discuss magic as it is explained in theoretical literature, how we can view magic through these theoretical frameworks, and how they might be applied elsewhere.

In this module, we will read and discuss some of Andersen’s fairy tales. We will talk about their plot, characters, and specific imagery. We will also discuss Andersen’s influence on subsequent authors and expressions in different media.

This course is a basic introduction to the scientific study of the mechanics of language, with a bit of an extra focus on considerations relevant to studying literature.

Building on the "Introduction to Early Buddhism" module, we will explore the development of Mahayana Buddhist traditions, focusing especially on Madhyamika and Yogacara trends, the Zen and Pure Land Schools, the Heart Sutra, the Lotus Sutra, and interactions with Chinese religio-philosophical systems, especially Daoism, and the fascinating culture of the Dunhuang caves.

In this module, we will read and discuss some of Oscar Wilde’s fairy tales. We will talk about the plot, characters, specific nuances of the language, use of irony, and general meaning, as well as Wilde’s influence on other media.

Have you wanted to write a story but didn't know how to get words onto a blank page? Once the words were there, did you wonder how to find out if those words affected your reader the way you meant them to?

In this SPACE module, we will look at where ideas for stories come from. We will take our ideas from our thoughts to the page. Then we will learn, in a supportive community using the Collaborative Feedback method, how to ask for and receive the feedback our stories need to thrive.

As classical mythology is often the gateway into mythological studies, so too will this course be your gateway into classical mythology. We will explore the mythology of the Greco-Roman world in broad strokes, familiarizing ourselves with gods and heroes, before ending the module by dabbling in a bit of comparative mythological study. In doing so, we'll look at excerpts from a few classical authors (in translation), as well as some artifacts and possibly even some historical sites.

This course offers an in-depth look at the first complete “historical” narrative of the reign of King Arthur, Geoffrey’s Historia Regum Britanniae – as well as the centuries-long controversy this book generated. Comprising almost a quarter of Geoffrey’s History (Books 4 – 11), this crucial first account of the king includes the arrival of the Saxons in England, a battle of dragons, the boy Merlin’s prophetic visions, Arthur’s magically-contrived conception, his conquest of Rome, and his overthrown and death at the hands of his nephew Mordred. This course will also look at the battle of books that ensued following the appearance of Geoffrey’s work, with some contemporary chroniclers alleging that Geoffrey had simply made the whole thing up, and others rallying to Geoffrey’s (and Arthur’s) defense.

Winner of the Hugo Award for Best All-Time Series in 1966, Isaac Asimov's Foundation series has grown from its many short stories in various serial publications into a solid and complete whole, with adaptations and prequels, and side series as well. Let's take a spoiler heavy, thoughtful and fan approach to this alternate future of humanity. Caveat: All the Foundation novels are listed in the Reading list, but there may be spoilers about the Robot and Empire series as well.

In this module we will explore the historical origins and development of these forms of Japanese theater. We will situate them in their historical, cultural, religious, and economic contexts, as well as watching substantial video clips from each to spur discussion.

In this module we will talk about Japanese children’s literature and fairy tales and their connection to specific Japanese cultural aspects and values such as the acceptance of death and the imperfection of the world.

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

In this series of modules, you will get familiarized with basic Japanese vocabulary and structures. Using a communicative approach, you’ll learn basic expressions, start to learn the hiragana script, and recognize katakana and kanji in a fun and interactive way. We will also explore Japanese culture in general. いっしょに日本語を学びましょう！

Join us as we discover the historical origins and literary presences of these categories of people who often appear in Japanese and Japan-related narratives. We will also pay attention to the "systems" in which they participate, including economic, political, and religious, as well as aspects of culture that shape them such as codes of bushido, monastic life, shamanism, and political struggle.

This module is offered for those Japanese language students who wish to take the Japanese Language Proficiency Test, level N5. We will not be learning new language skills in this module. Instead we will be reviewing and repetitively practicing the precise set of skills tested on the JLPT N5 test, as well as covering various test-taking strategies. Upon passing the test, participants will receive an official certification of language skill level from the Japanese government.

Join Ms. Elise for a cozy, relaxed Book Club setting and discuss the joy of Tolkien’s beloved Christmas tale.

Join Ms. Elise for a cozy and relaxed Book Club as we read and discuss J.R.R. Tolkien’s classic, The Hobbit.

Love, power, betrayal, death; the occasional dragon and cursed ring. All these are to be found in the legends of the Vǫlsungs and Niflungs, amongst the most popular and abiding legends of the medieval Germanic-speaking and Norse worlds. J.R.R. Tolkien reworked these into two poems in Modern English patterned after the alliterative style of Old Norse poems. In this module, we read Tolkien’s poems and their accompanying commentary to see how Tolkien wrought his own retelling of these ancient tales, and we’ll trace the connections across from the original medieval legends through Tolkien’s retelling to his original works of fantasy set in Middle-earth.

ghojlu’meH QaQ jajvam! (“Today is a good day to learn!”) Klingons: the bumpy-headed warrior race from Star Trek that is obsessed with honor and glory. You’ve heard about people who learn to speak Klingon, and now you can join their ranks. This course will teach students how to read and speak the Warrior’s Tongue. Start with basic grammar and work up to complex sentences. Learn Klingon’s complex inventory of prefixes and suffixes. By the end of this course, you will be able to read and converse in basic Klingon. Qapla’! (“Success!”).

After Klingon 1, those students wishing to continue their Klingon experience can take Klingon 2, the final module in the Klingon series.

So you've learned to speak basic Klingon. But, do you know the correct response when a Klingon tells you a secret? What does it mean if a Klingon says you're using a big scoop? Why do Klingons mix up their words when making toasts? How do you address your loved ones in private and in public? Why are some Klingons mispronouncing certain words? This course, which assumes you have completed Klingon 1, will teach you about the cultural nuances of the Klingon language, including its slang, idioms, dialects, argot, forms of address, familial terms, ritualized speech, measurements, and mathematics.

ghojlu’meH QaQ jajvam! (“Today is a good day to learn!”) Klingons: the bumpy-headed warrior race from Star Trek that is obsessed with honor and glory. You’ve heard about people who learn to speak Klingon, and now you can join their ranks. This course will teach students how to read and speak the Warrior’s Tongue. Start with basic grammar and work up to complex sentences. Learn Klingon’s complex inventory of prefixes and suffixes. By the end of this course, you will be able to read and converse in basic Klingon. Qapla’! (“Success!”).

After Klingon 1, those students wishing to continue their Klingon experience can take Klingon 2, the final module in the Klingon series.

Is The Silmarillion your favorite book? Is it your least-favorite book? Whether you’re reading it for the first or fiftieth time, KnewBettaDoBetta will help you see it in a more fun, relatable way!

Tolkien’s The Silmarillion is inarguably a complex read. KnewBetta seeks to make it more accessible by teaching the lore in an understandable way. His hope is that everyone can share his knowledge and passion! This course will look at characters, relationships, relatable themes, and meanings that you may not have explored yet.

What do Korean dramas, K-pop, webtoons, and Korean films all have in common? ... The Korean language!

This module is for those who are ready to begin their journey in Korean. In this first step, we will learn to read the Korean alphabet (Hangeul), cover basic vocabulary, and begin exploring grammar and honorifics. We will be following a textbook, but will also spend time exploring song lyrics and a webtoon. The textbook we will be following is: Yonsei Korean 1-1 published by the Yonsei Korean Institute.

Note: This course has the potential to become a series of modules for those who wish to pursue higher levels of proficiency.

Having completed our study of Hangeul and introduced formal speech (하십시오체), we will continue working primarily with formal speech and the "casually polite" (해요체) as we move into more everyday subjects. Following the Yonsei Korean 1-1 textbook, we will focus on the "Family and Friends" and "Food" units, respectively. Though reading, writing, listening, and speaking will all be covered, this module will have a slight emphasis on conversation.

Join us as we continue our study of Korean! Though reading, writing, listening, and speaking will all be covered, this module will have a slight emphasis on conversation.

What do Korean dramas, K-pop, webtoons, and Korean films all have in common? ... The Korean language!

This module is for those who are ready to begin their journey in Korean. In this first step, we will learn to read the Korean alphabet (Hangeul), cover basic vocabulary, and begin exploring grammar and honorifics. We will be following a textbook, but will also spend time exploring song lyrics and a webtoon. The textbook we will be following is: Yonsei Korean 1-1 published by the Yonsei Korean Institute.

Note: This course has the potential to become a series of modules for those who wish to pursue higher levels of proficiency.

In this month-long introduction to the formal study of Latin, students will learn the basic principles of Latin translation, learn to conjugate Latin verbs in the present tense and decline Latin nouns in the 1st and 2nd declensions, and practice translating sentences and short Latin passages. The first step in Signum SPACE's Latin in a Year sequence, this module covers chapters 1-4 of Wheelock's Latin.

In the tenth month of Latin in a Year, students will continue to learn applications for the subjunctive mood, practice spotting and translating deponent verbs, and study the paradigms for some of the most common irregular Latin verbs. Students will continue to translate short sentences and longer passages throughout the month. This module will cover chapters 34-37 in Wheelock’s Latin.



This module covers chapters 34-37 of Wheelock’s Latin::
- 34: Deponent Verbs; Ablative with Special Deponents
- 35: Dative with Adjectives; Dative with Special Verbs; Dative with Compounds
- 36: Jussive Noun Clauses; Fio
- 37: Conjugation of Eo; Constructions of Place and Time

Latin in a Year continues, in its penultimate month, with additional forms and uses of participles and subjunctives as well as a handful of useful constructions and forms that function in slightly irregular ways. Covering the final three chapters in Wheelock’s Latin (38-40), this module reviews many earlier constructions and introduces a few new forms and functions.



This module covers chapters 38-40 of Wheelock’s Latin::
- 38: Relative Clauses of Characteristic; Dative of Reference; Supines
- 39: Gerund and Gerundive
- 40: -Ne, Num, and Nonne in Direct Questions; Fear Clauses;Genitive and Ablative of Description

Having worked through a complete introductory Latin textbook, students taking Latin in a Year will now be able to translate many easier Latin passages with speed and accuracy, and will be able to work through more advanced texts with the aid of a good grammar book and dictionary.

In this culminating month, students will translate textbook passages specifically designed and annotated for student practice and also attempt some simplified Classical and Ecclesiastical texts that draw upon their current knowledge base. A celebration of student accomplishments, this conclusion to the Latin in a Year series will let students review recent grammar and vocabulary and sample a variety of texts that they may enjoy working through in the future.

Students taking this module will learn to decline Latin nouns in the 3rd declension and conjugate Latin verbs (including sum/esse) in the imperfect and future tenses, applying these new skills to sentences and short Latin passages. The second part of Signum SPACE's Latin in a Year sequence, this module covers chapters 5-7 of Wheelock's Latin.

Having experienced first- and second-conjugation verbs in the previous two months, students will spend much of this month learning the forms for third- and fourth-conjugation verbs, interspersed with demonstrative and personal pronouns and some irregular adjectives. The third segment of Signum SPACE's Latin in a Year sequence, this module covers chapters 8-11 of Wheelock's Latin.

This fourth unit of Signum SPACE's Latin in a Year sequence expects students to be familiar with present, imperfect, and future forms of all regular verbs (and sum/esse); nouns and adjectives in the 1st, 2nd, and 3rd declensions; and demonstrative and personal pronouns, using these new forms to translate sentences and short Latin passages. Building on these skills, students will learn the perfect active system of verbs (including pluperfect and future perfect), reflexive pronouns and possessives, several ablative forms, and numerals. As ever, students will translate sentences and short Latin passages as they apply and learn these and previous grammatical techniques. This module covers chapters 12-15 of Wheelock's Latin.

This fifth unit of Signum SPACE’s Latin in a Year sequence expects students to be familiar with active verb conjugations in all six tenses; nouns and adjectives in the 1st, 2nd, and 3rd declensions; and personal, reflexive, and demonstrative pronouns. During this fifth month, students will work through five chapters of Wheelock’s Latin, completing the grammar and material in the first half of the textbook (through Chapter 20) in the process. This segment covers relative pronouns, all passive indicative verb forms, and fourth declension noun endings. This unit also provides a sound review and a good starting point for students who completed the Latin I MA class at Signum University and wish to continue the study of Latin at a comparatively gentler pace.

This sixth unit of Signum SPACE’s Latin in a Year sequence expects enrolling students to be familiar with all grammar and vocabulary from the first half of the Wheelock’s Latin textbook (see list below). Students will gain additional familiarity with passive verb forms, learn fifth declension noun endings, and begin the study of participles.



This module covers chapters 21-23 of Wheelock’s Latin:
- 21: Third and Fourth Conjugations: Passive Voice of the Present System
- 22: Fifth Declension; Ablative of Place Where; Summary of Ablative Uses
- 23: Participles



Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th declension endings for nouns and adjectives
- Knowledge of regular Latin verb conjugations in all indicative tenses (present, imperfect, future, perfect, pluperfect, future perfect), both active and passive, and the imperative forms
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals
- Acquaintance with ablatives of means, accompaniment, manner, time, agent, separation, and place from which, as well as genitive of the whole and use of genitive and ablative with cardinal numerals

This seventh unit of Signum SPACE’s Latin in a Year sequence expects students to be familiar with active and passive verb conjugations in all six tenses, nouns and adjectives in all declensions, major pronoun systems, and participles. In Month 7, students will work through four chapters of Wheelock’s Latin, learning new forms of known adjectives, discovering new ways to translate dative and ablative nouns and selected passive verbs, and studying new uses for the infinitive.



This module covers chapters 24-27 of Wheelock’s Latin:
- 24: Ablative Absolute; Passive Periphrastic; Dative of Agent
- 25: Infinitives; Indirect Statement
- 26: Comparison of Adjectives; Declension of Comparatives; Ablative of Comparison
- 27: Special and Irregular Comparison of Adjectives

The eighth month of Latin in a Year must, at last, celebrate the subjunctive. By this point, continuing students should be familiar with most noun forms, the active and passive indicative forms of many Latin verbs, basic pronouns and clause constructions, and a range of smaller grammatical uses. With this background established, students can expect to learn the regular subjunctive forms and may begin to explore a range of more fluid translations.



This module covers chapters 28-30 of Wheelock’s Latin:
- 28: Subjunctive Mood; Present Subjunctive; Jussive and Purpose Clauses
- 29: Imperfect Subjunctive; Present and Imperfect Subjunctive of Sum and Possum; Result Clauses
- 30: Perfect and Pluperfect Subjunctive; Indirect Questions; Sequence of Tenses

Building on a general knowledge of all major noun and verb forms, students will be ready, in the ninth month of Latin in a Year, to explore some grammatical constructions that build upon subjunctive verb forms and to apply techniques from comparative adjectives to more complex adverb formations. Students will work through three chapters of Wheelock’s Latin and continue developing translation techniques by working through textbook sentences and short Latin passages.



This module covers chapters 31-33 of Wheelock’s Latin::
- 31: Cum Clauses; Fero
- 32: Formation and Comparison of Adverbs; Volo, Malo, Nolo; Proviso Clauses
- 33: Conditions

Designed for absolute beginners as well as past Latin scholars who want to review at relative leisure, Signum’s 12-module Latin in a Year series surveys core Latin grammar and basic classical vocabulary. Each month, students will tackle new grammatical concepts and paradigms, learn new vocabulary, and practice translating short sentences and longer passages. Optional homework is available for the overzealous. Each one-month module builds on the previous one, so students with prior experience are encouraged to communicate with our Director and Professor Acker to find the right entry point. See the list below for some general guidelines of what material is explored over the course of each module.

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We will be offering this series next in January 2023, starting at Month 1.
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Month 1: Overview of nouns and verbs (present active verbs, 1st and 2nd declension)
Month 2: Adding new tenses (imperfect and future active) and a new declension (3rd)
Month 3: 3rd and 4th conjugations (existing tenses) and new pronouns
Month 4: New verb tenses (perfect system) and more pronouns; numerals
Month 5: Passive verb forms; 4th declension nouns; more pronouns
Month 6: 5th declension, but mostly participles
Month 7: Comparatives, superlatives, and some irregular forms
Month 8: Basic subjunctives
Month 9: Irregular verbs and conditions
Month 10: Subjunctives, deponents, datives, and more irregular verbs
Month 11: (more) finicky grammar
Month 12: Basic readings
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The Latin in a Year series of Modules allows students to continue their study of Latin in SPACE. This series, however, is also available to students who have past Latin experience and who want to pick up the series partway through or reinforce a previous concept. See the list below for some general guidelines, and consult with SPACE staff or the Latin preceptor if you would like to see a more detailed description of each module or to figure out the best possible starting point for you!

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Month 1: Overview of nouns and verbs (present active verbs, 1st and 2nd declension)
Month 2: Adding new tenses (imperfect and future active) and a new declension (3rd)
Month 3: 3rd and 4th conjugations (existing tenses) and new pronouns
Month 4: New verb tenses (perfect system) and more pronouns; numerals
Month 5: Passive verb forms; 4th declension nouns; more pronouns
Month 6: 5th declension, but mostly participles
Month 7: Comparatives, superlatives, and some irregular forms
Month 8: Basic subjunctives
Month 9: Irregular verbs and conditions
Month 10: Subjunctives, deponents, datives, and more irregular verbs
Month 11: (more) finicky grammar
Month 12: Basic readings
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When the weight of grammatical forms and memorization would benefit from time to practice and process, the Latin Readings for Advanced Beginners modules offer respite from the regular Latin in a Year program on an ad hoc basis. As appropriate to their skill levels, Latin in a Year students (other scholars are welcome too!) will spend one month reading selected passages from selected textbooks, Latin readers, and (when appropriate) intermediate Latin texts to support their current grammatical skills. The difficulty level and recommended grammatical knowledge for each module will typically be based upon the progress of one or more existing Latin in a Year cohorts, but the SPACE staff or module preceptor will be happy to provide more information.

This module offers a series of Latin readings that review material covered in many traditional Latin I courses (including Signum's own Latin I graduate course and the first five Latin in a Year SPACE modules). Students will read selections from selected textbooks and Latin readers and attempt two short literary passages. All readings will be provided, though access to a Latin grammar book and a basic Latin dictionary may be beneficial.

Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th declension endings for nouns and adjectives
- Knowledge of regular Latin verb conjugations in all indicative tenses (present, imperfect, future, perfect, pluperfect, future perfect), both active and passive, and the imperative forms
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals
- Acquaintance with ablatives of means, accompaniment, manner, time, agent, separation, and place from which, as well as genitive of the whole and use of genitive and ablative with cardinal numerals

This module offers a series of Latin readings that review material covered in many traditional Latin courses (a little more than Latin I but not the full span of Latin II). Students will read selections from selected textbooks and Latin readers and attempt two short literary passages. All readings will be provided, though access to a Latin grammar book and a basic Latin dictionary may be beneficial.

Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th, and 5th declension endings for nouns and adjectives
- Familiarity with comparative and superlative forms of regular adjectives
- Knowledge of regular Latin verb conjugations in the subjunctive, indicative, imperative, and infinitive moods, in all relevant tenses, both active and passive
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals
- Familiarity with Latin participles
- Acquaintance with ablatives of means, accompaniment, manner, time, agent, separation, and place from which, as well as genitive of the whole, use of genitive and ablative with cardinal numerals, and ablative absolute.

This module offers a series of Latin readings that review material covered in many traditional Latin courses (a little more than Latin I but not the full span of Latin II). Students will read selections from selected Latin readers and attempt two or three short literary passages, as time allows. All readings will be provided, though access to a Latin grammar book and a basic Latin dictionary may be beneficial.

For the December 2022 iteration, we will revisit some of the carols and passages introduced in the inaugural Translation Techniques for Beginning Latin Students course in December 2021, allowing students who have pursued the full Latin in a Year series to see just how far they have come in their 12 months of study.

Latin grammar assumed:
- Understanding of stems, endings, cases, agreement, and parts of speech
- Knowledge of 1st, 2nd, 3rd, and 4th, and 5th declension endings for nouns and adjectives
- Familiarity with comparative and superlative forms of regular adjectives
- Knowledge of regular Latin verb conjugations in the subjunctive, indicative, imperative, and infinitive moods, in all relevant tenses, both active and passive
- Ability to recognize conjugations of of “sum” and “possum”
- Familiarity with ego, tu, is, hic, ille, iste, idem, qui, and reflexives
- Awareness of Latin numerals

Perhaps you studied Spanish or French in high school, yet--frustratingly--can’t give your order for chilaquiles or soupe à l'oignon today. This course will provide you with a method for learning any language in the world by meeting with someone who has no experience in teaching their language--and learn in a way that will make the language stick! This “Growing Participator’s Approach” uses methods based on how children learn language. You will learn how you can grow into the language (and the culture) rather than just memorize vocab and rules.

No, not India Pale Ale! Learn exactly how to pronounce the particular sounds represented by the little squiggles and upside-down characters you find in some dictionaries. Ever wanted to be a Prof. Henry (not Sorina) Higgins and copy down an accent with perfect accuracy? The International Phonetic Alphabet is your key! This course will allow you to start to learn each of the symbols of the IPA, which will introduce you to each and every sound used meaningfully in the world’s languages, living, dead, or imaginary.

Ursula K. Le Guin explores themes of power, love, nature, gender, art, politics, and more through her richly-developed world of Earthsea, drawing upon literary, philosophical, religious, and anthropological interests in doing so. We will walk on the islands of Earthsea and dive into its waters as we discover beloved, and maybe hidden or controversial, aspects of Le Guin’s masterpiece.

This present module is for Cycle 1 of the Earthsea Series, exploring A Wizard of Earthsea and The Tombs of Atuan.

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The Earthsea Series consists of 3 modules exploring a different Cycle of Le Guin's expansive work:
• Cycle 1 explores A Wizard of Earthsea and The Tombs of Atuan,
• Cycle 2 explores The Farthest Shore and Tehanu, and
• Cycle 3 explores The Other Wind and Tales from Earthsea
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NOTE: Students can jump in at any month/part of the Series.

Do you have a general idea or old class paper that you’d like to refresh for an academic conference? This module is for individuals who are interested in turning a past or current research project into an abstract (proposal) and script or outline for a 20-minute conference paper. Bring some past writing (or a bunch of notes) to our first meeting, and we will brainstorm possible venues; wrangle past writing into conference-accessible outlines; draft and peer review abstracts; and write or outline some paragraphs or sections for oral delivery. Everyone is welcome, but this class is specifically designed for novice conference presenters who have a specific topic (or past paper) in mind and would like directed guidance and weekly accountability during the revision and preparation process.

This series will look at what life in the Middle Ages was like. What did people eat? What about entertainment? What about work? What was literature like? People will encounter texts, artifacts, and art to help gain a better understanding of life in the Middle Ages.

Each module in the Life in the Middle Ages series will focus on a different theme:
1. The Lives of Peasants
2. The Lives of Clergy
3. The Lives of Nobility

Often when folks think of the Middle Ages, they think of the Medieval church. The church was no monolith, however. From the local parish priest to the popes, this module looks at the lives of the clergy: married or celibate, spiritual or worldly, anti-clericalism, and more.

It's good to be the king. This module looks at the lives of the people at the top of society. This is not about politics, but about their daily lives, the feasting, the interaction with lower classes, literature for them and about them, things that wealth could bring... What was the life of a noble really like?

We are taught in our culture about the "dark ages," from the so-called "Fall of Rome" to about 1500 or so. This module examines why the "dark ages" aren't dark by looking at the lives of peasants during the thousand year period.

"Justice" is a huge, abstract, and highly debated topic. In this course, we'll use a widely varied selection of literary texts as discussion-starters about the nature, meanings, scope, limits, applications, and demands of justice. We'll perform close readings of pieces from ancient philosophy, contemporary short stories, poetry across the ages, and more. We'll hear from voices out of various cultures, listening with attentive sympathy and openness to having our ideas challenged and expanded. And we might end with some discussion of the practical application of what we learn.

Throughout human history, people have recorded their mental and emotional experiences through writing, whether directly in autobiographical accounts, or indirectly through characters in fiction. In this module, we'll look at some selections from writings across the ages that express psychological distress of one kind or another and some that show how sufferers from mental disorders have found relief. We'll learn from these how to talk to someone who is struggling in that way, what to say and not to say, and some strategies for managing our own mental health.

Throughout philosophical works, fiction, poetry, and other genres, writers have pondered and described what it means to be hospitable to one another. They have told tales of lavish entertainment for guests, care for wandering strangers, regular practices of welcome, and extraordinary grace towards others. Some have even set out models of practical (or sometimes impossible) ways to invite people into our time, our spaces, and our lives. In this course, we'll read and discuss a few such texts from across a variety of times and cultures, and we'll talk about cultivating practices of hospitality ourselves.

Margaret Atwood's self-described style of speculative fiction illustrates potential futures that could await our planet, rooted firmly in observations of the present and past. Her MaddAddam Trilogy, which began with Oryx and Crake in 2003, explores one such future. Contrasted with the patriarchal dystopian vision of the well-known Handmaid's Tale, MaddAddam presents a world born out of one brilliant bioengineer's dream of utopia-- and what that dream means for everyone else. Starting with Book 1: Oryx and Crake, we will discuss the themes and visions associated with this biological apocalypse.

In this module we will use Owen Davie’s Grimoires: a History of Magic Books as a guide to look at a number of different texts, focusing on Late Antiquity to Early Modern books. We will discuss where the books were used, by whom, and how some were related to one another. We will also look at how the books were spread and received, as well as, when possible, some details about individual books. Because of the breadth of the subject we will not have time to delve too deeply into the texts themselves.

In this module we will look more deeply into one or more texts on magic. Using modern translations and publications, we will focus on one or two texts, read and discuss them. This may include the Testament of Solomon, Picatrix, or the Liber Razielis Archangeli, or another text depending on the interest of the participants.

Note: While this is the natural follow-up class to the first Grimoires Module, it can be taken without taking the first Grimoires class.

We will explore the early period of Islamic magic and secret knowledge. We will look at various categories of magic, from astrology to talisman magic. Our sources will draw on recent scholarly publications as well as translations of medieval texts.

This course offers the first in a series on Sir Thomas Malory’s masterpiece of Arthurian literature, Le Morte Darthur—one course for each of the work’s eight books or tales. This fifteenth-century retelling is for many the consummate version of the Arthur legend, combining notable elements of prior versions in a form that would influence later retellings for centuries. The first book of Mallory’s complete work, “The Tale of King Arthur,” includes such crucial Arthurian elements as the Sword in the Stone, the bestowal of Excalibur by the Lady of the Lake, and the founding of the Round Table. Interspersed among these are Arthur’s first encounter with the Questing Beast, an attempted usurpation by Morgan Le Fay, the tragic tale of the two brothers, Sir Balin and Sir Balan, and numerous other episodes and adventures. Context will also be provided on Malory’s life and times, the first printing of his writings by William Caxton in 1485, and the remarkable twentieth-century discovery of the now-standard but then-unknown version of Le Morte Darthur in the form of the Winchester Manuscript.

This course marks the second part in a series on Thomas Malory’s Morte Darthur, but you do not need to have taken the first part to join. This module explores Books II, III, and IV of the Morte Darthur, offering three short, stand-alone tales of Arthur, his knights, and the wider world they inhabit.

Book II, “The Tale of the Noble King Arthur that was Emperor,” shows Malory’s version of King Arthur as military leader and conqueror of Rome. Adapted from the late Middle English alliterative tradition, this tale was not included in Caxton’s original 15th century printing, but only discovered in 1934 with the finding of the lost Winchester Manuscript.

Book III, “A Noble Tale of Sir Launcelot du Lake,” shows Lancelot’s kidnapping by Morgan Le Fay, with the political and amatory complications that arise.

And finally, Book IV, “The Tale of Sir Gareth,” (evidently the only tale that Malory invented himself) follows Gawain’s younger brother Gareth from seemingly-lowly origins, through trials and mockery, to eventual triumph as full-fledged knight. With a mixture of the chivalry, comedy, and romance, these three tales make essential reading for any fan of the Arthurian cannon.

Note: Students may participate in this series in any month even if they did not take a previous class in the series.

This series explores Sir Thomas Malory’s masterpiece of Arthurian literature, Le Morte Darthur—one course for each of the work’s eight books or tales. This fifteenth-century retelling is for many the consummate version of the Arthur legend, combining notable elements of prior versions in a form that would influence later retellings for centuries. Context will also be provided on Malory’s life and times, the first printing of his writings by William Caxton in 1485, and the remarkable twentieth-century discovery of the now-standard but then-unknown version of Le Morte Darthur in the form of the Winchester Manuscript.

Before it captured the imagination of Wagner and Tennyson, the doomed love affair between Tristan (or Tristram) and the Belle Isolde was recorded by England’s most prolific Arthurian chronicler, Sir Thomas Malory. Included within his sprawling Morte Darthur, Malory’s version of this narrative combines the best elements of the versions that came before and would influence all those that followed.

Placing Malory's version within the broader Arthurian context, this course begins with a brief look at some of Malory’s English and continental predecessors. From there, we read Tristram’s narrative from his anguished origins, through the love-triangle between himself, Isolde, and the scoundrelly King Marc (Tristram’s uncle and Isolde’s husband), to it's tragic conclusion. Amidst war, sorcery, political intrigue, and rancorous family conflicts, the two lovers attempt to snatch what happiness they can before it all comes crashing down.

The story also features the often-poignant and (for medieval audiences) hugely popular adventures of the Saracen knight, Sir Palomides—including his friendship and rivalry with Tristram, his unrequited love for Isolde, and his taking up of the hunt for the Questing Beast. All in all, The Tale of Sir Tristram contains in microcosm all of the major themes and relationship found throughout Le Morte Darthur and Arthurian literature as a whole.

Late medieval English drama brought episodes from The Bible to life in days-long festivals of pomp and pageantry—but what these plays really show us is the day-to-day lives of ordinary men and women of the fifteenth century. With a mixture of lavish spectacle, slapstick comedy, and intimate poignancy, these plays populate the biblical world with familiar figures of the medieval city-life: shrewd workmen and cunning criminals; disgruntled wives and worried husbands; the friends, family, and neighbors of plays’ writers and performers.

This course looks at a sampling of plays from the great civic drama cycles of York, Chester, Coventry, and elsewhere, including Noah’s Flood, The Second Shepherd’s Play, Herod’s Slaughter of the Innocents, The Crucifixion, The Harrowing of Hell, and The Last Judgement. The works presented here offer both a grand history of the world from Creation to Doomsday, and locally-rooted, vernacular versions of a text then otherwise available only in Latin. Knowledge of Middle English is not required since this course will use the modern-spelling edition by Prof. A. C. Cawley. Scholarly online Middle English versions, however, will also be made available for students wishing to practice their skills in that area.

In this course, we will "perform" and discuss a group of medieval plays formerly known as the Wakefield cycle. These plays, which include the famous "Second Shepherds Play" are considered masterpieces of dramatic craft, designed to bring fifteenth century English audiences into raucous-yet-reverent contact with sacred history--in a time when there was as yet no "fourth wall." As we read and reenact these plays, we will practice our Middle English, talk about staging and affective piety, and learn about these plays' suppression in newly-Protestant England, as well as their rediscovery in the early twentieth century.

In this course, we'll wrestle a bit with Grendel (no sword required) and explore the murky origins of the best-known medieval monster--trying to get to the bottom of some of the most enduring questions in Beowulf-scholarship: Is Grendel a spirit, a man, or a giant? Are we meant to sympathize with him? Why doesn't he speak? And why does he have a bag? This is primarily a close-reading of relevant passages in Beowulf (translation provided), but we'll pick up clues along the way from potential sources, analogues, scholarship, and modern adaptations.

In this course, we'll read the medieval bestseller, The Book of John Mandeville, journeying with its fictitious author to Jerusalem...and beyond. We'll find ourselves in the medieval Holy Land, as well as in the fabled realm of Prester John, the territories of monstrous peoples, the garden of the trees of the sun and moon, and finally at the very doorstep of Eden. What does this very popular travel account show us about the way Western medieval Christians viewed themselves in relation to the rest of the world? And how can Mandeville's account, with its hodge-podge of facts, monster legends, and miracle stories, serve as a guide for travelers today?

The Horned God, alongside being modern paganism's most popular deity, enjoys a rich heritage in speculative fiction and popular culture. In this module, we will explore his ancient (and modern) origins, his appearances in both esoteric and popular literature, and his surprising role as an environmental figure. Throughout the module, students will gain familiarity with the four core figures that make up the Horned God (Pan, Cernunnos, the Sorcerer of Trois Freres, and Herne the Hunter), and key narratives associated with him. They will also have an opportunity to ponder the complex web of influences between modern paganism and speculative fiction.

This module builds on the work of Margaret Murray and the module 'The Witch-Cult Hypothesis', but does not require prior knowledge of the material covered there.

Demons have played a significant role in ancient cultures beyond just Egypt. Mesopotamia has its own set of liminal entities that reside somewhere between gods and man, with their own responsibilities and roles. This class will explore the features of these beings, including where they are first seen in literature, what roles they play, and what we know about them. Think Pazuzu from the Exorcist.

Middle High German (MHG) is the umbrella term for the German dialects used in the Holy Roman Empire from about 1050 to 1350. Its written form was the language of the court, and most MHG poetry embraces chivalric intellectual interests – adventure, romances, and courtly love! In our epic introduction to the language, we begin with a poem on subject matter that Old English and Old Norse students will immediately recognize: Das Nibelungenlied, the story of Siegfried (Sigurd) the dragon slayer, who we all know from the Völsunga Saga, the Poetic Edda, and (as his father Sigmund) Beowulf.

This module requires absolutely no modern German, but you may find that the course awakens that bit of “school German” you remember from high school. We will read our text – the 14th “Adventure” of The Nibelungenlied – slowly, as a small reading group. The benefit of the Nibelungenlied’s style is that enjambment is rare and each line can be treated as a single sentence.

This module is a continuation of Middle High German 1 with the plan to continue with the 14th âventiure of the Nibelungenlied until we complete it. After that, we will switch to some Arthuriana - Iwein, by Hartmann von Aue, the German “translation” of Chrétien de Troyes’[s] Yvain, the Knight of the Lion. Also, if the students want to read something else, your preceptor is all ears!

This module, a continuation of the Middle High German series, picks up where the previous module left off (ie. Middle High German 2: An Epic Continuation). Although each MHG cohort learns and reads at different speeds, this module will probably continue with the 14th Âventiure of the Nibelungenlied and then switch to Hartmann von Aue’s Iwein, the German adaptation of Chrétien de Troyes’[s] Yvain, the Knight of the Lion.

As always, students are welcome to make suggestions if they would prefer a different text or even a different genre – farces, courtly epics, sermons or even legal texts are just a few examples of what we could read.

This is the landing page for Dr. Isaac Schendel's Middle High German Series which consists of two modules: Middle High German 1: An Epic Introduction and Middle High German 2: An Epic Continuation. For more information check out the module links below.

Also: Please wishlist this page if you are interested in taking Dr. Schendel's Middle High German series when we offer it next.

John Milton’s seventeenth-century epic, Paradise Lost, provides a masterclass in worldbuilding. After an introduction to Milton, we will begin with Milton’s conception of Hell, which is not in the center of the earth, as Dante has it. We travel next from the depths of the Inferno to the heights of Heaven. After three sessions, we finally arrive in Paradise and meet our first parents, Adam and Eve, who are being stalked by the shapeshifting Satan. A storytelling episode in the center of the epic takes us back to Heaven to observe war between the angels of light and the angels of darkness. When we return to Paradise, however, it is only to watch it fall, and the final session wraps up the epic as we are shown Exile—life after Paradise lost.

One of the principal thematic elements found in the works of Hayao Miyazaki is the restorative power of childhood. Through his works, childhood itself becomes a utopian site. It is through this emphasis that we recover its best aspects: innocence, curiosity, and wonder. In this module we will watch and discuss four of Miyazaki’s works which best represent childhood and his usage of it to facilitate recovery.

Come join us as we examine Hayao Miyazaki’s early years as a director and the films which set the groundwork for his career. This module covers Miyazaki’s directorial debut film Lupin III: The Castle of Cagliostro through the rest of the films in the 1980s: Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki’s Delivery Service.

Come join us as we consider the follow-up to Hayao Miyazaki’s breakout success of the late 90s and early 2000s. In this module we’ll cover the last three of Miyazaki’s directorial releases (Howl’s Moving Castle, Ponyo, The Wind Rises) as well as two feature films that he’s credited as co-screenwriter on during the same time period (Arrietty and From Up on Poppy Hill).

Come join us as we look at the decade which propelled Hayao Miyazaki into international fame. We’ll begin by covering talking about flying pigs (Porco Rosso) and talking cats (Whisper of the Heart, screenplay) before progressing to the two international breakout hits which really made this time period a turning point in his career: Princess Mononoke and Spirited Away.

In this module we will read and discuss a collection of some of the best British poetry of the 21st century, considering the ways in which each poet addresses the anxieties of our time.

Music is often described as mathematical but music theory is rarely taught from this perspective. This course will cover traditional basic music theory but will explore some of the underlying mathematical reasons why music works the way it does. Nothing beyond high school math is required.

Join me for a re-read of The Chronicles of Narnia by C.S. Lewis as we pay close attention to descriptions of the non-human environment. What do these books have to say about trees, plants, animals, soil, weather, the planet, atmosphere, stars, and more? Do they suggest right ways of flourishing in relation to the natural world? How do talking animals, walking trees, humanoid stars, magical waters, and mythical beasts teach us to love the creatures and creations of this primary world better? Let's rejoice in Lewis's loving descriptions of flora and fauna and revel in the wonder his magical world brings to our own.

(Note: This module is designed with Narnia fans in mind. First-time readers of the Chronicles are certainly welcome, but newcomers might prefer starting with Elise Trudel Cedeño's module on The Lion, The Witch, and the Wardrobe or with Sørina Higgins's Narnia for Newbies.)

This is the Landing Page for Prof. Higgins' Narnia for Newbies Series exploring CS Lewis's beloved Narnia series, consisting of 7 modules (one module for each book in the Series).

Did you miss out on entering the magical land of Narnia as a kid? Come back to childhood with me as we open the wardrobe door and enter this wondrous land together. Travel with Lucy through the snowy, enchanted Lantern Waste, where is it always winter but never Christmas. Fight alongside dryads against an evil usurper. Sail with Eustace across the seas to mysterious islands full of invisible beings, dragons, and dreams. Ride a talking horse across the desert to save Narnia from invasion. Rescue a prince from the underworld. Watch creation itself, as Aslan, the great Lion, sings the world into existence. Be there at the end of all things, when the true tale is just beginning. Most of all, experience again the thrill of journeying through an imaginary land where myths are real, good triumphs over evil, and magic brings beauty to life on the page.

As we all know, Tolkien drew heavily from Finnish for his languages. Learn more about the universal laws of grammar for natural languages in order to make your created language more appealing, vibrant, and convincing. In this course, we will explore basic facts about phonetics and phonology, general patterns about how natural languages do and do not encode meaning, the range of functions of parts of speech, and syntactical and morphophonemic nuances. We will examine the building blocks of languages which have actually been or are being spoken in everyday life in the primary world so you can enrich languages perhaps only ever expressed by your characters, only ever on the page.

Shinto, usually identified as “the indigenous religious tradition” of Japan, heavily influences the aesthetic and worldview of many anime films and series. Join us as we explore aspects of Shinto practice and how they influence and shape the films Spirited Away and Princess Mononoke, as well as the idiosyncratic but popular series Mushi Shi.

In this module we will join the madness, adventure and melancholy of three famous Nordic authors: Hans Christian Andersen, Astrid Lindgren, and Tove Jansson; from the tragic unrequited love of a snowman to the crazy adventures of Pippi Longstocking and the Moomins, this module is a rollercoaster of emotions and beautiful images. You will need two books: Pippi Longstocking by Astrid Lindgren and Moominland Midwinter by Tove Jansson.

Members of various Romani peoples (aka “Gypsies”) came to the British Isles in the 16th century and have been portrayed in British literature in varying ways since. Often stereotyped, profiled, vilified, objectified, and mocked by establishment authors, Gypsies have also been described in terms of desirable characteristics, such as freedom from convention, energy and charisma, vast stores of traditional or global knowledge, spiritual insight, liberation from traditional capitalist restrictions or national identities, and seductive romance. In this course, we’ll read scholarly articles and primary sources to learn about how 19th- & 20th-century authors in the British Isles depicted and understood this complex group of peoples.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This is the last module in a 7-part series which introduces students to the vocabulary and structure of the earliest recorded form of the English language. Read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will be able to communicate with our Director and Professor Swain to make the right placement for everyone.

Ready to begin learning Old English? This series of modules introduces students to the vocabulary and structure of the earliest recorded form of the English language. One year of modules prepares the student to read texts from over a thousand years ago! Each one-month module builds on the previous one, so students ready to learn Old English will communicate with our Director and Professor Swain to make the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

Somewhere between the historical and the fantastic are the traditions of heroic legend, telling of extraordinary men and women whose triumphs and tragedies are writ larger than those of everyday life. In medieval Scandinavia, sagas of heroic legend such as The Saga of the Volsungs, The Saga of Ragnar Lothbrok, The Saga of King Hrolf Kraki, and The Saga of Hervor and King Heidrek retold already ancient stories in the new prose styles of the Middle Ages. Bravery and knavery; loyalty and treachery; magic and the mundane, horror and hope; these tales’ themes have enthralled audiences for more than a thousand years and played an outsized role in the birth of modern fantasy literature.

This series of modules introduces you to the vocabulary and grammar of Old Norse, preparing you to read medieval sagas, eddic poetry, and even Viking-Age runic inscriptions. Each one-month module builds on the previous one, so students ready to learn Old Norse will communicate with our Director and Professor Anderson to choose the right placement for everyone.

This module is for writers of all kinds, especially creative writers, who have built up a body of work and would like to start sending pieces out for publication. We'll start with discussing the periodical market and submission of shorter works (poetry, short stories, essays, articles). Then we'll move on to talking about longer projects, and we'll workshop the documents you'll need for sending those out, including resumes, pitches, queries, cover letters, and samples. We will talk about literary agents, contests, grants, unagented submissions, developmental editors, specialized markets, and more. You'll leave this module with something ready to send out for consideration.

Virtue and vice: these are the chief interests of the 2nd century biographer, Plutarch. In this module, we will closely examine Plutarch's linked biographies comparing Alexander the Great and Julius Caesar, identifying the continuity between the two works. Over four weeks, we will read and discuss Plutarch's depiction of these two pivotal figures of world history, and how it was influenced by Plutarch's struggle to reconcile his Greek identity with Roman supremacy. From the mysterious death of Alexander's father Philip II to the Ides of March, this is a module you won't want to miss!

Owen Barfield, one of C.S. Lewis's closest friends and a core member of the Inklings, was one of the most original thinkers of the 20th century (although he did not think of himself as such). Saving the Appearances: A Study in Idolatry sets forth the core theory of ongoing and evolving participation in creation which forms the core of Barfield's thought. Poetic Diction, a work that influenced not only Lewis but Tolkien as well, applies Barfield's theory to language in particular. In this module we will first read Saving the Appearances and then use that work as a basis for understanding Poetic Diction.

Why do bad things happen to good people? How can we know which is the best philosophy to live by in a world of chaos? This course shows how Voltaire’s raucous comic novella answers those questions. Join the young Candide on a series of misadventures that includes war, shipwreck, earthquake, religious persecution, dismemberment, amorous monkeys, New World discovery, royal dethronement, and the French. Along the way, he experiences love and loss, acquires a group of misfit companions, and encounters a host of competing philosophies – each trying to explain how the world got the way it is and how to make living there bearable. Though primary emphasis will be placed on the novel, we will also look at short excerpts both from Voltaire’s philosophical writing relevant to the novel and from Leonard Bernstein’s musical dramatization of the work.

If ‘the Pity of Bilbo’ does not ‘rule the fate of many’, the malice of Sauron will. Pity is essential, yet offers no defense in the end against the pull of the Ring’s power. So Gandalf paradoxically tells us. In this module we shall discuss passages that shed light on this central conflict in The Lord of the Rings.

Pandemics have swept the globe with disturbing regularity throughout human history, and authors have written literature in response to one they experienced or others they imagined in the future. What do historical and imaginary epidemics and pandemics teach us about our own? How do authors use contagion allegorically and metaphorically as social commentary? Put our current COVID-19 into perspective by reading and discussing novels, short stories, poems, and other works set in a time of plague.

Do you believe that the Narnia chronicles have a secret code hidden in their imagery and themes? Would knowledge of medieval astronomy and astrology add depth to our reading of these children's books? We'll read Michael Ward's book Planet Narnia in conjunction with a re-read of the Narnia itself and debate the merits of his planetary interpretation. This course will work best for those who have read Lewis's series before.

In this module we will explore the roles that various plant-based entheogens have played, actively and passively, in shaping human consciousness and history. Tea, coffee, chocolate, nutmeg, cannabis, coca, alcohol, opium, pipe-weed (tobacco), and ayahuasca will all be discussed, both in their historical contexts and for their entheogenic properties. Time permitting, we can cover more.

In this module, we will discuss classic poems using different stylistic and Cognitive Poetics techniques such as the use and connotation of specific words, textual attractors and their effect, the meaning of negative words, etc.

Through a selection of great poems drawn primarily from the tradition of British, Irish, and American literature, we’ll look at what we can learn from these creative writings about taking care of the planet. We will read and talk about descriptions of nature in these poems, then see what principles of creation care we can extrapolate from the ways they interact with the nonhuman environment, animals, plants, weather, and more.

While Tolkien was thinking up the earliest inklings of his Legendarium, he and his peers were fighting in the trenches of World War I--and writing poetry about it. Later, as he taught at Oxford, published The Hobbit, and wrote The Lord of the Rings, his great modernist contemporaries changed poetry forever with their experiments in free verse, then dominated the literary scene. In this course, we'll briefly look at verses by Tolkien, Lewis, Williams, and Barfield, then see what their more famous friends were up to. We'll give a day to soldier-poets of WWI, then devote time to Yeats, Eliot, Auden, and Pound. We'll glance at Stein, Stephen Spender, David Jones, and whichever other British Modernists you're interested in. Of necessity, this will be a brief fly-over survey, but deeper dives are possible in the future.

Do you love diagramming sentences? Are you interested in languages other than English? Phrase Structure Trees are a wonderfully helpful tool for analyzing the grammatical structure of any language: living, historical, or constructed. If you love the thrill of exploration, you will enjoy getting to discover the grammar of a language by drawing trees, rather than by wading through murky grammar textbooks.

Have you ever read The Space Trilogy and been bothered at how terribly quickly and well Ransom picked up the heavenly languages? Let’s be bothered together! This module will look at each and every mention of philology in Lewis’s other worldly series and analyze what exactly Ransom would have needed to do in each learning situation, evaluate whether the language and culture learning was realistic, and along the way discuss how philology differs from field linguistics.

In each module of the Reader’s Theatre sequence, we’ll read aloud and discuss in great detail one of Shakespeare’s genre-bending late plays. Participants will take characters, and we’ll read aloud one scene at a time, talking about how to express and interpret the text.

Renaissance clergyman John Donne was a prolific scholar and poet. His verses follow many different poetical forms and vary widely in tone from the solemn and devout to the seductive and sensual. In this module, we will study Donne’s Holy Sonnets, a sequence of poems that blend meditations on the divine with vivid but sometimes irreverent imagery. Here we will discuss selected sonnets individually and the full collection in some of the different arrangements and forms in which it was read and copied in the seventeenth century. Along the way, we will look at the connotations and complexities of words and particular lines, identify biblical and other allusions, and delight in the language of these complex and thought-provoking Renaissance sonnets.

This is the Landing Page for Prof. Higgins' series exploring Lewis's Ransom Cycle. In this book-club-style series, we will discuss C.S. Lewis’s novels Out of the Silent Planet, Perelandra, and That Hideous Strength. We’ll track his major themes, talk about the background he assumes, enjoy his secondary world, and perhaps cheerfully debate some of his theological claims. We’ll bring in a few of his other works briefly to see how they contribute to his subcreated universe, and we’ll touch on some points scholars have made to help us read these works more deeply.

This page will be updated to reflect which book in the Cycle is being explored in a given month.
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Reading Lewis' Ransom Cycle:
• Part 1: Exploring C.S. Lewis’s novel Out of the Silent Planet. (Required Text: C.S. Lewis, Out of the Silent Planet)
• Part 2: Exploring C.S. Lewis’s novel Perelandra. (Required Text: C.S. Lewis, Perelandra)
• Part 3: Exploring C.S. Lewis’s novel That Hideous Strength and a few short related texts. (Required Text: C.S. Lewis, That Hideous Strength)
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NOTE: Students can jump in at any month/part of the Series. There are no prerequisites.

This course introduces the basics of Middle English language and literature, including grammar, syntax, and pronunciation. Designed for students new to reading Middle English texts in their original form, the course focuses mainly on the English of London and the south of England in the thirteenth through fifteenth centuries—the language of Chaucer, Gower, Langland and others.

As a language-learning course as well as a literature course, the first half of each meeting will be devoted to reading Middle English aloud and answering questions about pronunciation and comprehension; the second half will focus on the reading’s content, from basics of plot and conventions of genre to the historical context of each text. Course readings include: a selection of lyric poetry, two short poems by Chaucer, the chivalric romance Sir Orfeo, the Chester play of “Noah’s Flood,” a chronicle of the reign of King Henry V, Chaucer’s “Treatise on the Astrolabe,” and selections from the Paston Letters (noble family during the Wars of the Roses).

Havelock the Dane is lovely fairy tale type story that sits between heroic epic and developing Romance genres looking into a now distant past, and showing how an unjustly treated child grows to be a great king.

This module, which builds on the skills taught in the previous Middle High German Modules, looks at a representative of the Medieval German aventiurehafter Dietrichepik, or legendary stories of the mythical King Dietrich von Bern (Theoderic the Great?). This song, equal parts romance and epic, tells the stories of the wannabe knight Ecke, the foolhardy giant who seeks out Dietrich von Bern and perishes in the duel, and of Dietrich von Bern’s subsequent quest to return Ecke’s disembodied head to his (Ecke’s) home of Seburg.

This module, like the other Readings in Middle High German, will both look at the poem as literature and as a chance for interested students to continue perfecting their Middle High German reading skills. We will read selections of the text in Middle High German and translate them into English. Once translated, we will then discuss the segments both in isolation and in connection with the poem as a whole. Although no English translation of the Eckenlied exists, a summary of the complete poem will be supplied.

Questions discussed in the module will include questions of genre and the relationship of the poem to oral poetry, characterization of ambiguous heroes like Ecke and his brothers, perceptions of the so-called “Heroic Age” during Medieval Europe, intertextual relationships between Dietrichepen and other heroic poems, and gender in the past-within-the-past.

The language of the Eckenlied is roughly equivalent to the language of the Nibelungenlied, so completion of the Middle High German 1 and 2 modules are strongly encouraged. If you have any questions or need help, please feel free to contact Dr. Schendel.

This module, which builds on the skills taught in the previous two Middle High German modules, focuses on the “concluding poem” of the Nibelungen Mythos, Diu Klage (The Lamentation), a 4360-line epic in rhyming couplets devoted to the aftermath of the slaughter in Etzel’s Hall. We will devote ourselves to both a close, philological reading of selected lines (about 20 lines per hour) and a general discussion of the entire work in English translation (German material can be consulted, of course, but the language of instruction is in English).

This session is intended both for veterans of the Middle High German modules and for beginners. If any beginners enroll, the discussion of MHG verse will focus a bit more on foundational grammatical concepts, but there will still be enough to interest and challenge advanced MHG readers.

Discussions of the text will look at it from a variety of perspectives, including: The “Heroic Age” in a High Medieval perspective, investigations of emotion in Middle High German verse, and intertextuality (both within German literature and across Germanic tradition). Students are, of course, welcome to bring their own expertise and interest – feel free to take up contact with the instructor ahead of time with your input!

This module, which builds on the skills taught in the previous Middle High German Modules, looks at another representative of the Medieval German so-called Spielmannsdichtung (pseudo-minstrel tales). It tells the story of the Duke Ernest, who after unsuccessfully waging an assassination attempt and civil war against his misled step-father (and Holy Roman Emperor) flees to the Far East as a crusader, encountering mythical creatures and far-off places reminiscent to anyone who has read the Old English Wonders of the East.

We will follow the methods used in other Middle High German modules and look at the Herzog Ernst poem both as literature and as a chance for interested students to continue perfecting their Middle High German reading skills. We will read selections of the text in the original language and translate them into English. Since it’s not entirely feasible to assume that everyone has access to a modern English translation, we will primarily discuss the translated sections, although a summary of the poem in general will be given.

Questions discussed in the module will include questions of genre (as always) and the connection between the frame story and the second narrative, monsters and the bridal-quest, the medieval political philosophy and the HRE (Holy Roman Empire), crusade poetry, and more.

The language of Herzog Ernst is roughly equivalent to the language of the Nibelungenlied, so completion of the Middle High German 1 and 2 modules are strongly encouraged. If you have any questions or need help, please feel free to contact Dr. Schendel.

This module, which builds on the skills taught in the previous Middle High German modules, focuses on a poem that combines fairy tales, crusader epics, heroic poetry, and farces into a single masterpiece representative of the so-called Spielmannsdichtung (pseudo-minstrel tales) genre: König Rother. In this epic, the eponymous hero King Rother is in desperate need of a wife in order to secure political stability for his empire. Calling together his warriors and some violent, yet very endearing giants, he sets off for the Byzantine Empire, ready to kidnap (or free?) the princess from her overprotective (and maybe a bit incestuous) father Constantine.

The poem is a fun adventure and, for all the silliness inherent to the plot, a good window into Western Europe’s perceptions of the Byzantine Empire, its own political systems, and the idea of the miles Christianus.

In this module, we will follow the pattern of other MHG reading modules and look at König Rother both as literature and as an opportunity for language practice. We will read selections of the text in the original language and translate them into English. Questions discussed in the module will include (but are not limited to) questions of genre, the bridal-quest, and the interplay between heroic and crusader poetry.

The language König Rother is a bit more advanced than that of most MHG poetry, so completion of the Middle High German 1 and 2 modules are strongly encouraged. If you have any questions or need help, please feel free to contact Dr. Schendel.

This module, which builds on the skills taught in previous Middle High German Modules, looks at a representative of the Medieval German so-called Spielmannsdichtung genre of short epics: Orendel. The titular hero of the epic, distantly related to the Old Norse Aurvandill, is a King with a fairy-tale mission to woo the beautiful Bride. He undergoes a number of adventures, including the discovery of Christ’s Tunic, in a paradigmatic example of a medieval Bridal Quest.

This module will both look at the poem as literature and as a chance for interested students to continue perfecting their Middle High German reading skills. We will devote ourselves to a close, philological reading of the most important passages in the text.

This module is intended both for veterans of Middle High German and for beginners. If any beginners enroll, the discussion of MHG verse will focus a bit more on foundational grammatical concepts, but there will still be enough to interest and challenge advanced MHG readers.

Discussions of the text will also look at it from a variety of perspectives, including: What is the Spielmannsdichtung genre? How do the Christian Faith and Bridal Quest narratives, which spring from two different cultural traditions, mesh? Does Orendel actually resemble in any way Aurvandill, or should questions of “Germanic origin” be put to bed? And are there any intertextual connections between this poem and other monuments of Medieval Literature?

Tolkien drew upon a wide range of religious, philosophical, and metaphysical sources in shaping his legendarium, including Greek, Norse, Germanic, and Celtic paganisms, Catholic Christianities, Eastern Orthodox and Jewish mysticisms, various Neo-Platonisms, and western esoteric traditions among others. Join the discussion as we explore in some depth these sources and how Tolkien weaves them into his web of story-telling and world-building.

Using Scottish Gaelic songs to gain a deeper understanding of the language and culture. Covering mouth music, religious music, working music, and ballads.

This course does not require any past experience with Scottish Gaelic. Open to all.

This module examines two English history plays frequently overlooked in Shakespeare studies: King Henry VI, Part 1 and King John. The rollicking wartime melodrama, King Henry VI, Part 1, shows Joan of Arc from the English perspective as a foul-mouthed, lascivious witch. The virtuous milksop King Henry VI is all but overshadowed in his own play as Joan bedevils the English forces in France again and again—until her own downfall and death. Shakespeare’s most satirically comical history, King John, by contrast, shows a monarch neither competent nor virtuous! Between John’s corrupt and cowardly bungling of a war France, a war with the Pope, and rebellion at home, England’s only hope is the play’s unlikely (and ahistorical) hero—the wily and charming bastard son of the late King Richard the Lionheart. Unlike most of Shakespeare’s English histories, both of these plays are comfortably stand-alone; no prior knowledge of Shakespeare’s other history plays required.

This module looks at two late plays frequently overlooked in Shakespeare studies: Pericles, Prince of Tyre and Cymbeline. In Pericles, Shakespeare and collaborator George Wilkins present a medievalist fairy-tale of adventure on the high seas, set in the ancient Mediterranean and narrated by Middle English poet, John Gower. In Cymbeline, a princess’s attempt to rid herself of the suitor she loathes and reunite with the man she loves leads to a tangle of escapes, pursuits, and mistaken identities. Decried by some critics for their eccentric and eclectic plots, both plays feature grand voyages across land and sea, benevolent magic, and the loss and recovered of true love.

This module looks at two of Shakespeare’s darkest comedies (often described as “Problem Plays” and frequently overlooked in Shakespeare studies): Troilus and Cressida and Measure for Measure. Half an adaptation of Chaucer’s tragic romance, and half a reworking of Homer’s Iliad, Shakespeare’s Troilus and Cressida presents both the lovers and the warriors with a mixture of biting satire, comic buffoonery, and genuine pathos. Likely never staged in Shakespeare’s lifetime, this comedy-history-tragedy has puzzled readers since its first appearance in print. In Measure for Measure, a duke’s attempt to clean up his city’s seedy night-life quickly leads to the attempted sexual blackmail of a nun by duke’s chief deputy. In the chaos of bed-swapping and (threatened) head-chopping that follows, the play narrowly avoids outright tragedy, but whether the final ending could be called “happy” has been debated for centuries. These may actually be the strangest two play Shakespeare ever wrote.

This module looks at two tragedies frequently overlooked in Shakespeare studies: Titus Andronicus and Timon of Athens. Shakespeare’s earliest tragedy, Titus Andronicus, is also his bloodiest—a rollicking schoolboy burlesque of Roman history, Ovidian poetry, and Elizabethan revenge tragedy that eventually devolves into gory slapstick. Shakespeare’s late tragedy, Timon of Athens, by contrast, offers a scathingly misanthropic view of humanity in the financial and psychological ruin of Timon—an eccentric socialite turned embittered philosopher-hermit. With the first a box-office hit in its own day and the second never staged in Shakespeare lifetime, both plays have stood as two of the bard’s most challenging and provocative works to editors, directors, and readers ever since.

This module looks at Shakespeare’s trilogy of coming-of-age history plays depicting one of England’s most popular medieval monarchs—King Henry V. Beginning with Henry IV, Part 1, we see the young Prince Hal change from wastrel, drunkard, and companion of highway robbers into the royal figure his war-torn country needs. After relapsing in Part 2, we finally see him lead his subjects on the battlefields of France as the mature king in Henry V. Charting his course between the demands of his kingly father, the peculiar philosophy of his friend and mentor, the exuberant Sir John Falstaff, and the dangers posed by a series of political and military rivals, Henry finally learns what it means to “act” the part of a king in the ways that matter most.

This module looks at arguably the greatest of Shakespeare's Tragedies--King Lear. Resolving to divide his kingdom between his daughters, the aged king banishes his closest allies from court, leaving himself and his realm prey to the self-interest and cruelty of those who remain. The course examines this tragedy of betrayal, madness, and family grudges act by act but also supplements these close studies of Shakespeare's text with discussions of the two variant early editions (in Quarto and Folio formats), a brief overview of Shakespeare's sources (Geoffrey of Monmoth's "History of the Kings of Britain" and Holinshed's "Chronicles"), and an examination of Nahum Tate's infamous happy-ending adaptation (the only version of the play staged for next 150 years). Expected weekly reading/listening: approx. 50-70 pages (spread across two hours of class).

Among the many themes Tolkien contemplates through his legendarium, that of grief and mourning is prominent. In this class, we will unfold the implications of expressions of grief and mourning in his work. For example, why do lamentations matter, and how might they offer healing? Why does Nienna weep? Are there cases of “inappropriate” grief? What roles do grief and mourning play in the creation of wisdom and beauty? Does Elven grief have special characteristics? What about that of Dwarves and Humans? We will explore these topics and more.

Can Sir Gawain keep his honor without losing his head? This short classic of Middle English chivalric romance follows Gawain on a quest testing his heroism, social etiquette, sexual virtue, and existential sense of self. This course explores: first, the extraordinary history of the single, unique manuscript which preserves this poem (as it “slept” on a library shelf for 400 years, escaped destruction by fire, and was eventually rediscovered in the 19th century); second, the translations which brought this poem to a twentieth century readership – focusing in particular on J.R.R. Tolkien’s; and finally, the 2021 film by David Lowery.

This course will be structured as a guided reading of Aurelius' "Meditations". We will explore the life of Marcus Aurelius and then spend the bulk of the class reading/discussing his Meditations Books I-XII.

The goal of the course is to get the novice reading of ancient literature comfortable with the text and introduced to an exemplar of stoicism. For the more seasoned student it will serve to deepen their engagement with such an influential and deep thinker in the Western philosophical tradition.

This 6-module series will work slowly through the 24 books of Homer’s Odyssey. Each week we will read one book of the Odyssey aloud together, comparing editions and language and then discussing translation choices, plot development, character and setting descriptions, and overall themes. With two hours to spend on each book, students can enjoy a slow reading pace, little to no homework, and lots of class discussion.

This 6-module series will work slowly through the 24 books of Homer’s Odyssey. Each week we will read one book of the Odyssey aloud together, comparing editions and language and then discussing translation choices, plot development, character and setting descriptions, and overall themes. With two hours to spend on each book, students can enjoy a slow reading pace, little to no homework, and lots of class discussion.

This 6-module series will work slowly through the 24 books of Homer’s Odyssey. Each week we will read one book of the Odyssey aloud together, comparing editions and language and then discussing translation choices, plot development, character and setting descriptions, and overall themes. With two hours to spend on each book, students can enjoy a slow reading pace, little to no homework, and lots of class discussion.

Although a priest, Renaissance poet John Donne was on paper a playboy, a quality the first publishers of his poems sought to downplay by censoring scandalous words, leaving some verses out of the collection, and placing the raciest poems they included near the end of the volume. While the publishers may have found these difficult to align with his staid churchman persona, Donne’s earliest readers collected these poems with joy, sharing them in private verse collections and prioritising his most sensual poetry over his complex religious lyrics. In this module we will read and discuss eight of Donne’s most popular amorous verses, paying particular attention to his puns and allusions, superficial treatment of women, and beautiful literary structures and styles. (Warning: this module is not for the faint of heart: Donne is just as explicit as Shakespeare! Think carefully before inviting your parents to join you.)

Charles Williams was an occult master, a Christian mentor, and a member of the Inklings with Tolkien and Lewis. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about his last, greatest novel: All Hallows' Eve. Two of the main characters in it are dead, but this does not prevent them from interacting with the living, including a painter with profound spiritual insight, a black magician who makes two copies of himself to rule the world, and a woman who conceives a daughter in order to sacrifice her to her devilish master.

While this course is part of a cycle of seven classes on the various novels, they may be taken in any order without prerequisites.

Charles Williams was an occult master, a Christian mentor, and a member of the Inklings with Tolkien and Lewis. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about Descent into Hell, which expresses his signature ideas perhaps more clearly than any of his other writings. It features a Shakespearean play, a doppelgänger, a succubus, an ancient witch, and several supernatural acts of substitution that transcend time and space.

While this course is part of a cycle of seven classes on the various novels, they may be taken in any order without prerequisites.

Charles Williams was a friend of J.R.R. Tolkien, C.S. Lewis, T.S. Eliot, Dorothy Sayers, and other influential writers of the early 20th century. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about Many Dimensions, in which a magical stone engraved with the letters of the Tetragrammaton can transport people through time and space, heal illnesses, grant wealth, and otherwise transcend the laws of nature. It is up to a young secretary to offer herself as a bridge to save the world from destruction. While Many Dimensions is a kind of sequel to War in Heaven, they can be studied on their own, and students need not take that course before this one, although they are welcome to do so.

This is the Landing Page for Prof. Higgins' Supernatural Shockers Series exploring Charles Williams' seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life.

This page will be updated to reflect which module in the series is being offered once the class decides.
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Supernatural Shockers Series Exploring Charles Williams:
• Supernatural Shockers: "War in Heaven" by Charles Williams > Link
• Supernatural Shockers: "Many Dimensions" by Charles Williams > Link
• Supernatural Shockers: "The Place of the Lion" by Charles Williams > Link
• Supernatural Shockers: "The Greater Trumps" by Charles Williams > Link
• Supernatural Shockers: "Descent into Hell" by Charles Williams > Link
• Supernatural Shockers: "All Hallows' Eve" by Charles Williams > Link
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NOTE: Students can jump in at any month/part of the Series. There are no prerequisites.

Charles Williams was an occult master, a Christian mentor, and a member of the Inklings with Tolkien and Lewis. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about Shadows of Ecstasy, in which an immortal guru invades England with an army of African soldiers, offering magical transmutation of the passions to his followers. While Williams wrote this novel first, it was published later, but still reveals an early, ambiguous phase of his religious thought.

While this course is part of a cycle of seven classes on the various novels, they may be taken in any order; however, this is the strangest and most disturbing of Williams's fiction, so students would probably benefit from taking at least one other module in this cycle first.

Charles Williams was an occult master, a Christian mentor, and a member of the Inklings with Tolkien and Lewis. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about The Greater Trumps, in which the original deck of Tarot Cards and a set of dancing golden figures offer power to foretell the fortunes of the world and control the elements. A deadly snowstorm, a madwoman, and a saint are among the memorable features of this unforgettable, vivid novel of spiritual submission and supernatural power.

While this course is part of a cycle of seven classes on the various novels, they may be taken in any order without prerequisites.

Charles Williams was an occult master, a Christian mentor, and a member of the Inklings with Tolkien and Lewis. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about The Place of the Lion, in which the Platonic archetypes invade the English countryside in the form of gigantic animals, threatening to swallow up all of reality.

While this course is part of a cycle of seven classes on the various novels, they may be taken in any order without prerequisites.

Charles Williams was a friend of J.R.R. Tolkien, C.S. Lewis, T.S. Eliot, Dorothy Sayers, and other influential writers of the early 20th century. He wrote seven startling metaphysical thrillers: bizarre, engaging, wild novels in which the supernatural invades ordinary life. In this course, we'll talk about War in Heaven, in which a saintly archdeacon, a poetic duke, and a publisher's clerk race to save the Holy Grail from the three satanists who want to use it to destroy the world.

Something dangerous and unexpected is lurking on the periphery of polite Edwardian society. In an oeuvre of short-stories that is shockingly not more widely known, master of dark social comedy H. H. Munro (alias “Saki”) offers a world populated by duchesses, vicars, foreign ambassadors, and idle London playboys – but also escaped hyaenas, talking cats, werewolves, and malevolent pageant gods. This course examines a selection of Saki’s short fiction, along with a brief look at his biography and historical context. Marked by a combination of acid wit, sudden shocking reversals, and a knack for conveying the unmentionable, Saki’s stories are essential reading for anyone interested in the gothic tale, the comic anecdote, or the craft of short fiction writing,

The journey awaits! In this standalone module, we will read Apollonius of Rhodes' epic Argonautica from start to finish. Guided by a twisted prophecy, our hero Jason embarks on a journey across the roaring waves. His goal: the golden fleece. Jason cannot do it alone, and must assemble the greatest team the Greek world has ever seen-- the fighter Hercules, the seer Idmon, the bard Orpheus, and many more. Their quest will lead them to ancient tombs, magical intrigues and battle with the ravening harpies. Each week, we will read one book of the Argonautica, following our heroes' adventures in a world of gods and magic. Packed with fascinating detail, this module is a perfect introduction to classical myth and epic!

In order to dig into the fine art of adaptation, we'll study four short stories and films based on them:
1. The Secret Life of Walter Mitty (James Thurber’s 1939 story and Ben Stiller's 2013 film);
2. The Curious Case of Benjamin Button (F. Scott Fitzgerald’s 1922 story and David Fincher's 2008 film);
3. The story “Supertoys Last All Summer Long” by Brian Aldiss (1969) and Steven Spielberg's movie A.I. Artificial Intelligence (2001);
4. The story ""Sentinel of Eternity"" by Arthur C. Clarke (1951) and the movie 2001: A Space Odyssey (1968, Stanley Kubrick with Clarke); we may also look at the novelisation of the film.

Using these works, we'll talk about what happens when a work moves from one genre to another, from one medium to another, from a solo project to a team work, from one audience to another, and more. We'll look at content changes, techniques, shifts of themes, and more.

Thanks to the success of streaming shows like Critical Role, D&D and other tabletop games are more popular than ever before. But according to surveys conducted by Wizards of the Coast, the average D&D campaign does not last more than six sessions, and players rarely advance farther than Levels 4-6. This series will address the short attention span of current TTRPG culture by equipping you with the tools you need to be a more "compleat" GM. In this first module, we will cover the true role of the GM (it might not be what you think!), the world-building assumptions implicit in various rulesets, how to design a setting which maximizes player agency, and how to write a gazetteer for your campaign setting. Participants will have the opportunity to produce their own 10-page setting gazetteer as part of this module.

In this class, we will tackle one essay per session from Owen Barfield's important collection of essays "Romanticism Comes of Age." For those who have read some of Barfield's better known works--such as "Poetic Diction" or "Saving the Appearances" these essays offer an opportunity to deepen and broaden their understanding of Barfield's ideas through more specific and focused studies. For those unfamiliar with Barfield's work, the essays also function well as an entry point into Barfieldean thought (and I will provide ample clarifying context where necessary).

The subjects of the essays range from literary analysis to psycho-spiritual exploration, but they are all bound together by a concern with the evolution of consciousness as a vitally important (indeed life-saving) aspect of the past, present, and future of humanity.

Susan Cooper’s classic fantasy series takes us into a world where the forces of the Light battle against those of the Dark, but these are also coming-of-age stories in which children are at the forefront of the conflict. Deeply rooted in the folklore of the British landscape, the narratives are often set in spaces encoded in ancient wisdom and traditions and employ, as Tolkien did in his legendarium, songs and verse that pass on those traditions.

Susan Cooper’s classic fantasy series takes us into a world where the forces of the Light battle against those of the Dark, but these are also coming-of-age stories in which children are at the forefront of the conflict. Deeply rooted in the folklore of the British landscape, the narratives are often set in spaces encoded in ancient wisdom and traditions and employ, as Tolkien did in his legendarium, songs and verse that pass on those traditions.

In this book, the first of the series, Cooper introduces us to the folklore of Cornwall, interweaving ancient customs with a modern confrontation against forces of evil. In this class, we will explore all the themes and ideas in the story and consider what it still has to say to us in the 21st century.

“Yet some men say in many parts of England that King Arthur is not dead… and men say that he shall come again…”

Is Arthur dead? Or was he taken to Avalon to be healed? And will he indeed come again one day? Written within the confines of a common prison, Sir Thomas Malory's Le Morte Darthur (c. 1470) addresses these very questions—trying to make sense of Arthur's legendary reign and “piteous” death for a war-torn England at the very close of the Middle Ages. In reading Malory's widely beloved and arguably definitive retelling of the death of the Arthur, this course examines the final dissolution of the Round Table, from the doomed love affair of Lancelot and Guinevere to Arthur's fatal (or near-fatal) wounding by Mordred—a continuous narrative contained within the last two books of Malory's sprawling chronicle, “The Book of Sir Launcelot and Queen Guinevere” and the titular “The Most Piteous Tale of the Morte Arthur.” Told with a both poignant sense of loss and an undisguised enthusiasm for chivalric adventure, this lively and idiosyncratic tale of Arthur's death combines the best of all the Arthurian epics that preceded it, and would influence all those that would follow after.

Come join us as we explore various aspects of the weird, the strange, the uncanny, the dreamlike, and the visionary in East Asian literature, religion, folktales, poetry, and popular media. Whether it is ecstatic visions in Daoist texts, shamanistic expressions in Chinese poetry, gumiho and ghosts in KDramas, or stories such as that of the Yuki Onna (Snow Woman) in Japanese folklore, we’ll explore them all (and perhaps more!) in this class.

A deep dive into John Gregorson Campbell's Superstitions of the Highlands and Islands of Scotland and Witchcraft and Second Sight in the Highlands and Islands. This module covers the first half of the book.

The text for this series can be found here: link.

A deep dive into John Gregorson Campbell's Superstitions of the Highlands and Islands of Scotland and Witchcraft and Second Sight in the Highlands and Islands. This module covers the second half of the book.

The text for this series can be found here: link.

A deep dive into John Gregorson Campbell's Superstitions of the Highlands and Islands of Scotland and Witchcraft and Second Sight in the Highlands and Islands.
This would be 2 modules covering the first and second half of the book.

The text for this series can be found here: link.

This module will be a chronological listening tour of the history of the symphony after Beethoven. We will explore the symphony’s subsequent development in the romantic era, and its rethinking in the 20th century. We will listen to some key works together and discuss some of the innovations introduced in those particular works.

This module will be a chronological listening tour from the precursors of the symphony in the baroque era to the birth of the symphony in the classical era culminating in the works of Beethoven. We will listen to some key works together and discuss some of the innovations introduced in those particular works.

With the publication of The Fall of Númenor (November 2022) we finally have much of Tolkien’s writing on this period in the history Middle-earth drawn together in one place. This offers a unique opportunity, at a moment when the island of Númenor has come to greater public awareness via Amazon’s show ‘The Rings of Power’, to fully examine this aspect of Tolkien’s secondary world. In this course, we will explore the history of Númenor, with particular focus on important events, significant people, the geography of the island, and the evolving culture of the Númenóreans.

Special Note: We are excited to announce that Brian Sibley, noted for his BBC Radio adaptations of both The Hobbit and The Lord of the Rings, as well as for his many books on Tolkien, will be joining us in one of the sessions (Date tbc). He is going to talk to us about his work on the new book The Fall of Númenor, and will be available to answer any questions you might have.

To achieve the Holy Grail, Sir Lancelot, Sir Galahad and others must face formidable Black Knights, alluring temptresses, inscrutable hermits, and untold supernatural perils—in two works created five-hundred-and-five years apart.

“The Tale of the Sankgreal,” disseminated as part of Thomas Malory’s La Morte Darthur (1470) and the incontestable masterpiece of modern Arthurian cinema, Monty Python and the Holy Grail (1975) are arguably the most popular and influential versions of this story from a twenty-first century standpoint. These contrasting visions of the Grail Quest also share striking and unexpected similarities in terms of plot, form, and tone. This course looks closely at Malory’s text and the Pythons’ oddly-faithful film reinterpretation, side by side. In so doing, we explore what Arthur, the Grail, and the Middle Ages mean to modern audiences, and how changes in form and context radically shape how stories are told and understood.

Homer's "Iliad" is the foundational text of Western Literature, focusing on powerful perpetual problems of human life and experience: the desire for glory, the destructiveness of war, the struggle against overwhelming fate, the complex and powerful bonds of family, and the unexpected value of pity. Its impact can hardly be underestimated, as the list of its direct descendants stretches from "The Aeneid" to Milton's "Paradise Lost" and beyond, and the works that it has inspired are too many to count. Whether you are a newcomer or an old friend of the text, there is always something new, arresting, strange, and poignant to be found in the story that started it all. Come join in the exploration!

Grab a cup of tea and join Keli for a relaxed viewing and discussion of the first half of Avatar: The Last Airbender.



This is the first of two modules dedicated to covering the entire original series in preparation for a future module on Netflix's upcoming live action as an adaptation of Book 1 from the original series.

Grab a cup of tea and join Keli for a relaxed viewing and discussion of the second half of Avatar: The Last Airbender.



This is the second of two modules dedicated to covering the entire original series in preparation for a future module on Netflix's upcoming live action as an adaptation of Book 1 from the original series.

You've seen the show, now let's read the comics!

In this SPACE module we'll read through the comics surrounding the original Avatar: The Last Airbender characters and discuss them in a book club format.

HBO’s new “The Last of Us” TV show (2023) is widely hailed as the best adaptation of a video game. “The Last of Us” video game (2013) tells the story of a cynical older man befriending a young girl during a zombie apocalypse. The game received praise for its subtle storytelling and strong characterizations. The lead creator of the game is also a showrunner and insisted that HBO remain faithful to the game. However, the show uses the freedom of TV to expand upon the backstories of characters. In this course, we will watch the TV show and play the video game simultaneously. We will then discuss how the genre/medium of each affects adaptation choices.

Note: Students do not need to have watched the show or played the game beforehand, but will need to have access to both. Students can also watch a walkthrough of "The Last of Us" in lieu of playing the game.

Who was the real historical figure behind Santa Claus? In this module, we will read aloud the earliest biographical sources about fourth century bishop, St Nicholas of Myra. Your preceptor will facilitate discussions of Nicholas' historical context and examine the development of his legend. Together, we will examine Byzantine stories of Nicholas' benefaction and miracles, his role as patron saint of seafarers, students and merchants (among others), and how he came to embody the tradition of gift-giving in Christendom. A wonderful end-of-year treat!

Old Saxon, the continental cousin to Old English, was the language spoken in Northern Germany from the ninth to the twelfth century. It is closely related to and mutually intelligible with Anglo-Saxon, so Old English students will easily be able to read and understand it. The language boasts a number of smaller texts, but the Hêliand, an epic poem of nearly 6,000 lines, remains its most prestigious literary monument. It tells the story of Jesus Christ (the “Hêliand,” meaning “Savior”) reimagined as a Saxon lord with a retinue of twelve thanes, and is comparable to the Old English Beowulf. In our Space module, we will read and discuss selections of this poem. Some familiarity with Old English is required.

The Egyptians had a complex view of non-Egyptians. They were both threatening enemies but also potential Egyptians. This course will look at how the Egyptians viewed and depicted the other, the role of the other, and the change in many cases, of other to countryman. This will include a survey of art, literature, and magic as it relates to depicting, describing, and affecting the other and how this reinforced the Egyptian identity. Who were the “others” in the Egyptian worldview? How were they to be interacted with? Who where the Egyptians in their own view?

This course offers a close examination of Oscar Wilde’s gothic masterpiece on identity, guilt, and the power of art. In a Faustian bargain, Dorian enjoys seemingly eternal youth while his painted likeness bears the physical (and moral) consequences of a life of debauchery and wickedness. But Dorian learns that sooner or later, as the old saying goes, everyone gets the face they deserve. Focusing mainly on the text of the novel itself, this seminar will also touch on its publication history, its reception in Victorian society, and the life of its author – Wilde’s rise to international celebrity, his “fatal friendship” with Alfred Lord Douglas, and his trial and imprisonment for “gross indecency” in which this novel was presented as evidence of Wilde’s guilt.

Is the Holy Grail a cup, a platter, or a stone? Where did it come from? Is it real? What does it mean to "achieve" the Grail? Is it only a Christian legend? Why has it remained popular and grown in significance over a thousand-year period of European literature? What does Monty Python have to do with the Grail? How did Indiana Jones get involved? What is the connection between the Grail and Tolkien’s legendarium? Where is the ring of Arthur the King? What Lord has such a treasure in his house?

We'll answer these questions and many more in this course, which will follow the evolution of the Grail from brief references in the Bible through Celtic fertility rituals and medieval romance to its varied presentations today. No prior knowledge is needed, and each student will determine their own reading load and selections.

This module will be about the history and lore of the realm of Arnor. It will cover its geography, kings, civil war, wars with agmar, and important artifact sites.

The wait is over and Amazon’s new Tolkien-inspired series has come. Already, this series has stimulated much heated discussion across various social media, with the images and trailers dividing opinion among Tolkien fans. In this discussion group, we will watch the show and discuss what we have seen, linking it to what we already know about Tolkien’s creation, and exploring the ways in which ‘The Rings of Power’ is extending the world of Middle-earth.

Access to copies of The Silmarillion, The Hobbit and The Lord of the Rings is desirable. Prior knowledge of the texts is also desirable, but you could manage without. Knowledge of The History of Middle-earth series and The Unfinished Tales is a bonus!

Is your child struggling to learn how to read? Do they have trouble sounding out words, or understanding the meaning of new words? Do you struggle to explain why "one" begins with an o, and not a w? Then come learn more about the Science of Reading!

This introductory module will show you all about the Science of Reading, and why everyone should understand these fundamental linguistic principles throughout their reading journeys (not just kids!). We will discuss the history of the American Reading Wars and how they have impacted reading instruction, what happens in your brain as you learn to read, and how to use systematic, "building-block" approaches in your own home when reading with your little ones. If you're interested in the "why" and "how" of reading, then this module is for you!

The Second Age of Middle-earth saw the rise and fall of Númenor, the rise and (apparent) fall of Sauron, and the creation of the Rings of Power. This course will look at the events of the Second Age with readings from LOTR (especially Appendix A and B), Unfinished Tales, and the Silmarillion. It will be of particular interest to people who want to know more about the Second Age to be ready for the Amazon Prime series LOTR: The Rings of Power starting in September 2022.

The Seven Deadly sins--lust, gluttony, greed, sloth, wrath, envy, and pride--may result in eternal damnation, but they also make jolly good stories. We'll take a look at one work of literature each class that explores, describes, deplores, warns against, or otherwise engages with one of these deadly sins, and we'll talk about whether we detect a universal moral impulse underneath the varied texts we read.

Troy has fallen, but the journey has just begun... This 3-module series will work steadily through the 12 books of Virgil's epic Aeneid, whose influence in the medieval period eclipsed even Homer. Each week we will read one book of the Aeneid in translation, focusing on Virgil's approach to characterisation, plot structure and themes. With two hours to spend on each book, students can enjoy a relaxed reading pace and friendly class discussion.

The Vulgate Bible is one of the most significant Latin texts ever written. Jerome's Latin translation is not only a significant literary work, but is also a more intuitive text to translate, given the familiarity of Biblical texts to many people. This is the first module of the Vulgate Bible series, geared towards those who already have a good grasp of the case and conjugation system of Latin as well as basic grammar and vocabulary.

The Vulgate Bible is one of the most significant Latin texts ever written. Jerome's Latin translation is not only a significant literary work, but is also a more intuitive text to translate, given the familiarity of Biblical texts to many people. This series is geared towards those who already have a good grasp of the case and conjugation system of Latin as well as basic grammar and vocabulary.

Imagine a witch. Perhaps, she is a solitary crone, living in a cottage on the outskirts of the village, in equal measures reviled and grudgingly respected by the villagers for her knowledge of midwifery and healing herbs. Perhaps, she is a self-possessed attractive young woman, persecuted by an oppressive authority for her feminist outlook. Perhaps, she is sexually liberated, she conducts strange rituals tied to the land’s fertility, she speaks of the Old Faith as a secret knowledge passed on in secret alongside the official religion. This image of the witch owes much to Margaret Murray’s Witch-cult Hypothesis, an idea that people accused of witchcraft in the medieval and early modern period in the Western world, were the inheritors of a prehistoric fertility cult, which survived as a covert practice alongside Christianity for millennia. Despite being rejected as academically spurious, Murray’s work continues to be incredibly influential for practitioners of modern witchcraft and in popular culture.

In this course, we will take a close look at Murray’s claims, and place them in a historical and cultural context. We will venture outside the academic setting to read witchcraft handbooks and genre fiction, where the witch-cult hypothesis continues its fascinating afterlives.

The witch contains a multitude of meanings, from victim to agent of political resistance to a paragon of magical power. While the witch is overtly present in modern media, her origins are often obscured. Is the witch always female? Where does her magic come from? And who devised the eight annual pagan festivals? This module uses Steve Hutton's Raven's Wand fantasy novel (and Book 1 of his Dark Raven Chronicles series) as a starting point to discuss how witches are depicted in fiction and history, and what witches themselves have to say about that.

The Dark Raven Chronicles offer an engaging overview of the main trends for depicting witches in speculative fiction. On our journey through the book, we will discuss what historical details and popular assumptions the author draws on, and how they compare to the lives of people accused of witchcraft in the past, and those who identify as witches today.

Yes, there are indeed women in Beowulf. Vital and potent women in fact. From the valkyrie-esque figures to the weeping peace-weavers, a broad spectrum of women characters exists as both historical representation and imaginative mythology. Grendel's Mother is ferocious and masculine. Hildeburh laments the death of her brother and son before being carried off. Modthryth behaves like a sadistic queen. Wealhtheow is mindful of so much in her husband's hall. Freawaru seems destined for tragedy. And could the dragon be a female too? Maria Headley seems to think so. This module will explore this topic using dual-language editions of texts so we can see the original language alongside translations by J.R.R. Tolkien, Roy Liuzza, and Maria Headley.

Three Science Fiction Masters of the 20th Century stand out above the rest. Their contributions garnered them the label 'The Big Three.' We will look at three novels of Isaac Asimov, Arthur C. Clarke and Robert Heinlein and discuss as fans and modern readers the impact of their contributions.

This whole module will be devoted to a close reading of C.S. Lewis's best novel (and, in my opinion, his best work in any genre). We'll talk through it carefully, tracing themes, unpacking dense passages, examining the secondary world he has created, and immersing ourselves in this profound, poignant tale of one woman's spiritual journey.

Transformation and the process of transformation, either physical or of the self, is a significant theme in Tolkien’s writing and appears throughout the Middle-earth legendarium. In this SPACE course, we will explore how the practice, philosophy and symbolism of alchemy resonate in the texts and provide another way to read the changes that are apparent throughout. Amongst other topics, we will look at the Music of the Ainur and Tolkien’s creation myth, the recurring symbolism of the alchemical colours: Black, White and Red, the metaphor of Gold, the nature of the One Ring, and Frodo as alchemical subject.

From the subcreation of Ulmo to travels from Cornwall to Avallonë, the Sea has played a special role in Tolkien’s world. This module looks at key instances of the Sea’s appearance in his writing corpus so that fellow readers can more fully appreciate the haunting beauty of water’s meaning and Tolkien’s imaginative ability. We will be reading excerpts from Tolkien’s legendarium, poetry, and creative historical works.

The magic of Middle-earth is a fascinating topic, sparking conversations about its nature, origins, mechanism, and primary-world analogues. Did you know that while Tolkien was writing his fictional language, many of his friends and contemporaries were practicing ceremonial magic? In this class, we’ll look at Elf-magic, Entish powers, prophecy, wizardry, telepathy, the power of the Ring, angelic and constructed languages, words of power, Saruman’s sorcerous voice, immortality, and spiritual ontology. We might even find out what Tolkien thought of his friends who told fortunes and cast spells!

J.R.R. Tolkien wrote only one play, "The Homecoming of Beorhtnoth Beorhthelm's Son," and it is more of a poetic dialogue than a theatrical work for production. However, it has been produced as a radio play. We'll read the work itself, two essays Tolkien wrote to accompany it, and some relevant scholarship. We'll talk about the production value of this piece and place it in its historical context during the modern verse drama revival.

J. R. R. Tolkien had great sensitivity to the details, delights, and vitality of the natural world. Throughout his writings, and especially in episodes involving the Ents and the land of Rohan, he pays exquisite attention to the lives and even personalities of trees, leaves, trunks, roots, atmosphere, streams, lichen, weather, rocks, cliffs, sun, moon, wind, rain, grass, soil, and other specific elements of creation. In this course, we will read these passages slowly and carefully, trying to appreciate every detail, and discuss what we can learn about caring for flora, fauna, and the planet itself from his loving descriptions and from some smart commentaries on his work.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Children of Hurin. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Children of Hurin will be necessary, and you may find having a copy of The Silmarillion very useful.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Fall of Gondolin. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Fall of Gondolin will be necessary, and you may find having a copy of The Silmarillion very useful.

Although they were never completed in his lifetime, JRR Tolkien wrote what he considered his three "Great Tales" of the Elder Days and intended them to be a significant part of his wider Silmarillion. These Tales are The Tale of Beren and Lúthien, The Children of Húrin, and The Fall of Gondolin. Some parts of these Tales can be found within the published version of The Silmarillion, but the more recently available individual books provide additional and extensive details for each story.

In this course, we will have a ‘read-along’ discussion of The Tale of Beren and Lúthien. Each session we will consider our close reading of a section of the story, examining Tolkien’s use of language and narrative structure, as well as exploring ideas about what each Tale tells us about Tolkien’s secondary world.

Access to a copy of The Tale of Beren and Lúthien will be necessary, and you may find having a copy of The Silmarillion very useful.

In this puzzle-solving course we will work to piece together Tolkien’s invented languages based primarily on how they are used in The Lord of the Rings. Although much richer linguistic information became publicly available later, this course will look primarily at those aspects of the languages revealed through the main text and appendices of The Lord of the Rings.

Tolkien’s letters offer scholars and fans alike a revealing, amusing, at times touching glimpse into the Professor’s understanding of his own life and work. In our course we’ll look at a bit of everything, but especially Letter 131, where he tried to explain it all.

Tolkien's take on Shakespeare is often misunderstood, but Macbeth helped Tolkien refine his understanding of fantasy and fairy-story, and The Lord of the Rings's portrayal of how we fall into evil owes much to Macbeth. Nothing is evil in the beginning. Even Macbeth was not so.

The Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J.R.R. Tolkien that are filled with all the wonderful elements of story-telling that are to be found in The Silmarillion, The Hobbit and The Lord of the Rings and yet, for some reason, they are less well-known and less studied. Some, like ‘Aldarion and Erendis: The Mariner’s Wife’, offer a compelling insight into the Second Age and the time of Númenor. Others, such as ‘The History of Galadriel and Celeborn’, ‘The Quest of Erebor’, or ‘The Hunt for the Ring’, shed further light on the events of the Third Age that are so familiar to readers of The Hobbit and The Lord of the Rings. We will discuss some of these stories and place them in the context of the other Middle-earth works.

Access to a copy of The Unfinished Tales is essential. Prior knowledge of the stories within is desirable, but you could read them as we go along.

This module will study various writing systems invented or adapted by Tolkien. We will primarily look at the Tengwar and the Angerthas (Cirth) described in The Lord of the Rings but we will also touch on other systems such as the Hobbit runes and other runic variants as well as the Goblin Alphabet from Letters from Father Christmas. Along the way we will introduce some basic phonetics and place Tolkien’s inventions in the context of the writing systems of the primary world.

Explore Tolkien’s Anglo-Saxon poetic inspiration. We will enjoy an introduction to a few Anglo-Saxon poems and then compare Tolkien’s adaptations to their Anglo-Saxon counterparts. Discussions of poetic style and technique will be with us along the way! Texts discussed include Beowulf, The Fall of Arthur, and other poems.

J.R.R. Tolkien and Charles Williams were friends, contemporaries, and fellow members of the Inklings. They both invented secondary worlds in which to set their stories, poems, and myths--and they both made maps! Indeed, each imagines that his other world is actually a pre-history to or alternative history for our own. We will take a brief look at JRRT's Legendarium and CW's Arthuriana, asking how they developed the geography, history, demographics, and cultures of their imagined worlds, how those related to the primary world, and what significance or symbolism each invited readers to infer from their invented lands.

What are the songs that stick in your memory? Are they catchy earworms that have you humming their melodies all day? Are they complicated jazz numbers, where lyrics give place to musical elaboration? Are they ballads, where the story is the thing?

The answer varies from listener to listener, but the great songs of whatever sort have some things in common. We're going to look for these things together, considering the conventions of different genres, poetic styles and their interaction with musical choices, a bit of music theory (that won't hurt a bit, I promise) and arrangement.

Each class session, we will listen to and talk about two or three songs. we'll discuss the choices the song writer(s) made, and how they affect your experience as a listener. We'll also look at how a single song might be interpreted differently by different artists, because performance is an inseparable element of how a song lands.

Students need have no grounding in music theory, or be musicians. All that is required is a love of music, and the desire to learn a little about the song writer's craft, whether that's in aid of becoming a more discerning listener, or because there's a song buried in your soul that you've not yet written.

J.R.R. Tolkien explicitly and publicly associated his subcreated race of the Dwarves with the Jewish people. This raises all sorts of interesting questions and problems, not least of which is why does he do this, and what within Jewish culture is he referring to? Usually scholars point to Dwarven language and Dwarven history for this association, but in this class we will explore the possibility that at the deepest level Tolkien is also drawing upon aspects of Jewish mysticism to support his claim.

Reading a text in multiple languages affords not only a fascinating look at the text but also insights into the process of translation. Participants of this module are each encouraged to bring a translation of the New Testament in a language other than English. Together, we will read through the book of 1 John, verse by verse, considering what translation choices were made for each language represented. We will discuss what we know about the conditions under which each translation was made and consider what we know about the respective cultures in order to investigate what motivated particular choices. As a side benefit, we will marvel at the widely diverse ways languages encode meaning and we will learn interesting facts about grammar in general.

This course will be most beneficial for people who have at least a basic reading ability in any language other than English.

This month-long introduction to reading Latin overviews core grammatical concepts, trains students to use dictionaries and grammatical aids, and highlights some Latin derivatives in English vocabulary. For the inaugural December instance of the course, we will read extracts from the Gospel of John in the Latin Vulgate and explore some Latin hymns and carols. .

This course examines novellas, stories, and myths that predated Tolkien's Ents in Lord of the Rings, ranging from Ovid's Metamorphoses to Ask and Embla of Norse myth, to Weird nineteenth- and twentieth-century works, such as George MacDonald's Phantastes and Algernon Blackwood's The Man Whom the Trees Loved. We'll explore why people ascribe human qualities to trees (and why they're often irascible). Through these myths and stories, we will reconsider both what it is to be a tree, and what it is to be human.

There are dragons in Tolkien’s works, of course, as well as Ents, Trolls, and Orcs, all enabling Tolkien to give shape and dimension to his world of Middle-earth. Less discussed amongst readers of the legendarium are the weird creatures that sit in the shadows – the ones designed to really make the back of your neck prickle. In this course, we will discuss these more troubling inhabitants of Middle-earth, with some close reading of the texts to guide our way.

Access to copies of The Silmarillion, The Hobbit and The Lord of the Rings is essential. Prior knowledge of the texts is desirable, but you could read them as we go along.

When we think of Gothic Horror, Bram Stoker’s Dracula immediately comes to mind. In this Module, we will explore the reasons why we are drawn to this compelling yet terrifying character, and how Stoker was connecting with Victorian anxiety towards the Supernatural and the Other.

Video games are an exciting new medium for storytelling because they give players agency within the story world. In this class, we’ll look at recent examples of games that use interactivity to tell stories not possible in any other medium. We’ll see how games encourage players to identify with characters’ emotions through gameplay; incorporate world-building into the setting; and handle the branching pathways of player choice. The games we’ll play are relatively short and are accessible to students who have never played video games before.

Inviting students to share their delight in, and deepen their appreciation of, video games, we will discuss examples of the art, music, gameplay, and story from a range of influential titles. We will introduce and experiment with some of the theoretical frameworks that have been applied to video games as media objects and cultural artifacts. But mostly, we will enjoy learning more about the medium and the games we already love. Aside from links and selections shared throughout the module, Gabrielle Zevin's novel Tomorrow, and Tomorrow, and Tomorrow will be the only required reading.

Join us in a creaky old tavern, in a forgotten corner of the video game universe, to unravel a murder mystery. Daniel Mullins' The Hex experiments with video game genres to tell its story of two game developers and their creations, worlds and characters alike, vying for freedom and survival. The Hex is available on Steam (and videos of playthrough can be found for those who would rather not play the game.)

Confucianism, Daoism, Legalism, Mohism---these Chinese philosophical systems all have their foundational roots in the Warring States period of Chinese history (475–221 BCE), and as such share a set of common interests, even if their proposals for attaining those interests greatly differ. In this module we will cover the basic concerns of each of these systems, paying attention to their differences as well as their similarities, and perhaps most importantly, seeing how their proposals for the attainment of human flourishing may still have something to offer to contemporary people.

Boarding schools have become a staple in fantasy, but Eleanor West's Home for Wayward Children specializes in children that have stumbled into and then out of portals and haven't quite managed to adjust to being back from their adventures. There are three rules at Eleanor West's: No Solicitations, No Visitors, and No Quests.

Explore the first three novellas (Every Heart a Doorway, Down Among the Sticks and Bones, and Beneath the Sugar Sky) of the Hugo and Nebula-winning Wayward Children series by Seanan McGuire. Join in for a discussion on portal fantasies, children's adventures, and what it can mean to believe in a world you may never see again.

Many people do not realize the variety of languages structures and strange language phenomena that exist in the worlds languages. This class will introduce a number of features that can be found across the globe. These include object agreement, verbs that necessarily encode the shape of items, ergativity, discourse particles, languages with 20 grammatical gender classes, pronoun hierarchies, circumfixes and infixes, and the complex systems of taboo words that arise in some languages. We will look a number of these, at what is rare, common, surprising, but all of which are real. Language families from Africa, the Caucasus, Siberia, Australia, and the Americas.

Tolkien’s essay into the time-travel genre is little known and even less likely read. However, his Lost Road and Notion Club Papers showcase his grappling with concepts at the heart of his legendarium. This module highlights those works, taking readers through a genre study, philological walkthrough, and conceptual discussion of the fragments. Buckle in for a Tolkien-guided adventure through Earth’s history back to the time of the Elves.

W. B. Yeats is arguably the greatest English-language poet of the Twentieth Century, yet the majority of his work is little known today outside of academia. He was also a playwright, novelist, author of a psycho-spiritual history of thought, Irish patriot, occult master, and creator of a religious/philosophical mythology. His beautiful, mystical, difficult works span (and indeed, define) at least three phases of late-19th- and early-to-mid-20th-century literature, providing an inescapable influence on authors of his time and thereafter. This module provides an overview of his poetry, from his early "Celtic twilight" phase through his modernist explorations to his late, great final works. We'll also glance at his drama and literary networks. Along the way, we'll explore a little bit about his life, social context, politics, spiritual explorations, and practical magic.

Let's do a close, detailed, literary reading of the Book of Job in the Bible, taking our time to contemplate each verse, sentence, phrase, and word. What literary techniques does the author use? How is the book structured? What genre conventions does it use or subvert? We will ponder these questions and others as we move slowly and respectfully through this beautiful ancient text.

If you are currently in the process of constructing a language, this module is for you. Bring all of your language data and together we will work to refine it, develop it, buff it, and expand it. We will look at what sounds you are currently using, how you are combining them, whether you want to incorporate more “exotic” sounds and how, etc. Then, we will dive into looking at ways to make your grammar more complex, natural, and unique. Finally, we will consider your language’s history. Your preceptor will share cool tools used for analyzing (this earth’s) understudied languages. At the end of this module, your language will have a richer life of its own and will sound and work even more extraordinarily with the life, energy, and uniqueness of any living, breathing language.

While building an entire world may seem like a daunting or divine task, thankfully there are many great writers who have gone before and left behind their advice, instructions, and encouragement for creating a secondary universe of your own. In this course, we'll look at what some smart and skillful folks have said about subcreation, then apply their ideas to your constructed storyworlds. We'll talk about how to choose and develop the properties of your land, what unique objects it contains, what level of technology its inhabitants have reached, who those inhabitants are, what language(s) they speak, what the physical nature of the world is, how its logic works, and--most importantly--its atmosphere and the philosophical implications of each of your creative choices. You should leave this course ready to set stories in your secondary universe.

It's a sometimes inconvenient fact that characters have bodies, and sometimes, those bodies directly affect the stories we write about them. Writing characters who live in bodies that do not perform according to the cultural standard is a skill like any other part of the writer's craft.

In this course, we will look at examples from literature of how authors have dealt with what we usually call disabilities. Some have done well, others have materially harmed people with their writing.

We will also work with one another to hone our craft as writers who are telling stories so that we can find the new and inspirational, while leaving behind the worn-out clichés that make the lives of people like your preceptor materially harder.

Note: Texts will be provided by the preceptor.

What makes a good children’s story? We’re going to address chapter books, cultural stories, and learning tales all through a lens of moral, cultural, and spiritual human development. Trying our hands at these forms should lead us to a nice folder full of works-in-progress at the end of the month. The December iteration of this module is designed to complete one treasured story gift for the holidays.

Your story is unique. Do you want to set it down on paper for yourself? For your family? No other person has accumulated your experiences; no other person has had your potential, learning, drive, disappointments, challenges, triumphs, and quiet joys. We'll explore a variety of media and forms for memoir writing, from picture books to blogs. We'll interview one another with kindness and encouragement and draw amazing stories out of each other—and ourselves.

In this module we will examine the origins and development of Zen Buddhism from its roots in Mahayana and Daoist thought through its formative years in China and its spread to Korea and Japan. Among other topics, we should have time to cover the Patriarchs of Zen, the Five Houses of Zen, and major figures within the tradition. We will also gesture towards Zen's impact on East Asian arts and culture more generally.